729:
embarked on a new recording project set for release in Autumn of 2014. This involved collaborations with contemporary electronic musicians, video artists, DJs, remixers, poets, writers and singers. Live appearances in 2013 included
Festival Number 6 at Portmeirion, Wales in September and The London Electronic Arts Festival in November. The shows featured archive TV and visuals from many of the TV and film soundtracks that the Radiophonic Workshop contributed to between 1958 and 1998 when the unit was deactivated. The Radiophonic Workshop appeared on BBC television's The One Show on 20 November 2013 playing a unique version of the Doctor Who Theme that combined Delia Derbyshire's original source tapes and Peter Howell's 1980 realisation of the Ron Grainer composition. Radio 6 Music's Marc Riley played host to a Radiophonic Workshop session where they delivered live versions of Roger Limb's Incubus, Paddy Kingsland's Vespucci, the Doctor Who Medley and a new composition – Electricity Language and Me (by American poet Peter Adam Salomon), featuring DJ Andrew Weatherall as the narrative voice for this classic piece of Radiophonic sound design. There were a number of radio, online and print interviews done at the time to coincide with the 50th anniversary of Doctor Who.
142:
663:
814:
795:
290:
546:
618:, remained. The Workshop officially closed in March 1998, but Elizabeth stayed on for a couple of months to complete her last job. John Hunt, (who took over much of the specialist editing side of the workshop previously done by Dick Mills) continued working in Studio E, now called "Radiophonics" until well into 2000, occasionally managing to fit in a bit of traditional Radiophonics work. Mark Ayres recalls the Workshop's tape archive being collected on 1 April, exactly 40 years after the department had opened.
427:
950:
45:
444:
857:, a basement room with bare painted walls empty except for loudspeakers and microphones. Due to the considerable technical challenges faced by the Workshop and BBC traditions, staff initially worked in pairs with one person assigned to the technical aspects of the work and the other to the artistic direction.
830:; new sounds for programmes were created by using recordings of everyday sounds such as voices, bells or gravel as raw material for "radiophonic" manipulations. In these manipulations, audio tape could be played back at different speeds (altering a sound's pitch), reversed, cut and joined, or processed using
268:. Often the sounds required for the atmosphere that programme makers wished to create were unavailable or non-existent through traditional sources and so some, such as the musically trained Oram, would look to new techniques to produce effects and music for their pieces. Much of this interest drew them to
354:
In these early days, one criticism the
Workshop attracted was its policy of not allowing musicians from outside the BBC to use its equipment, which was some of the most advanced in the country at that time not only because of its nature, but also because of the unique combinations and workflows which
865:
The
Radiophonic Workshop published "Radiophonics in the BBC" in November 1963, listing all equipment used in their two workshops, diagrams of several systems, and a number of anecdotes. The Radiophonic Workshop also contributed articles to magazines of its experiments, complete with instructions and
604:
decided that departments were to charge each other and bid against each other for services and to close those that couldn't make enough revenue to cover their costs. In 1991 the
Workshop was given five years in which to break even but the cost of keeping the department, which required two dedicated
297:
In 1957, Daphne Oram set up the
Radiophonic Workshop with Desmond Briscoe, who was appointed the Senior Studio Manager with Dick Mills employed as a technical assistant. Much of The Radiophonic Workshop's early work was in effects for radio, in particular experimental drama and "radiophonic poems".
769:
Composer
Matthew Herbert's first work for The New Radiophonic Workshop takes audio from 25 previous projects featured on the website – from theater performances to poetry readings, creating a "curious murmur of activity". It can be heard by clicking on a button labeled "listen to The Space" at the
494:
By this point the output of the
Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had
459:
As the sixties drew to a close many of the techniques used by the
Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the
1674:
was provided by the BBC Radiophonic
Workshop from 1963 to 1985. From 1986 to the programme's demise the theme was provided by freelance musicians. Between 1980 and 1985 the complete incidental scores for the programme were provided in-house by the Workshop. Below is a complete list of incidental
276:
suitable for the growing range of unconventional programming. When the BBC noticed the rising popularity of this method they established a
Radiophonic Effects Committee, setting up the Workshop in rooms 13 & 14 of the BBC's Maida Vale studios with a budget of £2,000. The Workshop contributed
728:
In 2013 the original members of the Workshop regrouped again for a more concerted programme of live appearances. Performing as 'The Radiophonic Workshop' (dropping the BBC prefix) they were joined by drummer Kieron Pepper (The Prodigy, Dead Kids, OutPatient) and Bob Earland from Clor. They also
325:
From the early sixties the Workshop began creating television theme tunes and jingles, particularly for low budget schools programmes. The shift from the experimental nature of the late 50s dramas to theme tunes was noticeable enough for one radio presenter to have to remind listeners that the
626:
Following the decision to close the Radiophonic Workshop, the studios were cleared and most remaining equipment was disposed of, with some of it being sold to the composers. The tape library was largely forgotten until the room was ordered to be "cleared". Fortunately the Maida Vale studios
627:
technical team became aware of this and were able to hide the tapes away in various dark corners of the building before they could be thrown away. Eventually Mark Ayres and Brian Hodgson were commissioned to catalogue its extensive library of recordings with help from other composers.
852:
Much of the equipment used by the Workshop in the earlier years of its operation in the late 1950s was semi-professional and was passed down from other departments, though two giant professional tape-recorders made an early centrepiece. Reverberation was obtained using an
613:
In 1995, despite being asked to continue, organiser Brian Hodgson left the Workshop, and his role was carried out remotely from Broadcasting House by people with other priorities and little enthusiasm. Malcolm Clarke and Roger Limb left. By the end, only one composer,
744:
In September 2012 Arts Council England and the BBC announced a joint venture whereby the concept of the Radiophonic Workshop would be revived as an online venture, with seven new, non-original composers and musicians. The new Workshop was based online at
564:
690:, Chalk Farm, London, performing as "The Radiophonic Workshop". The composers, backed by a small brass section and a live drummer, performed a large number of their BBC-commissioned musical works including sections of incidental music from
777:, not to be confused with the reactivated Radiophonic Workshop whose members are original BBC personnel, an entirely separate entity from the original unit, was assembled by Mathew Herbert as an online collective of composers for
334:
days) and commercially released as a single using the pseudonym Ray Cathode. During this early period the innovative electronic approaches to music in the Workshop began to attract some significant young talent including
609:
since the very beginning, left in 1993, along with Ray White, Senior Engineer, and his assistant, Ray Riley, with the Maida Vale technical team taking on their role, and engineer Fiona Sleigh smoothing the transition.
3917:
1279:
3924:
1286:
1540:
3938:
1300:
389:
which has become one of television's most recognisable themes. Over the next quarter-century the Workshop contributed greatly to the programme providing its vast range of unusual sound-effects, from the
562:
460:
early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including
849:) materialising and dematerialising, which was created by Brian Hodgson running his keys along the rusty bass strings of a broken piano, with the recording slowed down to make an even lower sound.
2597:
the workshop team did not publish its own journals, but had, through the years, contributed a number of articles to magazines such as Practical Electronics, Studio Sound and the Dr. Who Magazine
563:
3931:
1293:
732:
The Workshop's early archive recordings were also reissued on vinyl in November 2013 to accompany this renewed activity. In 2014, "The Radiophonic Workshop" appeared at festivals including
1531:
524:
141:
264:. For some time there had been much interest in producing innovative music and sounds to go with the pioneering programming of the era, in particular the dramatic output of the
3498:
491:
In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over.
736:, and the reissue programme of earlier work from their extensive catalogue continues along with a planned exploration of previously unheard or rare archive recordings.
873:
made a memorable trip to the workshop in 1967. They had employed tape loops, sound effects, found sounds and the principles of musique concrete on their debut album
605:
engineers, a software developer (Tony Morton) and a secretary (Maxine) as well as the composers, proved too much and so they failed. Dick Mills, who had worked on
1309:
355:
the Workshop afforded its composers. In later years this would become less important as more electronic equipment became readily available to a wider audience.
555:
725:. Multiple cameras recorded the event but it has yet to be broadcast or released in any form, although amateur footage of the event can be seen on YouTube.
