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324:(Mannheim University of Music and Performing Arts). During Tebbe's research Sahla's grandson, the journalist, television presenter and author Peter Sahla, provided David Tebbe with a large number of unpublished compositions from his own archive. Compositions – including a Concert for violin and orchestra in d-minor - that at some point will have to be published.
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Having received his diploma at the
Conservatory in Leipzig, the Mecca of violinists, the eighteen-year-old Sahla embarked on an impressive career as violin virtuoso. He quickly gained a reputation as one of the most talented violinists. "He elicits his Stradivari celestial sounds. Golden purity
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After World War I Sahla faced difficult times. For a while he earned his living as violinist in coffee houses and variety theatres. He spent some time with his wife in the United States. Anna-Ruth Sahla, singer at the court of
Schaumburg-Lippe, was born in America. Richard Sahla's last public
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and chief-conductor (Hofkapellmeister) at the court in BĂĽckeburg. He increased the court's orchestra and gave a series of concerts in
Hanover, Bremen, Hamburg and Berlin. The 40-strong ensemble became well-known beyond the principality of Schaumburg-Lippe. The composer, pianist and organist
188:(Konzertmeister) in Gothenburg, Sweden. From 1878 to 1880 he was a member of the Orchestra of the Vienna Royal Opera where he was a celebrated soloist. The Viennese press praised him as an equal of the Spanish violinist
468:"Jubiläums-Festschrift aus Anlaß der 25-jährigen Dirigententätigkeit des Fürstlich Schaumburg-Lippischen Hofkapellmeisters Professor Richard Sahla" von B. Friedhof (Grimmesche Hofbuchdruckerei 1913)
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From 1882 to early 1888 Richard Sahla was First
Concertmaster and first solo-violinist at the Royal Opera in Hanover, where he struck up many friendships. Amongst these were the
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Anna
Creuzinger, Aus dem Musikleben Bückeburgs: Professor Richard Sahla. Biographisches und persönliche Erinnerungen. In: Schaumburg-Lippische Heimatblätter 13 (1962) Nr. 2 ff.
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I. Fuchs: Sahla
Richard. In: Österreichisches Biographisches Lexikon 1815–1950 (ÖBL). Volume 9, Verlag der Österreichischen Akademie der Wissenschaften, Vienna 1988,
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for instance came to BĂĽckeburg in 1911 as soloist with Sahla conducting. But Sahla too, continued his career as soloist with great success. His repertoire included
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242:, director of the Royal Theatre in Hanover between 1867 and 1887. Sahla published a Ballad for violin and piano dedicated to Ingeborg von Bonsart.
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Das
Niedersächsische Staatsorchester, "Das Staatsorchester in Preußischer Zeit" (Heinrich Sievers) Schlütersche Verlagsbuchhandlung Hannover 1986
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engages with the sweet scent of poetry!" That was how one critic expressed his enthusiasm in 1880 after a concert at the Vienna Royal Opera (
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336:(Studies) of the Lieder Du bist die Ruh, Der Lindenbaum and Am Meer for solo violin (1874/1887) by Franz Schubert (F.E.C. Leuckart, Leipzig)
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137:. He finished as one of the most outstanding students of this world-famous institution. He played his debut concert aged eighteen at the
262:’s Violin Concerto. As conductor he concentrated his attention largely on composers which were not yet widely appreciated. Among them
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The violinist David-F. Tebbe came across a number of published compositions by Sahla whilst researching for his bachelor's thesis:
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for
Violine and piano forte in A-major, Dedicated to my lovely wife for Richard on 8. April 1900 (Gries & Schornnagel)
294:. As guest conductor he often worked with the Berlin Philharmonics. In Berlin he conducted the world premiers of all of
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in
Leipzig to rapturous applause for his "technically mature and musically exhilarating play". His friend
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Wilhelm Kienzl, Meine
Lebenswanderung. Erlebtes und Erschautes. Stuttgart: J. Engelhorns Nachf. (1926)
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pupil Ingeborg von Bronsart, an internationally acclaimed pianist and composer as well as her husband
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Helene Hillmann, Professor Richard Sahla. In: Schaumburg-Lippische Heimatblätter 20 (1969) Nr. 3 ff.
