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Richard Jefferies

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621: 216:, also made a strong impression on the memories of those who knew the Jefferies at the time. Betsy, like Iden's wife, seems to have been dissatisfied with life on the farm: "a town-bred woman with a beautiful face and a pleasure-loving soul, kind and generous to a fault, but unsuited to a country life." The farm was very small, with 39 acres (160,000 m) of pasture; and a mortgage of £1500 would later begin a slide into debt for James Jefferies, who lost the farm in 1877 and became a jobbing gardener. But these difficulties were less evident in Richard's childhood. The situation was much as in 247:. Jefferies kept a close friendship with Mrs. Ellen Harrild (nee Gyde) and his letters to her are an important source for biographers. At Coate, he spent most of his time in the countryside; and much of what he narrates of Bevis is true of himself. His father had taken him shooting when he was eight; and already at nine he had shot a rabbit. He was soon spending much of his time hunting (both with a gun and with snares) and fishing. He also, like Bevis, added home-made rigging to a boat to sail on the reservoir; and he is said to have built his own canoe, like the hero of 654:. At first Jefferies resisted the suggestion, regarding aid from aristocratic patrons not involved in literary work as humiliating: "Patrons of literature! was there ever such a disgrace in the nineteenth century? Patrons of literature! The thing is simply abominable!" Longman finally succeeded in convincing Jefferies that the fund was "assisted by everybody who had made any success in literature". An application was accepted and the committee voted a grant of one hundred pounds. Another fund arranged by Longman enabled Jefferies to move nearer to the sea, at 341:, where he would lie on the grass, ecstatically feeling and seeking a connection with the natural world. In September 1867 and July 1868 he was very ill. In retrospect the illnesses were clearly the first symptoms of the tuberculosis that would kill him. He emerged from them weakened and very thin – "My legs are as thin as a grasshopper's", he wrote to his aunt. Illness also prompted some reconsideration of his own character: he was going to be "not swell but stylish" in future, since people set so much store by appearance. 2009: 301: 464:(1881) introduces his child-hero, Bevis, a small child on a farm near a small lake, called the "Longpond", clearly Coate Farm and Coate Reservoir. Bevis's exploration of the garden and neighbouring fields brings him into contact with the country's birds and animals, who can speak to him, as can even inanimate parts of nature, such as the stream and the wind. Part of the book is a depiction of a small child's interaction with the natural world, but much is a cynical 309:
was perfectly unconscious of this, or indifferent to it." He helped little on the farm (his only enthusiasm was for chopping and splitting wood) and was regarded as something of an idler. The gun that he always carried drew the suspicion of local landowners – one said, "That young Jefferies is not the sort of fellow you want hanging about in your covers". Finally, early in 1866, he started work as a newspaper reporter for the
2037: 197:, Wiltshire, the son of a farmer, James Luckett Jefferies (1816–1896). His birthplace and home is now a museum open to the public. James Jefferies had the farm from his father, John Jefferies, who had been a printer in London before returning to Swindon to run the family mill and bakery. Richard's mother, Elizabeth Gyde (1817–1895), always called Betsy, was the daughter of John Jefferies's binder and manager. 559:
becoming overgrown, the hated London reverting to lake and poisonous swampland. The second part, "Wild England", is largely a straightforward adventure set many years later in the wild landscape and society (here too Jefferies was setting an example for the genre); but the opening section, despite some improbabilities, has been much admired for its rigour and compelling narrative.
173: 472:(1882), the boy is older, and the fantasy element, by which animals can talk, is quite absent. Rather, we have realistically related adventures of Bevis and his friend Mark, fighting a mock battle with other local children, rigging a boat and sailing to an island on the lake (which they call "The New Sea"), fishing and even shooting with a homemade gun. 40: 570:: two short unpublished pieces from the 1870s describe social collapse after London is paralysed by freak winter conditions. In the better achieved of these, the narrator is a future historian piecing the story together from surviving accounts. The fantasy of the second part also has a predecessor in a short work, 308:
Jefferies left school at fifteen and at first continued his habits of solitary wanderings about the local countryside. He dressed carelessly and allowed his hair to grow down to his collar. This, with his "bent form and long, rapid stride made him an object of wonder in the town of Swindon. But he
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Looker and Porteous (1965), 169, quoting Jefferies's son Harold, "His sufferings were so great that they prevented him from attending the funeral ... The agonized expression on father's face, as he stood at the open door, watching the little procession move away, haunted my mind for many years";
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The book has two parts. The first, "The Relapse into Barbarism", is the account by some later historian of the fall of civilisation and its consequences, with a loving description of nature reclaiming England: fields becoming overrun by forest, domesticated animals running wild, roads and towns
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The Surbiton years were momentous. The couple's next child, a daughter called Jessie after her mother (but known by her second name, Phyllis), was born (on 6 December 1880), and Jefferies began to make his name at last. His new surroundings defined him, both to himself and others, as a country
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The following list is necessarily selective. Much of Jefferies's writing was not published in book form in his lifetime. Many works surviving in manuscript or only published in journals have been published piecemeal by various editors since his death. Since his contributions to journals were
152:(1883). This work, an introspective depiction of his thoughts and feelings about the world, gained him the reputation of a nature mystic at the time, but it is his success in conveying his awareness of nature and people within it, both in his fiction and in essay collections such as 361:, he married Jessie Baden (1853–1926), the daughter of a nearby farmer. After living for a few months at Coate Farm, the couple moved to a house in Swindon in 1875 (its current address is 93 Victoria Road); and their first child, Richard Harold Jefferies, was born there on 3 May. 220:(1885), where the farming and gardening Baron is again based on James Jefferies: "The whole place was thus falling to decay, while at the same time it seemed to be flowing with milk and honey". One part of the Jefferies family is strikingly missing from the books. In 383:. (There is a wooden plaque commemorating this by the entrance to Surbiton Library.) The area was then at the limits of London's growth. Jefferies spent much time wandering through the nearby countryside; and these walks would later provide the material for 333:, William Morris, an antiquarian and local historian, lent Jefferies books and encouraged his early writing attempts. Jefferies himself developed an antiquarian interest in the countryside: he published articles on local history in the 643:(1887). Closely based on his own family at Coate, it describes a farm and a family imperceptibly approaching disaster. There is little narrative development; instead significant or typical moments are presented in short scenes or even 1790:
Cf. Besant (1905), 151–2 (on the later novels generally); Keith (1965), 139–43, particularly 139, citing a letter of Jefferies: "I originally intended this book to form a series of scenes from country life and so proposed to call it
499:(1883). He had been planning this work for seventeen years and, in his words, it was "absolutely and unflinchingly true". It was not an autobiography of the events of his life, but an outpouring of his deepest thoughts and feelings. 146:, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in 291:
and had a little money saved.) After crossing the channel, they soon found that their schoolboy French was insufficient and returned to England. Before they reached Swindon, they noticed an advertisement for cheap crossings from
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Although the society that Jefferies depicts after the fall of London is an unpleasant one, with oppressive petty tyrants at war with each other, and insecurity and injustice for the poor, it still served as an inspiration for
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to America and set off in this new direction. The tickets however, did not include the cost of food; and the boys were forced to return to Swindon after an attempt to pawn their watches had drawn the attention of the police.