3905:
2919:
1267:
1643:
1218:
528:
2712:
3856:
701:
The live performances were mixed in surround sound and interspersed with musical video montage tributes of deceased members of the Workshop including
244:
The Workshop was set up to satisfy the growing demand in the late 1950s for "radiophonic" sounds from a group of producers and studio managers at the
381:. Presented with the task of "realising" Grainer's score, complete with its descriptions of "sweeps", "swoops", "wind clouds" and "wind bubbles",
3891:
1253:
1232:
1151:
200:, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995. Its members included
4091:
3961:
3870:
3656:
2394:
326:
purpose of the Workshop was not pop music. In fact, in 1962 one of Fagandini's interval signals "Time Beat" was reworked with assistance from
3275:
1157:
4027:
2812:
4086:
3506:
2556:
Reynolds, Simon. "For 40 Years, the BBC's Radiophonic Workshop Created "Special Sound' for Programmes from Doctor Who to Woman's Hour".
1479:
4106:
3405:
1316:
277:
articles on their findings to magazines, leading to some of their techniques being borrowed by sixties producers and engineers such as
109:
698:(including a medley of Mark Ayres's work) as well as some collaborative compositions written specifically for the Roundhouse concert.
1547:
971:
81:
62:
2979:
4116:
4101:
4096:
3947:
2379:
519:
88:
3307:
3842:
3835:
2666:
2621:
2384:
1204:
1197:
3030:
3004:
2581:
1379:
3828:
3805:
1190:
1170:
95:
650:
3649:
1445:
3954:
3185:
3108:
3082:
3056:
4081:
4056:
4051:
3968:
3863:
3717:
2399:
2389:
1337:
1050:
997:
710:
662:
344:
213:
128:
77:
3211:
2637:
1393:
979:
713:. The two and a half-hour event climaxed with live performances of the Derbyshire and Peter Howell arrangements of
1323:
717:, segueing into a new Radiophonic version of the theme tune. Celebrated attendees included actor/writer/composer
575:
1496:
This was the only production ever to be realised at the Radiophonic Workshop completely by an external composer.
3849:
1519:
1211:
975:
875:
347:, who was in fact a jazz pianist with an interest in reverse tape effects. Later, in 1967. they were joined by
66:
2791:
495:
long since expanded from its early two-room setup. Its contributions included material for programmes such as
169:
and new music for radio and, later, television. The unit is known for its experimental and pioneering work in
4111:
3642:
1225:
409:, creative director of The New Radiophonic Workshop, composed the sting used alongside the reveal of the new
1410:
1358:
842:
created using a plucked string, 12 oscillators and a lot of tape manipulation; and the sound of the TARDIS (
3325:
2611:
2472:
1457:
1417:
813:
794:
765:, Patrick Bergel, James Mather, theatre director Lyndsey Turner and broadcast technologist Tony Churnside.
289:
3773:
2165:
1898:
1791:
1636:
1552:
1098:
615:
233:
17:
2738:
2686:
2497:
2422:
834:
or equalisation. The most famous of the Workshop's creations using 'radiophonic' techniques include the
2772:
2059:
2047:
1991:
1611:(1963–1972) & Dick Mills (1972–1989). Some additional effects provided by various Workshop members)
2582:"BBC – Research and Development: Audio on the Web – Rediscovering the era of the Radiophonic Workshop"
102:
3982:
3780:
3731:
2194:
2141:
2129:
2117:
2100:
2064:
2040:
2012:
1996:
1927:
1910:
1718:
1484:
1351:
1260:
1104:
1062:
461:
3898:
3375:
2172:
1862:
1779:
960:
733:
3285:
2893:
1386:
3766:
3759:
2354:
2153:
2076:
2052:
2023:
2008:
1972:
1891:
1844:
1813:
1772:
1756:
1735:
1730:
1472:
1124:
1092:
1086:
964:
679:
473:
221:
55:
2820:
826:
The techniques initially used by the Radiophonic Workshop were closely related to those used in
298:
Their significant early output included creating effects for the popular science-fiction serial
4046:
3159:
2189:
2112:
2083:
1671:
1591:
1239:
919:
888:
635:
366:
300:
185:
146:
2656:
1365:
3877:
3821:
3724:
2524:, "Frederick Bradnum, Master dramatist whose prolific output sustained radio's great era" in
1979:
1578:
1569:
1524:
1450:
1372:
1183:
1056:
477:
348:
209:
1330:
3989:
3745:
2136:
2035:
2003:
1820:
1632:
1437:
1074:
750:
532:
229:
8:
3696:
3472:"Radio review: Miranda Sawyer on the week's best listening | Television & radio"
2454:
1032:
843:
778:
645:
507:
319:
265:
225:
3471:
269:
4021:
4011:
3975:
3445:
2980:"BBC – Research and Development: Audio on the Web – Explore the BBC sound of the 1960s"
2868:
2124:
1886:
1688:
1344:
880:
722:
718:
272:
and tape manipulation techniques, since using these methods could allow them to create
193:
31:
3629:
3596:
3588:
2913:
2746:
2662:
2617:
1808:
395:
261:
480:, the Workshop now found itself in possession of various synthesisers including the
3710:
3280:
2473:"The BBC Radiophonic Workshop – New Songs, Playlists & Latest News – BBC Music"
2095:
2019:
1874:
1751:
1044:
839:
706:
399:
386:
382:
336:
257:
205:
174:
170:
166:
3738:
3677:
2148:
1955:
1903:
1867:
1849:
1837:
1796:
1784:
1768:
1648:
1620:
1596:
1536:
1468:
1139:
1068:
1017:
762:
754:
675:
536:
465:
406:
249:
217:
670:
In May 2009, Dick Mills reunited with former BBC Radiophonic Workshop composers
4016:
3884:
3794:
2071:
1713:
1615:
1403:
1246:
1110:
933:
908:
687:
485:
449:
3600:
4075:
3703:
3592:
3406:"CBC the Entertainers the BBC Radiophonic Workshop 24 Th Anniversary ( 1982)"
2750:
2543:
2364:
2254:
1693:
1608:
1512:
1038:
831:
340:
327:
306:
3553:
3528:
3419:
3349:
2933:
666:
Dick Mills, BBC Radiophonic Workshop reunion live at the Roundhouse in 2009.
3634:
3583:
2558:
2526:
2521:
2258:
1739:
1627:
904:
892:
854:
513:
278:
158:
145:
A collection of equipment from the Radiophonic Workshop, on display at the
2958:
2843:"FAQs: Studio 30, Fazeley Studios, 191 Fazeley Street, B5 5SE, Birmingham"
3684:
1934:
1700:
1023:
929:
884:
846:
702:
372:
331:
253:
201:
426:
3787:
3752:
2177:
2088:
1984:
1967:
1960:
1939:
1922:
1915:
1879:
1825:
1667:
1603:
1145:
1130:
1080:
912:
900:
870:
683:
671:
587:
501:
469:
410:
377:
310:. In 1959, Daphne Oram left the workshop to set up her own studio, the
273:
197:
179:
2351:
Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop
1539:
with additional effects by Dick Mills. Music (except theme music) for
911:
has also cited the Workshop as an influence on the sound of his group
879:
from that same year. Other fans of the Radiophonic Workshop included
3814:
3133:
2713:"The women who invented electro: inside the BBC Radiophonic Workshop"
2328:
The Electric Music Machine, Five Days at the BBC Radiophonic Workshop
1832:
896:
601:
481:
432:
3446:"Radio 3 – Late Junction – 50 years of the BBC Radiophonic Workshop"
3031:"BBC – Research and Development: Audio on the Web – Knobs and Waves"
949:
44:
2427:
2160:
1560:
639:
3308:"Desmond Briscoe, The BBC Radiophonic Workshop – Record Store Day"
2361:
An Electric Storm: Daphne, Delia and the BBC Radiophonic Workshop
758:
443:
315:
3212:"Radiophonic Workshop: the shadowy pioneers of electronic sound"
2842:
511:
as well as sound effects for popular science fiction programmes
3236:
1763:
924:
391:
1675:
music provided by the Radiophonic Workshop for the programme.
757:
was appointed the new Creative Director, and worked alongside
375:
to record a theme tune for the upcoming BBC television series
3529:"26/10/2008, Stuart Maconie's Freak Zone – BBC Radio 6 Music"
3624:
3619:
3614:
398:, as well as much of the programme's distinctive electronic
3005:"BBC – Research and Development: Prototyping Weeknotes #97"
556:
BBC Radiophonic Workshop, "SoundHouse", Whale Theme excerpt
27:
Produced sound effects and programme scores from 1958-1998
4006:
3250:
928:
described the Workshop as, "the unsung heroes of British
488:
nicknamed the "Delaware" by the members of the Workshop.
