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Because Currie had already lost a significant number of lead vocals to Jett by the time it was recorded, Fowley decided to have Fox and Currie sing the lead vocals together in an effort to appease Currie, but Fox recalled that "Cherie's voice and mine didn't blend well at all" and they gave up trying
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According to Jett, the lyrics of the song concern "a girl wanting to become a star knowing that you can become one." Doherty described it as "one of the weaker on the album", although Myers considered it one of the four songs that made up the "consistently enjoyable" stretch between "I Love Playin'
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Written by local songwriter Steven Tetsch, Fowley, and Currie together, Fox noted that the song was initially unpopular with the other four members of the band, but in 2000 remarked that upon further listening it was "actually one of the better songs on the album". Despite this, Doherty argued that
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features a total of ten songs that are evenly split between the two sides of the original vinyl record. Nine of the ten songs were written or co-written by members of the band themselves, while the other (the title track "Queens of Noise") was written specifically for the
Runaways, meaning that the
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According to Fox, Currie believed that the song had been written with the intention that she would sing the lead vocals, but Jett insisted on singing them and, with the support of the rest of the band, did so. However, according to Currie, she was unable to sing the lead vocals because she had an
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The
Runaways are partially obscured by smoke in the photograph that was used on the front cover of the album, which according to Fox was taken "at the last moment before we all started choking". The back cover features a similar photograph that is posed differently and does not include any smoke,
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After Fox suggested that the smoke-filled image would draw more attention on the front of the album, as well as noting the practical concern that it would not lend itself well to having the track listing and other notes printed over it, Mercury
Records agreed and switched the covers.
455:) were all recorded "live" at the same time, with West, Fox, and Jett (respectively) all in sight of each other during recordings. They each recorded in separate rooms, however, in order to prevent their instruments from "bleeding" together during recording. Riffs, lead guitar
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In sharp contrast to the first two songs on the album, "Midnight Music" is a softer and more melodic song with Currie on lead vocals. She was quite happy with the finished version of the song, remarking that it "turned out more fantastic than I thought it would".
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The album's titular song has a "heavy" sound and features a distinctive riff as well as a guitar solo by Ford. The only song on the album that was not written or co-written by any of the
Runaways themselves, "Queens of Noise" was penned by Billy Bizeau of
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Both Fox and Andy
Doherty believe that this song in particular serves as a microcosm of the growing tension between Currie and Jett over the issue of lead vocals, a tension reflected by those duties being evenly split between the two on this album.
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According to Fox, Currie was infuriated by the decision to include Jett's version on the album, although as a compromise she was allowed to sing the first verse during live performances of the song while Jett sang the second verse.
459:, and vocals were then recorded later and ultimately mixed with the drum, bass, and rhythm guitar tracks to achieve the finished product. Ford used multiple techniques for recording her solos, including playing both through a mic'd
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Written singlehandedly by Jett, who also handles lead vocal duties on the song, "Take It or Leave It" challenges the title track in terms of strength and power with its "thunderous" drumming from West, who begins the song with a
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Ford and Fox were so displeased with the song that they both refused to record their respective instruments on the track, and with the support of Jett and West they helped ensure that it was not included in the finalized album.
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Currie's performance on lead vocals has been called "outstanding", although Fox observed that Currie hated to sing it live night after night because she had great difficulty repeatedly hitting the highest notes in the song.
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M. Barle ā hand clapping on "Queens of Noise" and "I Love Playin' With Fire" M. Gormley, B. Krayer ā hand clapping on "Queens of Noise" G. Zipperman, K. J. Smythe, Karls ā hand clapping on "I Love Playin' With Fire"
314:, most of it consists of the "heavy" guitar-driven tracks that have come to be seen as the Runaways' signature sound, although it also features two noticeably softer songs that have sometimes been described as early
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According to Fox, the
Runaways did much of the producing themselves, which resulted in a greater emphasis on volume as well as more musical sophistication than the "keep it simple" approach that Fowley preferred.
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The song has received both highly positive and highly negative reviews. Myers lamented that it is "not one of the best tracks" on the album, while Fox dismissed it as "almost as embarrassing as Johnny Guitar".
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Described by Jett as a chance "for Lita to show off her lead guitar work", the "seven minute epic" has been criticized as "an unnecessary use of vinyl" and a "doom-laden attempt at a slow blues number".
