276:, discover a strange skull and what at first appears to be an unexploded bomb. Quatermass and his newly appointed military superior at the British Rocket Group, Colonel Breen, become involved in the investigation when it becomes apparent that the object is an alien spacecraft. The ship and its contents have a powerful and malignant influence over many of those who come in contact with it, including Quatermass. He concludes that millions of years in the past the aliens, probably from Mars, had abducted pre-humans and modified them to give them psychic abilities much like their own before returning them to Earth, leaving a genetic legacy which is responsible for much of the war and racial strife in the world.
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is immune to alien influence. Roney manages to shake
Quatermass out of his trance, and remembering the legends of demons and their aversion to iron and water, proposes that a sufficient mass of iron connected to wet earth may be sufficient to short-circuit the apparition. Quatermass acquires a length of iron chain and tries to reach the "devil" but succumbs to its psychic pressure. Roney manages to walk up to the apparition and hurls the chain at it, resulting in him and the spacecraft being reduced to ashes.
483:" of a race purge, but the media event goes ahead regardless. The power cables that string into the craft fully activate it for the first time, and glowing and humming like a living thing it starts to draw upon this energy source and awaken the ancient racial programming. Those Londoners in whom the alien admixture remains strong fall under the ship's influence; they merge into a group mind and begin a telekinetic mass murder of those without the alien
465:
adapted to life on Earth; however, the aliens had become extinct before completing their work. As the human race evolved, a percentage retained their psychic abilities which surfaced only sporadically. For centuries the buried ship had occasionally triggered those dormant abilities, which explained the reports of poltergeists; people were unknowingly using their own telekinesis to move objects around, and the ghost sightings were traces of a
40:
1065:'s review of the serial when it was included in their TV 100 list in 2000, in 75th position – 20th out of the dramas featured: "In a story which mined mythology and folklore ... under the guise of genre it tackled serious themes of man's hostile nature and the military's perversion of science for its own ends".
490:
Breen stands transfixed and is eventually consumed by the energies from the craft as it slowly melts away and an image of a
Martian "devil" floats in the sky above London. Fires and riots erupt. Quatermass himself succumbs to Martian influence and attempts to kill Roney, who lacks the alien gene and
464:
and other psychic powers. They were then returned to Earth, and the buried artifact is one of the ships that had crashed at the end of its journey. With their home world dying, the aliens had tried to change humanity's ancestors to have minds and abilities similar to their own, but with a bodily form
494:
At the conclusion of the final episode
Quatermass gives a television broadcast, at the end of which he delivers a warning directly to camera: "Every war crisis, witch hunt, race riot, and purge... is a reminder and a warning. We are the Martians. If we cannot control the inheritance within us, this
451:
Quatermass decides to use Roney's optic-encephalogram, a device that records impressions from the optical centres of the brain, and see the visions for himself. Roney's assistant, Barbara Judd, is the most sensitive; placing the device on her, they record a violent purge of the
Martian hive to root
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television reviewer praised the opening episode the day after its transmission. Pointing out that "Professor
Bernard Quatermass ... like all science fiction heroes, has to keep running hard if he is not to be overtaken by the world of fact", the anonymous reviewer went on to state how much he
920:. Pre-filming was also used to show the passage of time in the second episode; the archaeological dig at Ealing was shown to have dug deeper into the ground than the equivalent set at Riverside, enabling a sense of time having elapsed that would not have been possible in an all-live production.
399:
of the
British Rocket Group to prevent the military from disturbing what he believes to be an archaeological find. Quatermass and Colonel Breen become intrigued by the site. Breen has recently been appointed, despite Quatermass's objections, to be nominally his deputy but in reality to lead the
442:
While clearing his equipment from the craft, the drill operator triggers more poltergeist activity, and runs through the streets in a panic until he finds sanctuary in a church. Quatermass and Roney find him there, and he describes visions of the insect aliens killing each other. As
Quatermass
886:. This was agreed in November 1958, just before the start of production on 24 November. The six episodes – "The Halfmen", "The Ghosts", "Imps and Demons", "The Enchanted", "The Wild Hunt" and "Hob" – were broadcast on Monday nights at 8 pm from 22 December 1958 to 26 January 1959.
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with a large brain volume, which he believes to be a primitive man. As further excavation is undertaken, something that looks like a missile is unearthed; further work by Roney's group is halted because the military believe it to be an unexploded WWII bomb.
317:(1955), both written by Nigel Kneale, had been critical and popular successes for the BBC, and in early 1957 the corporation decided to commission a third serial. Kneale had left the BBC shortly before, but was hired to write the new scripts on a
423:
have been common in the area for decades. An hysterical soldier is carried out of the object, claiming to have seen a dwarf-like apparition walk through the wall of the artifact, a description that matches a 1927 newspaper account of a ghost.
356:. Whilst Kneale disdained most science-fiction works of the 1950s as escapist, he preferred to base his plots on current events. Thus Kneale developed the serial as an allegory for the emerging racial tensions illustrated by the
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times about devils and ghosts, all centred on incidents where the ground was disturbed. He suspects a psychic projection of these beings has remained on the alien ship and is being seen by those who come into contact with it.
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videotape in 1989 in a two-part format. It was edited from a 207 minute total runtime down to 178 minutes, largely by trimming comic relief segments. A full, unedited, episodic version of the serial was released on DVD by
1137:: the unearthing of an extraterrestrial spaceship, an alien race that has interfered with human evolution and is the basis for legends of devils, demons and witchcraft, and an alien influence over human evolution.