476:. From the early days of a studio full of tape reels and
245:
192:
The original Radiophonic Workshop was based in the BBC's
162:
1502:
3160:"Radiophonic Workshop: A Glimpse of Current Activities"
2959:"Recreating the sounds of the BBC Radiophonic Workshop"
2792:"Doctor Who: The most important electronic music ever?"
177:, as well as its popular scores for programmes such as
939:
30:"Radiophonic" redirects here. Not to be confused with
3109:"BBC – Research and Development: IRFS Weeknotes #130"
3083:"BBC – Research and Development: IRFS Weeknotes #128"
3057:"BBC – Research and Development: IRFS Weeknotes #125"
2610:
Shapiro, Harry; Glebbeek, Caesar (17 November 2014).
2301:
Jonny Trunk's OST Show – 2 Hours With Paddy Kingsland
3906:
Doctor Who: 30 Years at the BBC Radiophonic Workshop
3615:
BBC Radiophonic Workshop: An Engineering Perspective
2423:"BBC Radiophonic Workshop – Biography & History"
1847:
also supplied the incidental music for the spin-off
1268:
Doctor Who: 30 Years at the BBC Radiophonic Workshop
322:
joined the workshop from the BBC's Italian Service.
318:" technique of electronic sound creation. That year
2211:
1219:
BBC Sound Effects No. 19 - Doctor Who Sound Effects
69:. Unsourced material may be challenged and removed.
3857:BBC Sound Effects No. 19: Doctor Who Sound Effects
3327:BBC Radiophonic Workshop - The Sound Makers (1963)
3955:The John Baker Tapes – Volume 1: BBC Radiophonics
2900:. Archived from the original on 24 September 2012
1310:The John Baker Tapes – Volume 1: BBC Radiophonics
638:about the Radiophonic Workshop, was broadcast on
4073:
3554:"Selected Radiophonic Works – BBC Radio 4 Extra"
3350:"BBC Radio 4 Extra – Selected Radiophonic Works"
2918:: CS1 maint: bot: original URL status unknown (
936:extensively by contemporary electronic artists.
578:TV series (music only), BBC Radiophonic Workshop
3892:The Living Planet: Music from the BBC TV Series
3496:
2894:"The Space – The Arts live, free and on demand"
2609:
1233:BBC Sound Effects No. 26 - Sci-Fi Sound Effects
805:tape recorder, tape splicer, and mending tapes.
3871:BBC Sound Effects No. 26: Sci-Fi Sound Effects
3469:
2773:"Doctor Who series 11 gets new logo and image"
2253:The title to this programme is a reference to
1657:
3650:
2306:Jonny Trunk's OST Show – David Cain Interview
860:
3664:
2974:
2972:
2680:
2678:
2290:Stuart Maconie's Freak Zone: 26 October 2008
1564:(BBC Radio) (music by Jonathan Gibbs) (1985)
978:. Unsourced material may be challenged and
657:
402:, including every score from 1980 to 1985.
3962:BBC Radiophonic Workshop – A Retrospective
3912:Doctor Who at the BBC Radiophonic Workshop
3657:
3643:
2395:BBC Radiophonic Workshop – A Retrospective
2284:Sunday Feature: Wee Have Also Sound-Houses
1582:(BBC Radio) (music by Peter Howell) (1996)
1573:(BBC Radio) (music by Peter Howell) (1993)
1317:BBC Radiophonic Workshop - A Retrospective
1274:Doctor Who at the BBC Radiophonic Workshop
312:Oramics Studios for Electronic Composition
4037:
4028:Sound Effects No. 13 – Death & Horror
3420:"BBC Radio 3 – Late Junction, 12/02/2008"
2969:
2675:
2455:"BBC Radiophonic Workshop revived online"
2449:
2447:
2445:
998:Learn how and when to remove this message
600:By the early 1990s, BBC Director General
371:In 1963 they were approached by composer
129:Learn how and when to remove this message
2807:
2805:
2579:
661:
351:, a jazz bass player and mathematician.
288:
140:
3948:Music from the BBC Radiophonic Workshop
3499:"On radio: Alvin Hall's World of Money"
2770:
2613:Jimi Hendrix. Una foschia rosso porpora
2380:Music from the BBC Radiophonic Workshop
1425:
14:
4074:
2736:
2710:
2684:
2654:
2575:
2573:
2571:
2569:
2442:
749:, a joint venture between the BBC and
739:
654:, after the BBC Radiophonic Workshop.
648:titled the first track of their album
314:, where she eventually developed her "
4092:Musical groups disestablished in 1998
3638:
3209:
3152:
2802:
2498:"Elizabeth Parker - flexible working"
1599:& (uncredited) Dick Mills) (1958)
1503:Sound effects and music contributions
3630:Peter Howell's Radiophonic Home Page
3276:"Paddy Kingsland – Record Store Day"
3028:
2789:
2771:Jeffery, Morgan (20 February 2018).
2555:
2416:
2414:
1678:
1644:The Hitchhiker's Guide to the Galaxy
1532:The Hitchhiker's Guide to the Galaxy
1411:Doctor Who – Revenge of the Cybermen
1171:BBC Radiophonic Workshop discography
976:adding citations to reliable sources
943:
692:The Hitchhikers' Guide to the Galaxy
520:The Hitchhiker's Guide to the Galaxy
67:adding citations to reliable sources
38:
3918:Volume 1: The Early Years 1963–1969
2566:
1493:(produced by Maxwell Steer) (1991)
1324:Doctor Who – The Caves of Androzani
1280:Volume 1: The Early Years 1963–1969
940:Members of the Radiophonic Workshop
24:
4087:Musical groups established in 1958
3939:Volume 4: Meglos & Full Circle
3925:Volume 2: New Beginnings 1970–1980
3574:
3188:BBC Engineering Division Monograph
3080:
2737:Niebur, Louis (19 December 2006).
2638:"The woman who could 'draw' music"
2420:
1301:Volume 4: Meglos & Full Circle
1287:Volume 2: New Beginnings 1970–1980
1041:(1962–1972), Organiser (1977–1995)
544:
25:
4128:
4107:1998 disestablishments in England
3625:Ray White's Radiophonic Home Page
3608:
3497:Culture Reviews (5 August 2008).
3470:Miranda Sawyer (10 August 2008).
3106:
3054:
2819:. 20 October 2003. Archived from
2411:
2400:List of Doctor Who music releases
1734:(additional, uncredited music by
1704:(Special sounds by Brian Hodgson)
3581:"40 years of BBC Radiophonics".
2580:Thereaux, Oliver (23 May 2012).
2212:Works about Radiophonic Workshop
948:
812:
793:
721:and satirist/writer/broadcaster
586:Problems playing this file? See
560:
442:
425:
304:and memorable comedy sounds for
43:
3546:
3521:
3490:
3463:
3438:
3412:
3398:
3368:
3342:
3318:
3300:
3268:
3243:
3229:
3210:Muggs, Joe (23 November 2013).
3203:
3178:
3126:
3100:
3074:
3048:
3022:
2997:
2951:
2926:
2886:
2861:
2835:
2783:
2764:
2730:
2704:
2687:"A History Of Electronic Music"
2655:Hugill, Andrew (25 June 2012).
2648:
2630:
2279:Late Junction: 12 February 2008
1523:(effects and music composed by
1430:
1118:
869:British psychedelic rock group
770:top of any page on the website.
576:Hitchhikers Guide to the Galaxy
413:logo debuting later that year.
54:needs additional citations for
4117:2012 establishments in England
4102:1958 establishments in England
4097:Electronic music organizations
2934:"The New Radiophonic Workshop"
2603:
2549:
2533:
2515:
2490:
2465:
1175:
1164:
876:The Piper at the Gates of Dawn
595:
13:
1:
3864:BBC Radiophonic Workshop - 21
3164:Electronics & Music Maker
2938:thenewradiophonicworkshop.com
2711:Hewett, Ivan (22 June 2016).
2691:Electronics & Music Maker
2405:
2390:BBC Radiophonic Workshop – 21
1366:Doctor Who – The Five Doctors
1226:BBC Radiophonic Workshop - 21
784:
358:
284:
165:, created in 1958 to produce
3186:""Radiophonics in the BBC",
2616:(in Italian). LIT EDIZIONI.
1458:Good Friday: A Play in Verse
1010:
887:– who visited in 1968 – and
775:The New Radiophonic Workshop
189:during the 1950s and 1960s.
7:
3587:. No. 42. April 1996.
