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Poleteismo

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218:, Isabel Caro Wilson, Zenaida Tantoco, Maria Cristina Turalba, Antonio Yap, Carolyn Espiritu, and Karen Ocampo Flores—also faced administrative complaints alleging their violation of the Code of Conduct and Ethical Standard for Public Officials and Employees (Republic Act 6713). Abrera and Sunico were also charged with grave misconduct and conduct unbecoming of a public officer. In March 2013, 289:, while noting that the Conference was condemning Cruz's artwork, not Cruz. UST's vice rector, Rev. Pablo Tiong, agreed with Archbishop Palma, and informed the panel that the exhibition was not a project of the university and emphasized the fact that Cruz was once a student of the institution but did not earn a degree there. 552:
said the controversy was not about an artwork being prurient or obscene but more about blasphemy and sacrilege. She told Cruz himself in a forum that she herself was offended by the artwork, but that she didn't think that the CPP should have closed the exhibit. Cajipe-Endaya previously wrote an essay
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is a betrayal of the Christian message, which has to do with feeding the hungry, visiting the sick and imprisoned, and helping the poor. By focusing our energies on the male genital organ, we . . . have been unfaithful to Jesus, who was extremely tolerant of sex offenders but was very angry at people
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image is "symbolic of patriarchy, a symbol of power. There are those who worship power, who put their faith in men who wield power even if the power is used against women, or against the whole of society. The fight for sexual and gender equality continues, doesn't it? But the balance continues to be
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and devotion. The work was composed of relics the artist had collected since high school, items that he grew up with as well as objects that reflect society and the nation. Cruz said that the 2011 "uproar (that was) created may be the unconscious denial of seeing ourselves truthfully in the mirror."
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that would frame a new constitution that would replace the 1973 Constitution to which the political mandate of Marcos belonged. It was under the new 1987 constitution, says Doloricon, that Article 4, section 4, on freedom of speech, expression, and the press, came to pass. "If this is the case," he
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hearing to explain why they mounted the exhibit. The CCP's board later decided to take down the piece due to the "increasing number of threats to persons and property", after which decision one board member resigned. Cruz begged off from attending the Senate hearing, writing that he was abiding by
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Taking inspiration from his childhood where he would see on their family house's walls family pictures, framed certificates, and medals, and similarly the neighbors' houses' walls displaying posters, calendars, pictures of politicians and celebrities, etc. as adornments, Cruz recreated in the same
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provoked the outrage over Cruz's work, which, in addition to the artist's "being threatened, insulted and ridiculed by various conservative groups and individuals," resulted in Cruz being accused of violating the country's obscenity laws. This barrage led to a need for CCP to put out a disclaimer
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is beside the point. It's our maturity as a critically thinking people that's on the line here. What seems to me more immature is banning movies, books, and other works of art—especially if you have the power—because you don't like them, because you think they're bad or you can do better, because
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is free to be displayed in a private gallery but not at the CCP, which is a state instrumentality. Pagdanganan argued that, true, a "private gallery is completely free to judge art according to its aesthetic biases. But a publicly-funded gallery is bound by a document called the Philippine
317:) and religion as necessary to each other, given that the human genital organ is used for removing waste (crucial to a person's life) and for "going and multiplying". Finally, for his third reading, which expands his first reading with the support of his second, Cruz wrote: "Following ' 537:
Constitution, which requires it to respect 'freedom of speech and of expression' (Article III, Sec. 4 of the Philippine Constitution) and 'foster 
 a Filipino national culture 
 in a climate of free artistic and intellectual expression' (Article XIV, Sec. 14). By shutting down
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with a piece titled "The CCP Jesus Christ exhibit: It ain't art". He echoed this opinion in the Senate hearing that transpired, saying the artwork was an attempt by an "immature" and "juvenile" artist to express his views. "(Not) all propaganda is art," he added.
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they run counter to your own beliefs and values, or because they point an annoying, accusing finger at you. (I'll agree that badly written books have no right to get published, but once published, it would be silly to ban them.)"