367:. Huge pits were dug in the process of erecting new structures, and the digs found unexploded ordnance from the Blitz and the occasional Romano-British ruin. Kneale thought: "What if they uncovered a spaceship?"
1382:, and becomes convinced that there is a crashed Martian space ship buried at the end of his garden. It is in fact an unexploded bomb, although Hancock claims that the warning "Achtung!" is really the Martian for
1261:
to coincide with the transmission of the fourth and final
Quatermass serial on ITV; this edition featured a new introduction by Kneale. The theatrical company Creation Productions staged a live adaptation of
923:
Special effects were handled by the BBC Visual
Effects Department, formed by Bernard Wilkie and Jack Kine in 1954. Kine or Wilkie oversaw effects on a production; due to the number of effects, both worked on
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cast a huge shadow ... its brilliant blending of superstition, witchcraft and ghosts into the story of a five-million-year-old
Martian invasion is copper-bottomed genius". Gatiss was a scriptwriter for
455:
Quatermass concludes that in its most primitive phase mankind was visited by this race of Martians. Some apes and primitive pre-humans were taken away and genetically altered to give them abilities such as
435:, with stubby antennae on their heads giving the impression of horns. As Quatermass and Roney examine the remains, they theorise the aliens may have come from a planet habitable five million years ago -
404:
are found, which Roney dates to five million years ago, suggesting that the object is at least that old. The interior is empty, and a symbol of six intersecting circles, which Roney identifies as a
472:
The authorities, and Breen in particular, find this explanation preposterous despite being shown the recording of Barbara's vision. They instead suggest that the craft is a buried remnant from the
963:. The serial was repeated in edited form as two 90-minute episodes, entitled "5 Million Years Old" and "Hob", on 26 December 1959 and 2 January 1960. Unlike many programmes of its era that were
1331:
edition was released in 2018 to mark the show's 60th anniversary. For this edition, some material trimmed from the DVD box set version for technical reasons was reinstated, and a set of
415:
drill makes no impression, and when the attempt is made, vibrations cause severe distress to people around the object. Quatermass interviews local residents and discovers reports of
1017:
was one of the productions for which Briscoe and the workshop became most renowned. It was the first time electronic music had been used in a science-fiction television production.
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had enjoyed the episode as "an excellent example of Mr. Kneale's ability to hold an audience with promises alone; smooth, leisurely, and without any sensational incident".
2478:
I didn't want to go on repeating because Professor Quatermass had already saved the world from ultimate destruction three times, and that seemed to me to be quite enough.
476:: a Nazi propaganda weapon, with the alien bodies fakes designed to create a panic. They decide to hold a media event to stem the rumours that are already spreading.
1238:, is regarded by many commentators as a classic of the genre for the way it blends science fiction with the supernatural. In the United States the film was retitled
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played the other main character, Barbara Judd. Finn went on to provide the voices for various characters in the popular 1960s children's television series
2056:
3422:
1386:. This episode no longer exists in the BBC's archives, but a private collector's audio-only recording has been discovered, and released publicly on the
1189:
Kneale felt that it was time to rest the character. By the early 1970s he had decided there were new avenues to explore, and the BBC planned a fourth
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375:
Workmen discover a pre-human skull while building in the fictional Hobbs Lane (formerly Hob's Lane, Hob being an antiquated name for the Devil) in
1054:
Birmingham correspondent: "Leaders of coloured minorities here to-day criticized the BBC for allowing a report that 'race riots are continuing in
3387:
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starred as Quatermass, the role for which he was best remembered and regarded particularly highly in comparison to the previous film Quatermass,
901:, London, with camera rehearsals in the morning and afternoon of transmission. Not every scene was live; a significant amount of material was on
546:(1949) – and preferred to be addressed as "Major Bushell", the rank he held during the Second World War. Roney was played by Canadian actor
427:
Following the drilling attempt, a hole opens up in the object's interior wall. Inside, Quatermass and the others find the remains of insect-like
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Quatermass warns that if implanted psychic powers survive in the human race, there could also still be an ingrained compulsion to enact the "
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in 1953; he turned the part down. Morell's portrayal of Quatermass has been described as the definitive interpretation of the character.
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1504:
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For the first time, Kneale used a character from a previous serial other than Quatermass himself, the journalist James Fullalove from
333:
2252:"I try to give those stories some relevance to what is round about us today. The last one , for instance, was a race-hate fable".
1182:; they feature a malicious alien influence on humanity, are set largely in London, and the problem is resolved using cold iron.
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serial in 1972. The BBC did not proceed with the project, and Kneale's scripts were produced in 1979 as a four-part serial for
846:
523:
1058:', to be included in a fictional news bulletin during the first instalment of the new Quatermass television play last night".
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s influence on the programme's move towards more realism and away from "wobbly jellies in outer space". The 1971 and 1977
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was on the increase, causing resentment among parts of British society. At the time Kneale was working on his scripts,
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as perfecting "the notion of the science-fictional detective story". Newman said the programme was an influence on
226:
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wrote: "What sci-fi piece of the past 50 years doesn't owe Kneale a huge debt? ... The 'ancient invasion' of
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look they would have had on transmission, but which was lost during the telerecording process. This was used to
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2556:"Keir's best film role was as Professor Quatermass in the screen version of the classic television serial
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was watched by an average audience of 9.6 million viewers, peaking at 11 million for the final episode.