2739:"Obituary: Desmond Briscoe"
2373:
2340:What the Future Sounds Like
1394:Doctor Who – The Visitation
10:
4133:
3932:Volume 3: The Leisure Hive
2685:Pierce, Derek (May 1982).
2295:Selected Radiophonic Works
2248:Wee Have Also Sound-Houses
2234:Selected Radiophonic Works
2060:Resurrection of the Daleks
1491:Notes from Janáček's Diary
1294:Volume 3: The Leisure Hive
1168:
861:Influence on popular music
416:
364:
239:
78:"BBC Radiophonic Workshop"
29:
3999:
3983:Burials in Several Earths
3804:
3672:
1352:Burials in Several Earths
1261:Doctor Who - The Music II
1136:Dick Mills (2009–present)
621:
394:dematerialisation to the
4082:BBC Radiophonic Workshop
3899:Doctor Who: The Music II
3836:The Radiophonic Workshop
3666:BBC Radiophonic Workshop
3505:. London. Archived from
2385:The Radiophonic Workshop
2316:The Same Trade as Mozart
2173:Revelation of the Daleks
1331:Doctor Who – The Krotons
1198:The Radiophonic Workshop
734:End of the Road Festival
658:Live reunions since 2009
155:BBC Radiophonic Workshop
2355:Oxford University Press
2227:The Electric Tunesmiths
1731:Revenge of the Cybermen
932:". Their work has been
801:Tape manipulation tools
3850:Through A Glass Darkly
2530:dated 22 February 2002
2322:The New Sound of Music
2190:Terror of the Vervoids
2113:Attack of the Cybermen
2084:The Caves of Androzani
1647:(music and effects by
1592:Quatermass and the Pit
1446:The Foundation Trilogy
1240:Doctor Who - The Music
1212:Through A Glass Darkly
1029:Dick Mills (1958–1993)
920:electronic dance music
772:
686:for a live concert at
667:
636:television documentary
549:
478:electronic oscillators
367:Doctor Who theme music
301:Quatermass and the Pit
294:
186:Quatermass and the Pit
150:
3878:Doctor Who: The Music
3822:BBC Radiophonic Music
3174:– via Mu:zines.
2813:"Alchemists of Sound"
2700:– via Mu:zines.
1579:The Ghosts of N-Space
1570:The Paradise of Death
1548:The Lord of the Rings
1184:BBC Radiophonic Music
767:
665:
548:
292:
236:, the last to leave.
144:
4112:Mute Records artists
3990:Inventions for Radio
3969:Radiophonic Workshop
3746:Richard Yeoman-Clark
3338:– via YouTube.
2658:The Digital Musician
2461:. 12 September 2012.
2232:Repeated as part of
2137:The Mark of the Rani
2036:Warriors of the Deep
1821:The Keeper of Traken
1633:Richard Yeoman-Clark
1438:Inventions for Radio
1426:Selected other works
1418:Inventions for Radio
1338:Radiophonic Workshop
1075:Richard Yeoman-Clark
972:improve this section
819:Sine wave oscillator
751:Arts Council England
533:Richard Yeoman-Clark
497:The Body in Question
230:Richard Yeoman-Clark
63:improve this article
3697:Maddalena Fagandini
3620:Radiophonic Gallery
3503:The Daily Telegraph
3312:Record Store Day UK
3029:Thereaux, Olivier.
2717:The Daily Telegraph
2363:by Ned Netherwood (
2334:Alchemists of Sound
1651:except theme music)
1543:by Paddy Kingsland)
1465:A Wall Walks Slowly
1380:The Box of Delights
1033:Maddalena Fagandini
838:theme music, which
740:2012 online revival
646:The Magnetic Fields
632:Alchemists of Sound
385:created a piece of
320:Maddalena Fagandini
266:BBC Third Programme
226:Maddalena Fagandini
4022:Maida Vale Studios
3976:The Vendetta Tapes
3426:. 12 February 2008
2823:on 20 October 2003
2790:Harrison, Andrew.
2542:, Ned Netherwood,
2168:(as "Liz Parker"))
2125:Vengeance on Varos
1689:The Wheel in Space
1400:La Planète Sauvage
1345:The Vendetta Tapes
881:The Rolling Stones
723:Victor Lewis-Smith
719:Peter Serafinowicz
668:
550:
295:
293:Maida Vale Studios
196:in Delaware Road,
194:Maida Vale Studios
151:
32:Radiophonic (song)
4069:
4068:
4065:
4064:
3843:Out of This World
3378:The Space Between
3376:"mb21's page for
2668:978-1-136-27988-1
2623:978-88-6231-758-0
2540:An Electric Storm
2353:by Louis Niebur (
2242:The Space Between
2208:
2207:
2004:The King's Demons
1254:The Living Planet
1205:Out of This World
1008:
1007:
1000:
866:wiring diagrams.
630:In October 2003,
565:
396:Sonic screwdriver
262:Frederick Bradnum
167:incidental sounds
139:
138:
131:
113:
16:(Redirected from
4124:
4035:
4034:
4000:Related articles
3829:Fourth Dimension
3774:Elizabeth Parker
3711:Delia Derbyshire
3659:
3652:
3645:
3636:
3635:
3604:
3569:
3568:
3566:
3564:
3550:
3544:
3543:
3541:
3539:
3525:
3519:
3518:
3516:
3514:
3509:on 22 April 2013
3494:
3488:
3487:
3485:
3483:
3467:
3461:
3460:
3458:
3456:
3442:
3436:
3435:
3433:
3431:
3416:
3410:
3409:
3402:
3396:
3395:
3393:
3391:
3386:. 4 October 1973
3372:
3366:
3365:
3363:
3361:
3346:
3340:
3339:
3337:
3335:
3322:
3316:
3315:
3304:
3298:
3297:
3295:
3293:
3288:on 10 March 2018
3284:. Archived from
3281:Record Store Day
3272:
3266:
3265:
3263:
3261:
3247:
3241:
3233:
3227:
3226:
3224:
3222:
3207:
3201:
3200:
3199:. November 1963.
3194:
3182:
3176:
3175:
3173:
3171:
3156:
3150:
3149:
3147:
3145:
3130:
3124:
3123:
3121:
3119:
3107:Ferne, Tristan.
3104:
3098:
3097:
3095:
3093:
3078:
3072:
3071:
3069:
3067:
3052:
3046:
3045:
3043:
3041:
3026:
3020:
3019:
3017:
3015:
3001:
2995:
2994:
2992:
2990:
2976:
2967:
2966:
2955:
2949:
2948:
2946:
2944:
2930:
2924:
2923:
2917:
2909:
2907:
2905:
2890:
2884:
2883:
2881:
2879:
2865:
2859:
2858:
2856:
2854:
2839:
2833:
2832:
2830:
2828:
2809:
2800:
2799:
2787:
2781:
2780:
2768:
2762:
2761:
2759:
2757:
2734:
2728:
2727:
2725:
2723:
2708:
2702:
2701:
2699:
2697:
2682:
2673:
2672:
2652:
2646:
2645:
2634:
2628:
2627:
2607:
2601:
2599:
2594:
2592:
2577:
2564:
2563:
2553:
2547:
2537:
2531:
2519:
2513:
2512:
2510:
2508:
2494:
2488:
2487:
2485:
2483:
2469:
2463:
2462:
2451:
2440:
2439:
2437:
2435:
2418:
2273:The Entertainers
2244:(4 October 1973)
2221:The Sound Makers
2166:Elizabeth Parker
2096:The Twin Dilemma
2020:The Five Doctors
1875:Four to Doomsday
1752:The Leisure Hive
1679:
1661:incidental music
1637:Elizabeth Parker
1553:Elizabeth Parker
1191:Fourth Dimension
1099:Elizabeth Parker
1045:Delia Derbyshire
1003:
996:
992:
989:
983:
952:
944:
840:Delia Derbyshire
828:musique concrète
816:
797:
707:Delia Derbyshire
616:Elizabeth Parker
570:An excerpt from
567:
566:
547:
508:Tomorrow's World
446:
429:
400:incidental music
387:electronic music
383:Delia Derbyshire
337:Delia Derbyshire
270:musique concrète
258:Donald McWhinnie
234:Elizabeth Parker
206:Delia Derbyshire
175:music technology
171:electronic music
134:
127:
123:
120:
114:
112:
71:
47:
39:
21:
4132:
4131:
4127:
4126:
4125:
4123:
4122:
4121:
4072:
4071:
4070:
4061:
4033:
3995:
3800:
3739:Paddy Kingsland
3678:Desmond Briscoe
3668:
3663:
3611:
3580:
3577:
3575:Further reading
3572:
3562:
3560:
3552:
3551:
3547:
3537:
3535:
3527:
3526:
3522:
3512:
3510:
3495:
3491:
3481:
3479:
3468:
3464:
3454:
3452:
3444:
3443:
3439:
3429:
3427:
3418:
3417:
3413:
3404:
3403:
3399:
3389:
3387:
3374:
3373:
3369:
3359:
3357:
3348:
3347:
3343:
3333:
3331:
3330:. David Huggins
3324:
3323:
3319:
3306:
3305:
3301:
3291:
3289:
3274:
3273:
3269:
3259:
3257:
3249:
3248:
3244:
3234:
3230:
3220:
3218:
3208:
3204:
3192:
3184:
3183:
3179:
3169:
3167:
3158:
3157:
3153:
3143:
3141:
3132:
3131:
3127:
3117:
3115:
3105:
3101:
3091:
3089:
3079:
3075:
3065:
3063:
3053:
3049:
3039:
3037:
3027:
3023:
3013:
3011:
3003:
3002:
2998:
2988:
2986:
2978:
2977:
2970:
2957:
2956:
2952:
2942:
2940:
2932:
2931:
2927:
2911:
2910:
2903:
2901:
2892:
2891:
2887:
2877:
2875:
2867:
2866:
2862:
2852:
2850:
2849:. 27 April 2016
2841:
2840:
2836:
2826:
2824:
2811:
2810:
2803:
2788:
2784:
2769:
2765:
2755:
2753:
2735:
2731:
2721:
2719:
2709:
2705:
2695:
2693:
2683:
2676:
2669:
2653:
2649:
2636:
2635:
2631:
2624:
2608:
2604:
2590:
2588:
2578:
2567:
2554:
2550:
2538:
2534:
2520:
2516:
2506:
2504:
2496:
2495:
2491:
2481:
2479:
2471:
2470:
2466:
2453:
2452:
2443:
2433:
2431:
2421:Ankeny, Jason.
