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149:. After spending several months in prison, he was tried and acquitted, thanks to contributions from his fellow artists which provided for his legal defenses. Later in the 90s he became the focal point of a lively artistic set known as the Gruppo d’Albano. He was a regular exhibitor at the
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Triennale, he exhibited a piece inspired by the
Genoese workers' strikes. In 1894, due to similar paintings and his apparent support for a Genoese labor group, he was arrested on charges of
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He was born to
Coriolano Nomellini, a customs official, and his wife Cesira née Menocci. In 1883 and 1884, he attended the municipal school of arts and crafts and took drawing lessons from
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In the following years he had several exhibits; at the "Society for the
Promotion of the Fine Arts" (1886), where he exhibited a portrait and a landscape called
203:, what had been a quiet rural area became more developed so, in 1919, he moved to Florence, where he focused on landscape painting, making numerous trips to
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and was involved in the creation of the "Dream Room" at the 7th Venice
Biennale. He continued to participate in exhibitions elsewhere, including Genoa,
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During the 20s and early 30s, he continued to exhibit with great regularity, until his wife's death in 1936. He was
President of the
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Dizionario degli
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88:. That same year, at the Society, he displayed the following paintings:
211:. During the 20s, he became an early and enthusiastic supporter of the
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movement. This was expressed most
Notably in a painting called
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and lived there until 1902. During that time, he focused on
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130:. He also participated in exhibitions held by the Genoese "
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until 1899. That same year, he married
Griselda Ciucci.
390:. Tipe dei Successori Le Monnier, 1889, page 330.
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69:, and at the Academy (1887), where he exhibited
439:. Cassa di risparmio di Genova e Imperia, 1981
437:La pittura in Liguria dal 1850 al Divisionismo
160:in 1902; initially as the guest of his friend
80:. Also at the Academy (1888), he exhibited a
132:Society for the Promotion of the Fine Arts
511:Accademia di Belle Arti di Firenze alumni
447:Plinio Nomellini, Corrispondenza inedita
180:. In 1909, he participated in the Paris
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184:. Five years later, he became a
38:) was an Italian painter in the
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58:in Florence and studied under
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501:20th-century Italian painters
491:19th-century Italian painters
462:@ the Paolo Antonacci Gallery
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401:L'Italia dei Liberi Muratori
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230:from 1928 until his death.
115:. He also took part in the
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346:by Mattia Patti, from the
82:Portrait of Nina Van Zandt
188:at the lodge named after
113:The Summer of San Martino
219:, which celebrates the
141:". In 1891, at the 1st
98:The Journey is Finished
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164:. in 1907, he took up
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496:Italian male painters
486:Painters from Livorno
415:; List of Presidents.
223:coming to Florence.
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506:Divisionist painters
399:Vittorio Gnocchini,
388:Angelo de Gubernatis
122:In 1890 he moved to
56:Academy of Fine Arts
435:Gianfranco Bruno.
428:Michele Biancale,
289:(A New Age Begins)
287:Incipit Nova Aetas
259:Girl at the Window
234:Selected paintings
217:Incipit Nova Aetas
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34:– 8 August 1943,
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430:Plinio Nomellini
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60:Giovanni Fattori
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28:Plinio Nomellini
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481:1943 deaths
476:1866 births
301:The Harvest
221:Blackshirts
201:World War I
135: [
128:watercolors
71:The Meeting
40:Divisionist
470:Categories
322:References
108:Calambrone
94:The Strike
90:In the Sun
460:Biography
344:Biography
194:Viareggio
186:Freemason
166:Symbolism
147:anarchism
119:of 1889.
46:Biography
372:@ AskArt
354:Treccani
315:Corsairs
36:Florence
213:Fascist
77:Tombolo
42:style.
32:Livorno
199:After
111:, and
386:, by
205:Capri
174:Milan
170:Turin
143:Brera
139:]
124:Genoa
73:and
313:The
209:Elba
207:and
178:Rome
84:and
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