832:
with contempt. Abderakhman becomes even more insistent and realises the only way to possess
Raymonda is by force. He calls his slaves to dance for her, after which he summons his cup bearers and they pour a potion into everyone’s cup, causing all the guests to become drunk. Seizing his chance, Abderakhman grabs Raymonda in an attempt to abduct her, but luckily Jean de Brienne arrives just in time, accompanied by King Andrew II and his knights. Jean de Brienne saves Raymonda from the hands of the Saracens and tries to seize Abderakhman. The King commands the two rivals to put an end to the matter in a duel, during which the White Lady appears on the castle tower. Abderakhman is dazed and dies, slain by Jean de Brienne's sword. Raymonda joyfully embraces her fiancé and the two reaffirm their love as the King joins their hands.
785:, for whom Jean de Brienne has fought, is returning home in triumph and Jean de Brienne will arrive at the Doris castle the next day for their wedding. Suddenly, the celebrations are interrupted when the seneschal announces the arrival of an uninvited Saracen knight, Abderakhman and his entourage, who have stopped at the castle seeking shelter for the night. Captivated by Raymonda's beauty, Abderakhman falls in love with her at once and resolves to do anything to win her. The party lasts late into the night and, left alone and exhausted by the day, Raymonda lies down on a couch and falls asleep. As she sleeps, she begins to dream that the White Lady appears illuminated by the moonlight and, with an imperious gesture, orders Raymonda to follow her.
794:
surrounded by glory, knights and celestial maidens. The garden is illuminated by a fantastic light and
Raymonda expresses her joy to the White Lady, who interrupts her enthusiasm with a vision of what awaits her. Raymonda wants to return to her fiancé, but instead, she finds Abderakhman, who has taken Jean de Brienne's place. Abderakhman declares his passionate love for her, but Raymonda, though confused and upset, is quick to reject him. Imps and elves appear from everywhere surrounding Raymonda, who begs the White Lady to save her and Abderakhman tries to take Raymonda by force. Raymonda cries out and falls to the ground in a faint. The frightful vision disappears along with the White Lady.
810:
306:
781:
their passion for dancing, telling them of the legendary White Lady, the protector of the castle, who warns the Doris household every time one of its members is in danger and casts punishment on those who do not fulfil their duties. The young people laugh at the countess’s superstitions and continue to celebrate. The seneschal of the Doris castle announces the arrival of a messenger, sent by
Raymonda's fiancé, the noble crusader knight, Jean de Brienne, bearing a letter for his beloved. Raymonda rejoices when she reads that King
29:
2304:
798:
762:
across the Black Sea to
Sevastopol. There, she tends to injured soldiers, and is reacquainted with John de Bryan, a family friend, who has joined the Light Brigade. As he leaves for battle, he persuades Raymonda to accept his hand in marriage. His friend, Abdur Rahman, an ally from the Ottoman army, promises to take care of Raymonda until de Bryan returns.
831:
The feast in honour of Jean de
Brienne's arrival is taking place. Raymonda welcomes her guests, but cannot hide her uneasiness caused by Jean de Brienne’s delay. Abderakhman approaches her repeatedly and reveals his passion for her, but remembering the warnings of the White Lady, Raymonda rejects him
793:
The White Lady, without making a sound, advances along the terrace. Raymonda follows her in a state of unconsciousness. At a signal from the White Lady, the garden is wrapped in mist. A moment later, the mist vanishes and Jean de
Brienne appears. Overjoyed, Raymonda runs into his arms and they are
780:
At the castle of Doris, preparations are under way for the celebrations of the young countess
Raymonda’s name day. Countess Sybille, her aunt, chides those who are present, including Raymonda's two friends Henrietta and Clémence, and the two troubadours Béranger and Bernard, for their idleness and
761:
at the London
Coliseum. Rojo has relocated the story to the 19th-century Crimean War, drawing on the figure of Florence Nightingale to create a Raymonda who redefines the role of women in wartime and society. This Raymonda is not content to stay at home and sew, so she hot-foots it from England
845:
Raymonda and Jean de
Brienne are finally married and King Andrew II of Hungary gives the newly wedded couple his blessing. In his honour, everyone at court is dressed in Hungarian fashion and perform a range of Hungarian-style dances, ending in an Apotheosis where everyone comes together in a
462:
749:
set in the 1950s, where
Raymonda is a Hollywood star who has filmed her last film before marrying a European prince. It was choreographed by Stephen Baynes and bears no resemblance to the original ballet.
2249:
726:
from the third act, which is considered to be among Marius Petipa's supreme masterpieces. The most noted of these productions have been staged by George Balanchine for the
573:
630:
549:
2351:
1416:
67:
1506:
601:
524:
163:
2336:
1832:
2087:
1549:
2307:
2105:
226:. Sergeyev greatly altered, and in some cases changed entirely, Marius Petipa's choreography, particularly in the dances for the
2331:
1409:
1969:
1482:
292:. The production also restored the original décor and costumes from designs prepared for the first production of 1898.