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for the Ealing filming and Riverside transmission, and constructed the bodies of the Martian creatures.
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2168:
897:, London. The episodes were rehearsed from Tuesday to Saturday, usually at the Mary Wood Settlement in
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2300:
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in an episode entitled "The Horror Serial", transmitted the week following the final episode. In it,
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540:, who was known for various similar military roles – including another bomb disposal officer in
529:
307:
268:
The serial continues the loose chronology of the Quatermass adventures. Workmen excavating a site in
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2198:
1644:
Producer – Tom Ware; Executive Producer – Michael Poole (15 October 2003). "The Kneale Tapes".
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560:
511:, but he declined. Morell had a reputation for playing authority figures, such as Colonel Green in
503:
For the third time in as many serials the title role was played by a different actor, this time by
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Purser, Philip (7 October 1997). "Obituary: Formidable regular on the small screen: Andrew Keir".
2113:
928:. The team pre-filmed most of their effects for use during the live broadcasts. They also oversaw
3331:
2276:
1449:
Hutchinson, Tom (17 March 1988). "Space horror; Review of 'The Tommy Knockers' by Stephen King".
1339:, based on his interviews and archival audio recordings by various members of the cast and crew.
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Producer – Tom Ware; Executive Producer – Michael Poole (15 October 2003). "The Kneale Tapes".
1370:
1365:, and used the original BBC Radiophonic Workshop sound effects made for the television serial.
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for the cinema were purchased by Hammer Film Productions. Their adaptation was released as the
1199:
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834:, with whom Kneale had a good working relationship; the two had collaborated on the previous
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527:(1954). He had been the first actor offered the part of Quatermass, for the original serial
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1961:
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leaders were upset by the depiction of racial tensions in the first episode, according to
8:
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on 7 November 1986 as part of the "TV50" season, celebrating 50 years of BBC television.
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used by BBC radio producer Leonard Trebilco, whose music was obtained from stock discs.
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or those too technically complex or expansive to achieve live. The latter were shot at
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Brass, Tom (2010). "Fiends, friends and fools: screen images and/as rural struggle".
2924:
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1424:"Keir also made many films ... most gratifyingly, perhaps, the movie version of
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was the last original production on which Kneale collaborated with Rudolph Cartier.
487:, an ethnic cleansing of those the alien race mind considers to be impure and weak.
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to create a disturbing atmosphere. These tracks were created for the serial by the
1002:
967:, all six episodes survived. The third episode, "Imps and Demons", was re-shown on
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906:
1781:
Purser, Philip (10 April 1997). "Major performance: Obituary of Anthony Bushell".
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had been in decline since the 1920s, and the pace accelerated in the wake of the
79:
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Dunkley, Chris (15 November 1972). "Quatermass and Quixote in BBC drama plans".
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517:(1957), and had previously worked with Kneale and Cartier when he appeared as
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was extensively restored using film from the BBC archives. A process called
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Kneale went on to use the Martian "Wild Hunt" as an allegory for the recent
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in December 1958 and January 1959. It was the third and last of the BBC's
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1986:
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was applied to the scenes originally broadcast live, restoring the fluid
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1080:
894:
882:, had overrun, Cartier requested 35-minute slots for the six episodes of
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248:
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2704:"'Quatermass and the Pit' Peers Into the Dark Nature of Human Evolution"
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investigates the history of the area, he finds accounts dating back to
74:
959:; the process had been refined throughout the 1950s and recordings of
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and inserted during the performance. Most filming involved scenes set
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2376:
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1428:(1967), when he finally replaced the absurdly miscast Brian Donlevy".
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341:
318:
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1094:, a programme that had been particularly strongly influenced by the
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on 35 mm film. This was achieved with a specially synchronised
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405:
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1393:
It was parodied a third time in a sketch from the final series of
2413:(28 February 2007). "The Fact of Fiction: Image of the Fendahl".
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1368:
The serial was also parodied by the BBC television comedy series
1328:
1313:
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1211:
As with the previous two Quatermass serials, the rights to adapt
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412:
236:
160:
2031:(Documentary using archive interview material. Extra feature on
1860:(Documentary using archive interview material. Extra feature on
408:, is etched on a wall that appears to conceal an inner chamber.
19:
This article is about the television serial. For the movie, see
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889:
Each episode was predominantly live from Studio 1 of the BBC's
432:
401:
273:
2834:
A History – An Unauthorised History of the Doctor Who Universe
400:
Rocket Group. As more of the artefact is uncovered additional
944:
878:
serials had been scheduled in half-hour slots but, performed
416:
1836:
1834:
913:, acquired by the BBC in 1955, when Cartier worked with the
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began in September 1958, while Cartier was still working on
411:
The inner chamber wall of the object is so hard that even a
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436:
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would be able to reprise the part; he was unavailable and
1831:
1821:
Vallance, Tom (7 July 2000). "Obituary: Michael Ripper".
1621:
1278:
39:
2562:
Ruscoe, John (7 October 1997). "Obituary: Andrew Keir".
