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Raw (film)

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to boos and cheers from a crowd of watching party guests. Justine confronts Alexia and fights her, eventually biting each other until they are pulled apart by other students. Justine helps Alexia up, and they walk each other back to their dorms. The next morning, Justine wakes up in bed with Adrien but she notices she is covered in blood. She pulls off the blankets, finding Adrien dead with most of his right leg eaten and a stab wound in his back. Justine then sees a bloody Alexia slumped on the floor. Justine is initially furious that Alexia killed Adrien but then cleans Alexia and herself up in the shower.
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she starts lusting after Adrien. That night, she arrives at a party, where paint is thrown at her as part of another hazing ritual and she is forced to make out with someone. While kissing, Justine bites the middle of his bottom lip off, leaving the other party guests shocked and disgusted. Justine goes back to her dorm and takes a shower, where she picks a chunk of his lip out of her teeth and eats it. Justine confides in Adrien and they end up having sex, during which Justine tries to bite Adrien but instead bites her own arm until it bleeds profusely, seeming to orgasm while doing so.
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well-adapted. Alexia begins to have a predatory relationship, manipulating Justine into becoming a traditionally more feminine version of herself. The sister's relationship is strained later on in the movie, as the jealousy over each other's relationship with Adrien sets in. Though this strain leads to tragedy with the death of Adrien, the sisterhood remains intact.
381:, but when Alexia tries to cut the wax off with sharp scissors, Justine kicks her away and Alexia accidentally cuts off her own finger. Alexia faints, and Justine picks up the finger, tastes the blood, and starts eating it. Alexia wakes up to find Justine doing this but later tells their parents that her dog, Quicky, ate it. 384:
The next morning, Alexia takes Justine to a deserted road, where Alexia jumps in front of a car, causing the two people in it to crash into a tree. Alexia starts eating one of the passengers so that her sister will "learn"; Justine is dismayed. Despite this, Justine's craving for human meat grows and
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For The Canadian Press, David Friend wrote from the Toronto International Film Festival that the film "had audiences squirming in their seats and a few queasy patrons rushing for the exits," but he noted it was "far more than a gory horror film. Director Julia Ducournau brings a sense of humanity to
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At another party, Justine gets extremely intoxicated and Alexia takes her to the morgue. The next day, everyone in school stares at Justine, some avoiding her. Adrien shows her a video where Justine is crawling on all fours, attempting to take a bite out of the arm of a corpse as Alexia eggs her on,
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focuses on the central familial relationship between the two sisters, Alexia and Justine. The duality of the two sisters is established early on in the film as an idealized good girl and the rebellious older sister. The film follows primarily Justine's journey into a world where Alexia is already
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The next day, Justine begins having cravings for meat, which makes her feel ashamed. After a failed attempt to steal a burger from the cafeteria, she and Adrien take a late-night trip to a gas station so no one will see her eating meat. Unsatisfied, she eats raw chicken in the morning, and later
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Raw follows Justine's coming-of-age throughout the film. The audience experiences Justine's journey into vet school and her assimilation (or lack thereof) into this new society. Ducournau throughout the film creates references to other classic coming-of-age cinema that came before her film, for
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Alexia is imprisoned for the murder of Adrien, and Justine is sent back home. There, Justine's father tells her that what happened is neither hers nor Alexia's fault. He explains that when he first met their mother, he could not understand why she did not want to be with him. Her father says he
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ritual, welcoming the new students. They are brought to a party, where Alexia shows Justine old class photos of students bathed in blood, including one with their parents. The next morning, the new class is splattered with blood and is forced to eat raw
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Dooley, Kath (1 January 2019), Holland, Samantha; Shail, Robert; Gerrard, Steven (eds.), "Navigating the Mind/body Divide: The Female Cannibal in French Films Grave (Raw, 2016), Dans ma peau (In My Skin, 2002) and Trouble Every Day (2001)",
2344: 1353: 1901: 2337: 369:. Justine refuses because of her vegetarianism, but Alexia forces her to eat one. Justine leaves with Adrien and later discovers an itchy rash all over her body. She goes to the doctor, who diagnoses her with 1749: 670:
gave a rather lukewarm review of the movie, labeling it "another unwieldy metaphor bundled in showy cinematography", citing the movie's "curatorial preciousness" as well as an overall insistence on contrived
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finally realized when they kissed the first time, indicating a scar on his lip. He then opens his shirt, revealing scars and missing chunks of his chest, and tells Justine that she will find a solution.