2326:
1784:
1402:
2080:
1693:
2227:
1605:
218:
is performed by many ballet companies throughout the world with choreography that is derived primarily from the
2346:
1629:
1808:
1760:
230:. The choreography as revised by Sergeyev remains the traditional text for most of the world's productions of
2232:
1881:
1498:
414:
360:
192:
79:
1945:
1897:
651:
has been revived many times throughout its performance history, the most noted productions being staged by
2073:
1677:
1450:
672:
2341:
2222:
2032:
1889:
1533:
1394:
262:
188:
85:
2274:
2194:
2189:
2179:
2174:
2169:
2164:
2159:
2154:
2144:
2046:
1709:
1541:
742:
1597:
1525:
1458:
1358:(interpolation by Konstantin Sergeyev for his performance as Jean de Brienne, 1948. Originally the
2205:
1848:
754:
708:
688:
289:
247:
1661:
1776:
1565:
1474:
1816:
1921:
1873:
1840:
712:
317:, in which the heroine collects a series of flowers placed on the floor. St. Petersburg, 1898
1953:
239:
2127:
2024:
1669:
1653:
1613:
1589:
1557:
782:
727:
466:
305:
266:
8:
809:
735:
676:
274:
223:
171:
718:
There have been many productions around the world of only extracts from the full-length
330:
2096:
1991:
1744:
692:
668:
559:
529:
488:
335:
270:
155:
56:
1983:
1717:
704:
664:
370:
339:
243:
1961:
1701:
1645:
1573:
711:(2004), a version which was then staged for American Ballet Theatre (2004) and the
696:
374:
196:
184:
135:
105:
89:
1343:
Variation pour quatre danseurs (Messrs. Legat II, Kyaksht, Legat III & Gorsky)
854:
Taken from the original theatre program of 1898 and the original published score.
2291:
1824:
1621:
544:
519:
424:
281:
180:
176:
487:
1908, Moscow, Bolshoy Theatre, ballet master Gorsky, conductor Arends, décor by
1937:
1725:
1581:
700:
684:
656:
652:
474:
437:
392:
235:
1685:
28:
2320:
1637:
1426:
587:
383:
325:
151:
46:
1768:
309:
Pierina Legnani—creator of the title role—costumed for Act I of
731:
680:
660:
539:
265:
during rehearsals for performances starring the renowned Russian ballerina
219:
16:
Ballet choreographed by Marius Petipa and with music by Alexander Glazunov
1929:
1490:
758:
615:
159:
1905:
1792:
1424:
2267:
1913:
1865:
147:
797:
2065:
1857:
1800:
1752:
1466:
1442:
2233:
Concerto for Alto Saxophone and String Orchestra in E-flat major
2250:
Commemorative Cantata for the Centenary of the Birth of Pushkin
428:
200:
143:
93:
211:) from the third act, which is often performed independently.
350:
801:
The stage of the Mariinsky Theatre with cast in act I of
461:
342:, and the author and columnist Countess Lidiya Pashkova.
757:
presented a new version of this ballet choreographed by
469:
as Raymonda and Gediminas Taranda as Abderakhman in the
813:
The stage of the Bolshoi Theatre with cast in act I of
338:, the director of the St. Petersburg Imperial Theatres
334:
to the St. Petersburg Imperial Theatres), the composer
203:. Among the ballet's most celebrated passages is the
269:in the title role. Today, this notation is part of
1970:The Little Humpbacked Horse (as "The Tsar Maiden")
2318:
284:utilized the notation to stage a new version of
257:of the Imperial Ballet's original production of
1245:L'arrivée de Jean de Brienne et du Roi André II
849:
2081:
1410:
313:. She is shown in a pose from the celebrated
2054:The Romance of the Rosebud and the Butterfly
1338:(cut by Petipa from the original production)
1047:(cut by Petipa from the original production)
452:: Karl Valts (Waltz), LĂĽtke-Meyer, P. Isakov
969:"Une fantaisie"–Variation de Raymonde
859:Act I (scene 1) — La fĂŞte de Raymonde
730:(1955, 1961, 1973); Rudolf Nureyev for the
2352:Ballets premiered at the Mariinsky Theatre
2088:
2074:
1809:Le Diable Ă Quatre (as "The Willful Wife")
1417:
1403:
738:for American Ballet Theatre (1980, 1987).