1253:
in April 1960, with a cover by Kneale's artist brother
2737:
Projecting Tomorrow:Science Fiction and Popular Cinema
939:
came into general use at the BBC, all six episodes of
2449:
2786:
Into the Unknown: The Fantastic Life of Nigel Kneale
2199:"Quatermass and the Pit – Echoes of Horrors to Come"
2008:
1747:
1680:
2273:
The Intimate Screen: Early British Television Drama
1668:
1656:
1399:in 1986: the sketch featured a guest appearance by
1361:. The episode "The Scarlet Capsule" was written by
1293:. Also included were the surviving two episodes of
2753:
2397:
1061:These themes and subtexts were highlighted by the
2923:(Kindle ed.). University Press of Kentucky.
3374:
1378:has just finished watching the final episode of
3398:1950s British science fiction television series
2921:The Essential Science Fiction Television Reader
1789:
1156:, saying that King had "more or less rewritten
298:, which described it as "completely gripping".
279:The serial has been cited as having influenced
3007:The Quatermass Trilogy – A Controlled Paranoia
2850:
2050:
2048:
2046:
1768:
1166:". Newman also wrote that both the 1976 novel
788:
758:
728:
698:
668:
638:
3027:
2824:
2632:"Five Million Years to Earth (British Title:
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838:serials, as well as the literary adaptations
583:appeared as an army sergeant; he had been in
16:British TV science fiction serial (1958–1959)
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2193:
2191:
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850:(1954). The budget of £17,500 allocated for
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2162:
2160:
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1840:
1604:
1602:
1388:Hancock's Half Hour Collectibles Volume One
3423:Television series about ancient astronauts
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3020:
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2735:Chapman, James; Cull, Nicholas J. (2013).
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383:, examines the remains and reconstructs a
292:100 Greatest British Television Programmes
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1953:
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1611:The Quatermass Collection – Viewing Notes
507:; the part had initially been offered to
2550:
2534:. British Film Institute. Archived from
2524:
2257:(Spring 1959). "Not Quite So Intimate".
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2157:
2131:
1872:
1820:
1498:
1496:
3408:British fantasy drama television series
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2489:
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1226:and scripted by Kneale. Scottish actor
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243:serials, although the chief character,
3388:1959 British television series endings
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521:in their BBC television adaptation of
3393:1950s British drama television series
3383:1958 British television series debuts
3015:
2943:
2614:"British gothic – a celebration"
2363:
2167:Smurthwaite, Nick (19 January 2007).
2027:Jack Kine and Bernard Wilkie (2005).
1933:
1533:
1527:
1493:
854:was larger than that of the previous
571:. The production team had hoped that
2873:
2851:Sangster, Jim; Condon, Paul (2005).
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1898:
1858:Cartier & Kneale in Conversation
1846:
1674:
1633:
395:Roney calls in his friend Professor
2624:
2498:
2474:Nigel Kneale – Behind the Dark Door
1536:"Quatermass Experiment, The (1953)"
1257:. In 1979 this was re-published by
495:will be their second dead planet".
13:
3340:Halloween III: Season of the Witch
2937:
2504:
2398:Howe, Stammers & Walker (1992)
2370:Newley, Patrick (5 January 2007).
2112:Niebur, Louis (19 December 2006).
1960:Purser, Philip (7 February 2004).
1727:
1704:"Quatermass and the Pit (1958–59)"
1701:
1559:
625:
14:
3434:
3413:Films directed by Rudolph Cartier
2973:
2702:Holcomb, Brian (19 August 2019).
874:for the BBC. As the two previous
365:rebuilding of London in the 1950s
2898:The Largest Theatre in the World
2739:(eBook ed.). I. B. Tauris.
2301:"Coloured Leaders Criticize BBC"
2085:
1878:
1467:Adrian, Jack (2 November 2006).
1098:serials throughout its history.
363:Kneale was also inspired by the
2727:
2679:. 31 March 2005. Archived from
2572:
2532:"Quatermass and the Pit (1967)"
2055:Roberts, Steve (January 2005).
1418:
2876:A Companion to Science fiction
1206:
943:were preserved for a possible
608:
431:resembling giant three-legged
379:, London. Dr Matthew Roney, a
360:of August and September 1958.
118:
1:
2583:. 8 October 1997. p. 21.
2307:. 24 December 1958. p. 4
2205:. 23 December 1958. p. 3
1730:"Nineteen Eighty-Four (1954)"
1406:
1172:and its 1985 film adaptation
820:
301:
21:Quatermass and the Pit (film)
3217:The Year of the Sex Olympics
1881:"Cartier, Rudolph (1904–94)"
1769:Sangster & Condon (2005)
1505:"75: Quatermass and the Pit"
1435:
1324:scenes for the DVD release.
1068:
1020:
536:Colonel Breen was played by
514:The Bridge on the River Kwai
245:Professor Bernard Quatermass
7:
2358:Parkin & Pearson (2006)
2061:Doctor Who Restoration Team
1342:
1240:Five Million Years to Earth
600:
587:' adaptation of the second
554:played Captain Potter, and
10:
3439:
2810:. British Film Institute.
2334:"The man who saw tomorrow"
2088:"Wuthering Heights (1962)"
985:The music was credited to
955:capturing the output of a
830:The director assigned was
825:
681:29 December 1958
651:22 December 1958
18:
3350:
3283:
3176:
3153:
3143:The Quatermass Conclusion
3110:
3100:The Quatermass Experiment
3068:The Quatermass Experiment
3059:
3050:
2958:10.1007/s10624-009-9125-6
2878:. John Wiley & Sons.
2579:"Andrew Keir; Obituary".