348:(1873), in which he shared the fruits of his brief experience as a local reporter. Meanwhile the novels he was writing could not find a publisher. What national attention he attracted was instead from a series of letters to 374:
While in Swindon, Jefferies had found it difficult to seek publication or employment with London publishers; and early in 1877, with Jessie and their baby son Harold, he moved to a house at what is now 296 Ewell Road,
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Critics dissatisfied with the second part often make an exception of chapters 22–24, which go beyond recreation of a medieval world to give a disturbing and surreal description of the site of the fallen city.
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gives the main character brothers and depicts the imperfect sympathy between them. James and Elizabeth's first child, Ellen, had died young; but Richard had two younger brothers and a younger sister.
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wrote of his reaction on first reading Jefferies: "Why, we must have been blind all our lives; here were the most wonderful things possible going on under our very noses, but we saw them not."
1958: 1063:"The Farmer's World: Richard Jefferies' Agricultural Journalism in the late 1870s". A collection of Jefferies's articles published in the Livestock Journal. Published by Petton Books, 2016, 127:(6 November 1848 – 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small 448:
in particular is regarded as a major advance on the earlier works, the first in which he approaches the autobiographical subject matter that is behind his best works. A minor novel,
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on the Wiltshire agricultural labourer, published in November 1872. The letters, like his other writings from this period, reflect the Conservative outlook of his upbringing.
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Thomas (1909), 132; Keith (1965), 64 "It is, in my opinion, easily the best of the country books, and this judgment would not, I think, be disputed by most readers".
555:": after some sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature, and the few survivors to a quasi-medieval way of life. 1407:
Looker and Porteous (1965), 4, cite a letter by James Jefferies: "My old house was originally thatch. ... I have not seen it since Blue Slates as [
1052:"The Rise of Maximin: Emperor of the Orient", first published in serial form in 'The New Monthly Magazine' (1876–7), (Oxfordshire: Petton Books, 2012). 793:
featured the Richard Jefferies Museum in 2022 when antiques expert James Braxton met with the museum's director Mike Pringle to tell the authors story.
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Thomas (1909), 256 " reveals an unsuspected strength of remorseless logic and restraint"; Fowles (1980), xviii–xix; Miller and Matthews (1993), 440.
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to take up writing; Williamson edited a collection of Jefferies's writings with a title that indicates the great regard that he held for Jefferies:
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In Brighton, his third child, Richard Oliver Launcelot Jefferies, was born on 18 July 1883. But his life was to be a short one. Jefferies moved to
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and was the first to notice a stone circle near Coate Farm. He was also spending much time on the downs, particularly at the iron age hill fort,
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After his death a number of posthumous collections were made of his writings previously published in newspapers and magazines, beginning with
669:(1889), edited by his widow. New collections have appeared since then, but even now not all his writings have been gathered and reprinted. 2070: 243:, where he attended a private school, returning to Coate in the holidays. His uncle, Thomas Harrild, was a son of the printing innovator 2507: 650:
Illness and resulting lower productivity had impoverished Jefferies; and the editor Charles Longman suggested an application to the
2532: 552: 662:. There, on 14 August 1887, he died of tuberculosis and exhaustion. He is buried in Broadwater and Worthing Cemetery in Worthing. 204:(1887); and the portraits of the family in the novel tally with external accounts of the Jefferies. James Jefferies, like Iden in 2522: 2537: 1881: 1373: 1337: 1323: 1309: 1295: 1270: 1220: 1210: 1196: 1068: 1057: 903: 879: 2512: 416:, collected as a book in 1878. The book was well received and Jefferies was compared with the great English nature writer, 239:
Jefferies spent several of his earlier years, between the ages of four and nine, with his aunt and uncle, the Harrilds, in
1893: 208:, was devoted to his garden, while struggling to make a financial success of the farm. The garden, lovingly recalled in 2577: 2542: 1106: 258: 20: 1302:
A Peculiarly English Genius, or a Wiltshire Taoist: A Biography of Richard Jefferies, The Years of Struggle, 1867–1876
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Richard Jefferies : Selections of his Work with details of his Life and Circumstances, his Death and Immortality
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A Peculiarly English Genius, or a Wiltshire Taoist: A Biography of Richard Jefferies, The Early Years, 1848–1867
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generally anonymous, identification is often a problem. For a fuller survey, see Miller and Matthews (1993).
412:. First came a series of essays based on his friendship with the keeper of the Burderop estate, near Coate, 2557: 2552: 2346: 2210: 401:, described in chap. 5. Smith, Elder & Co. used the emblem in subsequent editions of Jefferies's books. 2018: 344:
He was now actively pursuing a career as a writer, writing a history of the Goddards, a local family, and
2372: 2367: 845: 620: 895: 871: 530: 287:, ran off to France, intending to walk to Russia. (Cox, slightly older than Jefferies, worked for the 2300: 2125: 1027:, ed. G. Toplis (London: Simpkin, Marshall, Hamilton, Kent & Co Ltd., 1896), somewhat bowdlerised 444:. In the few years that Jefferies took to write these essays, his literary skill developed rapidly: 2562: 2270: 1814: 1763: 813: 576: 186: 62: 1727:
by Looker, is given in an appendix to the same edition, 243-8); Miller and Matthews (1993), 432–3.
