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published his first article on movies and worked in the magazine as the editor-in-chief until its demise in 1940. Unlike other movie magazines of the period it published full list of the films played in Paris. It frequently covered news about the
Hollywood stars and also, published photographs by
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was started by LĂ©on Bailby in 1928, and its first issue appeared on 22 November that year. The magazine was a sister publication to the conservative daily newspaper
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Eric
Smoodin (Spring 2011). "Going to the Movies in Paris, around 1933: Film Culture, National Cinema, and Historical Method".
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Leila Wimmer (March 2014). "Modernity, femininity and
Hollywood fashions: Women's cinephilia in 1930s French fan magazines".
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and was the largest of all film magazines in France having a size of 55x31 cm. The magazine consisted of sixteen pages.
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Ellen Pullar (2012). "'A star who is not like the others': Arletty's publicity persona during the 1930s".
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189:. Arnoux creatively mixed the photographs and textual materials to reflect the contrasts between the
370:"Looking at Movie Fans: On Pictures Published in French Film Magazines of the Interwar Years"
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in 1932 and 1933. The magazine also published interviews with leading figures, such as
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The Moving Image: The
Journal of the Association of Moving Image Archivists
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was a weekly film magazine which existed between 1928 and 1940 in
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278:"Pour Vous: Looking at a Classic Cinema Fanzine from France"
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For the German card game sometimes called Pour Vous, see
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traditions. Colin Crisp was among the contributors of
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folded in 1940 after producing 603 issues due to the
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172:. In the first issue
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368:Myriam Juan (2020).
282:Museum of Modern Art
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213:occupation of France
181:artists, including
148:History and profile
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179:avant-garde
96:Final issue
88:First issue
75:LĂ©on Bailby
453:Categories
223:References
183:Lee Miller
174:Nino Frank
56:Categories
40:Nino Frank
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353:5 January
287:5 January
209:Pour Vous
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