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It has also garnered positive reviews, however, including
Henderson's recognition of it being a "fine vehicle" for Ford's guitar playing and Moro's belief that it proved Ford "could actually play".
1498:ā rhythm guitar, 12-string guitar on "Born to be Bad", overdubbed first solo on "California Paradise", hand clapping on "Queens of Noise" and "I Love Playin' With Fire", lead and backing vocals
626:, along with the songs "Neon Angels On the Road to Ruin" and "I Love Playin' with Fire", while Jett noted that it "always went over really well" with audiences when it was played live.
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According to Fox, the recording and potential inclusion of "Hollywood Dream" on this album sparked a "true band rebellion" because only lead vocalist Currie wanted to see it released.
331:
features greater emphases on volume and musical sophistication. The album has received generally positive reviews and has remained the band's best-selling record in the United States.
1125:. In addition to the inclusion of the album version of "Hollywood", it also featured covers of "California Paradise", "Queens of Noise", and "I Love Playin' With Fire" recorded by
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It is an up-tempo song with Jett providing lead vocals that Myers describes as "divinely decadent", while it also features both a powerful riff and another guitar solo from Ford.
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Barry Myers praised it as "possible single material" while Fowley referred to it as "pure
Runaways", although Fox dismissed it as "one of my least favorite Runaways songs".
532:
The cover features all five of the
Runaways dressed in similar black shirts and pants, all "clinging to long, metallic shafts" in a design that Marianne Moro describes as a "
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Described simply as a "crunching heavy rock track" and "hard-ass rock", the song is considered by both
Henderson and Doherty to be one of the best tracks on the album.
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According to Fox, the band was contractually obligated to produce two studio albums each year for their label (Mercury Records), which led to the eventual release of
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during the latter's brief tenure as bassist, "Born to Be Bad" is very slow in tempo and features "unusually mellow" lead vocals from Jett for part of the song.
451:
With the singular exception of "Midnight Music", all of the songs on the album were recorded in the same fashion: drums, bass, and rhythm guitar (except for the
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After beginning with another opening drum fill from West, the song quickly becomes a guitar-driven "stomping rock track" with Currie on lead vocals and Jett
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Written by Fowley, Jett, West, and Kari Krome (Jett's friend and an important catalyst in the band's formation), "California Paradise" was the first of the
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While critics such as Myers recognized that the Runaways possessed "tremendous potential" going forward and eagerly anticipated their third studio album,
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Written by Fowley, Fox, and Jett, "Hollywood" features Jett on lead vocals for the fifth and final time on the album, while Fox provides backing vocals.
1630:
The liner notes and back cover of the album refer to the sides as "Side One" and "Side Two", while the disc itself is stamped with "Side A" and "Side B".
595:
abortion shortly before the song was recorded, and by the time she had recovered and returned to the studio, Jett had already recorded the lead vocals.
1101:
Doherty described the losses of the band's lead vocalist and bassist, respectively, as "a pity as they were both strong in their respective fields".
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which Fox notes was originally intended to grace the front of the album, while the eventual front image was initially planned to be put on the back.
478:, the Runaways also recorded two more during these sessions that did not ultimately make the final cut for the album: "Hollywood Dream" and "C'Mon".
813:
The concluding track "Johnny Guitar" was written by Fowley and Ford, and at 7:15 it is more than twice as long as all but one of the other songs on
1015:, Alex Henderson referred to it as the Runaways' "outstanding sophomore effort ... hard rock that pulls no punches either musically or lyrically".
684:
Fowley described it as reminiscent of a "European approach to heavy metal", while Fox viewed it as the band's "concession to Lita's heavy metal ."
805:
Myers described it as one of the album's two "tear-jerkers", along with "Midnight Music", and praised Currie's vocals as "irresistibly moody".
678:
Written by Ford, Fowley, and Fox, "Neon Angels on the Road to Ruin" is driven by a slow riff and a guitar solo that are both provided by Ford.
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Fowley described the lyrical content of the song as Jett's perspective on "getting ripped off and almost destroyed by superficial love".