2033:The Quatermass Collection
1862:The Quatermass Collection
1841:Chapman & Cull (2013)
1308:For the box set release,
1295:The Quatermass Experiment
1288:The Quatermass Collection
1178:were closely inspired by
1133:share many elements with
871:A Midsummer Night's Dream
801:26 January 1959
791:
771:19 January 1959
761:
741:12 January 1959
731:
701:
671:
641:
631:
624:
621:
618:
615:
612:
607:
569:The Quatermass Experiment
530:The Quatermass Experiment
348:in Nottingham and London
308:The Quatermass Experiment
257:. Like its predecessors,
196:
191:
166:
156:
151:
147:31–36 minutes per episode
143:
133:
128:
117:
109:
98:
62:
52:
37:
30:
3177:Other television scripts
3119:The Quatermass Xperiment
2946:Dialectical Anthropology
1797:"Thunderbirds (1965–66)"
1411:
1007:BBC Radiophonic Workshop
980:
711:5 January 1959
452:out unwanted mutations.
334:immigration into Britain
294:compiled in 2000 by the
102:"Mutations" composed by
3359:The Séance at Hobs Lane
2919:Telotte, J. P. (2008).
2836:. Mad Norwegian Press.
2763:Doctor Who: The Sixties
2638:. Turner Classic Movies
2318:(subscription required)
2277:Oxford University Press
2216:(subscription required)
1609:Pixley, Andrew (2005).
1041:Notting Hill race riots
585:Hammer Film Productions
498:
370:
358:Notting Hill race riots
247:, reappeared in a 1979
3292:The Abominable Snowman
3162:The Quatermass Memoirs
3135:Quatermass and the Pit
3084:Quatermass and the Pit
2997:Quatermass and the Pit
2981:Quatermass and the Pit
2808:Quatermass and the Pit
2634:Quatermass and the Pit
2558:Quatermass and the Pit
2271:Jacobs, Jason (2000).
1562:"Quatermass II (1955)"
1426:Quatermass and the Pit
1380:Quatermass and the Pit
1359:Quatermass and the Pit
1347:A 1959 episode of the
1310:Quatermass and the Pit
1275:Quatermass and the Pit
1264:Quatermass and the Pit
1247:Quatermass and the Pit
1219:Quatermass and the Pit
1213:Quatermass and the Pit
1187:Quatermass and the Pit
1180:Quatermass and the Pit
1158:Quatermass and the Pit
1146:Quatermass and the Pit
1135:Quatermass and the Pit
1112:Quatermass and the Pit
1110:in 1969, acknowledged
1085:Quatermass and the Pit
1063:British Film Institute
1026:Quatermass and the Pit
1015:Quatermass and the Pit
995:Quatermass and the Pit
975:Quatermass and the Pit
961:Quatermass and the Pit
941:Quatermass and the Pit
926:Quatermass and the Pit
884:Quatermass and the Pit
852:Quatermass and the Pit
296:British Film Institute
259:Quatermass and the Pit
222:Quatermass and the Pit
46:Quatermass and the Pit
44:The opening titles of
32:Quatermass and the Pit
3403:BBC television dramas
3324:First Men in the Moon
3265:Stanley and the Women
2784:Murray, Andy (2006).
2759:Walker, Stephen James
1503:Duguid, Mark (2000).
997:also used electronic
597:, the previous year.
413:borazon boron nitride
290:. It featured in the
3201:Nineteen Eighty-Four
2874:Seed, David (2008).
2659:, p. 7–8.
1286:in 2005, as part of
1277:available to buy on
1234:. The film, made in
1130:Image of the Fendahl
865:A Tale of Two Cities
847:Nineteen Eighty-Four
524:Nineteen Eighty-Four
235:transmitted live by
2612:(19 October 2001).
2507:"Quatermass (1979)"
2416:Doctor Who Magazine
2332:(2 November 2006).
1771:, pp. 596–601.
1630:, pp. 211–212.
1481:on 28 November 2006
1371:Hancock's Half Hour
543:The Small Back Room
338:Indian subcontinent
332:. During the 1950s
3300:Look Back in Anger
3284:Other film scripts
3257:The Woman in Black
3185:Arrow to the Heart
3052:Bernard Quatermass
2757:; Stammers, Mark;
2683:on 31 October 2005
1915:. 11 February 2005
1534:Collinson, Gavin.
1333:audio commentaries
1322:digitally remaster
1169:The Space Vampires
1140:Writer and critic
579:was cast instead.
573:Paul Whitsun-Jones
397:Bernard Quatermass
251:production called
227:British television
3368:
3367:
3209:Wuthering Heights
3193:Wuthering Heights
3172:
3171:
2911:978-0-563-20011-6
2885:978-1-4051-4458-2
2866:978-0-00-719099-7
2843:978-0-9725959-9-5
2795:978-1-900486-50-7
2776:978-0-86369-707-4
2767:Virgin Publishing
2746:978-0-85772-184-6
2260:Sight & Sound
2234:. 2 November 2006
2169:"Desmond Briscoe"
2145:. 15 January 2007
2139:"Desmond Briscoe"
2114:"Desmond Briscoe"
1266:in a quarry near
1245:A script book of
1195:Thames Television
1163:The Tommyknockers
935:Made just before
930:practical effects
891:Riverside Studios
841:Wuthering Heights
818:
817:
702:"Imps and Demons"
634:(millions)
622:Original air date
350:came under attack
346:black communities
218:
217:
110:Country of origin
3430:
3351:Related articles
3057:
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2673:"Quatermass DVD"
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2103:
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2100:
2098:
2083:
2077:
2076:
2074:
2072:
2067:on 6 August 2007
2063:. Archived from
2052:
2041:
2040:
2024:
2018:
2012:
2006:
2005:
2003:
2001:
1991:"Bernard Wilkie"
1983:
1977:
1976:
1974:
1972:
1957:
1951:
1950:
1948:
1946:
1936:"Ealing Studios"
1934:Alexander, Lou.
