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Qadad

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32: 263: 297: 282: 20: 1020: 1932: 1945: 203:-plaster to the walls of cisterns to make them impermeable; the first layer having the largest particles of volcanic cinders (scoria) and the least amount of lime was applied to rough stone, the plaster being added to a thickness of about two inches. They took a sharp-edged stone and, for several days, pounded and rubbed the first layer of 216:
firmly onto the wall, all the while sprinkling it with lime-water to keep it wet. Finally, the third layer was applied containing the smallest particles of volcanic cinders and the largest quantity of lime and worked with a sharp-edged stone (one part aggregate to two parts lime, and pounded to a
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to one part of lime), and then allowed to rest 3-4 days until settled. Afterwards, the two elements were mixed together with water (usually 1 volume of water to 3 volumes of lime/aggregate), during which time the batch is continuously agitated in a tedious process known as
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and which required many long hours of manual labour (as much as 4-5 weeks), before a finer lime water solution was added thereto for 1-2 months so as to convert it to a paste. The more that it was pounded with a long shovel or wooden paddle, the more the
177:), a pumice having the consistency of gravel. The scoria and lime were pounded with a stone to break them down into finer particles and thoroughly mixed together without water (the two ingredients being mixed together in a ratio of two parts of 207:
firmly onto the wall, all the while sprinkling it with lime-water to keep it wet. The second layer was applied after fully working the first layer by beating. The first process was repeated, this time the wall being plastered with a mixture of
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can only be used as a plaster on buildings constructed of stone and baked brick, but it will not adhere to mudbrick, cement blocks or concrete. In Yemen it was traditionally made with two basic ingredients, baked lime and volcanic
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up to a certain height. The interior walls of public baths were sometimes brick, sometimes stone. If brick, they were protected with a thick layer of hard gypsum plaster which were then oil-painted.
332:, the coating was burnished with a stone. Often its use extended unto the main kitchen room and to gutters and sinks, wherever water was likely to be used extensively (see also 126:
mortar can take over a hundred days to prepare, from quarrying of raw materials to the beginning of application to the building. It can also take over a year to set fully.
344:, who visited Yemen in the first half of the 20th century, mentions seeing in Sana'a "the houses of well-to-do people" where the entrance halls were often painted with 217:
fine paste), and lime-water spattered on the wall to maintain its wetness. After the final application, the wall was treated with a very finely-ground consistency of
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and oils and fats. The technique is over a thousand years old, with the remains of this early plaster still seen on the standing sluices of the ancient
134: 678: 810: 225:) was then smeared on the wall for smoothing and burnishing. The end result is that of a wall that is as hard as smooth-marble with beating. 1902: 389: 1330: 336:). The walls of store-rooms where grain was kept and which required being impervious to water were also frequently painted-over with 157:
for 4 days, after which the fire and baked lime were extinguished with water, and allowed to cool for 2-3 days more. The baked lime (
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were made for different usages: domes, flat ceilings, vertical walls and decorations in the geometric interlace.
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containing smaller particles of volcanic cinders and more lime. A sharp-edged stone was again used to pound the
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agents, reminiscent of ancient Roman lime plaster which incorporated pozzolanic volcanic ash.
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With the now ready mixture of lime and volcanic cinders, they would apply three-layers of
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instead of scoria, and which were mixed together with lime for use as a common
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and which gave to the rooms an appearance of being painted with oil paint.
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which was allowed to dry, and when dried, an application of animal fat (