1002:
gave the album a grade of "Cā" and panned the Runaways as "bimbos" whose singing sounds out of tune. He amended the grade to a "C" for
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After their self-titled debut album achieved some critical and popular success in the summer of 1976, the Runaways retained the same
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The song also features hand clapping during the third verse, which the Runaways recorded with a group of friends that included
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and a frontwoman who fall in love but "can't stay together because each one has to go their own way to help their career".
2781:
2232:
1504:ā bass guitar, hand clapping on "Queens of Noise", backing vocals on "Queen of Noise", "Take It Or Leave It", "Hollywood"
738:
It is a unique track on the album because the guitar solo is split between Jett, who plays the first portion, and Ford.
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and recorded the vocals without Fox. According to Currie, " wrote something and I rearranged it and wrote the melody".
187:
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it is not representative of the Runaways' style because it "lacks their spirit and rough around the edges approach".
487:, which included previously unreleased material that was not made public until after the Runaways' breakup in 1979.
709:
Fox remarked that it was "always a lot of fun to play" and that she thought that Ford's solo was "one of her best".
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716:, an experience that Fox remembered as an excruciatingly long process because "someone was off on every take".
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Jett noted that the title of the song was derived from a lyric in the song "American Nights" from the album
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The first track on the second side of the original album, "I Love Playin' with Fire" is the second song on
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proved to be the best-performing of any of the Runaways' albums in the charts, reaching number 172 on the
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Fox even went so far as to declare it "without a question the single worst song the Runaways ever did".
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songs to be penned, and it was even one of the songs that Fox learned while auditioning for the band.
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Without Fox's knowledge or approval, Currie and Fowley then rewrote the lyrics to be about
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510:, featuring the image that was originally intended for the front cover of the album.
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began, the increasingly poor relationship between the Runaways and their manager,
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2446:""The Runaways" Soundtrack: Stewart and Fanning, Plus Stooges, Bowie and More"
2132:
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Fox believed that Fowley intended the lyrics to refer at least in part to the
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2481:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 261.
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2236:(Motion picture). Dana Point, California: Sacred Dogs Entertainment Group.
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This article is about the Runaways album. For the British indie DJs, see
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Originally written by Ford and Fox, "Heartbeat" was conceived as a mock
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features an "improved studio sound" and recommended it to his readers.
591:, while Fowley referred to it as a "great opening song and statement".
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but Jett interpreted them as concerning homeless people living in the
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Uhelszki, Jaan (13 November 1976). Parnes, Sid (ed.). "The Coast".
1516:ā lead and backing vocals, tambourine and snare on "Midnight Music"
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Alex Henderson nonetheless deemed it a "classic" in his review for
321:
While stylistically similar to the band's self-titled debut album
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as a whole and declared that it "is a lot more listenable" than
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Both of these songs were eventually included on the 1980 album
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on a 22-song "2-for-1" CD that also included the entirety of
571:, while Fox felt that it is "not a very good album" overall.
436:
was recorded in November 1976 at Mankey's Brothers Studio in
311:
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was the final studio album to feature either Currie or Fox.
1052:, Cherie Currie, Dakota Fanning and Kristen Stewart at the
452:
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and was initially intended to feature Fox on lead vocals.
756:
Fox praised it as "probably the best song on the album".
616:, and "powerful" guitar playing by both Ford and Jett.
691:
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2298:
Christgau's Record Guide: Rock Albums of the Seventies
1005:
Christgau's Record Guide: Rock Albums of the Seventies
749:' by the Beach Boys although musically it resembles a
798:
Jett described the lyrical content as the story of a
2524:"Swedishcharts.com ā The Runaways ā Queens of Noise"
2137:
Joan Jett and The Blackhearts Bad Reputation Nation
1121:Multiple songs from the album were featured in the
474:In addition to the ten songs that were released on
719:
606:
440:, a facility most famous for its association with
1682:(1533). New York: Record World Publishing Co: 79.
343:The Runaways' line-up that produced and recorded
306:album, although it also exhibits influences from
2822:
1510:ā drums, backing vocals on "Take It Or Leave It"
1114:in the United States. The eventual third album,
310:. While the album features a range of different
2334:"Queens of Noise ā The Runaways: Releases"
2127:
2125:
2083:"The Runaways: Neon Angels On The Road To Ruin"
2123:
2121:
2119:
2117:
2115:
2113:
2111:
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1133:, who respectively portrayed Currie and Jett.