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school, the same one her older sister Alexia is attending and where their parents met. On her first night, she meets her gay roommate Adrien, and they are forced to partake in a week-long
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lurid violence and sexuality live up to its title, but they're anchored with an immersive atmosphere and deep symbolism that linger long after the provocative visuals fade." On
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praised the film highly, giving it a rare perfect score of 4 out of 4 stars; going so far as calling it "a contender for best horror movie of the decade".
341:. The film received critical acclaim, with praise for Ducournau's direction and screenplay, though was met with some controversy for its graphic content. 1330: 1451: 411:
being assaulted with pig blood. The film uses cannibalism as an extended metaphor for the horror and uncertainty that can come with entering academia.
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Beugnet, Martine; Delanoë-Brun, Emmanuelle (3 July 2021). "Raw becomings: Bodies, discipline and control in Julia Ducournau's Grave".
2542: 789: 515:, a decision on Ducournau's part due to the "American" style campus that does not really exist in France, according to the director. 1675: 727: 708: 558: 645:, Julia Ducournau's beautifully realized, symbolically rich, and disturbingly erotic meditation on primal hungers of all kinds." 3100: 2322: 1296: 992: 698:
wrote that "the fluidity and unpredictability of the human appetite is one of the movie's most playful and persistent themes."
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gave the film an A− grade, stating, "The strongest of the female-led films I've screened so far at the festival is
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One such question she answered was in regards to her deciding on the actresses who play Justine and Alexia,
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throws up a long bundle of her own hair she had been chewing on. That night, Alexia attempts to give her a
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in a muscular yet elegant campus cannibal horror from bright new talent Julia Ducournau." Katie Rife of
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on 14 May 2016 and was theatrically released in the United States on 10 March 2017 by
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2016: FIPRESCI prize in the "parallel sections" category, conferred by a jury of the
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Seattle Film Critics Society Award for Best Film Not in the English Language
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being discovered from her previous role in the 2014 Swiss-German film,
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The film had a limited theatrical release in the United States by
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Julia Ducournau answers several questions on the production of
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Public Choice Award of the best international fantastic movie
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Galt, Rosalind; van der Zaag, Annette-Carina (August 2022).
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Rabah Naït Oufella as Adrien | Raw Movie | Focus Features
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nominated for Best International Film (Foreign Language).
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reports a 93% approval score based on 200 reviews and an
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Golden Octopus of the best international fantastic movie
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Festival international du film fantastique de Gérardmer
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The film was shot on location at a school located in
2464: 1086: 962:"Shoot about to kick off for Julia Ducournau's Raw" 531:was replaced by a body double in the waxing scene. 314:, and Rabah Nait Oufella. The plot follows a young 518:It took two months of pre-production prep work in 3007: 1474:"Raw Red Band and Green Band Trailers are Here!" 1170: 1351: 1260: 1258: 1256: 2450: 2338: 2019: 522:, followed by two months of shooting to make 487:in her 2017 interview with Nicolas Rapold in 1382: 1320: 573:. It also won Best Feature Film at the 2016 1444:"Monster Fest announces 2016 Award Winners" 1253: 753:Strasbourg European Fantastic Film Festival 571:Paris International Fantastic Film Festival 498:being a long time muse of Ducournau's, and 2457: 2443: 2345: 2331: 2026: 2012: 1850:The second runner up is Julia Ducournau's 768:Flanders International Film Festival Ghent 29: 1704: 1441: 895: 603:of 7.9/10. The site's consensus states: " 1885: 1360:. The Hollywood Reporter. Archived from 1314: 709:International Federation of Film Critics 559:2016 Toronto International Film Festival 1869:(Press release). BFI. 17 October 2016. 