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and other computer music languages, however, and their shared lineage means that scripts written for one language will be extremely familiar-looking (if not immediately comprehensible) to users of the other language.
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where the instruments exist in a second file written in a specification language that builds the routines out of simple building blocks (organized as
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
441:. It uses a single-script instruction file (the score file), and synthesis and signal processing routines (called instruments) loaded as
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functions were added, the program was renamed Cmix in the 1980s. Real-time capability was added by David Topper, John Gibson,
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and music software. It is currently developed by a group of computer music researchers both academic (at
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were added, as well as the ability to embed the synthesis engine into fully featured applications such as
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Over the years Cmix/RTcmix has run on a variety of computer platforms and operating systems, including
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RTcmix has a number of unique (or highly unusual) features when compared with other synthesis and
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and making it closer in some respects to later music software such as
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Please help to demonstrate the notability of the topic by citing
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327:. RTcmix is descended from the MIX program developed by
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219:. Unsourced material may be challenged and
64:Learn how and when to remove these messages
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301:Learn how and when to remove this message
283:Learn how and when to remove this message
173:Learn how and when to remove this message
461:). RTcmix has similar functionality to
425:parser, which enables the user to write
421:languages. For one, it has a built-in
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217:adding citations to reliable sources
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394:. It is and has always been an
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53:or discuss these issues on the
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445:. This is different from
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84:The topic of this article
27:Audio programming language
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927:Software synthesizers
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213:improve this article
917:Free music software
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335:in 1978 to perform
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868:Illiac Suite
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648:Programs and
620:Barry Vercoe
600:Curtis Roads
535:Marc Battier
416:
400:synthesizers
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211:Please help
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47:Please help
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742:TidalCycles
707:Music Mouse
650:instruments
580:Gérard Pape
575:Max Mathews
570:Paul Lansky
396:open source
361:interactive
353:Brad Garton
329:Paul Lansky
99:independent
891:Categories
827:Techniques
545:David Cope
320:family of
243:newspapers
133:newspapers
107:redirected
50:improve it
763:Bell Labs
727:Riffusion
722:Radiodrum
712:Pure Data
365:scheduler
349:synthesis
200:does not
97:that are
56:talk page
732:Sonic Pi
392:Mac OS X
345:IBM 3031
717:MUSIC-N
697:Max/MSP
615:Trimpin
610:The Hub
455:opcodes
447:MUSIC-N
439:Max/MSP
369:Max/MSP
318:MUSIC-N
257:scholar
221:removed
206:sources
147:scholar
111:deleted
773:CEMAMu
756:Places
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451:Csound
410:, and
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339:using
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657:ChucK
388:Linux
264:JSTOR
250:books
154:JSTOR
140:books
109:, or
793:ICMA
788:ICEM
747:UPIC
687:Kyma
682:HMSL
662:Cmix
437:and
423:MINC
384:IRIX
376:NeXT
236:news
204:any
202:cite
126:news
818:IEM
457:or
357:TCP
331:at
215:by
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