2419:
2412:
2408:
2376:
2257:'s 1626 novel "
2214:
2209:
2149:The Two Doctors
1956:Arc of Infinity
1904:Paddy Kingsland
1868:Paddy Kingsland
1850:K-9 and Company
1838:Paddy Kingsland
1797:Paddy Kingsland
1785:Paddy Kingsland
1769:Paddy Kingsland
1738:(main score by
1663:
1649:Paddy Kingsland
1621:Paddy Kingsland
1597:Desmond Briscoe
1537:Paddy Kingsland
1505:
1469:Desmond Briscoe
1433:
1428:
1423:
1178:
1173:
1167:
1140:Paddy Kingsland
1121:
1116:
1069:Paddy Kingsland
1018:Desmond Briscoe
1013:
1004:
993:
987:
984:
969:
953:
942:
891:, who supplied
863:
824:
823:
822:
821:
820:
817:
808:
807:
806:
804:
798:
787:
763:Max de Wardener
761:, Yann Seznec,
755:Matthew Herbert
742:
682:with archivist
676:Paddy Kingsland
660:
634:, an hour-long
624:
598:
593:
592:
584:
582:
581:
580:
579:
568:
561:
558:
551:
545:
537:Paddy Kingsland
466:Paddy Kingsland
457:
456:
455:
454:
453:
447:
438:
437:
436:
430:
419:
407:Matthew Herbert
369:
363:
287:
250:Desmond Briscoe
242:
218:Paddy Kingsland
157:was one of the
135:
124:
118:
115:
72:
70:
60:
48:
35:
28:
23:
22:
15:
12:
11:
5:
4130:
4120:
4119:
4114:
4109:
4104:
4099:
4094:
4089:
4084:
4067:
4066:
4063:
4062:
4060:
4059:
4054:
4052:Audio releases
4049:
4043:
4041:
4032:
4031:
4024:
4019:
4017:Dudley Simpson
4014:
4009:
4003:
4001:
3997:
3996:
3994:
3993:
3986:
3979:
3972:
3965:
3958:
3951:
3944:
3943:
3942:
3935:
3928:
3921:
3909:
3902:
3895:
3888:
3885:The Soundhouse
3881:
3874:
3867:
3860:
3853:
3846:
3839:
3832:
3825:
3818:
3810:
3808:
3802:
3801:
3799:
3798:
3795:Richard Attree
3791:
3784:
3781:Jonathan Gibbs
3777:
3770:
3763:
3756:
3749:
3742:
3735:
3732:Malcolm Clarke
3728:
3721:
3714:
3707:
3700:
3693:
3688:
3681:
3673:
3670:
3669:
3662:
3661:
3654:
3647:
3639:
3633:
3632:
3627:
3622:
3617:
3610:
3609:External links
3607:
3606:
3605:
3576:
3573:
3571:
3570:
3545:
3520:
3489:
3462:
3437:
3411:
3397:
3367:
3356:. 14 July 2012
3341:
3317:
3299:
3267:
3242:
3228:
3202:
3177:
3151:
3140:. 5 April 2016
3134:"Build skills"
3125:
3099:
3081:Warren, Pete.
3073:
3055:Lowis, Chris.
3047:
3021:
2996:
2968:
2950:
2925:
2885:
2860:
2834:
2801:
2782:
2777:Digitalspy.com
2763:
2729:
2703:
2674:
2667:
2647:
2629:
2622:
2602:
2565:
2548:
2532:
2514:
2502:Sound on Sound
2489:
2464:
2441:
2409:
2407:
2404:
2403:
2402:
2397:
2392:
2387:
2382:
2375:
2372:
2371:
2370:
2369:
2368:
2358:
2345:
2344:
2343:
2337:
2331:
2325:
2319:
2310:
2309:
2308:
2303:
2298:
2292:
2287:
2281:
2276:
2270:
2264:
2263:
2262:
2245:
2239:
2238:
2237:
2224:
2213:
2210:
2206:
2205:
2201:
2200:
2199:
2198:
2195:Malcolm Clarke
2183:
2182:
2181:
2169:
2157:
2145:
2142:Jonathan Gibbs
2133:
2130:Jonathan Gibbs
2121:
2118:Malcolm Clarke
2106:
2105:
2104:
2101:Malcolm Clarke
2092:
2080:
2072:Planet of Fire
2068:
2065:Malcolm Clarke
2056:
2044:
2041:Jonathan Gibbs
2029:
2028:
2027:
2016:
2013:Jonathan Gibbs
2000:
1997:Malcolm Clarke
1988:
1976:
1964:
1947:
1946:
1945:
1944:
1943:
1931:
1928:Malcolm Clarke
1919:
1907:
1899:The Visitation
1895:
1883:
1871:
1856:
1855:
1854:
1841:
1829:
1817:
1809:Warriors' Gate
1802:
1801:
1800:
1792:State of Decay
1788:
1776:
1760:
1745:
1744:
1743:
1724:
1723:
1722:
1719:Malcolm Clarke
1714:The Sea Devils
1707:
1706:
1705:
1697:
1677:
1662:
1656:
1655:
1654:
1653:
1652:
1640:
1624:
1612:
1600:
1585:
1584:
1583:
1574:
1565:
1556:
1544:
1528:
1516:
1504:
1501:
1500:
1499:
1498:
1497:
1488:
1485:Malcolm Clarke
1476:
1471:with music by
1462:
1454:
1442:
1432:
1429:
1427:
1424:
1422:
1421:
1414:
1407:
1404:Stealing Sheep
1397:
1390:
1387:The Stone Tape
1383:
1376:
1369:
1362:
1355:
1348:
1341:
1334:
1327:
1320:
1313:
1306:
1305:
1304:
1297:
1290:
1283:
1271:
1264:
1257:
1250:
1247:The Soundhouse
1243:
1236:
1229:
1222:
1215:
1208:
1201:
1194:
1187:
1179:
1177:
1174:
1169:Main article:
1166:
1163:
1162:
1161:
1160:(2013–present)
1155:
1154:(2013–present)
1149:
1148:(2009–present)
1143:
1142:(2009–present)
1137:
1134:
1133:(2009–present)
1128:
1127:(2009–present)
1120:
1117:
1115:
1114:
1111:Richard Attree
1108:
1105:Jonathan Gibbs
1102:
1096:
1090:
1084:
1078:
1072:
1066:
1063:Malcolm Clarke
1060:
1054:
1048:
1042:
1036:
1030:
1027:
1021:
1014:
1012:
1009:
1006:
1005:
988:September 2012
956:
954:
947:
941:
938:
909:Phil Manzanera
862:
859:
818:
811:
810:
809:
799:
792:
791:
790:
789:
788:
786:
783:
781:arts project.
