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who enjoys the friendship of
Rosalio Mendoza until the last years of the conflict. The only empathy shown by De Fuentes in the trilogy is demonstrated by the Zapatism in this movie.
58:(1936). All three share a disenchanted view of the conflict, as opposed to the more common romantic, folk, and heroic viewpoints present in more well-known productions.
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are represented in the figure of
Colonel Julián Carrasco, who descends into alcohol abuse and violence against his family, whom he ultimately destroys.
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released a DVD edition of the restored version of the trilogy, the first attempt to popularize these films since their initial release in the 1930s.
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The three movies were not well received by audiences. Particularly ill-met was the 1936
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La trilogía de la
Revolución de Fernando de Fuentes, remasterizada y disponible en DVD
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According to Mraz, De
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appear in the form of
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This article related to a
Mexican film of the 1930s is a
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62:Three portraits of the same conflict
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149:Factions in the Mexican Revolution
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