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Canadian poet John Newlove published "Inscription to Richard Jefferies on a Sarsen at Barbury" in
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In December 1881, Jefferies began to suffer from his until then undiagnosed tuberculosis, with an
2476: 2190: 2160: 2105: 280:, which served as a model for mock battles fought on a field between the farm and the reservoir. 131:
farm had a great influence on him and provides the background to all his major works of fiction.
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H. Matthews and R. Welshman, "Richard Jefferies: An Anthology" (Longcot: Petton Books, 2010).
452:(1880), was the first to gain recognition, both from contemporaries and in later scholarship. 39: 2260: 2155: 954: 867: 495: 408: 288: 271: 148: 2502: 2497: 2471: 2398: 2310: 2280: 2150: 1073:"Ben Tubbs Adventures" (Norfolk: Petton Books, 2016). Jefferies's earliest work of fiction. 734: 284: 707:
wrote several novels about English rural life modelled on Jefferies' work, beginning with
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writer. Articles drawing on Jefferies's Wiltshire experiences found a ready market in
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John Richard Jefferies (he used the first name only during his childhood) was born at
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Natural England, Local Nature Reserves, The Wood and Richard Jefferies Bird Sanctuary
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Miller and Matthews (1993), 202 on its contemporary reception; Leavis (1989), 262, "
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Hill. In Crowborough Jefferies completed his most ambitious and most unusual novel,
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poetry to create a back story to the events that Jefferies details in his novel.
762: 758: 2403: 2383: 2361: 2295: 2255: 1033:, ed. G. Toplis (London: Simpkin, Marshall, Hamilton, Kent & Co Ltd., 1896) 704: 644: 585: 522: 346:
Reporting, Editing, and Authorship: Practical Hints for Beginners in Literature
244: 142:(1885), a work of science fiction. For much of his adult life he suffered from 2000: 300: 251:. At the same time, he became a keen reader: favourite books included Homer's 134:
Jefferies's corpus of writings covers a range of genres and topics, including
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These relationships are mirrored in the characters of Jefferies's late novel
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After Eltham, Jefferies lived briefly in various parts of Sussex, first at
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Only the first of these (produced by his widow) was planned by Jefferies.
315:. For several years he worked as a reporter, contributing not only to the 2393: 2275: 2240: 2220: 2185: 2180: 1540:
Besant (1905), 57; Thomas (1909), 56; 65; Looker and Porteous (1965), 54.
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to convalesce. About this time he wrote his extraordinary autobiography,
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in 1876, in this case an adventure set in a remote and imaginary past.
534: 390: 2245: 1261:, Victorian contextual information by Liz Howell and an afterword by 1258: 420:. Three more collections followed the same pattern of publication in 350: 293: 190: 128: 1932:"Bird in the Belly: After the City review – a richly woven dystopia" 1456:
Besant (1905), 5; 14–16; Thomas (1909), 24–5; 28–29; Rossabi (2004).
533:, in June 1884, and here, early in 1885, the child died suddenly of 2450: 2057: 2031: 776: 659: 490: 380: 376: 87: 2027: 537:. Jefferies was so affected that he could not attend the funeral. 2042: 960: 253: 194: 66: 2092: 1758:, Shiel drew heavily on another fine novel, Richard Jefferies' 515: 502:
Articles about the Surbiton area were reprinted in the popular
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Fowles (1980), xi–xv; Miller and Matthews (1993), 33–6, 431–2.
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Vol. 3 (Cambridge: Cambridge University Press, 1989), 254–64.
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Field and Hedgerow; Being the Last Essays of Richard Jefferies
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of a revolt against the magpie Kapchack, the local tyrant. In
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is the best of his early novels comparable with the Hardy of
999:(London: Sampson Low, Marston, Searle, & Rivington, 1887) 2058:
The Old House at Coate: Jefferies Museum Development Project
172: 526: 1119:(London: Chatto and Windus, 1888, fourth impression 1905). 835: 808:. The band adapted extracts from the novel, together with 594:(1890). In a letter of 1885, he writes of his reaction to 283:
In November 1864, at the age of sixteen, he and a cousin,
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List of 19th-century British children's literature titles
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Besant (1905), 70–5; Thomas (1909), 61–3; Rossabi (2004).
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Adventures in the Vale of the White Horse: Jefferies Land
783: 489:. After a series of painful operations, he moved to West 440:(1880), brought together articles first published in the 1504:
Thomas (1909), 39; 41–2; Looker and Porteous (1965), 16.
506:(1883), although the last chapters of the book refer to 1495:
Besant (1905), 27–8; Thomas (1909), 39; Rossabi (2004).
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Jefferies' Land: A History of Swindon and its Environs
598:: "absurd hopes curled around my heart as I read it." 176:
Coate farm in 1896. The roof was originally thatched.
