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Returning to Spain in April 1909, he put on solo shows in both
Barcelona and Madrid. At the Fayanç Català gallery in Barcelona, he displayed 200 charcoal sketches, which he then donated to the Museo de Barcelona. His show in Madrid was at the Ministry of Tourism, and featured portraits of the city's
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tendencies of his youth. If anything, his work from this period looks like of an academic painter of an earlier time than his work of the 1890s. He continued to paint landscapes and portraits, as well as anti-tuberculosis posters and others, but by the time of his death in 1932, shortly after the
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Increasingly in demand as a portraitist, he settled again for a while in
Barcelona. Shortly thereafter he made the acquaintance of a young artist's model named Júlia Peraire, 22 years his junior. He first painted her in 1906 when she was 18. She soon became his favorite model and his lover. His
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Casas, Rusiñol, and Clarasó resumed regular annual joint exhibitions at Sala Parés in 1921; these continued until Rusiñol's death in 1931. However, that year he had a falling out with his friend
Utrillo over Maricel Casas's close association with Deering; the breach was never healed.
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sponsored several prominent art exhibitions, including Casas' own well-received first solo show (1899 at Sala Parés), which brought together a retrospective of his oil paintings as well as a set of charcoal sketches of contemporary figures prominent in
Barcelona's cultural life.
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of the Salon du Champ de Mars in Paris, which would have allowed him to exhibit there annually, but in fact he only exhibited there for two more years. In 1903, his piece for the salon was one that had originally been called
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in 1907 and hired Puig i
Cadafalch to restore it. Casas would spend much time there, and would repeatedly depict the monastery and its surroundings. Five years later, when his mother died, he inherited the monastery.
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had not yet fully come together, but the key people were beginning to know one another, and successful
Catalan artists were increasingly coming to identify themselves with Barcelona as much as with Paris.
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in
Catalonia. Deering purchased the entire village, and placed Casas in charge of the project of restoring it. Several years later, in 1924, he would return to Tamarit to paint numerous landscapes.
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In 1922, Casas finally married Júlia
Peraire, and in 1924 she came along with him on a trip to the United States, during which he once again made portraits of the rich and famous.
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in Montsió Street near the center of
Barcelona; it opened in June 1897 and lasted for six years (and was later reconstructed in 1978). His partners in the enterprise were
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with Romeu as his stoker. The original of the painting—or most of it: nearly a third of the canvas was cut away by an intervening owner—is now in
Barcelona's
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The next few years he continued to paint and travel, spending most autumns and winters in Paris and the rest of the year in Spain, mostly in Barcelona but also in
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routing a crowd, had been executed at least two years before that strike. In 1904, the same piece won first prize at the General Exposition in Madrid.
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While his painting career continued successfully through this period, as part owner of a bar Casas engaged heavily in graphic design, adopting the
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attempted its own literary and artistic magazine, to which Casas was a major contributor. That was short-lived, but was soon followed by
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His life continued in this vein for some time. In 1910 executed a painting of the funeral of his friend the art critic and novelist
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239:; 4 January 1866 – 29 February 1932) was a Catalan artist. Living through a turbulent time in the history of his native
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circle that included Casas and Rusiñol began with greater frequency to organize exhibitions of their own in Barcelona and
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During a 1904 sojourn in Madrid, he produced a series of sketches of the Madrid intelligentsia, and befriended painters
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Share of the Hispano Suiza Fabrica de Automoviles SA, 1905, designed by Ramón Casas with the Italian actress
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In 1908 Casas and his now-patron Deering traveled through Catalonia. Deering purchased a former hospital in
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His fame continued to spread through Europe and beyond as he exhibited successfully in Madrid (1892, 1894),
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dancer; the piece won him an invitation as a member of the salon of the Societé d'artistes françaises.
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in Paris, the Spanish committee chose two of Casas' full-length oil portraits: an 1891 portrait of
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he traveled extensively in Spain and Europe, sometimes alone and sometimes with Deering, visiting
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Casas and Rusiñol traveled through Catalonia in 1889, and collaborated on a short book
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family did not approve of her; they eventually married, but not until 1922.
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Courtyard of the old Barcelona prison (Courtyard of the 'lambs'), c. 1894
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and revolving art exhibits, including one of the first one-man shows by
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The Corpus Christi Procession Leaving the Church of Santa Maria del Mar
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The Corpus Christi Procession Leaving the Church of Santa Maria del Mar
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he exhibited at Sala Parés in 1890; his work from this period, such as
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Up until this time, Casas had kept his distance from the battles of
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to transform it into a sometime residence. Miquel Utrillo dubbed it
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Design for the poster 'Sífilis', 1900, charcoal and pastel on paper
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on foot rather than on horseback. Over the remaining years before
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in Paris. Casas largely financed this bar on the ground floor of
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lies somewhere between an academic style and that of the French
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Casas was born in Barcelona. His father had made a fortune in
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Casas' mother purchased the monastery of Sant Benet de
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and an 1895 portrait of Casas' sister Elisa. His 1894
558:(1904–1908), to which Casas also contributed.
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49:. Unsourced material may be challenged and removed.
883:By the 1920s, Casas had fallen far away from the
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1404:Ramon Casas and Pere Romeu in an Automobile
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109:Learn how and when to remove this message
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41:Please help
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1448:1932 deaths
1443:1866 births
1399:(1896-1898)
1367:(1890-1891)
1349:Ramon Casas
1035:At the ball
989:Female Nude
863:World War I
823:Netherlands
807:World War I
629:Garrote Vil
579:Art Nouveau
419:Garrote vil
291:Joan Vicens
144:Ramon Casas
1437:Categories
1422:Modernisme
1264:2018-01-02
1240:References
1157:Ballerinas
855:Vell i Nou
720:collector
671:The Charge
662:Societaire
651:The Charge
625:Erik Satie
583:modernisme
499:Pere Romeu
491:Casa Martí
471:modernista
407:modernisme
372:Montmartre
311:Sala Parés
258:modernisme
219:Modernisme
172:1866-01-04
69:newspapers
1356:Paintings
1174:, 1901–02
1159:, 1901–02
1127:, c. 1900
1081:Cover of
1067:Decadente
1054:, 1896-98
927:Plein air
768:, c. 1914
739:, c. 1915
637:Argentina
595:champagne
519:tertulias
253:El garrot
241:Barcelona
180:Barcelona
1292:Archived
1234:, pastel
1083:Hispania
815:Budapest
799:La Carga
718:American
696:as motif
667:La Carga
599:anisette
587:Codorniu
440:bohemian
397:and the
395:Plen Air
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214:Movement
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121:In this
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1010:), 1894
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605:to the
436:Chicago
337:Granada
307:L'Avenç
295:L'Avenç
182:, Spain
127:surname
83:scholar
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850:Sitges
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827:Madrid
819:Munich
811:Vienna
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571:4 Gats
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444:Sitges
428:Berlin
422:, 1894
359:, and
333:Madrid
327:, 1886
249:Madrid
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1172:Opera
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737:Julia
556:Forma
540:Like
303:Paris
299:Bages
245:Paris
135:Carbó
131:Casas
90:JSTOR
76:books
704:and
591:cava
335:and
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188:Died
162:Born
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