1931:
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1551:
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1525:
1524:
1522:
1520:
1515:on 21 March 2012
1511:. Archived from
1500:
1491:
1490:
1488:
1486:
1477:. Archived from
1464:
1455:
1454:
1446:
1429:
1422:
1318:interlaced video
1270:in August 1997.
1249:was released by
1116:
1053:
1034:
1003:electronic music
808:
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778:
776:
748:
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688:
686:
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330:Second World War
187:
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170:22 December 1958
152:Original release
120:
42:
28:
27:
3438:
3437:
3433:
3432:
3431:
3429:
3428:
3427:
3373:
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3364:
3346:
3308:The Entertainer
3279:
3233:Bedtime Stories
3168:
3149:
3106:
3046:
3040:
2976:
2940:
2938:Further reading
2935:
2912:
2886:
2867:
2844:
2818:
2796:
2777:
2747:
2730:
2725:
2724:
2714:
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2684:
2671:
2670:
2663:
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2641:
2639:
2630:
2629:
2625:
2607:
2603:
2592:
2588:
2578:
2577:
2573:
2565:The Independent
2555:
2551:
2541:
2539:
2538:on 14 July 2012
2530:
2529:
2525:
2515:
2513:
2503:
2499:
2488:
2484:
2476:(Media notes).
2466:
2462:
2454:
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2436:
2431:
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2279:. p. 137.
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1989:(3 June 2002).
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1396:The Two Ronnies
1345:
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1114:
1100:Derrick Sherwin
1071:
1051:
1032:
1023:
1011:Desmond Briscoe
983:
965:lost broadcasts
918:A. A. Englander
915:cinematographer
899:Tavistock Place
832:Rudolph Cartier
828:
823:
804:
802:
795:Rudolph Cartier
774:
772:
765:Rudolph Cartier
762:"The Wild Hunt"
744:
742:
735:Rudolph Cartier
732:"The Enchanted"
714:
712:
705:Rudolph Cartier
684:
682:
675:Rudolph Cartier
654:
652:
645:Rudolph Cartier
633:
628:
603:
538:Anthony Bushell
501:
381:palaeontologist
373:
304:
261:was written by
230:science-fiction
214:
183:
181:
180:26 January 1959
179:
173:
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80:Anthony Bushell
48:
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3225:The Stone Tape
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2974:External links
2972:
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2865:
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2755:Howe, David J.
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2497:
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2448:
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2400:, p. 156.
2390:
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2086:Wake, Oliver.
2078:
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1720:
1702:Duguid, Mark.
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1560:Duguid, Mark.
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1469:"Nigel Kneale"
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1363:Spike Milligan
1351:comedy series
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1303:extra features
1224:Roy Ward Baker
1222:, directed by
1208:
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1150:horror fiction
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860:Pre-production
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2494:. p. 19.
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2456:Newman (2014)
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2419:(379): 42–50.
2418:
2417:
2412:
2406:
2399:
2394:
2379:
2378:
2373:
2366:
2360:, p. 93.
2359:
2354:
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2306:
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2296:
2288:
2286:0-19-874233-9
2282:
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2256:
2255:Kneale, Nigel
2249:
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2093:
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2066:
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2058:
2051:
2049:
2047:
2038:
2037:BBC Worldwide
2034:
2030:
2029:Making Demons
2023:
2017:, p. 86.
2016:
2015:Sutton (1982)
2011:
1996:
1992:
1988:
1982:
1967:
1963:
1956:
1941:
1937:
1930:
1914:
1910:
1904:
1902:
1886:
1882:
1875:
1867:
1866:BBC Worldwide
1863:
1859:
1855:
1849:
1843:, p. 60.
1842:
1837:
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1826:
1825:
1817:
1802:
1798:
1792:
1785:. p. 19.
1784:
1777:
1770:
1765:
1763:
1756:, p. 28.
1755:
1754:Murray (2006)
1750:
1735:
1731:
1724:
1709:
1705:
1698:
1696:
1689:, p. 67.
1688:
1687:Murray (2006)
1683:
1676:
1671:
1665:, p. 43.
1664:
1663:Newman (2014)
1659:
1651:
1647:
1641:
1640:Kneale, Nigel
1636:
1629:
1624:
1617:. BBCDVD1478.
1616:
1615:BBC Worldwide
1612:
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1401:Joanna Lumley
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1354:The Goon Show
1350:
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1315:
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1299:Quatermass II
1296:
1292:
1289:
1285:
1284:BBC Worldwide
1280:
1276:
1273:The BBC made
1271:
1269:
1265:
1260:
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1251:Penguin Books
1248:
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1045:Black British
1042:
1037:
1031:
1027:
1018:
1016:
1012:
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1004:
1000:
999:sound effects
996:
992:
988:
987:Trevor Duncan
978:
976:
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957:video monitor
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858:productions.