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College of Fine Arts, disagreed with the notion that free expression is "a gift of the state to the people out of compassion". "(Our present) right to free expression is the result of the people's struggle against the
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the advise of colleagues to not attend, as the process might simply feed his "self-serving impulse to defend my work or my person to each query, insult or threat being hurled at me." Meanwhile, there were offers of
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CMFR reported that the program did not mention the larger exhibit and described Cruz's work as the artist's statement on the pending bill that the Church was strongly opposing. CMFR cited a
381:(CMFR), also in defense of the artist's work, blamed the media for the conservative public's negative response to the artwork, specially citing that it was the result of a deliberate 772: 349:
Echoing critic Cruz's second reading, the artist himself had stated that "Anything that is part of our body is not obscene." More to the point, the artist had said that the
309:. First, that the artist is expressing his anger at representations of Jesus, such as the Crucifix, as a betrayal of the real Jesus. Second, that the artist is presenting 329:
into the male organ and into the face of Jesus. It is we that have ridiculed the face of Jesus, with our preoccupation with the male organ. . . . Our obsession with the
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for falsely linking Cruz's installation art piece to the divisive debate then going on around what was then still the reproductive health (RH) bill. In its chastisement
330: 281:(CBCP) reminded Cruz how freedom of expression is not absolute. "Human freedom is a gift of God and has corresponding responsibilities," said CBCP vice president and 463:
The Concerned Artists of the Philippines (CAP), in light of the hearing the Philippine Senate decided to hold, issued a statement urging the senators to uphold the
746: 460:(in the Philippines)". Additionally, ABS-CBN published the artist's address, which made the artist fear the possible arrival of a mob in front of his yard. 826: 278: 508:
exhibit, and to whom are we addressing the issue? Are we addressing the issue to the board of trustees of the CCP, to the Church people, or to the
682: 797: 519: 378: 411:. "It has since become clear that the program took the tack it took for its controversial value," CMFR wrote, describing how the 443:. Controversial art works about the RH bill. Disrespectful, some say, and no longer for art's sake)." Thus, according to the CMFR, 959: 954: 545:, he said that the courts have already ruled in favor of free speech in two cases of people offending religious sensibilities. 651: 479: 880: 484: 282: 41: 717: 852: 509: 266:, he said that, although a Muslim, he was offended by Cruz's decision to put a penis image on the forehead of the 964: 468: 301:(no relation to the artist) defended the artist's work through a write-up titled "Is Poleteismo Art?" in his own 934: 415:
episode on the issue began with footage of anti- and pro-RH advocates. The report's lead included the line, "
321:' (a way of reading religious symbols from the point of view of the reader or audience), we could say that 219: 906: 29: 969: 262: 260:, who was also present during the hearing, apologetically agreed with Jose. In an interview with the 179: 65: 475:'s reported call to the CCP Board and his public "there is no freedom that is absolute" statement. 370: 541:, the government is reduced to being the henchman of the neighborhood thug." In an interview with 949: 488: 222: 211: 504:
asked, "why are we still pressing for the right to free expression vis-a-vis the closure of the
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project by Filipino artist and curator Mideo Cruz. Previously exhibited starting in 2002 at the
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titled "Trying to understand why art can offend, and why artists should continue to be free".
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that a lot of "fallacies" were peddled by Cruz's conservative critics, among which was that
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column and also in answer to Sionil Jose's judgment of the artist, wrote: "Cruz's
286: 298: 152: 85: 773:"Not obscene: Ombudsman clears 'Poleteismo' artist and CCP officials of charges" 562: 496: 453: 257: 61: 128:, got the most ire for the artist's placement of a wooden representation of a 943: 403: 215: 170:
An individual vandalized Cruz's art project and attempted to set fire to it,
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behind them, which, according to the artist, was another kind of reflection.