1906:"BBC One - Antiques Road Trip, Series 24, Episode 4" 894:(London: Smith, Elder & Co., 1879) (reissued by 1265:), Swindon: Richard Jefferies Museum Trust, 2021). 1795:... The idea of calling it a novel was secondary." 1423: 1421: 1419: 1330:The Interpreter: a biography of Richard Jefferies 1039:, collected and introduced by E. Thomas (London: 930:(London: Cassell, Petter, Galpin & Co., 1881) 2489: 1813: 357:In 1874, the year of his first published novel, 826: 819:The Richard Jefferies Society awards an annual 1443: 1441: 1439: 1437: 1435: 1433: 1416: 566:Jefferies's interest in catastrophes predates 232:, the hero (or heroine) has no siblings; only 2078: 1843:Great Friends, Portraits of seventeen writers 1047:Eye of the Beholder: an illustrated anthology 729:Other writers who admired Jefferies included 1304:(Foulsham, Norfolk UK: Petton Books, 2020). 1290:(Foulsham, Norfolk UK: Petton Books, 2017). 1150:(London: University of Toronto Press, 1965). 572:The Rise of Maximin, Emperor of the Occident 551:(1885), can be seen as an early example of " 1819:The Stanford Companion to Victorian Fiction 1576:Besant (1905), 54–5; 60; Thomas (1909), 55. 1430: 1241:Richard Jefferies and the Ecological Vision 987:(London: Cassell & Company, Ltd., 1885) 672: 2085: 2071: 1821:. Stanford University Press. p. 228. 1227:Richard Jefferies, A bibliographical study 1021:(London: Longmans, Green, & Co., 1892) 1015:(London: Longmans, Green, & Co., 1889) 1003: 969:(London: Longmans, Green, & Co., 1884) 460:Two books of these years form a sequence. 1531:Besant (1905), 50–3; Thomas (1909), 46–7. 940:, Marston, Searle, & Rivington, 1882) 800:was a source of inspiration for the band 692:Richard Jefferies: His Life and His Ideas 2019:Works by or about John Richard Jefferies 1992:Works by Richard Jefferies in eBook form 1585:Thomas (1909), 20; 57–8; Rossabi (2004). 1513:Besant (1905), 29–30; Thomas (1909), 40. 1486:, Chapter 4, cited in Thomas (1909), 47. 775:The Richard Jefferies Bird Sanctuary in 619: 389: 299: 171: 2049:, with 86 library catalogue records 1929: 1723:Fowles (1980), x (the fragment, called 1465:Besant (1905), 4; Thomas (1909), 29–30. 1281:Oxford Dictionary of National Biography 1255:Wild Life, A Unique Vision of Our World 1077: 1049:(Southampton: Ashford Press Pub., 1987) 981:(London: Richard Bentley and Son, 1884) 836:Books published in Jefferies's lifetime 138:(1882), a classic children's book, and 2490: 1025:The Early Fiction of Richard Jefferies 924:(London: Smith, Elder & Co., 1880) 918:(London: Smith, Elder & Co., 1880) 912:(London: Smith, Elder & Co., 1880) 888:(London: Smith, Elder & Co., 1879) 160:(1880), that has drawn most admirers. 2066: 1567:Besant (1905), 60; Thomas (1909), 74. 1243:(Oxford: Trafford Publishing, 2006). 1189:The Forward Life of Richard Jefferies 1085:Richard Jefferies and His Countryside 770:The Tasmanian Devil & Other Poems 1804:Looker and Porteous (1965), 198–202. 1359:Richard Jefferies: His Life and Work 1277:(John) Richard Jefferies (1848–1887) 1182:Richard Jefferies, Man of the Fields 1158:Lives and works of Richard Jefferies 475: 2093:Victorian-era children's literature 2010:Works by or about Richard Jefferies 1639:Thomas (1909), 111; Rossabi (2004). 1148:Richard Jefferies, A Critical Study 1132:, "Introduction", in R. Jefferies, 993:(London: Chatto & Windus, 1885) 975:(London: Chatto & Windus, 1884) 13: 1930:Spencer, Neil (19 February 2022). 1621:Thomas (1909), 96; Rossabi (2004). 1347:(Boston: Twayne Publishers, 1982) 1332:(Swindon: Blue Gate Books, 2008). 1318:(Cambridge: Galileo Books, 2019). 455: 364: 321:Wilts and Gloucestershire Standard 21:Richard Jefferies (disambiguation) 14: 2589: 1985: 1229:(Aldershot: Scolar Press, 1993). 624:Monument to Richard Jefferies in 167: 2508:19th-century British journalists 2035: 1979:Miller and Matthews (1993), 569. 1669:Miller and Matthews (1993), 232. 1382:(Swindon: BlueGate Books, 2007). 860:(London: Tinsley Brothers, 1877) 854:(London: Tinsley Brothers, 1875) 38: 2533:English science fiction writers 1973: 1951: 1923: 1898: 1887: 1866: 1857: 1848: 1835: 1807: 1798: 1784: 1748: 1739: 1730: 1717: 1708: 1698: 1681: 1672: 1663: 1654: 1642: 1633: 1624: 1615: 1606: 1597: 1588: 1579: 1570: 1561: 1552: 1543: 1534: 1525: 1516: 1507: 1498: 1368:(Longcot: Petton Books, 2010). 1316:Richard Jefferies: a Miscellany 1205:(Longcot: Petton Books, 2008). 1124:The Essential Richard Jefferies 1117:The Eulogy of Richard Jefferies 540: 1845:(London: Macmillan, 1979), 58. 1489: 1477: 1468: 1459: 1450: 1401: 1392: 1191:(Oxford: Petton Books, 1994). 1180:S. J. Looker and C. Porteous, 1166:6 (1938) 435–46, reprinted in 1136:(Oxford: OUP, 1980), vii–xxi. 1126:(London: Jonathan Cape, 1948). 