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364:. He made these copies in order to try out for himself elements he admired such as the cropped composition, decorative use of colour, large blocks of colour with strong outlines, flat brushstrokes, and diagonal elements. Van Gogh ignored the shading present in the trunk and background of Hiroshige's image, which there implied age, and instead used colours with more "passion" and "youthfulness".
291:, which had blossoms "so white when full in bloom as to drive off the darkness" and branches that travelled looping across the ground like a dragon to emerge as further trunks over an area of 50 square feet. The tree is shown with a unique abstract composition, with wide branches taking up much of the foreground but cropped by the frame of the picture giving a resemblance to
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and subsequent fires, and featured many of the newly rebuilt or repaired buildings. The prints may have commemorated or helped draw the attention of Edo's citizens to the progress of the rebuilding. The series is in portrait orientation, which was a break from ukiyo-e tradition for landscape prints,
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whereby the closest objects in view are increased in size. The positioning of the undetailed subject 'too close to the lens' is intended to draw the eye to the scene beyond. In addition the use of the unnatural red sky has the effect of flattening the visible space.
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The
British Museum Collection Online. No.30 Kameido umeyashiki 亀戸梅屋敷 (The Plum Garden at Kameido Shrine) / 名所江戸百景 Meisho Edo hyakkei (One Hundred Famous Views in Edo, No. 30)
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finishing the series after the death of
Hiroshige in 1858. This print is the 30th in the series, within its spring section, and was published in the
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in
Kameido. Visible between the branches of the Sleeping Dragon Plum are further trees and small figures behind a low fence contemplating the
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Van Gogh and
Japanese Art, Part 1 - The Bridge in the Rain (after Hiroshige) & Flowering Plum Tree (after Hiroshige)
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Japonisme in
Britain: Whistler, Menpes, Henry, Hornel and nineteenth-century Japan, Ayako Ono, Routledge, 5 Nov 2013
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The
Independent - Utagawa Hiroshige, The Moon Reflected, Ikon Gallery Birmingham, A thoroughly modern past master
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Plum Estate, Kameido (Kameido umeyashiki), from the series One
Hundred Famous Views of Edo (Meisho Edo hyakkei)
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Hiroshige's most popular prints were produced in the tens of thousands at a low individual cost and due to the
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Good News from
Hiroshige: A New Interpretation of the Series "One Hundred Famous Views of Edo"
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which actually features 119 views of named places or celebrated spots in the city of
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G.P. Weisberg; P.D. Cate; G. Needham; M. Eidelberg; W.R. Johnston (1975).
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was a collector of
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after 1853 were popular both in Japan and Europe where they had a
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Hiroshige's original woodblock print and Van Gogh's copy in oil
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of 1857. The series was commissioned shortly after the
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Japonisme - Japanese Influence on French Art 1854-1910
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Many different versions of the print from ukiyo-e.org
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The series was produced between 1856 and 1859, with
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The Observer - Hiroshige's jigsaw view of the world
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269:The print shows part of the most famous tree in
698:Sudden Shower over Shin-Ōhashi Bridge and Atake
568:Hiroshige: Master printmaker still making waves
357:Sudden Shower over Shin-Ōhashi bridge and Atake
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195:Flowering Plum Tree (after Hiroshige)
623:Bridge in the Rain (after Hiroshige)
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757:Thirty-six Views of Mount Fuji
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88:about 37 x 25 cm (prints vary)
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29:亀戸梅屋舗, Kameido Umeyashiki
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309:single-point perspective
133:35.704528°N 139.823917°E
67:number 30 in the series
585:Cleveland Museum of Art
1066:Region specific themes
545:10.3201/eid1304.ac1304
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255:Plum Orchard in Kamada
22:Plum Garden at Kameido
847:List of ukiyo-e terms
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138:35.704528; 139.823917
706:Plum Park in Kameido
460:Plum Estate, Kameido
293:Japanese calligraphy
152:Plum Park in Kameido
589:Walters Art Gallery
322:opening up of Japan
234:1855 Edo earthquake
177:series and depicts
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58:11th month of 1857
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301:Sumida River
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1280:1857 prints
1259:Visual arts
1119:Kappazuri-e
752:(1856–1858)
744:(1853–1856)
736:(1834–1842)
241:Description
180:Prunus mume
136: /
110:Coordinates
1269:Categories
1210:Shin-hanga
1134:Sumizuri-e
1124:Kirazuri-e
1114:Ishizuri-e
1104:Benizuri-e
1092:Techniques
1083:Yokohama-e
1078:Nagasaki-e
1073:Kamigata-e
907:Hanshita-e
583:. London:
428:2015-04-01
403:2015-04-01
368:References
297:Umeyashiki
189:, who was
85:Dimensions
27:Japanese:
1129:Nishiki-e
1052:Yakusha-e
942:Komochi-e
912:Hashira-e
728:(1833–34)
683:Hiroshige
362:Plum Park
332:artists.
316:Influence
217:(modern
169:Hiroshige
101:Kōtō City
64:Catalogue
1144:Urushi-e
1099:Aizuri-e
1057:Yūrei-zu
1042:Uchiwa-e
1037:Surimono
1007:Omocha-e
992:Namazu-e
962:Mitate-e
957:Meisho-e
952:Megane-e
937:Kodomo-e
887:Bijin-ga
793:Category
284:garyūbai
155:(亀戸梅屋舗,
93:Location
1233:Portals
1220:Tosa-ha
1154:Schools
1109:Bokashi
1022:Shita-e
1017:Shini-e
1012:Senso-e
1002:Ōkubi-e
987:Muzan-e
982:Musha-e
947:Kuchi-e
932:Kaika-e
922:Kachō-e
902:Fushiga
897:Egoyomi
892:Boshi-e
840:General
833:Ukiyo-e
768:Related
554:2725991
328:on the
257:(蒲田の梅園
165:ukiyo-e
163:in the
159:) is a
97:Kameido
1032:Sumo-e
1027:Shunga
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967:Moji-e
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917:Jōge-e
882:Beni-e
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1247:Japan
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1139:Tan-e
1047:Uki-e
877:Aka-e
219:Tokyo
593:ISBN
360:and
77:Type
54:Year
549:PMC
541:doi
278:臥竜梅
271:Edo
215:Edo
1271::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