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723:
710:
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697:
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663:
650:
647:
644:
642:"The Halfmen"
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606:
598:
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595:
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586:
582:
578:
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565:
563:
562:
557:
553:
552:John Stratton
549:
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467:racial memory
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377:Knightsbridge
368:
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355:
354:white Britons
352:from mobs of
351:
347:
343:
339:
335:
331:
327:
322:
320:
316:
315:
314:Quatermass II
310:
309:
299:
297:
293:
289:
286:
285:film director
282:
277:
275:
271:
270:Knightsbridge
266:
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250:
246:
242:
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202:Quatermass II
199:
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169:
165:
162:
159:
155:
150:
146:
142:
139:
136:
132:
127:
123:
116:
112:
108:
105:
104:Trevor Duncan
101:
99:Opening theme
97:
91:
88:
86:
85:John Stratton
83:
81:
78:
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73:
71:
68:
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61:
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41:
36:
33:
29:
26:
22:
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3191:
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3141:
3133:
3127:Quatermass 2
3125:
3117:
3098:
3090:
3083:
3082:
3074:
3066:
3044:Nigel Kneale
2996:
2980:
2949:
2945:
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2897:
2875:
2852:
2833:
2807:
2785:
2762:
2736:
2728:Bibliography
2713:. Retrieved
2707:
2697:
2685:. Retrieved
2681:the original
2652:
2640:. Retrieved
2633:
2626:
2618:The Guardian
2617:
2610:Gatiss, Mark
2604:
2596:The Guardian
2595:
2589:
2580:
2574:
2563:
2557:
2552:
2540:. Retrieved
2536:the original
2526:
2514:. Retrieved
2511:Screenonline
2500:
2491:
2485:
2477:
2473:
2463:
2451:
2438:
2414:
2411:Barnes, Alan
2405:
2393:
2381:. Retrieved
2375:
2365:
2353:
2341:. Retrieved
2338:The Guardian
2337:
2330:Gatiss, Mark
2324:
2309:. Retrieved
2304:
2295:
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2258:
2248:
2236:. Retrieved
2231:
2222:
2207:. Retrieved
2202:
2178:. Retrieved
2172:
2147:. Retrieved
2142:
2133:
2121:. Retrieved
2118:The Guardian
2117:
2107:
2095:. Retrieved
2092:Screenonline
2081:
2069:. Retrieved
2065:the original
2057:"Quatermass"
2032:
2028:
2022:
2010:
1998:. Retrieved
1995:The Guardian
1994:
1987:Hadoke, Toby
1981:
1969:. Retrieved
1966:The Guardian
1965:
1955:
1943:. Retrieved
1940:Screenonline
1929:
1917:. Retrieved
1912:
1888:. Retrieved
1885:Screenonline
1874:
1861:
1857:
1854:Nigel Kneale
1848:
1827:. p. 6.
1822:
1816:
1804:. Retrieved
1801:Screenonline
1791:
1783:The Guardian
1782:
1776:
1749:
1737:. Retrieved
1734:Screenonline
1723:
1711:. Retrieved
1708:Screenonline
1682:
1670:
1658:
1645:
1635:
1623:
1610:
1569:. Retrieved
1566:Screenonline
1555:
1543:. Retrieved
1540:Screenonline
1529:
1517:. Retrieved
1513:the original
1509:Screenonline
1483:. Retrieved
1479:the original
1472:
1450:
1444:
1425:
1420:
1394:
1392:
1390:CD box set.
1387:
1379:
1376:Tony Hancock
1369:
1367:
1358:
1352:
1346:
1335:prepared by
1326:
1309:
1307:
1301:and various
1298:
1294:
1287:
1274:
1272:
1263:
1255:Bryan Kneale
1246:
1244:
1239:
1218:
1212:
1210:
1198:
1190:
1186:
1184:
1179:
1173:
1167:
1161:
1157:
1154:Stephen King
1145:
1139:
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1128:
1122:
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1111:
1107:
1095:
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1074:
1072:
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1038:
1029:
1025:
1024:
1014:
994:
984:
974:
973:
960:
949:telerecorded
940:
934:
925:
922:
888:
883:
875:
869:
863:
855:
851:
845:
839:
835:
829:
798:Nigel Kneale
768:Nigel Kneale
738:Nigel Kneale
708:Nigel Kneale
678:Nigel Kneale
672:"The Ghosts"
648:Nigel Kneale
594:Quatermass 2
592:
588:
568:
566:
561:Thunderbirds
559:
541:
535:
528:
522:
512:
505:André Morell
502:
493:
489:
478:
474:London Blitz
471:
454:
450:
441:
426:
421:poltergeists
410:
394:
374:
362:
323:
312:
306:
305:
281:Stephen King
278:
267:
263:Nigel Kneale
258:
252:
240:
221:
220:
219:
207:
200:
144:Running time
138:Multi-camera
134:Camera setup
70:André Morell
57:Nigel Kneale
45:
31:
25:
3332:The Witches
2952:: 105–142.
2804:Newman, Kim
2687:13 November
2433:Newman, Kim
1909:"Jack Kine"
1713:18 December
1675:Seed (2008)
1337:Toby Hadoke
1259:Arrow Books
1228:Andrew Keir
1207:Other media
1081:Mark Gatiss
1043:, but some
953:film camera
907:on location
895:Hammersmith
844:(1953) and
616:Directed by
577:Brian Worth
509:Alec Clunes
462:telekinesis
311:(1953) and
121:of episodes
3418:Quatermass
3377:Categories
3092:Quatermass
3060:Television
2986:BBC Online
2929:B003M5H7GU
2715:25 January
2709:PopMatters
2642:4 December
2542:4 December
2516:31 January
2383:30 January
2269:Quoted in
2238:26 January
2180:31 January
2149:31 January
2123:31 January
2097:31 January
2071:31 January
2035:DVD set).