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report where Cruz denied ever mentioning the RH bill in his interview with
267: 171: 164: 93: 623:"CCP Encyclopedia of Philippine Art | CCP Encyclopedia of Philippine Art" 129: 49: 143:, criticized the installation, citing Cruz's Crucifixion imagery as an 137: 56:
population. The CCP display of the installation piece was as a part of
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In answer to Sionil Jose's essay and Senate hearing testimony, critic
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cleared Cruz and the ten officials of any wrongdoing and ruled that
528: 449: 188: 160: 148: 386: 355: 334: 306: 113: 45: 747:"Post-'Poleteismo,' artist Mideo Cruz talks about visual trauma" 439:
for art’s sake. (Exclusive: Art exhibit at the CCP monitored by
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is really about us. We who are looking at the work read our own
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shows. The ten CCP officials—namely Emily Abrera, Raul Sunico,
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aesthetic manner the idea behind the worship of such images of
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bishops and some Catholic conservatives described the work as
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One piece in the 2011 installation, as Cruz's version of the
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were communicated to both the artist and members of the CCP
136:. Religious organizations and individuals, including former 798:"The CCP Jesus Christ exhibit: It ain't art | Philstar.com" 827:"Controversial 'Poleteismo' not art, says national artist" 478:
Similarly, artist Leonilo Doloricon, a former dean of the
36:, among other venues, without much controversy, its 2011 683:"Broadcast media fomented the "Poleteismo" controversy" 104:, one could literally see their own reflection on the 718:"Mideo Cruz' "Poleteismo" continues to stir debate" 512:who were also believed to be behind this closure?” 448:spelling out what the piece was actually about, " 194:In August 2011, Cruz and ten CCP officials faced 941: 853:"Are all freedoms of expression art? Who knows?" 341:, and other issues that are somehow related to 279:Catholic Bishops' Conference of the Philippines 246:lambasted Cruz's installation in his column in 88:images, political images, and phallic objects. 471:. The CAP also expressed alarm over President 178:, and officials of the CCP were summoned to a 379:Center for Media Freedom & Responsibility 520:University of the Philippines College of Law 132:on the forehead of a representative face of 904: 151:symbol or to the Crucifixion as a whole. 64:organized by the fine arts alumni of the 907:"'Poleteismo' protected by free speech" 850: 593:Cuneta, Josephine (September 1, 2011). 495:led the new government under President 942: 825:Tan, Kimberly Jane (August 16, 2011). 744: 592: 875: 873: 680: 232: 881:"The real immaturity | Philstar.com" 820: 818: 770: 745:Pastor, Cristina DC (May 10, 2013). 740: 738: 716:Olea, Ronalyn V. (August 17, 2011). 715: 711: 709: 707: 705: 703: 676: 674: 672: 645: 643: 617: 615: 595:"Philippines Astir Over Art Exhibit" 588: 586: 584: 582: 580: 578: 358:. Is this good or bad? You decide." 346:that judged or hated other people." 824: 80:The installation combined Catholic 13: 870: 851:Yamsuan, Cathy (August 17, 2011). 627:CCP Encyclopedia of Philippine Art 42:Cultural Center of the Philippines 14: 981: 935:Select photos of the installation 928: 815: 735: 700: 681:Staff, CMFR (September 5, 2011). 669: 640: 612: 575: 274:
