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Resonator mandolin

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that employed a cone-and-spider resonator rather different from the one- and three-cone components of the Nationals. Dobro Manufacturing Company licensed designs and supplied trademarks and parts to a series of vendors such as Kay-Kraft, Harmony (Sears) and Regal. George D. Beauchamp retained control
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In 1938 and 1939, National made a limited number of "Silvo" electrics using the same triangular metal body as the Style 1 resophonic mandolin. The Silvo pickup was housed in a bakelite disc that replaced the cover plate. However, since Silvos do not have a resonator cone, they are electric but not
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Blue Comet is an inexpensive 1930s brand of mandolin manufactured by the Regal Musical Instrument Company in Chicago, Il that featured an extra wooden sound chamber encircling the body. Somewhat resembling a banjo tone ring, this chamber contained several small soundholes with metal screen covers.
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While the sound chamber may indeed affect the tone or volume of the mandolin, Blue Comets do not contain resonator cones and are not truly resophonic. They are usually dark brown with F holes. Similar mandolins were sold under the Beltone brand and a couple of other brand names.
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Some inexpensive mandolins sold during the 1930s and 1940s had a wooden top with a resonator cover plate screwed to it. These instruments had no resonator cone, nor did they have a hole cut for one. The cover plate served only as a decoration.
288:. The resonator guitar was originally designed to be louder than conventional acoustic guitars. A resonator mandolin is generally somewhat louder than a standard wooden mandolin, and has a different tone quality and distinctive appearance. 351:
Mandolins sold under the Dobro brand had wooden bodies. Mandolins sold under the National brand had metal bodies. Production of all metal-bodied resonator instruments ceased following the US entry into the Second World War in 1941.
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of the National String Instrument Corporation. The two companies clashed in court from 1931 until 1935, when the Dopyeras prevailed and the National-Dobro Corporation was formed. The company moved to Chicago in 1936–37.
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Rudy Dopyera in particular continued to build instruments on his own throughout his lifetime, into the 1980s. He produced a few resophonic mandolins under the Safari brand name.
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mandolins," after pioneering instruments designed and produced by the Dopyera Brothers, which evolved into a brand name. The trademark "Dobro" is currently the property of the
312:, who sought to produce a guitar that would have sufficient volume to be heard alongside brass and reed instruments. In 1927, Dopyera and George D. Beauchamp formed the 637: 515: 505: 194: 630: 127: 877: 421: 313: 99: 675: 971: 940: 623: 106: 80: 35: 281:. When Gibson acquired the trademark in 1993, they announced that they would defend their right to its exclusive use. 584: 234: 216: 146: 49: 323:
National mandolins were produced until 1941. The company also made resophonic mandolins sold under the Supro brand.
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Although the original aim of the resonator was increased volume, some modern instruments incorporate electric
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to manufacture resonator guitars under the brand name National, adding tenor guitars, resonator mandolins and
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being a contraction of "Dopyera Brothers" and coincidentally meaning "good" in their native
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style, resonator mandolins are almost exclusively played in the conventional manner.
591:— A comprehensive history and overview of these pioneer resophonic instruments 377: 812: 557: 285: 922: 842: 776: 340: 912: 852: 751: 726: 270: 965: 530: 817: 309: 292: 251:
1930 National Triolian resonator mandolin from Lowell Levinger's collection
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The History and Artistry of National Resonator Instruments
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Though resonator guitars are often played flat in the lap
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The resonator mandolin was developed in parallel with the
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Blue Comet mandolin. This one was manufactured by the
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Reso-Nation - Online Community For Reso-Enthusiasts.
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whose sound is produced by one or more metal cones (
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Unsourced material may be challenged and removed. 335:with his brothers Rudy, Emile, Robert and Louis, 963: 186:but its sources remain unclear because it lacks 631: 363: 331:In 1929, Dopyera left National to form the 50:Learn how and when to remove these messages 638: 624: 235:Learn how and when to remove this message 217:Learn how and when to remove this message 147:Learn how and when to remove this message 611:, a newsletter for resonator guitarists. 376: 308:The resonator mandolin was developed by 246: 574: 964: 314:National String Instrument Corporation 304:National String Instrument Corporation 619: 320:to their product line within a year. 946: 158: 85:adding citations to reliable sources 56: 15: 13: 269:) instead of the customary wooden 14: 988: 595: 31:This article has multiple issues. 945: 936: 935: 409: 393: 383:Regal Musical Instrument Company 373:Blue Comet "resonator" mandolins 163: 61: 20: 461:Patrick Arbuthnot (Chanticleer) 72:needs additional citations for 39:or discuss these issues on the 259:or "resophonic mandolin" is a 1: 568: 358: 645: 7: 972:Mandolin family instruments 546: 333:Dobro Manufacturing Company 10: 993: 499: 298: 931: 795: 689: 653: 364:Fake resophonic mandolins 279:Gibson Guitar Corporation 326: 172:This article includes a 201:more precise citations. 977:Resophonic instruments 681:Society (Peterborough) 386: 252: 575:Brozman, Bob (1993). 380: 250: 883:National Reso-Phonic 494:Pete Woodman Guitars 427:National Reso-Phonic 96:"Resonator mandolin" 81:improve this article 406:truly resolectric. 787:Resonator mandolin 690:Family instruments 676:Playing traditions 387: 345:resonator ukuleles 318:resonator ukuleles 257:resonator mandolin 253: 174:list of references 959: 958: 563:Resonator ukulele 441:Rigel Instruments 245: 244: 237: 227: 226: 219: 157: 156: 149: 131: 54: 984: 949: 948: 939: 938: 640: 633: 626: 617: 616: 590: 558:Resonator guitar 482:Republic Guitars 286:resonator guitar 240: 233: 222: 215: 211: 208: 202: 197:this article by 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mandolin
resonators
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Gibson Guitar Corporation
resonator guitar
steel guitar

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