741:
738:
688:The Roundhouse
659:
656:
623:
620:
597:
594:
583:
569:
559:
554:
553:
552:
543:
542:
541:
539:respectively.
486:EMS Synthi 100
462:Malcolm Clarke
450:EMS Synthi 100
448:
441:
440:
439:
431:
424:
423:
422:
421:
420:
418:
415:
365:Main article:
362:
357:
286:
283:
241:
238:
147:Science Museum
137:
136:
51:
49:
42:
26:
9:
6:
4:
3:
2:
4129:
4118:
4115:
4113:
4110:
4108:
4105:
4103:
4100:
4098:
4095:
4093:
4090:
4088:
4085:
4083:
4080:
4079:
4077:
4058:
4055:
4053:
4050:
4048:
4045:
4044:
4042:
4040:
4036:
4030:
4029:
4025:
4023:
4020:
4018:
4015:
4013:
4010:
4008:
4005:
4004:
4002:
3998:
3992:
3991:
3987:
3985:
3984:
3980:
3978:
3977:
3973:
3971:
3970:
3966:
3964:
3963:
3959:
3957:
3956:
3952:
3950:
3949:
3945:
3941:
3940:
3936:
3934:
3933:
3929:
3927:
3926:
3922:
3920:
3919:
3915:
3914:
3913:
3910:
3908:
3907:
3903:
3901:
3900:
3896:
3894:
3893:
3889:
3887:
3886:
3882:
3880:
3879:
3875:
3873:
3872:
3868:
3866:
3865:
3861:
3859:
3858:
3854:
3852:
3851:
3847:
3845:
3844:
3840:
3838:
3837:
3833:
3831:
3830:
3826:
3824:
3823:
3819:
3816:
3812:
3811:
3809:
3807:
3803:
3797:
3796:
3792:
3790:
3789:
3785:
3783:
3782:
3778:
3776:
3775:
3771:
3769:
3768:
3764:
3762:
3761:
3757:
3755:
3754:
3750:
3748:
3747:
3743:
3741:
3740:
3736:
3734:
3733:
3729:
3727:
3726:
3722:
3720:
3719:
3715:
3713:
3712:
3708:
3706:
3705:
3704:Brian Hodgson
3701:
3699:
3698:
3694:
3692:
3689:
3687:
3686:
3682:
3680:
3679:
3675:
3674:
3671:
3667:
3660:
3655:
3653:
3648:
3646:
3641:
3640:
3637:
3631:
3628:
3626:
3623:
3621:
3618:
3616:
3613:
3612:
3602:
3598:
3594:
3590:
3586:
3585:
3579:
3578:
3559:
3555:
3549:
3534:
3530:
3524:
3508:
3504:
3500:
3493:
3477:
3473:
3466:
3451:
3447:
3441:
3425:
3421:
3415:
3407:
3401:
3385:
3381:
3379:
3371:
3355:
3351:
3345:
3329:
3328:
3321:
3313:
3309:
3303:
3287:
3283:
3282:
3277:
3271:
3256:
3252:
3246:
3240:, March 1997.
3239:
3238:
3232:
3217:
3213:
3206:
3198:
3191:
3189:
3181:
3165:
3161:
3155:
3139:
3135:
3129:
3114:
3110:
3103:
3088:
3084:
3077:
3062:
3058:
3051:
3036:
3032:
3025:
3010:
3006:
3000:
2985:
2981:
2975:
2973:
2964:
2960:
2954:
2939:
2935:
2929:
2921:
2915:
2899:
2895:
2889:
2874:
2870:
2864:
2848:
2844:
2838:
2822:
2818:
2814:
2808:
2806:
2797:
2793:
2786:
2778:
2774:
2767:
2752:
2748:
2744:
2740:
2733:
2718:
2714:
2707:
2692:
2688:
2681:
2679:
2670:
2664:
2661:. Routledge.
2660:
2659:
2651:
2643:
2639:
2633:
2625:
2619:
2615:
2614:
2606:
2598:
2587:
2583:
2576:
2574:
2572:
2570:
2561:
2560:
2552:
2545:
2544:Obverse Books
2541:
2536:
2529:
2528:
2523:
2518:
2503:
2499:
2493:
2478:
2474:
2468:
2460:
2456:
2450:
2448:
2446:
2430:
2429:
2424:
2417:
2415:
2410:
2401:
2398:
2396:
2393:
2391:
2388:
2386:
2383:
2381:
2378:
2377:
2366:
2365:Obverse Books
2362:
2359:
2356:
2352:
2349:
2348:
2346:
2341:
2338:
2335:
2332:
2329:
2326:
2323:
2320:
2317:
2314:
2313:
2311:
2307:
2304:
2302:
2299:
2296:
2293:
2291:
2288:
2285:
2282:
2280:
2277:
2274:
2271:
2268:
2267:Sound in Mind
2265:
2260:
2256:
2255:Francis Bacon
2252:
2251:
2249:
2246:
2243:
2240:
2235:
2231:
2230:
2228:
2225:
2222:
2219:
2218:
2216:
2215:
2204:
2196:
2192:
2191:
2187:
2186:
2184:
2179:
2175:
2174:
2170:
2167:
2163:
2162:
2158:
2155:
2151:
2150:
2146:
2143:
2139:
2138:
2134:
2131:
2127:
2126:
2122:
2119:
2115:
2114:
2110:
2109:
2107:
2102:
2098:
2097:
2093:
2090:
2086:
2085:
2081:
2078:
2074:
2073:
2069:
2066:
2062:
2061:
2057:
2054:
2050:
2049:
2048:The Awakening
2045:
2042:
2038:
2037:
2033:
2032:
2030:
2025:
2021:
2017:
2014:
2010:
2006:
2005:
2001:
1998:
1994:
1993:
1992:Enlightenment
1989:
1986:
1982:
1981:
1977:
1974:
1970:
1969:
1965:
1962:
1958:
1957:
1953:
1952:
1950:
1949:
1948:
1941:
1937:
1936:
1932:
1929:
1925:
1924:
1920:
1917:
1913:
1912:
1908:
1905:
1901:
1900:
1896:
1893:
1889:
1888:
1884:
1881:
1877:
1876:
1872:
1869:
1865:
1864:
1860:
1859:
1857:
1852:
1851:
1846:
1842:
1839:
1835:
1834:
1830:
1827:
1823:
1822:
1818:
1815:
1811:
1810:
1806:
1805:
1803:
1798:
1794:
1793:
1789:
1786:
1782:
1781:
1777:
1774:
1770:
1766:
1765:
1761:
1758:
1754:
1753:
1749:
1748:
1746:
1741:
1737:
1733:
1732:
1728:
1727:
1725:
1720:
1716:
1715:
1711:
1710:
1708:
1703:
1702:
1698:
1695:
1694:Brian Hodgson
1691:
1690:
1686:
1685:
1683:
1682:
1681:
1680:
1676:
1673:
1670:
1669:
1660:
1650:
1646:
1645:
1641:
1638:
1634:
1630:
1629:
1625:
1622:
1618:
1617:
1613:
1610:
1609:Brian Hodgson
1606:
1605:
1601:
1598:
1594:
1593:
1589:
1588:
1586:
1581:
1580:
1575:
1572:
1571:
1566:
1563:
1562:
1557:
1554:
1550:
1549:
1545:
1542:
1541:second series
1538:
1534:
1533:
1529:
1526:
1522:
1521:
1517:
1515:
1514:
1513:The Goon Show
1510:
1509:
1507:
1506:
1495:
1494:
1492:
1489:
1486:
1483:(produced by
1482:
1481:
1477:
1474:
1470:
1467:(produced by
1466:
1463:
1460:
1459:
1455:
1452:
1449:(produced by
1448:
1447:
1443:
1440:
1439:
1435:
1434:
1420:
1419:
1415:
1413:
1412:
1408:
1405:
1401:
1398:
1396:
1395:
1391:
1389:
1388:
1384:
1382:
1381:
1377:
1375:
1374:
1370:
1368:
1367:
1363:
1361:
1360:
1356:
1354:
1353:
1349:
1347:
1346:
1342:
1340:
1339:
1335:
1333:
1332:
1328:
1326:
1325:
1321:
1319:
1318:
1314:
1312:
1311:
1307:
1303:
1302:
1298:
1296:
1295:
1291:
1289:
1288:
1284:
1282:
1281:
1277:
1276:
1275:
1272:
1270:
1269:
1265:
1263:
1262:
1258:
1256:
1255:
1251:
1249:
1248:
1244:
1242:
1241:
1237:
1235:
1234:
1230:
1228:
1227:
1223:
1221:
1220:
1216:
1214:
1213:
1209:
1207:
1206:
1202:
1200:
1199:
1195:
1193:
1192:
1188:
1186:
1185:
1181:
1180:
1172:
1159:
1156:
1153:
1152:Kieron Pepper
1150:
1147:
1144:
1141:
1138:
1135:
1132:
1129:
1126:
1123:
1122:
1112:
1109:
1106:
1103:
1100:
1097:
1094:
1091:
1088:
1085:
1082:
1079:
1076:
1073:
1070:
1067:
1064:
1061:
1058:
1055:
1052:
1049:
1046:
1043:
1040:
1039:Brian Hodgson
1037:
1034:
1031:
1028:
1025:
1022:
1019:
1016:
1015:
1002:
999:
991:
981:
977:
973:
967:
966:
962:
957:This section
955:
951:
946:
945:
937:
935:
931:
927:
926:
921:
916:
914:
910:
906:
902:
898:
894:
893:guitar pedals
890:
886:
882:
878:
877:
872:
867:
858:
856:
850:
848:
845:
841:
837:
833:
829:
815:
802:
796:
782:
780:
776:
771:
766:
764:
760:
756:
752:
748:
737:
735:
730:
726:
724:
720:
716:
712:
708:
704:
699:
697:
693:
689:
685:
681:
677:
673:
664:
655:
653:
652:
647:
643:
641:
637:
633:
628:
619:
617:
611:
608:
603:
591:
589:
577:
573:
557:
540:
538:
534:
530:
526:
523:(in both its
522:
521:
516:
515:
510:
509:
504:
503:
498:
492:
489:
487:
483:
479:
475:
471:
467:
463:
451:
445:
434:
428:
414:
412:
408:
403:
401:
397:
393:
388:
384:
380:
379:
374:
368:
361:
356:
352:
350:
346:
342:
341:Brian Hodgson
338:
333:
329:
328:George Martin
323:
321:
317:
313:
309:
308:
307:The Goon Show
303:
302:
291:
282:
280:
275:
271:
267:
263:
259:
255:
251:
247:
237:
235:
231:
227:
223:
219:
215:
211:
207:
203:
199:
195:
190:
188:
187:
182:
181:
176:
172:
168:
164:
161:units of the
160:
159:sound effects
156:
148:
143:
133:
130:
122:
111:
108:
104:
101:
97:
94:
90:
87:
83:
80: –
79:
75:
74:Find sources:
68:
64:
58:
57:
52:This article
50:
46:
41:
40:
37:
33:
19:
4038:
4026:
3988:
3981:
3974:
3967:
3960:
3953:
3946:
3937:
3930:
3923:
3916:
3911:
3904:
3897:
3890:
3883:
3876:
3869:
3862:
3855:
3848:
3841:
3834:
3827:
3820:
3793:
3786:
3779:
3772:
3767:Peter Howell
3765:
3760:Glynis Jones
3758:
3751:
3744:
3737:
3730:
3723:
3716:
3709:
3702:
3695:
3690:
3683:
3676:
3665:
3584:Future Music
3582:
3561:. Retrieved
3557:
3548:
3536:. Retrieved
3532:
3523:
3513:14 September
3511:. Retrieved
3507:the original
3502:
3492:
3482:14 September
3480:. Retrieved
3476:The Guardian
3475:
3465:
3455:14 September
3453:. Retrieved
3449:
3440:
3430:14 September
3428:. Retrieved
3423:
3414:
3400:
3390:14 September
3388:. Retrieved
3383:
3377:
3370:
3360:14 September
3358:. Retrieved
3353:
3344:
3332:. Retrieved
3326:
3320:
3311:
3302:
3290:. Retrieved
3286:the original
3279:
3270:
3258:. Retrieved
3254:
3245:
3235:
3231:
3219:. Retrieved
3216:The Guardian
3215:
3205:
3196:
3187:
3180:
3168:. Retrieved
3166:. March 1981
3163:
3154:
3142:. Retrieved
3138:thespace.org
3137:
3128:
3116:. Retrieved
3112:
3102:
3090:. Retrieved
3086:
3076:
3064:. Retrieved
3060:
3050:
3038:. Retrieved
3034:
3024:
3012:. Retrieved
3008:
2999:
2987:. Retrieved
2983:
2962:
2953:
2941:. Retrieved
2937:
2928:
2902:. Retrieved
2897:
2888:
2876:. Retrieved
2872:
2863:
2851:. Retrieved
2847:thespace.org
2846:
2837:
2827:14 September
2825:. Retrieved
2821:the original
2816:
2795:
2785:
2776:
2766:
2756:20 September
2754:. Retrieved
2743:The Guardian
2742:
2732:
2720:. Retrieved
2716:
2706:
2694:. Retrieved
2690:
2657:
2650:
2641:
2632:
2612:
2605:
2596:
2589:. Retrieved
2585:
2559:The Guardian
2557:
2551:
2539:
2535:
2527:The Guardian
2525:
2522:John Tydeman
2517:
2505:. Retrieved
2501:
2492:
2480:. Retrieved
2476:
2467:
2458:
2432:. Retrieved
2426:
2360:
2350:
2339:
2333:
2327:
2321:
2315:
2305:
2300:
2294:
2289:
2283:
2278:
2272:
2266:
2259:New Atlantis
2247:
2241:
2233:
2226:
2220:
2202:
2188:
2171:
2159:
2154:Peter Howell
2147:
2135:
2123:
2111:
2094:
2082:
2077:Peter Howell
2070:
2058:
2053:Peter Howell
2046:
2034:
2024:Peter Howell
2022:" (music by
2009:Peter Howell
2002:
1990:
1978:
1973:Peter Howell
1966:
1954:
1933:
1921:
1911:Black Orchid
1909:
1897:
1892:Peter Howell
1885:
1873:
1861:
1848:
1845:Peter Howell
1831:
1819:
1814:Peter Howell
1807:
1790:
1778:
1773:Peter Howell
1762:
1757:Peter Howell
1750:
1740:Carey Blyton
1736:Peter Howell
1729:
1712:
1699:
1687:
1666:
1664:
1658:
1642:
1631:(effects by
1626:
1614:
1607:(effects by
1602:
1595:(effects by
1590:
1577:Doctor Who:
1576:
1568:Doctor Who:
1567:
1559:Doctor Who:
1558:
1551:(effects by
1546:
1535:(effects by
1530:
1518:
1511:
1490:
1478:
1473:Peter Howell
1464:
1456:
1444:
1436:
1431:Radio dramas
1416:
1409:
1399:
1392:
1385:
1378:
1371:
1364:
1357:
1350:
1343:
1336:
1329:
1322:
1315:
1308:
1299:
1292:
1285:
1278:
1273:
1266:
1259:
1252:
1245:
1238:
1231:
1224:
1217:
1210:
1203:
1196:
1189:
1182:
1125:Peter Howell
1119:2009–present
1093:Peter Howell
1087:Glynis Jones
994:
985:
970:Please help
958:
923:
918:In 1997 the
917:
905:Jimi Hendrix
874:
868:
864:
855:echo chamber
851:
847:time machine
844:the Doctor's
835:
827:
825:
800:
774:
773:
768:
746:
743:
731:
727:
714:
700:
695:
691:
680:Peter Howell
669:
649:
644:
631:
629:
625:
612:
606:
599:
585:
571:
518:
512:
506:
500:
496:
493:
490:
474:Peter Howell
458:
404:
376:
370:
359:
353:
330:(in his pre-
324:
311:
305:
299:
296:
279:Eddie Kramer
248:, including
243:
222:Glynis Jones
191:
184:
178:
154:
152:
125:
116:
106:
99:
92:
85:
73:
61:Please help
56:verification
53:
36:
4057:Soundtracks
4047:Theme music
4012:White Noise
3806:Discography
3685:Daphne Oram
3334:18 December
3255:Bob Earland
3251:"Biography"
2898:archive.org
2869:"The Space"
2546:, Chapter 1
2312:Television
1935:Time-Flight
1863:Castrovalva
1780:Full Circle
1701:The Krotons
1672:theme music
1616:Penda's Fen
1587:Television
1480:August 2026
1441:(1964-1965)
1359:The Changes
1176:Main albums
1165:Discography
1158:Bob Earland
1113:(1987–1998)
1107:(1983–1986)