 (It's quite grave)," he added. 649: 487:," he said, explaining that the 305:column, offering three positive 898: 844: 198:accusing them of violating the 44:(CCP), became the subject of a 905:Sunnexdesk (August 15, 2011). 790: 771:Lago, Amanda (March 5, 2013). 764: 75: 1: 960:Filipino critics of religions 955:Censorship in the Philippines 568: 437:Pambabastos na raw at ‘di na 237: 108:placed at the center of the 7: 556: 548:Artist, author and curator 187:for Cruz, and the CCP was " 112:relic, as well as the wall 10: 986: 526:said in an interview with 524:Philippine Daily Inquirer, 292: 389:'s investigative program 263:Philippine Daily Inquirer 119: 100:In the 2011 iteration of 66:University of Santo Tomas 130:human male genital organ 599:The Wall Street Journal 522:and a columnist of the 501:Constitutional Assembly 354:tipped in favor of the 223:Conchita Carpio-Morales 212:Florangel Rosario-Braid 191:" by devout Catholics. 141:Imelda Romualdez Marcos 965:Installation art works 911:SunStar Publishing Inc 16:Installation art piece 465:Freedom of Expression 393:. The CMFR chastised 319:biblical hermeneutics 268:Sacred Heart of Jesus 652:"Is Poleteismo art?" 550:Imelda Cajipe-Endaya 429:Mga kontrobersyal na 313:(represented by the 126:Crucifixion of Jesus 485:Marcos dictatorship 383:sensationalist take 258:Abdulmari Asia Imao 249:The Philippine Star 196:criminal complaints 60:(Boiling), a group 40:, exhibited at the 473:Benigno Aquino III 343:sexual intercourse 233:Critical reception 202:'s Article 201 on 200:Revised Penal Code 510:Aquino government 469:1987 Constitution 339:same-sex marriage 229:was not obscene. 82:religious symbols 52:' overwhelmingly 977: 970:Installation art 922: 921: 919: 917: 902: 896: 895: 893: 891: 885:www.philstar.com 877: 868: 867: 865: 863: 848: 842: 841: 839: 837: 822: 813: 812: 810: 808: 802:www.philstar.com 794: 788: 787: 785: 783: 768: 762: 761: 759: 757: 742: 733: 732: 730: 728: 713: 698: 697: 695: 693: 678: 667: 666: 664: 662: 647: 638: 637: 635: 633: 619: 610: 609: 607: 605: 590: 516:Raul Pangalangan 206:exhibitions and 34:UP Vargas Museum 30:Ateneo de Manila 26:installation art 985: 984: 980: 979: 978: 976: 975: 974: 940: 939: 931: 926: 925: 915: 913: 903: 899: 889: 887: 879: 878: 871: 861: 859: 849: 845: 835: 833: 831:GMA News Online 823: 816: 806: 804: 796: 795: 791: 781: 779: 777:GMA News Online 769: 765: 755: 753: 751:GMA News Online 743: 736: 726: 724: 714: 701: 691: 689: 679: 670: 660: 658: 650:Cruz, Isagani. 648: 641: 631: 629: 621: 620: 613: 603: 601: 591: 576: 571: 559: 467:article in the 377:Meanwhile, the 367:Philippine Star 361:Fiction writer 315:human sex organ 303:Philippine Star 299:Isagani R. Cruz 295: 240: 235: 122: 78: 17: 12: 11: 5: 983: 973: 972: 967: 962: 957: 952: 950:Philippine art 938: 937: 930: 929:External links 927: 924: 923: 897: 869: 843: 814: 789: 763: 734: 699: 668: 639: 611: 573: 572: 570: 567: 566: 565: 563:Carlos Celdran 558: 555: 518:, dean of the 454:deconstruction 419:: Art exhibit 294: 291: 256:Visual artist 244:F. Sionil Jose 239: 236: 234: 231: 121: 118: 94:identification 77: 74: 15: 9: 6: 4: 3: 2: 982: 971: 968: 966: 963: 961: 958: 956: 953: 951: 948: 947: 945: 936: 933: 932: 912: 908: 901: 886: 882: 876: 874: 858: 854: 847: 832: 828: 821: 819: 803: 799: 793: 778: 774: 767: 752: 748: 741: 739: 723: 719: 712: 710: 708: 706: 704: 688: 684: 677: 