494:
1662:Ondine (as "The Naiad and the Fisherman")
1230:, being a variation for Pierina Legnani)
808:
796:
460:
351:St. Petersburg Premiere (World Premiere)
304:
2018:Les Ruses d'Amour or The Trial of Damis
1483:The Rose, the Violet, and the Butterfly
2337:Ballets designed by Konstantin Korovin
2319:
2095:
345:
300:
261:was recorded in 1905 in the method of
2069:
1398:
1264:Act III — Le festival des noces
1226:(originally conceived by Petipa as a
939:Pizzicato–Variation de Raymonde
477:'s production of the Petipa/Glazunov
400:: O. Allegri, K. Ivanov, Pyotr Lambin
33:Frontispiece of the piano score for
1494:(*1858, *1863, *1868, *1885, *1899)
1451:Le Diable amoureux (as "Satanella")
722:, for the most part taken from the
146:in three acts, four scenes with an
115:O. Allegri, K. Ivanov, Pyotr Lambin
13:
1083:Ronde des follets et des farfadets
456:
404:
14:
2363:
917:Entrée des vassaux et des paysans
37:published by M.P. Belaieff, 1898.
2303:
2302:
1298:(Insertion from Glazunov's 1894
1090:Act I (scene 3) — L'aurore
663:for her touring company (1914);
27:
2228:Piano Concerto No. 1 in F minor
1761:La Vivandière (as "Markitenka")
1054:(arranged by Glazunov from the
995:Act I (scene 2) — Visions
982:L'apparition de la Dame Blanche
707:(in a 2-act reduction) for the
290:Ballet of the Teatro alla Scala
263:Stapanov choreographic notation
170:was created especially for the
1307:Pas classique hongrois —
745:performed a modern version of
150:, originally choreographed by
1:
2332:Ballets by Alexander Glazunov
1499:A Marriage During the Regency
1425:The ballets and *revivals of
222:'s 1948 revival as staged by
191:on 19 January [
183:, and first presented by the
1470:(*1850, *1884, *1899, *1903)
1190:Grand divertissement —
1052:Variation pour Mlle. Legnani
732:Royal Ballet Touring Company
724:Grand Pas Classique hongrois
195:7 January] 1898 in
7:
1890:The Caprices of a Butterfly
1105:Act II — Cour d'amour
850:Résumé of scenes and dances
827:The Courtyard of the Castle
765:
673:Ballet Russe de Monte-Carlo
642:
498:
10:
2368:
2223:Violin Concerto in A minor
1200:Pas des esclaves sarrasins
1009:Grand pas d'action —
835:
295:
189:Imperial Mariinsky Theatre
86:Imperial Mariinsky Theatre
2300:
2284:
2275:Songs and Dances of Death
2259:
2241:
2215:
2137:
2112:
2103:
2010:
1736:
1710:The Daughter of the Snows
1517:
1434:
1387:ApothĂ©ose – Tourney
821:
776:Scene 1: Raymonda's feast
743:Australian Ballet Company
417:23 January] 1900
139:
119:
111:
101:
73:
62:
52:
42:
26:
21:
2327:Ballets by Marius Petipa
2040:The Heart of the Marquis
1678:The Adventures of Peleus
1459:Leda, the Swiss Milkmaid
770:
363:7 January] 1898
82:7 January] 1898
1849:The Sacrifices to Cupid
1251:Le combat et dénouement
1149:(Mlle. Preobrajenskaya)
805:. St. Petersburg, 1898.
755:English National Ballet
709:Finnish National Ballet
689:American Ballet Theatre
495:Roles and original cast
413:: 5 February [
359:: 19 January [
248:American Ballet Theatre
102:Original ballet company
2155:No. 2 in F-sharp minor
1954:The Awakening of Flora
1542:The Pharaoh's Daughter
1354:—interpolation:
1278:Grand cortège hongrois
1050:—interpolation:
923:Pas d'ensemble —
873:Jeux et danses —
818:
806:
574:Klavdiya Kulichevskaya
483:
318:
205:Pas classique hongrois
2347:1898 ballet premieres
2190:No. 8 in E-flat major
2170:No. 5 in B-flat major
2165:No. 4 in E-flat major
1777:The Night and the Day
1590:The Benevolent Cupid
1550:The Beauty of Lebanon
1360:Variation de BĂ©ranger
1349:Variation de Raymonde
1168:Variation de Raymonde
1161:Variation de BĂ©ranger
1156:(Mlle. Kulichevskaya)
1154:Variation de Clémence
1147:Variation d'Henriette
1045:Variation de Raymonde
988:Entr'acte symphonique
976:Clémence joue du luth
948:(reprise de la valse)
846:knightly tournament.