398:- dedicated to Her Excellency Ingeborg von Bronsart. BĂĽckeburg, November 1891 (C. F. Kahnt, Leipzig)
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Eva Rademacher, Zur Erinnerung an Richard Sahla. Schaumburg-Lippische Heimatblätter 32 (1981) Nr. 4
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for voice and piano (1925): Wiegenlied, Eine Karte, Ein Ich, Traumvergessenheit (Ries & Erler)
392:– poem by Fr. Rückert, set to music for voice and piano forte, Bückeburg 23. December 1891 (Nagel)
121:. He excelled on the violin and the piano. Aged 13 he started studying the violin as a pupil of
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Original scores of his compositions are kept at the state archive (Staatsarchiv) in BĂĽckeburg.
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as a first solo-violinist for eight months. After which he accepted the post of prime-
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describes Sahla's next steps in his autobiography. Both had studied composition under
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Richard Sahla grew up in his hometown Graz, where he quickly acquired a reputation as
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Niedersächs. Staatsarchiv Bückeburg, u.a. sheet music, notes and correspondence with
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298:’s violin concertos. Marteau like Reger was a close friend. The Hungarian conductor
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performance in BĂĽckeburg was in 1925 at a concert in honour of his 70th birthday.
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and piano forte: Spanischer Tanz, Nocturno No.1 Nocturno No 2, (C. F. Kahnt 1904)
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On 1 October 1875, aged twenty, Sahla joined the court orchestra (Hofkapelle) of
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with viola and piano forte by Johannes Brahms; arr. Richard Sahla (N. Simrock)
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During the autumn of 1881 Sahla, Wilhelm Kienzl and the coloratura soprano
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Hochschule fĂĽr Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
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219:. This turned out to be rather more exciting than foreseen when the
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said about Sahla: "He is a supremely gifted and exquisite artist".
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149:(also known as W. A. RĂ©my), whose students included the composers
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Schaumburger Zeitung 05.09. 2011 "Ein gottbegnadeter KĂĽnstler"
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Richard Sahla – violin virtuoso, maestro and forgotten composer
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ran off with the takings. During this tour Sahla wrote his
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Hochschule fĂĽr Musik und Darstellende Kunst Mannheim
109:) was a concert violinist, conductor and composer.
200:are dedicated in reverence to Pablo de Sarasate.
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374:for violin and piano (Schweers & Haake 1899)
540:University of Music and Theatre Leipzig alumni
342:for violin und piano forte (Verlag: Paul Vogt)
245:On 1 April 1888 he started in his position as
194:Spanischer Tanz, Nocturno Nr. 1 (B flat major)
192:. Sahla's compositions for violin and piano:
380:for solo violin (for Richarda and Richard)
78:Learn how and when to remove this message
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41:This article includes a list of general
426:Diverse adaptions of Svenska Folkvisor
131:University of Music and Theatre Leipzig
560:20th-century German conductors (music)
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207:engaged on a 66 concerts tour through
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570:19th-century German male musicians
565:20th-century German male musicians
414:Georg Friedrich Händel – Siciliano
408:Lieder after poem by Martha Grosse
47:it lacks sufficient corresponding
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575:Musicians from the German Empire
515:German male classical violinists
500:20th-century classical composers
495:19th-century classical composers
368:R.Sahla (Verlag: Nagel/Hannover)
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545:German male classical composers
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240:Hans Bronsart von Schellendorff
21:For the German equestrian, see
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555:19th-century German composers
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258:’s Violin Concerto No. 1 and
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402:4 Compositions for violin
316:– submitted to Prof. Dr.
198:Nocturno Nr. 2 (E major)
16:German concert violinist
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127:Conservatory in Leipzig
62:more precise citations.
101:(17 September 1855 in
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505:Composers for violin
340:Rumänische Rhapsodie
225:Rumänische Rhapsodie
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105:– 30 April 1931 in
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372:Schlummerliedchen
190:Pablo de Sarasate
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286:as well as
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378:Wiegenlied
221:impresario
139:Gewandhaus
43:references
452:, S. 379.
260:Beethoven
252:Max Reger
113:Biography
107:BĂĽckeburg
384:Menuetto
284:Sibelius
272:Bruckner
256:Paganini
396:Ballade
366:Reverie
320:at the
276:Debussy
264:Berlioz
217:Germany
213:Croatia
209:Hungary
125:at the
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348:after
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268:Brahms
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