985:After London; Or, Wild England 886:Wild Life in a Southern County 698:The Faith of Richard Jefferies 677:Early works included three by 615: 426:Wild Life in a Southern County 1: 2538:Environmental fiction writers 180: 1386: 1201:H. Matthews and P. Treitel, 1187:H. Matthews and P. Treitel, 827:Published books by Jefferies 436:(1880). Another collection, 7: 2513:19th-century English people 2034:(public domain audiobooks) 1961:. Richard Jefferies Society 1361:(London: Hutchinson, 1909). 1225:G. Miller and H. Matthews, 1203:Richard Jefferies: An Index 1184:(London: John Baker, 1965). 737:(who wrote his biography), 714:Jefferies's works inspired 606:'s post-apocalyptic novel, 10: 2594: 2523:English children's writers 2028:Works by Richard Jefferies 2001:Works by Richard Jefferies 1094:, John Owen Smith (2005). 961:Longmans, Green, & Co. 922:Round About a Great Estate 896:Cambridge University Press 872:Cambridge University Press 686:Richard Jefferies: A Study 434:Round About a Great Estate 399:Round About a Great Estate 158:Round About a Great Estate 18: 2578:People from Goring-by-Sea 2543:Environmental journalists 2459: 2443: 2427: 2324: 2301:Charlotte Elizabeth Tonna 2126:Christabel Rose Coleridge 2098: 2053:Richard Jefferies Society 1959:"Richard Jefferies Award" 1378:H. Sheehan, Jill Carter: 934:Bevis: the Story of a Boy 369: 114: 106: 98: 73: 49: 37: 30: 2518:British male journalists 2477:Frederick Warne & Co 2271:Elizabeth Missing Sewell 1793:Scenes from Country Life 1745:Fowles (1980), vii–viii. 1693:Under the Greenwood Tree 1087:, Herbert Jenkins, 1946. 1019:The Toilers in the Field 814:Lancashire Cotton Famine 673:Influence and reputation 577:The New Monthly Magazine 553:post-apocalyptic fiction 547:Jefferies's next novel, 480: 2573:People from Crowborough 2568:People from Rotherfield 2191:Frances Hodgson Burnett 2106:Henry Cadwallader Adams 1004:Posthumous publications 821:Richard Jefferies Award 709:The Wonderful Wapentake 424:and then in book form: 2528:English nature writers 2306:Charlotte Maria Tucker 2291:Robert Louis Stevenson 2236:Mary Louisa Molesworth 2116:Lucy Lyttelton Cameron 1109:pp. 55–56, 64–72. 1090:Banerjee, Jacqueline, 1037:The Hills and the Vale 973:The Life of the Fields 868:Smith, Elder & Co. 864:The Gamekeeper at Home 804:'s 2022 concept album 628: 414:The Gamekeeper at Home 402: 335:North Wiltshire Herald 317:North Wiltshire Herald 312:North Wiltshire Herald 305: 177: 125:John Richard Jefferies 2472:Marcus Ward & Co. 2261:William Brighty Rands 2156:Juliana Horatia Ewing 1660:Thomas (1909), 111–5. 1122:Malcolm Elwin (ed.), 997:Amaryllis at the Fair 955:The Story of My Heart 916:Hodge and His Masters 870:, 1878) (reissued by 852:Restless Human Hearts 641:Amaryllis at the Fair 635:, then in a house on 623: 496:The Story of My Heart 438:Hodge and his Masters 422:The Pall Mall Gazette 409:The Pall Mall Gazette 393: 303: 289:Great Western Railway 272:James Fenimore Cooper 202:Amaryllis at the Fair 175: 149:The Story of My Heart 16:English nature writer 2399:Harold Robert Millar 2311:Charlotte Mary Yonge 2281:Mary Martha Sherwood 2151:Evelyn Everett-Green 1766:, "Introduction" to 1630:Besant (1905), 83–5. 1612:Thomas (1909), 80–3. 1603:Thomas (1909), 74–8. 1549:Thomas (1909), 47–9. 1522:Thomas (1909), 45–6. 1283:(Oxford: OUP, 2004). 1257:(with a foreword by 1078:Secondary literature 823:for nature writing. 812:, plague poetry and 329:. The editor of the 69:, Wiltshire, England 19:For other uses, see 2558:Victorian novelists 2553:People from Swindon 2047:Library of Congress 1413:] been put on." 1398:Besant (1905), 167. 948:Chatto & Windus 892:The Amateur Poacher 679:Henry Stephens Salt 652:Royal Literary Fund 626:Salisbury Cathedral 462:Wood Magic: A Fable 446:The Amateur Poacher 430:The Amateur Poacher 154:The Amateur Poacher 2342:Randolph Caldecott 2332:Eleanor Vere Boyle 2266:Talbot Baines Reed 2251:Frances Mary Peard 2161:Frederic W. Farrar 1863:Morris (2006) 314. 1558:Thomas (1909), 50. 1427:Thomas (1909), 29. 1380:The Cunning Spider 1083:Arkell, Reginald, 1041:Duckworth & Co 957:: An Autobiography 944:Nature Near London 791:Antiques Road Trip 779:commemorates him. 667:Field and Hedgerow 629: 504:Nature Near London 403: 385:Nature Near London 331:Swindon Advertiser 326:Swindon Advertiser 319:, but also to the 306: 178: 2485: 2484: 2467:Blackie & Son 2414:Millicent Sowerby 2389:Sydney Prior Hall 2357:George Cruikshank 2286:Flora Annie Steel 2226:Frederick Marryat 2211:W. H. G. Kingston 2201:Richard Jefferies 2131:Harry Collingwood 2043:Richard Jefferies 2005:Project Gutenberg 1882:978-0-340-68063-6 1872:Ludovic Kennedy, 1854:Morris (2006) 14. 