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1077:In 2008, it was included by Australian label
642:
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2198:"The Runaways ā Queens Of Noise (1977)"
1141:Credits adapted from the album liner notes.
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563:Jett described herself as "really proud" of
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287:is the second studio album by the American
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1657:Catalog of Copyright Entries: Third series
34:
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1993:"The Runaways Flaming Schoolgirls review"
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517:was released on three different formats:
2526:. Hung Medien. Retrieved June 30, 2024.
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1492:ā lead guitar, groan on "Johnny Guitar"
584:, the other band that Fowley managed.
467:. According to Fox, West did not use a
295:, released on January 7, 1977, through
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2016:
1852:"The Runaways Queens of Noise review"
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23:1977 studio album by the Runaways
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1990:
1480:Adapted from the album liner notes.
2782:Edgeplay: A Film About the Runaways
2454:. February 26, 2010. Archived from
2259:. No. March 21. New York. 1977
2233:Edgeplay: A Film About the Runaways
1801:
949:
861:
13:
2399:
2281:. Random House. 1992. p. 609.
2196:Doherty, Andy (October 25, 2009).
1734:
1729:online reproduction available here
14:
2862:
2554:
2048:"THE RUNAWAYS: 'Queens of Noise'"
2046:Myers, Barry (January 22, 1977).
1891:. London: Rough Guides. pp.
1289:"Neon Angels on the Road to Ruin"
911:
674:"Neon Angels on the Road to Ruin"
245:"Neon Angels on the Road to Ruin"
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2803:
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1944:"The Runaways - Queens of Noise"
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958:
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875:
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865:
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700:that was written by Jett alone.
556:album does not include any true
421:, most famous for his work with
2851:Albums produced by Earle Mankey
2479:Australian Chart Book 1970ā1992
2477:David Kent (historian) (1993).
2470:
2438:
2357:
2326:
2285:
2271:
1984:
1968:"The Runaways - Midnight Music"
1624:
1085:along with two selections from
1960:
1936:
1912:
1802:Fox, Jackie (August 4, 2000).
1376:Fowley, Jett, Kari Krome, West
1326:
1151:
1011:In a retrospective review for
547:
1:
2846:Albums produced by Kim Fowley
2536:"The Runaways Chart History (
2502:"Top RPM Albums: Issue 5178b"
2407:"The Runaways: Awards ā
2279:The Rolling Stone Album Guide
2081:Moro, Marianne (April 2004).
1637:
904:The Rolling Stone Album Guide
647:Written by Fowley, West, and
334:
1610:
1596:
1584:
1570:
1475:
985:magazine's Barry Myers said
768:with Fire" and "Heartbeat".
428:
248:Released: February 25, 1977
7:
2548:. Retrieved June 30, 2024.
2514:. Retrieved June 30, 2024.
2512:Library and Archives Canada
1542:ā producer, engineer, mixer
1426:Currie, Ford, Fowley, Fox,
1037:as "a pop-metal pinnacle".
741:Fowley described it as an "
10:
2867:
1920:"The Runaways - Heartbeat"
1348:"I Love Playin' with Fire"
1022:"a real development" from
979:In a contemporary review,
735:with her on the choruses.
692:"I Love Playin' with Fire"
15:
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992:In a negative review for
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2789:The Runaways (2010 film)
2764:Mama Weer All Crazee Now
2293:"Consumer Guide '70s: R"
1617:
1123:2010 film about the band
1033:, Peter Buckley praised
892:Christgau's Record Guide
438:Santa Monica, California
409:Before the recording of
236:Released: February 1977
224:Released: February 1977
2686:And Now... The Runaways
1888:The Rough Guide to Rock
1885:Buckley, Peter (2003).
1808:The Runaways Remembered
1576:Canada Top Albums/CDs (
1066:Between 1997 and 2011,
1031:The Rough Guide to Rock
2841:Mercury Records albums
1063:
1056:screening of the film
649:Michael "Micki" Steele
511:
463:and directly into the
368:
347:. From left to right,
2679:Waitin' for the Night
2645:Victory Tischler-Blue
2228:Victory Tischler-Blue
2088:Perfect Sound Forever
1907:A pop-metal pinnacle.