1101:(1978–1998)
1095:(1974–1997)
1083:(1972–1995)
1077:(1970–1978)
1071:(1970–1981)
1065:(1969–1995)
1059:(1967–1973)
1053:(1963–1974)
1047:(1962–1973)
1035:(1959–1966)
1026:(1958–1959)
1024:Daphne Oram
1020:(1958–1983)
930:electronica
889:Roger Mayer
885:Brian Jones
753:. Composer
703:Daphne Oram
596:Latter days
572:Whale Theme
373:Ron Grainer
274:soundscapes
254:Daphne Oram
202:Daphne Oram
18:Radiophonic
4076:Categories
4039:Doctor Who
3788:Mark Ayres
3753:Roger Limb
3725:David Cain
3718:John Baker
3691:Dick Mills
3601:1032779031
3384:Mb21.co.uk
3170:18 January
2696:18 January
2434:5 December
2406:References
2275:(CBC 1982)
2193:(music by
2178:Roger Limb
2176:(music by
2164:(music by
2152:(music by
2140:(music by
2128:(music by
2116:(music by
2099:(music by
2089:Roger Limb
2087:(music by
2075:(music by
2063:(music by
2051:(music by
2039:(music by
2007:(music by
1995:(music by
1985:Roger Limb
1983:(music by
1971:(music by
1968:Snakedance
1961:Roger Limb
1959:(music by
1940:Roger Limb
1938:(music by
1926:(music by
1923:Earthshock
1916:Roger Limb
1914:(music by
1902:(music by
1890:(music by
1880:Roger Limb
1878:(music by
1866:(music by
1836:(music by
1826:Roger Limb
1824:(music by
1812:(music by
1795:(music by
1783:(music by
1767:(music by
1755:(music by
1717:(music by
1692:(music by
1668:Doctor Who
1659:Doctor Who
1604:Doctor Who
1525:David Cain
1520:The Hobbit
1451:David Cain
1146:Mark Ayres
1131:Roger Limb
1081:Roger Limb
1057:David Cain
1051:John Baker
913:Roxy Music
901:Jimmy Page
871:Pink Floyd
836:Doctor Who
785:Techniques
715:Doctor Who
711:John Baker
696:Doctor Who
684:Mark Ayres
672:Roger Limb
607:Doctor Who
588:media help
531:forms) by
529:television
502:Blue Peter
470:Roger Limb
452:(Delaware)
411:Doctor Who
378:Doctor Who
360:Doctor Who
349:David Cain
345:John Baker
285:Early days
214:John Baker
210:David Cain
198:Maida Vale
180:Doctor Who
119:April 2017
89:newspapers
3815:Time Beat
3593:0967-0378
3260:3 October
2751:0261-3077
1833:Logopolis
1628:Blake's 7
1011:1958–1998
959:does not
922:magazine
897:Jeff Beck
779:The Space
747:The Space
602:John Birt
574:from the
514:Blake's 7
482:EMS VCS 3
433:EMS VCS 3
3478:. London
3144:17 April
3118:17 April
3092:17 April
3066:17 April
3040:17 April
3014:17 April
2989:17 April
2943:17 April
2914:cite web
2904:17 April
2878:17 April
2853:17 April
2722:17 April
2482:17 April
2459:BBC News
2428:AllMusic
2374:See also
2236:in 2008.
2161:Timelash
1980:Terminus
1843:In 1981
1623:) (1974)
1561:Slipback
1555:) (1981)
1527:) (1968)
1487:) (1977)
1475:) (1977)
1453:) (1973)
1089:(1973–?)
640:BBC Four
484:and the
435:(Putney)
405:In 2018
149:, London
3563:30 July
3538:30 July
3408:. 1982.
3292:9 March
3221:30 July
2873:YouTube
2507:13 July
2367:, 2014)
2357:, 2010)
2250:(1979)
2229:(1971)
2223:(1963)
980:removed
965:sources
934:sampled
759:Micachu
651:Holiday
417:Changes
332:Beatles
316:Oramics
240:History
103:scholar
3599:
3591:
3237:Mixmag
2749:
2665:
2620:
2591:31 May
2347:Books
2342:(2009)
2336:(2003)
2330:(1988)
2324:(1979)
2318:(1969)
2297:(2008)
2286:(2008)
2269:(1979)
2217:Radio
2203:
2011:&
1771:&
1764:Meglos
1635:&
1508:Radio
1461:(1974)
1402:(with
1373:Possum
925:Mixmag
832:reverb
622:Legacy
392:TARDIS
260:, and
105:
98:
91:
84:
76:
3193:(PDF)
2185:1986
2108:1985
2031:1984
1951:1983
1887:Kinda
1858:1982
1804:1981
1747:1980
1726:1975
1709:1972
1684:1968
525:radio
110:JSTOR
96:books
3597:OCLC
3589:ISSN
3565:2016
3540:2016
3515:2012
3484:2012
3457:2012
3432:2012
3392:2012
3362:2012
3336:2022
3294:2018
3262:2022
3223:2016
3190:#51"
3172:2024
3146:2017
3120:2017
3094:2017
3068:2017
3042:2017
3016:2017
2991:2017
2945:2017
2920:link
2906:2017
2880:2017
2855:2017
2829:2012
2758:2017
2747:ISSN
2724:2017
2698:2024
2663:ISBN
2618:ISBN
2593:2023
2509:2023
2484:2017
2436:2017
1665:The
963:any
961:cite
903:and
709:and
694:and
678:and
535:and
527:and
517:and
505:and
472:and
343:and
232:and
183:and
173:and
153:The
82:news
4007:BBC
3558:BBC
3533:BBC
3450:BBC
3424:BBC
3354:BBC
3197:BBC
3113:BBC
3087:BBC
3061:BBC
3035:BBC
3009:BBC
2984:BBC
2963:BBC
2817:BBC
2796:BBC
2642:BBC
2586:BBC
2477:BBC
974:by
895:to
246:BBC
163:BBC
65:by
4078::
3595:.
3556:.
3531:.
3501:.
3474:.
3448:.
3422:.
3382:.
3352:.
3310:.
3278:.
3253:.
3214:.
3195:.
3162:.
3136:.
3111:.
3085:.
3059:.
3033:.
3007:.
2982:.
2971:^
2961:.
2936:.
2916:}}
2912:{{
2896:.
2871:.
2845:.
2815:.
2804:^
2794:.
2775:.
2745:.
2741:.
2715:.
2689:.
2677:^
2640:.
2595:.
2584:.
2568:^
2500:.
2475:.
2457:.
2444:^
2425:.
2413:^
2261:".
1742:))
915:.
907:.
899:,
883:'
803::
705:,
674:,
642:.
499:,
468:,
464:,
339:,
281:.
256:,
252:,
228:,
224:,
220:,
216:,
212:,
208:,
204:,
3817:"
3813:"
3658:e
3651:t
3644:v
3603:.
3567:.
3542:.
3517:.
3486:.
3459:.
3434:.
3394:.
3380:"
3364:.
3314:.
3296:.
3264:.
3225:.
3148:.
3122:.
3096:.
3070:.
3044:.
3018:.
2993:.
2965:.
2947:.
2922:)
2908:.
2882:.
2857:.
2831:.
2798:.
2779:.
2760:.
2726:.
2671:.
2644:.
2626:.
2600:.
2562:.
2511:.
2486:.
2438:.
2197:)
2180:)
2156:)
2144:)
2132:)
2120:)
2103:)
2091:)
2079:)
2067:)
2055:)
2043:)
2026:)
2018:"
2015:)
1999:)
1987:)
1975:)
1963:)
1942:)
1930:)
1918:)
1906:)
1894:)
1882:)
1870:)
1853:.
1840:)
1828:)
1816:)
1799:)
1787:)
1775:)
1759:)
1721:)
1696:)
1639:)
1619:(
1406:)
1001:)
995:(
990:)
986:(
982:.
968:.
590:.
132:)
126:(
121:)
117:(
107:·
100:·
93:·
86:·
59:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_machines_-_Tape_Recorder_with_tape_loop_equipment,_Beat_Frequency_Oscillator_%26_EMS_Putney_VCS3.jpg)