812:
800:
753:In January 2022, the
713:Dutch National Ballet
464:
308:
253:The choreography and
78:19 January [
2106:List of compositions
1882:The Enchanted Forest
1836:(1886, *1887, *1900)
1609:(1868, *1891, *1903)
1558:The Traveling Dancer
1545:(1862, *1885, *1898)
1131:Pas d'action —
789:Scene 2: The Visions
783:Andrew II of Hungary
728:New York City Ballet
631:Giuseppina Cecchetti
505:St. Petersburg 1898
467:Natalia Bessmertnova
324:was the creation of
267:Olga Preobrajenskaya
162:57) and libretto by
1898:The Sleeping Beauty
1817:La Fille Mal Gardée
1804:(*1884, 1899, 1903)
1507:The Parisian Market
1475:The Star of Granada
1033:(Mlle. Rhykliakova)
736:Mikhail Baryshnikov
691:(1975) and for the
677:Konstantin Sergeyev
346:Performance history
301:Composition history
275:Sergeyev Collection
238:'s version for the
224:Konstantin Sergeyev
209:Raymonda Pas de dix
172:benefit performance
2097:Alexander Glazunov
1833:The King's Command
1745:La Fille du Danube
1257:Finale—Hymne
957:Départ des invités
899:Entrée de Raymonde
819:
807:
693:Paris Opera Ballet
669:Alexandra Danilova
560:Olga Preobrajenska
550:Vasiliy Tikhomirov
530:Yekaterina Geltser
489:Konstantin Korovin
484:
471:Grand Pas d'action
440:, Aleksandr Gorsky
336:Alexander Glazunov
319:
315:Entrée de Raymonde
271:Harvard University
240:Paris Opéra Ballet
156:Alexander Glazunov
57:Alexander Glazunov
2342:1897 compositions
2314:
2313:
2063:
2062:
2056:(never presented)
1718:Frizak the Barber
1331:(Mlle. Johanssen)
1125:Entrée d'Abdérà me
1025:Valse fantastique
911:Entrée d'Abdérà me
705:Anna-Marie Holmes
665:George Balanchine
640:
639:
627:Countess Sybille
371:Mariinsky Theatre
340:Ivan Vsevolozhsky
244:Anna-Marie Holmes
127:
126:
2359:
2306:
2305:
2285:Related articles
2200:
2195:No. 9 in D minor
2180:No. 7 in F major
2175:No. 6 in C minor
2160:No. 3 in D major
2145:No. 1 in E major
2090:
2083:
2076:
2067:
2066:
2047:The Magic Mirror
1977:The Cavalry Halt
1419:
1412:
1405:
1396:
1395:
1300:Scènes de Ballet
1206:Pas des mariscos
1077:Scène dramatique
1060:Scènes de Ballet
933:Valse provençale
697:Yuri Grigorovich
647:The full-length
536:Jean de Brienne
499:
331:Maître de Ballet
250:, respectively.
197:Saint Petersburg
154:to the music of
141:
97:
96:
90:Saint Petersburg
31:
19:
18:
2367:
2366:
2362:
2361:
2360:
2358:
2357:
2356:
2317:
2316:
2315:
2310:
2296:
2292:Belyayev circle
2280:
2255:
2237:
2211:
2198:
2138:Symphonic works
2133:
2108:
2099:
2094:
2064:
2059:
2006:
1825:The Magic Pills
1732:
1606:Le Roi Candaule
1526:The Blue Dahlia
1513:
1430:
1423:
1392:
1351:(Mlle. Legnani)
1294:interpolation:
1228:Danse orientale
1212:Danse sarrasine
1170:(Mlle. Legnani)
1040:(Mlle. Geltzer)
971:(Mlle. Legnani)
941:(Mlle. Legnani)
909:interpolation:
852:
838:
824:
817:. Moscow, 1900.