1689:Greene Ferne Farm 1374:978-0-9563751-1-7 1345:Richard Jefferies 1338:978-0-9555874-3-6 1324:978-1-912916-05-4 1310:978-0-9563751-9-3 1296:978-0-9563751-8-6 1271:978-1-8381300-0-8 1221:978-0-9563751-2-4 1211:978-0-9522813-2-0 1197:978-0-9522813-0-6 1069:978-0-9563751-6-2 1058:978-0-9563751-3-1 910:Greene Ferne Farm 904:978-1-108-00409-1 880:978-1-108-00410-7 842:The Scarlet Shawl 810:broadside ballads 802:Bird in the Belly 796:Jefferies' novel 591:News from Nowhere 476:Illness and death 450:Greene Ferne Farm 432:(both 1879), and 359:The Scarlet Shawl 339:Liddington Castle 304:Jefferies in 1872 189:in the parish of 122: 121: 44:Richard Jefferies 32:Richard Jefferies 2585: 2231:George MacDonald 2206:Charles Kingsley 2111:R. M. Ballantyne 2087: 2080: 2073: 2064: 2063: 2039: 2038: 2023:Internet Archive 2014:Internet Archive 1980: 1977: 1971: 1970: 1968: 1966: 1955: 1949: 1948: 1946: 1944: 1927: 1921: 1920: 1918: 1916: 1902: 1896: 1891: 1885: 1870: 1864: 1861: 1855: 1852: 1846: 1839: 1833: 1832: 1815:Sutherland, John 1811: 1805: 1802: 1796: 1788: 1782: 1772:Penguin Classics 1768:The Purple Cloud 1756:The Purple Cloud 1752: 1746: 1743: 1737: 1734: 1728: 1721: 1715: 1712: 1706: 1702: 1696: 1685: 1679: 1676: 1670: 1667: 1661: 1658: 1652: 1646: 1640: 1637: 1631: 1628: 1622: 1619: 1613: 1610: 1604: 1601: 1595: 1592: 1586: 1583: 1577: 1574: 1568: 1565: 1559: 1556: 1550: 1547: 1541: 1538: 1532: 1529: 1523: 1520: 1514: 1511: 1505: 1502: 1496: 1493: 1487: 1481: 1475: 1472: 1466: 1463: 1457: 1454: 1448: 1445: 1428: 1425: 1414: 1405: 1399: 1396: 1168:Collected Essays 846:Tinsley Brothers 755:Raymond Williams 716:Henry Williamson 609:The Purple Cloud 602:also influenced 574:, serialised in 529:, now a part of 512:Ditchling Beacon 80: 59: 57: 42: 28: 27: 2593: 2592: 2588: 2587: 2586: 2584: 2583: 2582: 2563:Victorian poets 2488: 2487: 2486: 2481: 2455: 2439: 2423: 2320: 2316:Augusta Bethell 2216:Rudyard Kipling 2176:Anna Maria Hall 2146:Maria Edgeworth 2094: 2091: 2036: 1996:Standard Ebooks 1988: 1983: 1978: 1974: 1964: 1962: 1957: 1956: 1952: 1942: 1940: 1928: 1924: 1914: 1912: 1904: 1903: 1899: 1892: 1888: 1874:All in the Mind 1871: 1867: 1862: 1858: 1853: 1849: 1840: 1836: 1829: 1812: 1808: 1803: 1799: 1789: 1785: 1764:John Sutherland 1753: 1749: 1744: 1740: 1735: 1731: 1722: 1718: 1713: 1709: 1705:Rossabi (2004). 1703: 1699: 1686: 1682: 1677: 1673: 1668: 1664: 1659: 1655: 1649:Literary Surrey 1647: 1643: 1638: 1634: 1629: 1625: 1620: 1616: 1611: 1607: 1602: 1598: 1593: 1589: 1584: 1580: 1575: 1571: 1566: 1562: 1557: 1553: 1548: 1544: 1539: 1535: 1530: 1526: 1521: 1517: 1512: 1508: 1503: 1499: 1494: 1490: 1482: 1478: 1473: 1469: 1464: 1460: 1455: 1451: 1447:Rossabi (2004). 1446: 1431: 1426: 1417: 1406: 1402: 1397: 1393: 1389: 1092:Literary Surrey 1080: 1006: 838: 829: 763:Ludovic Kennedy 759:Jeff VanderMeer 675: 618: 545: 483: 478: 458: 456:The Bevis books 372: 367: 365:First successes 183: 170: 82: 78: 61: 60:6 November 1848 55: 53: 45: 33: 24: 17: 12: 11: 5: 2591: 2581: 2580: 2575: 2570: 2565: 2560: 2555: 2550: 2545: 2540: 2535: 2530: 2525: 2520: 2515: 2510: 2505: 2500: 2483: 2482: 2480: 2479: 2474: 2469: 2463: 2461: 2457: 2456: 2454: 2453: 2447: 2445: 2441: 2440: 2438: 2437: 2431: 2429: 2425: 2424: 2422: 2421: 2416: 2411: 2406: 2404:Arthur Rackham 2401: 2396: 2391: 2386: 2384:Kate Greenaway 2381: 2375: 2373:H. H. Emmerson 2370: 2365: 2362:Thomas Dalziel 2359: 2354: 2349: 2344: 2339: 2334: 2328: 2326: 2322: 2321: 2319: 2318: 2313: 2308: 2303: 2298: 2296:Hesba Stretton 2293: 2288: 2283: 2278: 2273: 2268: 2263: 2258: 2256:Beatrix Potter 2253: 2248: 2243: 2238: 2233: 2228: 2223: 2218: 2213: 2208: 2203: 2198: 2193: 2188: 2183: 2178: 2173: 2168: 2163: 2158: 2153: 2148: 2143: 2138: 2133: 2128: 2123: 2118: 2113: 2108: 2102: 2100: 2096: 2095: 2090: 2089: 2082: 2075: 2067: 2061: 2060: 2055: 2050: 2040: 2025: 2016: 2007: 1998: 1987: 1986:External links 1984: 1982: 1981: 1972: 1950: 1922: 1897: 1886: 1865: 1856: 1847: 1834: 1827: 1806: 1797: 1783: 1747: 1738: 1729: 1725:The Great Snow 1716: 1707: 1697: 1680: 1671: 1662: 1653: 1641: 1632: 1623: 1614: 1605: 1596: 1587: 1578: 1569: 1560: 1551: 1542: 1533: 1524: 1515: 1506: 1497: 1488: 1476: 1474:Rossabi (2004) 1467: 1458: 1449: 1429: 1415: 1400: 1390: 1388: 1385: 1384: 1383: 1376: 1362: 1355: 1341: 1326: 1312: 1298: 1284: 1273: 1253:Mike Pringle, 1251: 1237: 1223: 1213: 1199: 1185: 1178: 1151: 1144: 1127: 1120: 1110: 1107:978-1873855508 1088: 1079: 1076: 1075: 1074: 1071: 1061: 1050: 1044: 1034: 1028: 1022: 1016: 1005: 1002: 1001: 1000: 994: 988: 982: 976: 970: 964: 951: 941: 931: 925: 919: 913: 907: 889: 883: 861: 855: 849: 837: 834: 828: 