1373:"California Paradise"
1200:"Take It or Leave It"
1116:Waitin' for the Night
1088:Waitin' for the Night
1074:six separate times.
1048:
788:to record together.
720:"California Paradise"
607:"Take It or Leave It"
536:album cover theme".
505:
498:Release and packaging
342:
302:It's fundamentally a
265:Released: March 1977
2303:Ticknor & Fields
1521:Additional musicians
1018:Andy Doherty called
836:Professional ratings
406:on January 7, 1977.
2831:The Runaways albums
2718:Flaming Schoolgirls
2377:ravenrecords.com.au
2373:(2-for-1) RVCD-278"
1564:Australian Albums (
1322:
1147:
1118:, failed to chart.
1070:was re-released on
1041:Releases and legacy
837:
714:Rodney Bingenheimer
527:Stereo 8 track tape
484:Flaming Schoolgirls
395:(bass guitar), and
2710:Compilation albums
2569:(list of releases)
2202:Rock Album Reviews
2141:Blackheart Records
1320:
1145:
1064:
835:
831:Critical reception
512:
506:The back cover of
471:while recording.
373:five woman line-up
369:
2818:
2817:
2757:Eight Days a Week
2649:Laurie McAllister
2256:The Village Voice
2208:on March 10, 2012
2133:"Queens Of Noise"
1850:Henderson, Alex.
1804:"Queens of Noise"
1615:
1614:
1592:Sverigetopplistan
1566:Kent Music Report
1472:
1471:
1401:Fowley, Fox, Jett
1321:Side Two / Side B
1316:
1315:
1173:"Queens of Noise"
1146:Side One / Side A
1050:Floria Sigismondi
995:The Village Voice
977:
976:
575:"Queens of Noise"
391:(rhythm guitar),
280:
279:
233:"Queens of Noise"
196:
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75:Brothers Studio (
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2458:on March 1, 2010
2442:
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2425:Rovi Corporation
2403:
2397:
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2392:
2387:on March 4, 2016
2383:. Archived from
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2344:Rovi Corporation
2330:
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2251:"Consumer Guide"
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2204:. Archived from
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2003:Rovi Corporation
1988:
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1862:Rovi Corporation
1847:
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1814:. Archived from
1799:
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1590:Swedish Albums (
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1257:"Born to Be Bad"
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1225:"Midnight Music"
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747:California Girls
662:neighborhood of
643:"Born to Be Bad"
630:"Midnight Music"
269:
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1451:"Johnny Guitar"
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1379:Currie and Jett
1362:
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1131:Kristen Stewart
1105:Queens of Noise
1096:Queens of Noise
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1035:Queens of Noise
1020:Queens of Noise
987:Queens of Noise
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815:Queens of Noise
811:
809:"Johnny Guitar"
774:
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726:Queens of Noise
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698:Queens of Noise
694:
676:
645:
632:
609:
577:
565:Queens of Noise
553:Queens of Noise
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515:Queens of Noise
508:Queens of Noise
500:
476:Queens of Noise
434:Queens of Noise
431:
411:Queens of Noise
404:Queens of Noise
387:(lead guitar),
383:(lead vocals),
377:Queens of Noise
345:Queens of Noise
337:
329:Queens of Noise
297:Mercury Records
284:Queens of Noise
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59:January 7, 1977
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29:Queens of Noise
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18:Queens of Noize
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2555:External links
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1991:Campbell, Al.