1737: 990: 3008: 1264: 1133:Gender and Contemporary Horror in Film 1129: 1038:from the original on 24 September 2020 922: 857: 855: 832: 830: 2438: 2326: 2007: 1991: 1891: 1752:from the original on 10 December 2017 1624:from the original on 20 February 2017 1454:from the original on 13 November 2023 1023: 910:from the original on 31 December 2013 751:2016: The film won two awards at the 353:Justine begins her first semester at 2559:The Chronicle of Anna Magdalena Bach 1840:from the original on 24 October 2016 1782:from the original on 12 January 2020 1480:from the original on 14 January 2017 1352:Tatiana Siegel (13 September 2016). 1333:from the original on 24 January 2021 1005:from the original on 16 January 2017 930:"Raw (2017) – Financial Information" 871:British Board of Film Classification 780:It received four nominations at the 337:, and in France on 15 March 2017 by 1928:Australian Film Critics Association 1705:Pinkerton, Nick (May 2017). "Raw". 1588:from the original on 7 October 2022 972:from the original on 21 August 2017 896:Lemercier, Fabien (19 April 2016). 852: 827: 797:Australian Film Critics Association 728:Toronto International Film Festival 13: 2543:The Man Who Had His Hair Cut Short 1992: 1808:from the original on 9 August 2018 1740:"Mark Kermode: best films of 2017" 1738:Kermode, Mark (10 December 2017). 1686:from the original on 7 August 2019 1552:from the original on 17 March 2017 1516:from the original on 14 March 2017 1383:Adam Gabbatt (14 September 2016). 942:from the original on 16 April 2017 373:and gives her cream for the rash. 14: 3167: 3126:LGBTQ-related coming-of-age films 3086:Films directed by Julia Ducournau 1950: 1656:from the original on 7 March 2018 1397:from the original on 12 June 2023 1141:10.1108/978-1-78769-897-020191005 1064:. 13 January 2017. Archived from 991:Debruge, Peter (3 January 2017). 786:Best Foreign Film in Coproduction 1904:from the original on 2 June 2020 873:. 4 October 2016. 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2731:Pathfinder 2109:Fausto 5.0 1908:4 February 1877:18 October 1844:5 December 1812:18 October 1786:12 January 1545:Metacritic 1484:13 January 1458:15 October 1401:18 October 1072:14 January 1042:13 January 1009:13 January 821:References 784:, winning 673:set pieces 649:David Fear 612:Metacritic 569:, and the 500:Ella Rumpf 479:Production 439:Ella Rumpf 435:as Justine 415:Sisterhood 379:bikini wax 355:veterinary 351:vegetarian 339:Wild Bunch 316:vegetarian 312:Ella Rumpf 300:drama film 270:Box office 216:99 minutes 199:2017-03-15 184:2016-05-14 145:Wild Bunch 132:Petit Film 122:Production 79:Ella Rumpf 51:Written by 2963:Atlantics 2947:The Wound 2931:The Witch 2923:The Tribe 2892:The Arbor 2847:Tarnation 2799:The Apple 2653:The Falls 2599:Pirosmani 2269:In Fabric 2089:Possessed 1725:0037-4806 1719:: 88–89. 1618:The Onion 1205:253940836 1197:1470-4129 1159:194219122 1117:236779727 1109:2643-8941 966:Cineuropa 903:Cineuropa 881:4 October 588:Reception 456:as Mother 450:as Father 441:as Alexia 349:Lifelong 221:Countries 124:companies 103:Edited by 2861:Red Road 2709:Comrades 2645:The Herd 2503:Il Posto 2390:Parasite 2219:Alleluia 2149:Princess 1902:Archived 1871:Archived 1835:Archived 1806:Archived 1780:Archived 1750:Archived 1690:7 August 1684:Archived 1654:Archived 1622:Archived 1586:Archived 1550:Archived 1540:reviews" 1514:Archived 1478:Archived 1452:Archived 1395:Archived 1331:Archived 1275:Archived 1239:Archived 1209:Archived 1036:Archived 1003:Archived 970:Archived 940:Archived 908:Archived 804:See also 755: : 626:Suspiria 623:wrote, " 595:website 238:Language 111:Music by 67:Starring 2915:Ilo Ilo 2831:Carnage 2169:Martyrs 2129:Code 46 1577:Variety 1556:2 April 1520:2 April 1504:(2017)" 1427:16 June 998:Variety 838:"Grave" 620:Variety 535:Release 367:kidneys 230:Belgium 197: ( 182: ( 2990:(2023) 2982:(2022) 2974:(2021) 2966:(2019) 2958:(2018) 2950:(2017) 2942:(2016) 2934:(2015) 2926:(2014) 2918:(2013) 2910:(2012) 2902:(2011) 2894:(2010) 2888:(2009) 2880:(2008) 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Index


Julia Ducournau
Garance Marillier
Ella Rumpf
Laurent Lucas
Ruben Impens
Jim Williams
Wild Bunch
Cannes

$
French
coming-of-age
body horror
drama film
Julia Ducournau
Garance Marillier
Ella Rumpf
vegetarian
veterinary school
craving for human flesh
2016 Cannes Film Festival
Focus World
Wild Bunch
vegetarian
veterinary
hazing
rabbit
kidneys
food poisoning

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