675: 673: 657: 653: 646: 644: 628: 624: 618: 616: 600: 596: 589: 587: 585: 583: 581: 579: 574: 564: 561: 560: 554: 551: 546: 544: 540: 535: 531: 530: 525: 521: 517: 513: 511: 507: 502: 498: 494: 490: 486: 481: 480:UP at Diliman 476: 474: 470: 466: 461: 459: 455: 451: 446: 442: 438: 434: 430: 426: 425:minatyagan ng 422: 418: 414: 410: 406: 405: 404:BusinessWorld 400: 396: 392: 388: 384: 380: 375: 372: 368: 365:, in his own 364: 363:Butch Dalisay 359: 357: 352: 347: 344: 340: 336: 332: 328: 324: 320: 316: 312: 308: 304: 300: 290: 288: 287:JosĂ© S. Palma 284: 280: 275: 273: 269: 265: 264: 259: 254: 251: 250: 245: 230: 228: 224: 221: 217: 213: 209: 205: 201: 197: 192: 190: 186: 181: 177: 173: 172:death threats 168: 166: 162: 158: 154: 150: 146: 142: 139: 135: 131: 127: 117: 115: 111: 107: 106:convex mirror 103: 98: 95: 89: 87: 83: 73: 71: 67: 63: 59: 55: 51: 47: 46:public outcry 43: 39: 35: 31: 27: 23: 22: 914:. Retrieved 910: 900: 888:. Retrieved 884: 860:. Retrieved 857:INQUIRER.net 856: 846: 834:. Retrieved 830: 805:. Retrieved 801: 792: 780:. Retrieved 776: 766: 754:. Retrieved 750: 725:. Retrieved 721: 690:. Retrieved 686: 659:. Retrieved 656:Philstar.com 655: 630:. Retrieved 626: 602:. Retrieved 598: 547: 542: 538: 533: 527: 523: 514: 505: 493:dictatorship 477: 462: 444: 440: 436: 433:patungkol sa 432: 428: 424: 420: 416: 412: 408: 402: 398: 394: 390: 376: 366: 360: 348: 322: 302: 296: 276: 271: 261: 255: 247: 241: 226: 193: 169: 165:Mickey Mouse 123: 101: 99: 90: 79: 57: 20: 19: 18: 497:Cory Aquino 285:Archbishop 157:blasphemous 86:pop culture 76:Description 50:Philippines 944:Categories 569:References 534:Poleteismo 499:to form a 431:art works 417:Eksklusibo 323:Poleteismo 227:Poleteismo 216:Jaime Laya 138:First Lady 102:Poleteismo 72:'s birth. 70:JosĂ© Rizal 62:exhibition 21:Poleteismo 489:1986 fall 435:RH bill. 387:ABS-CBN 2 242:Novelist 238:Criticism 220:Ombudsman 189:exorcised 167:'s ears. 54:Christian 48:from the 38:iteration 916:July 18, 890:July 16, 862:July 18, 836:July 16, 807:July 16, 782:July 16, 756:July 16, 727:July 16, 722:Bulatlat 692:July 16, 661:July 15, 632:July 16, 604:July 15, 557:See also 529:Bulatlat 452:and the 450:idolatry 371:maturity 327:meanings 307:readings 270:image. " 208:indecent 161:figurine 153:Catholic 149:Crucifix 543:SunStar 491:of the 458:deities 456:of neo- 356:phallus 335:divorce 331:RH bill 293:Defense 272:Mabigat 204:obscene 185:novenas 147:to the 114:collage 24:was an 180:Senate 145:insult 120:Impact 32:, the 427:XXX. 351:penis 176:board 163:with 134:Jesus 110:Cross 918:2024 892:2024 864:2024 838:2024 809:2024 784:2024 758:2024 729:2024 694:2024 687:CMFR 663:2024 634:2024 606:2024 539:KulĂŽ 506:Kulo 423:CCP 283:Cebu 277:The 58:KulĂŽ 445:XXX 441:XXX 413:XXX 409:XXX 395:XXX 391:XXX 385:by 311:sex 946:: 909:. 883:. 872:^ 855:. 829:. 817:^ 800:. 775:. 749:. 737:^ 720:. 702:^ 685:. 671:^ 654:. 642:^ 625:. 614:^ 597:. 577:^ 421:sa 337:, 333:, 214:, 84:, 920:. 894:. 866:. 840:. 811:. 786:. 760:. 731:. 696:. 665:. 636:. 608:. 399:,

Index

installation art
Ateneo de Manila
UP Vargas Museum
iteration
Cultural Center of the Philippines
public outcry
Philippines
Christian
exhibition
University of Santo Tomas
José Rizal
religious symbols
pop culture
identification
convex mirror
Cross
collage
Crucifixion of Jesus
human male genital organ
Jesus
First Lady
Imelda Romualdez Marcos
insult
Crucifix
Catholic
blasphemous
figurine
Mickey Mouse
death threats
board

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