773:
768:
645:
622:M. Shchipachov
545:Mikhail Mordkin
520:Pierina Legnani
497:
482:
459:
457:1908 production
450:Scene Designers
446:: Andrey Arends
425:Bolshoi Theatre
407:
405:Moscow Premiere
398:Scene Designers
353:
348:
303:
298:
282:Sergei Vikharev
246:'s version for
228:corps de ballet
185:Imperial Ballet
181:Pierina Legnani
177:prima ballerina
106:Imperial Ballet
84:
83:
77:
68:Lidiya Pashkova
38:
17:
12:
11:
5:
2365:
2355:
2354:
2349:
2344:
2339:
2334:
2329:
2312:
2311:
2301:
2298:
2297:
2295:
2294:
2288:
2286:
2282:
2281:
2279:
2278:
2271:
2263:
2261:
2260:Orchestrations
2257:
2256:
2254:
2253:
2245:
2243:
2239:
2238:
2236:
2235:
2230:
2225:
2219:
2217:
2213:
2212:
2210:
2209:
2202:
2192:
2187:
2177:
2172:
2167:
2162:
2157:
2152:
2141:
2139:
2135:
2134:
2132:
2131:
2124:
2116:
2114:
2110:
2109:
2104:
2101:
2100:
2093:
2092:
2085:
2078:
2070:
2061:
2060:
2058:
2057:
2051:
2043:
2037:
2029:
2021:
2014:
2012:
2008:
2007:
2005:
2004:
1996:
1988:
1980:
1974:
1966:
1958:
1950:
1942:
1938:The Nutcracker
1934:
1926:
1918:
1910:
1902:
1894:
1886:
1878:
1870:
1862:
1853:
1845:
1844:(*1886, *1899)
1837:
1829:
1821:
1813:
1805:
1797:
1789:
1781:
1773:
1765:
1757:
1749:
1740:
1738:
1734:
1733:
1731:
1730:
1722:
1714:
1706:
1698:
1690:
1682:
1674:
1666:
1665:(*1874, *1892)
1658:
1650:
1642:
1634:
1626:
1618:
1610:
1602:
1594:
1586:
1578:
1570:
1562:
1554:
1546:
1538:
1530:
1521:
1519:
1515:
1514:
1512:
1511:
1503:
1495:
1487:
1479:
1471:
1463:
1455:
1447:
1446:(*1847, *1881)
1438:
1436:
1432:
1431:
1422:
1421:
1414:
1407:
1399:
1390:
1389:
1383:
1376:
1375:
1374:
1373:
1367:
1352:
1345:
1339:
1332:
1325:
1319:
1310:
1309:
1303:
1292:
1286:
1280:
1274:
1260:
1259:
1253:
1247:
1240:
1239:
1238:
1237:
1231:
1220:
1214:
1208:
1202:
1193:
1192:
1187:
1180:
1179:
1178:
1177:
1171:
1164:
1157:
1150:
1143:
1134:
1133:
1127:
1121:
1115:
1101:
1100:
1086:
1085:
1079:
1072:
1071:
1070:
1069:
1063:
1048:
1041:
1034:
1027:
1021:
1012:
1011:
1005:
991:
990:
984:
978:
972:
965:
959:
952:
951:
950:
949:
942:
935:
926:
925:
919:
913:
907:
901:
894:
893:
892:
891:
885:
876:
875:
869:
851:
848:
837:
834:
823:
820:
772:
769:
767:
764:
701:Bolshoi Ballet
685:Rudolf Nureyev
657:Ballets Russes
653:Mikhail Fokine
644:
641:
638:
637:
635:
633:
628:
624:
623:
620:
618:
613:
609:
608:
606:
604:
602:Georgy Kyaksht
599:
595:
594:
592:
590:
585:
581:
580:
578:
576:
571:
567:
566:
564:
562:
557:
553:
552:
547:
542:
537:
533:
532:
527:
525:Adelaide Giuri
522:
517:
513:
512:
509:
506:
503:
496:
493:
492:
491:
481:. Moscow, 1980
475:Bolshoi Ballet
465:
458:
455:
454:
453:
447:
441:
438:Ivan Khlyustin
431:
418:
406:
403:
402:
401:
395:
393:Riccardo Drigo
386:
377:
375:St. Petersburg
364:
352:
349:
347:
344:
328:(the renowned
302:
299:
297:
294:
236:Rudolf Nureyev
164:Lydia Pashkova
125:
124:
121:
117:
116:
113:
109:
108:
103:
99:
98:
75:
71:
70:
64:
60:
59:
54:
50:
49:
44:
40:
39:
32:
24:
23:
15:
9:
6:
4:
3:
2:
2364:
2353:
2350:
2348:
2345:
2343:
2340:
2338:
2335:
2333:
2330:
2328:
2325:
2324:
2322:
2309:
2299:
2293:
2290:
2289:
2287:
2283:
2277:
2276:
2272:
2270:
2269:
2265:
2264:
2262:
2258:
2252:
2251:
2247:
2246:
2244:
2240:
2234:
2231:
2229:
2226:
2224:
2221:
2220:
2218:
2214:
2208:
2207:
2203:
2196:
2193:
2191:
2188:
2185:
2181:
2178:
2176:
2173:
2171:
2168:
2166:
2163:
2161:
2158:
2156:
2153:
2150:
2146:
2143:
2142:
2140:
2136:
2130:
2129:
2125:
2123:
2122:
2118:
2117:
2115:
2111:
2107:
2102:
2098:
2091:
2086:
2084:
2079:
2077:
2072:
2071:
2068:
2055:
2052:
2049:
2048:
2044:
2041:
2038:
2035:
2034:
2030:
2027:
2026:
2022:
2019:
2016:
2015:
2013:
2009:
2002:
2001:
1997:
1994:
1993:
1989:
1986:
1985:
1981:
1978:
1975:
1972:
1971:
1967:
1964:
1963:
1959:
1956:
1955:
1951:
1948:
1947:
1943:
1940:
1939:
1935:
1932:
1931:
1927:
1924:
1923:
1919:
1916:
1915:
1911:
1908:
1907:
1903:
1900:
1899:
1895:
1893:(1889, *1895)
1892:
1891:
1887:
1884:
1883:
1879:
1877:(1889, *1895)
1876:
1875:
1871:
1868:
1867:
1863:
1860:
1859:
1854:
1851:
1850:
1846:
1843:
1842:
1838:
1835:
1834:
1830:
1827:
1826:
1822:
1819:
1818:
1814:
1811:
1810:
1806:
1803:
1802:
1798:
1795:
1794:
1790:
1787:
1786:
1782:
1779:
1778:
1774:
1771:
1770:
1766:
1763:
1762:
1758:
1755:
1754:
1750:
1747:
1746:
1742:
1741:
1739:
1735:
1729:(1879, *1896)
1728:
1727:
1723:
1720:
1719:
1715:
1712:
1711:
1707:
1704:
1703:
1699:
1696:
1695:
1691:
1689:(1877, *1900)
1688:
1687:
1683:
1681:(1876, *1897)
1680:
1679:
1675:
1672:
1671:
1667:
1664:
1663:
1659:
1656:
1655:
1651:
1648:
1647:
1643:
1640:
1639:
1638:The Two Stars
1635:
1632:
1631:
1627:
1624:
1623:
1619:
1617:(1869, *1871)
1616:
1615:
1611:
1608:
1607:
1603:
1600:
1599:
1595:
1592:
1591:
1587:
1584:
1583:
1579:
1576:
1575:
1571:
1568:
1567:
1563:
1560:
1559:
1555:
1552:
1551:
1547:
1544:
1543:
1539:
1536:
1535:
1531:
1529:(1860, *1875)
1528:
1527:
1523:
1522:
1520:
1516:
1510:(1859, *1861)
1509:
1508:
1504:
1501:
1500:
1496:
1493:
1492:
1488:
1485:
1484:
1480:
1477:
1476:
1472:
1469:
1468:
1464:
1461:
1460:
1456:
1453:
1452:
1448:
1445:
1444:
1440:
1439:
1437:
1433:
1428:
1427:Marius Petipa
1420:
1415:
1413:
1408:
1406:
1401:
1400:
1397:
1393:
1388:
1384:
1382:
1381:Galop général
1378:
1377:
1372:
1368:
1365:
1361:
1357:
1353:
1350:
1346:
1344:
1340:
1337:
1333:
1330:
1326:
1324:
1320:
1318:
1314:
1313:
1312:
1311:
1308:
1304:
1301:
1297:
1293:
1291:
1287:
1285:
1281:
1279:
1275:
1273:
1269:
1268:
1267:
1266:
1265:
1258:
1254:
1252:
1248:
1246:
1242:
1241:
1236:
1233:—no.29
1232:
1229:
1225:
1224:Les Ă©chansons
1222:—no.28
1221:
1219:
1216:—no.27
1215:
1213:
1210:—no.26
1209:
1207:
1204:—no.25
1203:
1201:
1198:—no.24
1197:
1196:
1195:
1194:
1191:
1188:
1186:
1182:
1181:
1176:
1172:
1169:
1165:
1163:(Mons. Legat)
1162:
1158:
1155:
1151:
1148:
1144:
1142:
1138:
1137:
1136:
1135:
1132:
1128:
1126:
1122:
1120:
1116:
1114:
1110:
1109:
1108:
1107:
1106:
1099:
1095:
1094:
1093:
1092:
1091:
1084:
1080:
1078:
1074:
1073:
1068:
1064:
1061:
1057:
1053:
1049:
1046:
1042:
1039:
1035:
1032:
1028:
1026:
1022:
1020:
1016:
1015:
1014:
1013:
1010:
1006:
1004:
1003:Scène du rêve
1000:
999:
998:
997:
996:
989:
985:
983:
979:
977:
973:
970:
966:
964:
963:La romanesque
960:
958:
954:
953:
947:
943:
940:
936:
934:
930:
929:
928:
927:
924:
920:
918:
914:
912:
908:
906:
902:
900:
896:
895:
890:
889:La traditrice
886:
884:
880:
879:
878:
877:
874:
870:
868:
864:
863:
862:
861:
860:
855:
847:
843:
842:
833:
829:
828:
816:
811:
804:
799:
795:
791:
790:
786:
784:
778:
777:
763:
760:
756:
751:
748:
744:
739:
737:
733:
729:
725:
721:
716:
714:
710:
706:
702:
698:
694:
690:
686:
682:
678:
674:
670:
666:
662:
658:
654:
650:
636:
634:
632:
629:
626:
625:
621:
619:
617:
614:
611:
610:
607:
605:
603:
600:
597:
596:
593:
591:
589:
588:Nikolai Legat
586:
583:
582:
579:
577:
575:
572:
569:
568:
565:
563:
561:
558:
555:
554:
551:
548:
546:
543:
541:
538:
535:
534:
531:
528:
526:
523:
521:
518:
515:
514:
510:
507:
504:
501:
500:
490:
486:
485:
480:
476:
472:
468:
463:
451:
448:
445:
442:
439:
435:
434:Ballet master
432:
430:
426:
422:
419:
416:
412:
409:
408:
399:
396:
394:
390:
387:
385:
384:Marius Petipa
381:
380:Ballet master
378:
376:
372:
368:
365:
362:
358:
355:
354:
343:
341:
337:
333:
332:
327:
326:Marius Petipa
323:
316:
312:
307:
293:
291:
287:
283:
278:
276:
272:
268:
264:
260:
256:
255:mise-en-scène
251:
249:
245:
241:
237:
234:, among them
233:
229:
225:
221:
217:
212:
210:
206:
202:
198:
194:
190:
186:
182:
179:
178:
173:
169:
165:
161:
157:
153:
152:Marius Petipa
149:
145:
137:
133:
132:
122:
118:
114:
110:
107:
104:
100:
95:
91:
87:
81:
76:
72:
69:
65:
61:
58:
55:
51:
48:
47:Marius Petipa
45:
43:Choreographer
41:
36:
30:
25:
20:
2273:
2266:
2248:
2242:Choral music
2206:Stenka Razin
2204:
2183:
2148:
2126:
2120:
2119:
2053:
2045:
2039:
2033:Harlequinade
2031:
2023:
2017:
1999:
1998:
1990:
1982:
1976:
1968:
1960:
1952:
1944:
1936:
1928:
1922:A Fairy Tale
1920:
1912:
1904:
1896:
1888:
1880:
1874:The Talisman
1872:
1864:
1856:
1847:
1841:La Esmeralda
1839:
1831:
1823:
1815:
1807:
1799:
1791:
1783:
1775:
1767:
1759:
1751:
1743:
1724:
1716:
1708:
1700:
1692:
1684:
1676:
1668:
1660:
1652:
1644:
1636:
1628:
1620:
1612:
1604:
1596:
1588:
1580:
1572:
1564:
1556:
1548:
1540:
1532:
1524:
1505:
1497:
1489:
1481:
1473:
1465:
1457:
1449:
1441:
1391:
1386:
1380:
1370:
1364:Pas d'action
1363:
1359:
1355:
1348:
1342:
1335:
1328:
1322:
1316:
1306:
1299:
1295:
1289:
1283:
1277:
1271:
1263:
1262:
1261:
1256:
1250:
1244:
1234:
1227:
1223:
1217:
1211:
1205:
1199:
1189:
1184:
1174:
1167:
1160:
1153:
1146:
1140:
1130:
1124:
1118:
1112:
1104:
1103:
1102:
1098:Scène finale
1097:
1089:
1088:
1087:
1082:
1076:
1066:
1059:
1058:of his 1894
1055:
1051:
1044:
1037:
1030:
1024:
1018:
1008:
1002:
994:
993:
992:
987:
981:
975:
968:
962:
956:
945:
938:
932:
922:
916:
910:
904:
898:
888:
882:
872:
867:Introduction
866:
858:
857:
856:
853:
844:
840:
839:
830:
826:
825:
814:
802:
792:
788:
787:
779:
775:
774:
752:
746:
741:In 2005 the
740:
734:(1964); and
723:
719:
717:
681:Kirov Ballet
661:Anna Pavlova
648:
646:
612:Abderakhman
540:Sergey Legat
511:Moscow 1908
508:Moscow 1900
478:
470:
449:
443:
433:
420:
410:
397:
388:
379:
366:
356:
329:
321:
320:
314:
310:
285:
279:
258:
254:
252:
231:
227:
220:Kirov Ballet
215:
213:
208:
204:
175:
167:
144:grand ballet
130:
129:
128:
123:Grand ballet
34:
2216:Concertante
2128:The Seasons
2025:The Seasons
1930:La Sylphide
1686:La Bayadère
1670:The Bandits
1654:Le Papillon
1614:Don Quixote
1534:Terpsichore
1491:Le Corsaire
1371:Grande coda
1323:Grand adage
1175:Grande coda
1141:Grand adage
1067:Grande coda
1019:Grand adage
841:The Wedding
759:Tamara Rojo
616:Pavel Gerdt
2321:Categories
2268:Chopiniana
2199:unfinished
1946:Cinderella
1914:Kalkabrino
1866:The Vestal
1769:Pâquerette
1369:—g.
1366:of Act II)
1347:—f.
1341:—e.
1334:—d.
1327:—c.
1321:—b.
1315:—a.