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1127:Dakota Fanning
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2743:Rock and Roll
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2702:Live in Japan
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2676:
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2662:
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2659:
2657:Studio albums
2655:
2648:
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2643:
2641:
2638:
2636:
2635:Cherie Currie
2633:
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2488:0-646-11917-6
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2451:Rolling Stone
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2421:United States
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2381:Raven Records
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1973:
1972:dutchchrts.nl
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1948:dutchchrts.nl
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1924:dutchchrts.nl
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1902:1-84353-105-4
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1818:on 2015-11-21
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1727:liner notes (
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1554:Chart (1977)
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1541:
1538:
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1532:
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1530:
1529:
1525:
1522:
1515:
1514:Cherie Currie
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1234:
1230:
1229:Cherie Currie
1227:
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1220:
1208:
1205:
1202:
1199:
1195:
1183:
1181:
1178:
1175:
1172:
1168:
1149:
1142:
1137:Track listing
1134:
1132:
1128:
1124:
1119:
1117:
1113:
1111:
1106:
1102:
1099:
1097:
1092:
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1089:
1084:
1080:
1079:Raven Records
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906:
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853:
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844:
841:Review scores
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534:stripper pole
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381:Cherie Currie
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365:Cherie Currie
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325:
319:
317:
316:power ballads
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286:
285:
275:
259:
242:
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218:
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189:
188:Live in Japan
185:
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82:
78:
74:
70:
67:November 1976
66:
62:
58:
54:
50:
45:
41:
37:
32:
27:
19:
2802:
2787:
2780:
2716:
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2671:
2670:
2665:The Runaways
2663:
2625:Micki Steele
2604:The Runaways
2560:
2544:
2537:
2531:
2519:
2505:
2497:
2478:
2472:
2460:. Retrieved
2456:the original
2449:
2440:
2428:. Retrieved
2414:
2408:
2401:
2389:. Retrieved
2385:the original
2376:
2370:
2367:The Runaways
2366:
2359:
2347:. Retrieved
2337:
2328:
2316:. Retrieved
2296:
2287:
2278:
2273:
2261:. Retrieved
2254:
2231:
2222:
2210:. Retrieved
2206:the original
2201:
2144:. Retrieved
2136:
2092:. Retrieved
2086:
2057:. Retrieved
2051:
2006:. Retrieved
1996:
1986:
1975:. Retrieved
1971:
1962:
1951:. Retrieved
1947:
1938:
1927:. Retrieved
1923:
1914:
1906:
1887:
1865:. Retrieved
1855:
1820:. Retrieved
1816:the original
1807:
1679:
1676:Record World
1675:
1656:
1626:
1604:
1577:
1540:Earle Mankey
1527:
1526:
1520:
1519:
1484:Band members
1483:
1482:
1479:
1454:Fowley, Ford
1428:Earle Mankey
1176:Billy Bizeau
1140:
1120:
1115:
1109:
1104:
1103:
1100:
1095:
1093:
1086:
1083:The Runaways
1082:
1076:
1067:
1065:
1059:The Runaways
1057:
1034:
1030:
1029:In his book
1028:
1024:The Runaways
1023:
1019:
1017:
1010:
1003:
993:
991:
986:
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978:
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890:
826:
823:
819:
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812:
804:
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786:
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766:
763:
755:
751:Gary Glitter
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708:
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695:
686:
683:
680:
677:
668:
653:
646:
637:
633:
621:
618:
610:
601:
597:
593:
589:The Runaways
588:
586:
578:
569:The Runaways
568:
564:
562:
552:
551:
542:
538:
531:
523:Musicassette
519:vinyl record
514:
513:
507:
492:
489:
482:
480:
475:
473:
465:mixing board
450:
446:
433:
432:
419:Earle Mankey
410:
408:
403:
401:
376:
370:
344:
328:
324:The Runaways
322:
320:
301:
293:the Runaways
283:
282:
281:
209:
186:
178:
177:
170:The Runaways
168:
157:The Runaways
150:Earle Mankey
77:Santa Monica
49:the Runaways
44:Studio album
2836:1977 albums
2736:Cherry Bomb
2696:Live albums
1423:"Heartbeat"
1398:"Hollywood"
793:David Bowie
782:Joey Ramone
772:"Heartbeat"
760:"Hollywood"
733:harmonizing
656:Vietnam War
548:Composition
469:click track
221:"Heartbeat"
2825:Categories
2750:Wild Thing
2640:Jackie Fox
2620:Sandy West
2312:089919026X
2008:August 28,
1977:2024-03-15
1953:2024-03-15
1929:2024-03-15
1867:August 28,
1638:References
1536:ā producer
1534:Kim Fowley
1528:Production
1508:Sandy West
1502:Jackie Fox
1297:Jackie Fox
1295:, Fowley,
1266:Sandy West
1233:Kim Fowley
753:record".
415:Kim Fowley
399:(drums).