165:) was then crushed and mixed with soft, black volcanic cinders known as 1749: 1709: 1520: 1255: 1168: 1104: 788: 1856: 1770: 1608: 547: 514: 1541: 1499: 1481: 1250: 1173: 1118: 1065: 767:
Caterina Borelli: "QUDAD - reinventing a tradition - English version"
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was so strong that they had to use a sledgehammer to break it apart.
1510: 1471: 1408: 1351: 1325: 1290: 1188: 1009: 566:"Restoration of the Amiriya Complex - Aga Khan Development Network" 482:
Yemen Update, Bulletin of the American Institute for Yemeni Studies
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Livingston, Morna (2006). "Yemen's Cisterns at High Altitudes".
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After collecting blocks of lime stone, they were fired in a
1785: 1744: 1530: 1504: 1361: 1280: 1096: 726:. Jerusalem: The Israel Oriental Society, affiliate of the 429: 272: 222: 679:""الأشرفية" تحفة "الدولة الرسولية" ورائعة العمارة اليمنية" 781:, Yemen, using the ancient waterproofing technique with 496:"Fodde. The Architecture of Mud and Qudad. DVD Reviews" 122:
Due to the slowness of some of the chemical reactions,
47:, which is built with qadad. It is now being restored 351:
In Islamic architecture, different consistencies of
111:), in the Yemeni dialect, or other crushed volcanic 328:, and to make them impermeable. After applying the 16:
Old technique used in plastering walls and cisterns
472: 470: 468: 466: 464: 241:, other countries have traditionally made-use of 1961: 773:, 2012, A Documentary on the renovation of the ‘ 714: 712: 710: 249:, or to be used as an impervious wall plaster. 461: 804: 707: 427: 724:Jewish Domestic Architecture in San'a, Yemen 636:Traditional Dwellings and Settlements Review 589: 587: 585: 583: 581: 579: 534:"Qudad, Re-inventing a Tradition - PREVIEW" 367:(old technique used in calcining limestone) 811: 797: 633: 479:, "Qudâd The Traditional Yemeni Plaster," 194: 148: 445: 818: 718: 576: 30: 18: 656:relates that in her restoration of the 1962: 531: 137:. It documents the restoration of the 792: 593: 512: 421: 599:Halichot Teman (Jewish Life in Sanà) 513:Resources, Documentary Educational. 697:"جامع-المظفر-أو-(المدرسة-المظفرية)" 664:, the nearly 500-year old existing 398:, a similar water-resistant plaster 108: 61: 13: 1847:Influences on Western architecture 430:"Note sur la fabrication du qadâd" 428:Sutter, Anita (18 December 2006). 14: 2026: 759: 552:Documentary Educational Resources 548:"Qudad, Re-inventing a Tradition" 1943: 1930: 1018: 302:A house in the historic Town of 295: 280: 261: 1816:Aga Khan Award for Architecture 750:Qudad - Reinventing a Tradition 742: 689: 671: 627: 306:covered with qadad carved into 143:Aga Khan Award for Architecture 131:Qudad, Re-inventing a Tradition 1985:Islamic architectural elements 558: 540: 525: 506: 488: 409: 1: 402: 243:fine riverbed sand or pebbles 1908:Sudano-Sahelian architecture 532:docued (11 September 2008). 129:In 2004, a documentary film 7: 358: 320:of the early 20th century, 228:According to archaeologist 10: 2031: 1276:Islamic geometric patterns 485:(AIYS), no. 34 (1994):6-13 290:in Taiz covered with Qadad 133:was made by the filmmaker 39:of the over 1300-year-old 1921: 1865: 1834: 1808: 1758: 1710:Dar al-Shifa (Bimaristan) 1687: 1571: 1564: 1490: 1447: 1396: 1344: 1222: 1138: 1089: 1027: 1016: 997: 990: 826: 1826:Museum with No Frontiers 601:(in Hebrew). Jerusalem: 515:"DER Documentary: Qudad" 252: 141:, which was awarded the 1937:Architecture portal 730:. p. 74 (note 9). 388:, a similar waterproof 195:Traditional application 149:Traditional preparation 1842:Indo-Saracenic Revival 1242:(multicoloured ashlar) 417:Great Mosque of Sana'a 275:is covered with Qadad. 48: 41:Great Mosque of Sana'a 28: 2005:Alchemical substances 1579:Congregational mosque 1037:(four-arch structure) 34: 22: 2015:Primitive technology 1903:Ottoman architecture 1893:Moorish architecture 1888:Islamic architecture 1883:Iranian architecture 1306:Sebka (Darj-wa-ktaf) 1160:(or müezzin mahfili) 820:Islamic architecture 536:– via YouTube. 500:Internet Archaeology 1995:Moisture protection 1970:Arabic architecture 1940: • 1927: • 1913:Yemeni architecture 1898:Mughal architecture 1878:Berber architecture 1873:Arabic architecture 1537:Salsabil (fountain) 1271:Islamic calligraphy 77:surface, made of a 1975:Building materials 1614:Kuttab (or maktab) 765:Caterina Borelli, 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Index


Amiriya School

minaret
Great Mosque of Sana'a
Yemen
Arabic
plaster
lime plaster
slaked lime
Marib Dam
Volcanic ash
pumice
scoria
Arabic
aggregate
pozzolanic
Caterina Borelli
Amiriya Complex
Aga Khan Award for Architecture
kiln
Arabic
scoria
Arabic
aggregate
slaking
suet
Selma Al-Radi
scoria
fine riverbed sand or pebbles

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