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and other computer music languages, however, and their shared lineage means that scripts written for one language will be extremely familiar-looking (if not immediately comprehensible) to users of the other language.
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where the instruments exist in a second file written in a specification language that builds the routines out of simple building blocks (organized as
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
430:. It uses a single-script instruction file (the score file), and synthesis and signal processing routines (called instruments) loaded as
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functions were added, the program was renamed Cmix in the 1980s. Real-time capability was added by David Topper, John Gibson,
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and music software. It is currently developed by a group of computer music researchers both academic (at
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were added, as well as the ability to embed the synthesis engine into fully featured applications such as
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Over the years Cmix/RTcmix has run on a variety of computer platforms and operating systems, including
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RTcmix has a number of unique (or highly unusual) features when compared with other synthesis and
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and making it closer in some respects to later music software such as
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Please help to demonstrate the notability of the topic by citing
418:-style code within the score file, extending its capability for
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316:. RTcmix is descended from the MIX program developed by
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77:notability guidelines for products and services
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387:project, differentiating it from commercial
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208:. Unsourced material may be challenged and
53:Learn how and when to remove these messages
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290:Learn how and when to remove this message
272:Learn how and when to remove this message
162:Learn how and when to remove this message
450:). RTcmix has similar functionality to
414:parser, which enables the user to write
410:languages. For one, it has a built-in
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206:adding citations to reliable sources
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34:This article has multiple issues.
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383:. It is and has always been an
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42:or discuss these issues on the
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886:Audio programming languages
336:mainframe computer. After
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864:Mortuos Plango, Vivos Voco
772:Experimental Music Studios
434:. This is different from
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73:The topic of this article
16:Audio programming language
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75:may not meet Knowledge's
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823:Algorithmic composition
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326:algorithmic composition
305:(RTcmix) is one of the
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916:Software synthesizers
348:socket connectivity,
314:programming languages
393:Princeton University
322:Princeton University
202:improve this article
906:Free music software
901:Free audio software
891:Columbia University
802:Oberlin TIMARA Labs
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324:in 1978 to perform
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438:languages such as
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187:This article
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857:Illiac Suite
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849:Compositions
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637:Programs and
609:Barry Vercoe
589:Curtis Roads
524:Marc Battier
405:
389:synthesizers
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200:Please help
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36:Please help
33:
731:TidalCycles
696:Music Mouse
639:instruments
569:Gérard Pape
564:Max Mathews
559:Paul Lansky
385:open source
350:interactive
342:Brad Garton
318:Paul Lansky
88:independent
880:Categories
816:Techniques
534:David Cope
309:family of
232:newspapers
122:newspapers
96:redirected
39:improve it
752:Bell Labs
716:Riffusion
711:Radiodrum
701:Pure Data
354:scheduler
338:synthesis
189:does not
86:that are
45:talk page
721:Sonic Pi
381:Mac OS X
334:IBM 3031
706:MUSIC-N
686:Max/MSP
604:Trimpin
599:The Hub
444:opcodes
436:MUSIC-N
428:Max/MSP
358:Max/MSP
307:MUSIC-N
246:scholar
210:removed
195:sources
136:scholar
100:deleted
762:CEMAMu
745:Places
661:Csound
517:People
452:Csound
440:Csound
399:, and
379:, and
328:using
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92:merged
787:IRCAM
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666:FAUST
646:ChucK
377:Linux
253:JSTOR
239:books
143:JSTOR
129:books
98:, or
782:ICMA
777:ICEM
736:UPIC
676:Kyma
671:HMSL
651:Cmix
426:and
412:MINC
373:IRIX
365:NeXT
225:news
193:any
191:cite
115:news
807:IEM
446:or
346:TCP
320:at
204:by
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