825: 806:After the City 727: 726: 705:J. S. Fletcher 702: 701: 695: 689: 674: 671: 658:, a suburb of 617: 614: 586:William Morris 544: 539: 482: 479: 477: 474: 457: 454: 371: 368: 366: 363: 277:The Pathfinder 245:Robert Harrild 182: 179: 169: 168:Life and works 166: 120: 119: 118:Nature writing 116: 112: 111: 108: 104: 103: 102:Writer (novel) 100: 96: 95: 81:(aged 38) 77:14 August 1887 75: 71: 70: 51: 47: 46: 43: 35: 34: 31: 15: 9: 6: 4: 3: 2: 2590: 2579: 2576: 2574: 2571: 2569: 2566: 2564: 2561: 2559: 2556: 2554: 2551: 2549: 2546: 2544: 2541: 2539: 2536: 2534: 2531: 2529: 2526: 2524: 2521: 2519: 2516: 2514: 2511: 2509: 2506: 2504: 2501: 2499: 2496: 2495: 2493: 2478: 2475: 2473: 2470: 2468: 2465: 2464: 2462: 2458: 2452: 2449: 2448: 2446: 2442: 2436: 2433: 2432: 2430: 2426: 2420: 2417: 2415: 2412: 2410: 2409:J. G. Sowerby 2407: 2405: 2402: 2400: 2397: 2395: 2392: 2390: 2387: 2385: 2382: 2379: 2376: 2374: 2371: 2369: 2368:Richard Doyle 2366: 2363: 2360: 2358: 2355: 2353: 2350: 2348: 2345: 2343: 2340: 2338: 2337:Gordon Browne 2335: 2333: 2330: 2329: 2327: 2323: 2317: 2314: 2312: 2309: 2307: 2304: 2302: 2299: 2297: 2294: 2292: 2289: 2287: 2284: 2282: 2279: 2277: 2274: 2272: 2269: 2267: 2264: 2262: 2259: 2257: 2254: 2252: 2249: 2247: 2244: 2242: 2239: 2237: 2234: 2232: 2229: 2227: 2224: 2222: 2219: 2217: 2214: 2212: 2209: 2207: 2204: 2202: 2199: 2197: 2196:Thomas Hughes 2194: 2192: 2189: 2187: 2184: 2182: 2179: 2177: 2174: 2172: 2171:Agnes Giberne 2169: 2167: 2164: 2162: 2159: 2157: 2154: 2152: 2149: 2147: 2144: 2142: 2139: 2137: 2134: 2132: 2129: 2127: 2124: 2122: 2121:Lewis Carroll 2119: 2117: 2114: 2112: 2109: 2107: 2104: 2103: 2101: 2097: 2088: 2083: 2081: 2076: 2074: 2069: 2068: 2065: 2059: 2056: 2054: 2051: 2048: 2044: 2041: 2033: 2029: 2026: 2024: 2020: 2017: 2015: 2011: 2008: 2006: 2002: 1999: 1997: 1993: 1990: 1989: 1976: 1960: 1954: 1939: 1938: 1933: 1926: 1911: 1907: 1901: 1895: 1890: 1883: 1879: 1875: 1869: 1860: 1851: 1844: 1838: 1830: 1828:0-8047-1842-3 1824: 1820: 1816: 1810: 1801: 1794: 1787: 1781: 1780:9780141196428 1777: 1773: 1769: 1765: 1761: 1757: 1751: 1742: 1733: 1726: 1720: 1711: 1701: 1694: 1690: 1684: 1675: 1666: 1657: 1650: 1645: 1636: 1627: 1618: 1609: 1600: 1591: 1582: 1573: 1564: 1555: 1546: 1537: 1528: 1519: 1510: 1501: 1492: 1485: 1480: 1471: 1462: 1453: 1444: 1442: 1440: 1438: 1436: 1434: 1424: 1422: 1420: 1412: 1411: 1404: 1395: 1391: 1381: 1377: 1375: 1371: 1367: 1363: 1360: 1356: 1354: 1353:0-8057-6816-5 1350: 1346: 1342: 1339: 1335: 1331: 1327: 1325: 1321: 1317: 1313: 1311: 1307: 1303: 1299: 1297: 1293: 1289: 1285: 1282: 1278: 1274: 1272: 1268: 1264: 1263:Graeme Maxton 1260: 1256: 1252: 1250: 1249:1-4120-9828-9 1246: 1242: 1238: 1236: 1235:0-85967-918-7 1232: 1228: 1224: 1222: 1218: 1214: 1212: 1208: 1204: 1200: 1198: 1194: 1190: 1186: 1183: 1179: 1177: 1176:0-521-26703-X 1173: 1169: 1165: 1164: 1159: 1155: 1152: 1149: 1146:W. J. Keith, 1145: 1143: 1142:0-19-281266-1 1139: 1135: 1131: 1128: 1125: 1121: 1118: 1114: 1113:Walter Besant 1111: 1108: 1104: 1101: 1100:1-873855-50-8 1097: 1093: 1089: 1086: 1082: 1081: 1072: 1070: 1066: 1062: 1059: 1055: 1051: 1048: 1045: 1042: 1038: 1035: 1032: 1029: 1026: 1023: 1020: 1017: 1014: 1011: 1010: 1009: 998: 995: 992: 989: 986: 983: 980: 979:The Dewy Morn 977: 974: 971: 968: 965: 962: 958: 956: 952: 949: 945: 942: 939: 935: 932: 929: 926: 923: 920: 917: 914: 911: 908: 905: 901: 897: 893: 890: 887: 884: 881: 877: 873: 869: 865: 862: 859: 856: 853: 850: 847: 843: 840: 839: 833: 824: 822: 817: 815: 811: 807: 803: 799: 794: 792: 788: 785: 780: 778: 773: 771: 766: 764: 760: 756: 752: 748: 744: 740: 736: 735:Edward Thomas 732: 731:David Garnett 724: 721: 720: 719: 717: 712: 710: 706: 699: 696: 693: 690: 687: 684: 683: 682: 680: 670: 668: 663: 661: 657: 653: 648: 646: 642: 638: 634: 627: 622: 613: 611: 610: 605: 601: 597: 593: 592: 587: 581: 579: 578: 573: 569: 564: 560: 556: 554: 550: 543: 538: 536: 532: 528: 524: 519: 517: 513: 509: 505: 500: 498: 497: 492: 488: 473: 471: 467: 463: 453: 451: 447: 443: 439: 435: 431: 427: 423: 419: 418:Gilbert White 415: 411: 410: 400: 396: 392: 388: 386: 382: 378: 362: 360: 355: 353: 352: 347: 342: 340: 336: 332: 328: 327: 322: 318: 314: 313: 302: 298: 295: 290: 286: 281: 279: 278: 273: 269: 268: 263: 262: 256: 255: 250: 246: 242: 237: 235: 231: 227: 223: 219: 215: 211: 207: 203: 198: 196: 192: 188: 174: 165: 163: 162:Walter Besant 159: 155: 151: 150: 145: 141: 137: 132: 130: 126: 117: 113: 109: 105: 101: 97: 93: 89: 85: 84:Goring-by-Sea 76: 72: 68: 64: 52: 48: 41: 36: 29: 26: 22: 2419:John Tenniel 2378:Edmund Evans 2352:Walter Crane 2347:Thomas Crane 2325:Illustrators 2200: 2166:G. E. Farrow 