1235:Bacchanale
1173:—f.
1166:—e.
1159:—d.
1152:—c.
1145:—b.
1139:—a.
1043:—e.
1036:—d.
1029:—c.
1023:—b.
1017:—a.
944:—c.
937:—b.
931:—a.
887:—b.
881:—a
556:Henrietta
148:apotheosis
2149:Slavonian
1992:Bluebeard
1984:The Pearl
1962:Swan Lake
1785:Pygmalion
1598:The Slave
1429:in Russia
1362:from the
1356:Variation
1336:Variation
1329:Variation
1302:, op. 52)
1272:Entr'acte
1113:Ouverture
1062:, op. 52)
1038:Variation
1031:Variation
584:BĂ©ranger
570:Clémence
516:Raymonda
473:from the
444:Conductor
389:Conductor
66:Countess
2308:Category
2184:Pastoral
2121:Raymonda
2000:Raymonda
1906:NĂ©nuphar
1858:Fiametta
1793:Coppélia
1630:Catarina
1284:Rapsodie
1218:Pandéros
815:Raymonda
803:Raymonda
766:Synopsis
747:Raymonda
720:Raymonda
715:(2005).
703:(1984);
699:for the
695:(1983);
683:(1948);
679:for the
675:(1946);
671:for the
659:(1909);
655:for the
649:Raymonda
643:Revivals
598:Bernard
479:Raymonda
322:Raymonda
311:Raymonda
288:for the
286:Raymonda
280:In 2011
259:Raymonda
232:Raymonda
216:Raymonda
207:(a.k.a.
168:Raymonda
140:Раймонда
131:Raymonda
74:Premiere
63:Libretto
35:Raymonda
22:Raymonda
2113:Ballets
2011:1900–03
1973:(*1895)
1965:(*1895)
1933:(*1892)
1885:(*1889)
1820:(*1885)
1812:(*1885)
1801:Giselle
1796:(*1884)
1772:(*1882)
1764:(*1881)
1753:Zoraiya
1748:(*1880)
1737:1880–99
1702:Ariadne
1657:(*1874)
1646:Camargo
1633:(*1870)
1585:(*1867)
1574:Titania
1566:Florida
1518:1860–79
1467:Giselle
1454:(*1848)
1443:Paquita
1435:1847–59
1296:Mazurka
1290:Palotás
836:Act III
296:History
187:at the
174:of the
142:) is a
136:Russian
2050:(1903)
2042:(1902)
2036:(1900)
2028:(1900)
2020:(1900)
2003:(1898)
1995:(1896)
1987:(1896)
1979:(1896)
1957:(1894)
1949:(1893)
1941:(1892)
1925:(1891)
1917:(1891)
1909:(1890)
1901:(1890)
1869:(1888)
1861:(1887)
1852:(1886)
1828:(1886)
1788:(1883)
1780:(1883)
1756:(1881)
1721:(1879)
1713:(1879)
1705:(1878)
1697:(1878)
1694:Roxana
1673:(1875)
1649:(1872)
1641:(1871)
1625:(1870)
1622:Trilby
1601:(1868)
1593:(1868)
1577:(1866)
1569:(1866)
1561:(1864)
1553:(1863)
1537:(1861)
1502:(1858)
1486:(1857)
1478:(1855)
1462:(1849)
1317:Entrée
1119:Marche
822:Act II
429:Moscow
214:Today
201:Russia
112:Design
94:Russia
1726:Mlada
1582:Faust
1385:â„– 39
1379:â„– 38
1305:â„– 37
1288:â„– 36
1282:â„– 35
1276:â„– 34
1270:â„– 33
1255:â„– 32
1249:â„– 31
1243:â„– 30
1185:Scène
1183:â„– 23
1129:â„– 22
1123:â„– 21
1117:â„– 20
1111:â„– 19
1096:â„– 18
1081:â„– 17
1075:â„– 16
1056:Valse
1007:â„– 14
1001:â„– 13
986:â„– 12
980:â„– 11
974:â„– 10
967:â„– 09
961:â„– 08
955:â„– 07
921:â„– 06
915:â„– 05
905:Scène
903:â„– 04
897:â„– 03
871:â„– 02
865:â„– 01
771:Act I
502:Role
421:Place
367:Place
158:(his
120:Genre
53:Music
946:Coda
883:Jeux
687:for
667:and
415:O.S.
411:Date
361:O.S.
357:Date
242:and
193:O.S.
160:opus
80:O.S.
1065:f.
273:'s
88:,
2323::
1855:*
436::
427:,
423::
391::
382::
373:,
369::
277:.
199:,
166:.
138::
92:,
2201:)
2197:(
2186:)
2182:(
2151:)
2147:(
2089:e
2082:t
2075:v
1418:e
1411:t
1404:v
134:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