397:Sandy West
393:Jackie Fox
361:Sandy West
357:Jackie Fox
335:Background
159:chronology
146:Kim Fowley
2630:Lita Ford
2615:Joan Jett
2545:Billboard
2538:Billboard
2462:March 16,
2409:Billboard
2318:March 12,
1723:Original
1605:Billboard
1559:position
1496:Joan Jett
1490:Lita Ford
1476:Personnel
1334:Writer(s)
1293:Lita Ford
1180:Joan Jett
1159:Writer(s)
1110:Billboard
1054:SXSW 2010
778:love song
660:Manhattan
614:drum fill
582:the Quick
461:amplifier
429:Recording
389:Joan Jett
385:Lita Ford
353:Joan Jett
349:Lita Ford
308:glam rock
304:hard rock
267:(Germany)
255:(Austria)
103:pop metal
98:glam rock
93:Hard rock
2809:Category
2416:AllMusic
2391:June 10,
2349:June 10,
2339:Allmusic
2305:. 1981.
2230:(2005).
1998:Allmusic
1857:AllMusic
1812:Blogspot
1260:Fowley,
1013:AllMusic
855:AllMusic
800:frontman
624:AllMusic
141:Producer
64:Recorded
56:Released
46: by
2567:Discogs
2430:June 9,
2411:Albums"
2263:June 7,
2212:June 9,
2146:June 9,
2094:June 9,
2059:June 9,
1822:June 9,
1660:. 1978.
250:(Japan)
206:Singles
192:(1977)
183:(1977)
174:(1976)
134:Mercury
2485:
2309:
2053:Sounds
1899:
1547:Charts
1457:Currie
1432:Currie
1340:Length
1301:Currie
1238:Currie
1165:Length
982:Sounds
942:Sounds
849:Rating
846:Source
743:answer
664:Bowery
558:covers
525:, and
363:, and
312:tempos
112:Length
72:Studio
2774:Films
2728:Songs
2540:200)"
1618:Notes
1331:Title
1156:Title
457:solos
453:riffs
291:band
253:1977
208:from
129:Label
85:Genre
2483:ISBN
2464:2010
2432:2012
2393:2012
2351:2012
2320:2019
2307:ISBN
2265:2015
2214:2012
2148:2012
2096:2012
2061:2012
2010:2011
1897:ISBN
1869:2011
1824:2012
1611:172
1557:Peak
1404:Jett
1354:Jett
1351:Jett
1270:Jett
1206:Jett
1203:Jett
1129:and
745:to '
375:for
289:rock
238:(UK)
226:(US)
2565:at
2507:RPM
1893:893
1607:200
1602:US
1597:28
1585:83
1579:RPM
1571:36
1448:10.
1327:No.
1152:No.
1112:200
817:.
780:to
560:.
529:.
444:.
318:.
2827::
2542:.
2510:.
2504:.
2448:.
2423::
2419:.
2413:.
2379:.
2375:.
2369:/
2342:.
2336:.
2301:.
2295:.
2253:.
2242:^
2200:.
2156:^
2139:.
2135:.
2104:^
2085:.
2069:^
2050:.
2018:^
2001:.
1995:.
1970:.
1946:.
1922:.
1905:.
1895:.
1877:^
1860:.
1854:.
1832:^
1810:.
1806:.
1736:^
1725:LP
1688:^
1680:33
1678:.
1666:^
1645:^
1594:)
1582:)
1568:)
1466:15
1441:49
1420:9.
1413:56
1395:8.
1388:52
1370:7.
1363:18
1345:6.
1310:23
1286:5.
1279:28
1264:,
1254:4.
1247:47
1231:,
1222:3.
1215:23
1197:2.
1190:26
1170:1.
1091:.
1072:CD
1008:.
998:,
897:Cā
521:,
379::
359:,
355:,
351:,
327:,
299:.
148:,
121:37
117:36
2766:"
2762:"
2759:"
2755:"
2752:"
2748:"
2745:"
2741:"
2738:"
2734:"
2596:e
2589:t
2582:v
2491:.
2466:.
2434:.
2395:.
2365:"
2353:.
2322:.
2267:.
2216:.
2150:.
2098:.
2063:.
2012:.
1980:.
1956:.
1932:.
1871:.
1826:.
1731:)
1464::
1462:7
1439::
1437:2
1411::
1409:2
1386::
1384:2
1361::
1359:3
1308::
1306:3
1277::
1275:4
1245::
1243:2
1213::
1211:3
1188::
1186:3
1062:.
367:.
119::
79:)
20:.
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