2141:Frank Cowper 2136:E. E. Cowper 1975: 1963:. Retrieved 1953: 1941:. Retrieved 1937:The Guardian 1935: 1925: 1913:. Retrieved 1909: 1900: 1889: 1873: 1868: 1859: 1850: 1842: 1841:D. Garnett, 1837: 1818: 1809: 1800: 1792: 1786: 1767: 1760:After London 1759: 1755: 1754:"In writing 1750: 1741: 1732: 1724: 1719: 1710: 1700: 1692: 1688: 1683: 1674: 1665: 1656: 1644: 1635: 1626: 1617: 1608: 1599: 1590: 1581: 1572: 1563: 1554: 1545: 1536: 1527: 1518: 1509: 1500: 1491: 1484:After London 1483: 1479: 1470: 1461: 1452: 1408: 1403: 1394: 1379: 1365: 1358: 1344: 1329: 1315: 1314:A. Rossabi, 1301: 1300:A. Rossabi, 1287: 1286:A. Rossabi, 1280: 1276: 1275:A. Rossabi, 1254: 1240: 1226: 1202: 1188: 1181: 1167: 1161: 1157: 1154:Q. D. Leavis 1147: 1134:After London 1133: 1123: 1116: 1091: 1084: 1046: 1036: 1030: 1024: 1018: 1012: 1007: 996: 991:The Open Air 990: 984: 978: 972: 966: 953: 943: 933: 927: 921: 915: 909: 891: 885: 863: 857: 851: 841: 830: 820: 818: 805: 798:After London 797: 795: 781: 774: 769: 767: 751:Henry Miller 743:Ethel Mannin 728: 722: 713: 708: 703: 697: 691: 685: 676: 666: 664: 649: 640: 630: 607: 600:After London 599: 596:After London 595: 589: 582: 575: 571: 568:After London 567: 565: 561: 557: 549:After London 548: 546: 542:After London 541: 520: 503: 501: 494: 487:anal fistula 484: 469: 466:animal fable 461: 459: 449: 445: 441: 437: 433: 429: 425: 421: 413: 407: 404: 398: 384: 373: 358: 356: 349: 345: 343: 334: 330: 324: 320: 316: 310: 307: 282: 275: 265: 260: 252: 249:After London 248: 238: 234:After London 233: 229: 225: 221: 218:After London 217: 213: 209: 205: 201: 199: 184: 157: 153: 147: 144:tuberculosis 140:After London 139: 135: 133: 124: 123: 110:19th century 79:(1887-08-14) 25: 2503:1887 deaths 2498:1848 births 2394:Edward Lear 2276:Anna Sewell 2241:Kirk Munroe 2221:Andrew Lang 2186:G. A. Henty 2181:L. T. Meade 1943:27 November 1884:(p.268-69). 1357:E. Thomas, 1343:B. Taylor, 1239:B. Morris, 1130:John Fowles 938:Sampson Low 858:World's End 747:John Fowles 739:Leslie Paul 637:Crowborough 633:Rotherfield 616:Final years 588:'s utopian 518:landmarks. 508:Beachy Head 323:and to the 267:Don Quixote 156:(1879) and 2548:Pantheists 2492:Categories 2460:Publishers 2380:(engraver) 2364:(engraver) 1965:14 October 1915:11 January 1364:K. Tryon, 1328:A. Smith, 928:Wood Magic 604:M.P. Shiel 535:meningitis 525:, then in 514:and other 397:leaf from 222:Wood Magic 210:Wood Magic 181:Early life 99:Occupation 56:1848-11-06 2246:E. Nesbit 1387:Footnotes 1259:Monty Don 959:(London: 946:(London: 936:(London: 866:(London: 844:(London: 531:Greenwich 351:The Times 294:Liverpool 285:James Cox 230:Amaryllis 214:Amaryllis 206:Amaryllis 191:Chiseldon 129:Wiltshire 94:, England 2451:Toy book 2032:LibriVox 1817:(1990). 1774:, 2012. 1163:Scrutiny 967:Red Deer 898:, 2009; 874:, 2009; 777:Surbiton 711:(1894). 660:Worthing 645:tableaux 491:Brighton 442:Standard 387:(1883). 381:Surbiton 377:Tolworth 261:Reliques 259:Percy's 241:Sydenham 88:Worthing 2099:Authors 2021:at the 2012:at the 1651:Page 72 1043:, 1909) 963:, 1883) 950:, 1883) 848:, 1874) 789:series 395:Anemone 379:, near 254:Odyssey 195:Swindon 193:, near 67:Swindon 1880:  1876:1999, 1825:  1778:  1372:  1351:  1336:  1322:  1308:  1294:  1269:  1247:  1233:  1219:  1209:  1195:  1174:  1140:  1105:  1098:  1067:  1056:  902:  878:  725:(1947) 700:(1906) 694:(1905) 688:(1894) 656:Goring 523:Eltham 516:Sussex 370:Essays 107:Period 92:Sussex 2444:Types 2428:Books 481:Onset 470:Bevis 226:Bevis 187:Coate 136:Bevis 115:Genre 63:Coate 1967:2023 1945:2022 1917:2022 1878:ISBN 1823:ISBN 1776:ISBN 1370:ISBN 1349:ISBN 1334:ISBN 1320:ISBN 1306:ISBN 1292:ISBN 1267:ISBN 1245:ISBN 1231:ISBN 1217:ISBN 1207:ISBN 1193:ISBN 1172:ISBN 1138:ISBN 1103:ISBN 1096:ISBN 1065:ISBN 1054:ISBN 900:ISBN 876:ISBN 782:The 761:and 527:Kent 428:and 270:and 228:and 212:and 74:Died 50:Born 2045:at 2030:at 2003:at 1994:at 1910:BBC 1410:sic 784:BBC 274:'s 2494:: 1934:. 1908:. 1770:, 1762:". 1695:." 1432:^ 1418:^ 1279:, 1160:, 1156:, 1115:, 787:TV 772:. 765:. 757:, 753:, 749:, 745:, 741:, 733:, 681:: 647:. 612:. 510:, 264:, 257:, 224:, 90:, 86:, 65:, 2086:e 2079:t 2072:v 1969:. 1947:. 1919:. 1831:. 1340:. 1060:. 906:) 882:) 58:) 54:( 23:.

Index

Richard Jefferies (disambiguation)
Richard Jefferies
Coate
Swindon
Goring-by-Sea
Worthing
Sussex
Wiltshire
tuberculosis
The Story of My Heart
Walter Besant

Coate
Chiseldon
Swindon
Sydenham
Robert Harrild
Odyssey
Percy's Reliques
Don Quixote
James Fenimore Cooper
The Pathfinder
James Cox
Great Western Railway
Liverpool

North Wiltshire Herald
Swindon Advertiser
Liddington Castle
The Times

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