2000:31 January
1971:31 January
1945:31 January
1919:31 January
1890:31 January
1864:DVD set).
1806:3 December
1739:30 January
1571:31 January
1545:31 January
1519:29 January
1485:26 January
1407:References
1268:Nottingham
1217:1967 film
1200:Quatermass
1191:Quatermass
1142:Kim Newman
1124:The Dæmons
1119:Doctor Who
1108:Doctor Who
1096:Quatermass
1091:Doctor Who
1073:In a 2006
1056:Birmingham
903:35 mm film
876:Quatermass
856:Quatermass
836:Quatermass
821:Production
805:1959-01-26
775:1959-01-19
745:1959-01-12
715:1959-01-05
685:1958-12-29
655:1958-12-22
632:UK viewers
619:Written by
589:Quatermass
548:Cec Linder
302:Background
254:Quatermass
241:Quatermass
209:Quatermass
184:1959-01-26
174:1958-12-22
129:Production
75:Cec Linder
53:Created by
3087:(1958-59)
3042:Works by
2966:143675252
2902:BBC Books
2853:TV Heaven
2677:bbc.co.uk
2581:The Times
2492:The Times
2439:Timeshift
2377:The Stage
2305:The Times
2232:The Times
2203:The Times
2174:The Stage
2143:The Times
1913:The Times
1646:Timeshift
1451:The Times
1436:Citations
1357:parodied
1349:BBC radio
1297:, all of
1175:Lifeforce
1069:Influence
1049:The Times
1030:The Times
1021:Reception
991:pseudonym
947:by being
937:videotape
481:Wild Hunt
458:telepathy
445:mediaeval
342:Caribbean
336:from the
319:freelance
2896:(1982).
2832:(2006).
2806:(2014).
2761:(1992).
2472:(1986).
2443:BBC Four
2267:(2): 86.
1856:(2005).
1650:BBC Four
1343:Parodies
1121:serials
1104:producer
1079:article
1076:Guardian
601:Episodes
591:serial,
406:pentacle
389:humanoid
340:and the
283:and the
63:Starring
2311:19 June
2209:19 June
1329:Blu-ray
1314:VidFIRE
1291:box set
1197:titled
1152:writer
969:BBC Two
826:Filming
803: (
792:"'Hob'"
773: (
743: (
713: (
683: (
653: (
519:O'Brien
433:locusts
402:fossils
321:basis.
192:Related
182: (
178: –
172: (
167:Release
157:Network
3343:(1982)
3335:(1966)
3327:(1964)
3319:(1962)
3311:(1960)
3303:(1959)
3295:(1957)
3276:(1995)
3268:(1991)
3260:(1989)
3252:(1981)
3249:Kinvig
3244:(1976)
3241:Beasts
3236:(1974)
3228:(1972)
3220:(1968)
3212:(1959)
3204:(1954)
3196:(1953)
3188:(1952)
3165:(1996)
3146:(1979)
3138:(1967)
3130:(1957)
3122:(1955)
3103:(2005)
3095:(1979)
3079:(1955)
3071:(1953)
2964:
2927:
2908:
2882:
2863:
2840:
2814:
2792:
2773:
2743:
2509:. BFI
2343:2 June
2283:
2090:. BFI
1938:. BFI
1883:. BFI
1799:. BFI
1732:. BFI
1706:. BFI
1564:. BFI
1538:. BFI
1507:. BFI
1236:colour
1185:After
1144:cited
1102:, the
945:repeat
811:T/5138
781:T/5137
751:T/5136
721:T/5135
691:T/5134
661:T/5133
429:aliens
417:ghosts
387:-like
274:London
233:serial
3154:Radio
2962:S2CID
1412:Notes
1384:Acton
1115:'
1052:'
1033:'
981:Music
626:Prod.
613:Title
485:genes
385:dwarf
225:is a
3111:Film
3002:IMDb
2925:ASIN
2906:ISBN
2880:ISBN
2861:ISBN
2838:ISBN
2812:ISBN
2790:ISBN
2771:ISBN
2741:ISBN
2717:2022
2689:2012
2644:2014
2544:2014
2518:2007
2385:2007
2345:2015
2313:2016
2281:ISBN
2240:2007
2211:2016
2182:2007
2151:2007
2125:2007
2099:2007
2073:2007
2002:2007
1973:2007
1947:2007
1921:2007
1892:2007
1808:2014
1741:2007
1715:2020
1573:2007
1547:2007
1521:2007
1487:2007
1127:and
1001:and
989:, a
880:live
868:and
814:11.0
784:10.6
629:code
499:Cast
437:Mars
419:and
371:Plot
324:The
3000:at
2984:at
2954:doi
2560:".
2435:in
1642:in
1279:VHS
1160:in
1106:of
893:in
754:9.5
724:9.8
694:9.1
664:7.6
609:No.
249:ITV
161:BBC
119:No.
3379::
2960:.
2950:34
2948:.
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2765:.
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2116:.
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2045:^
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1964:.
1911:.
1900:^
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2242:.
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2075:.
2039:.
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1975:.
1949:.
1923:.
1894:.
1868:.
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1743:.
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