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Register in 2001 in recognition of their historical significance. At the end of
September 2016, the museum reopened after a thorough renovation and with a new building (with reading room and paper heritage depot) opening onto Holy Ghost Street. The facade of this reading room refers to a letterbox.
350:
material. Not only does it house the two oldest surviving printing presses in the world and complete sets of dies and matrices, it also has an extensive library, a richly decorated interior and the entire archives of the
Plantin business, which were inscribed on
328:
would later describe this research as helping to demonstrate "that the finest collection of printing types made in typography's golden age was in perfect condition (some muddle aside) Plantin's accounts and inventories which names the
282:. While most printing concerns disposed of their collections of older type in the eighteenth and nineteenth century in response to changing tastes, the Plantin–Moretus company "piously preserved the collection of its founder."
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Bible with Hebrew, Aramaic, Greek and Syriac texts was one of the most complex productions of the period. Plantin's is now suspected of being at least connected to members of heretical groups known as the
931:
The Golden
Compasses: a history and evaluation of the printing and publishing activities of the Officina Plantiniana at Antwerp. Vol.2 The management of a printing and publishing house in Renaissance and
913:
The Golden
Compasses: a history and evaluation of the printing and publishing activities of the Officina Plantiniana at Antwerp. Vol. 1, Christopher Plantin and the Moretuses: their lives and their world
258:, who obtained type from the leading typefounders of the day in Paris. Plantin was a major figure in contemporary printing with interests in humanism; his eight-volume, multi-language
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Dutch typography in the sixteenth century the collected works of Paul Valema Blouw
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Primeval Beech Forests of the Carpathians and Other Regions of Europe
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Plantin and Engraved Book Illustrations in Sixteenth-Century Europe
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Drucker, Margaret Re ; essays by
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The
Plantin–Moretus Museum possesses an exceptional collection of
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Four women ran the family-owned
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some of the materials used by French type designer and printer
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773:(2. ed.). New York: Princeton Architectural. p. 33.
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Uchelen, edited by Ton Croiset van; Dijstelberge, P. (2013).
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Typographically speaking : the art of Matthew Carter
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and in 2005 was inscribed onto the World Heritage list.
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The printing company was founded in the 16th century by
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In 1876 Edward Moretus sold the company to the city of
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which focuses on the work of the 16th-century printers
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The Low Countries as a crossroads of religious beliefs
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After Plantin's death it was owned by his son-in-law
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Four Lifts on the Canal du Centre and their Environs
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748:(Reprinted ed.). London: Hyphen.
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876:(in Dutch). 2018-12-07
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707:: 131–179.
684:3 December
658:3 December
578:8 December
511:References
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363:Collection
819:14 August
789:cite book
729:March 15,
543:cite book
295:Anna Goos
265:Familists
153:4°23′52″E
150:51°13′6″N
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597:(2008).
473:See also
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404:made by
353:UNESCO's
74:Criteria
58:Location
932:Baroque
438:decimal
331:cutters
326:Matthew
310:Antwerp
250:History
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224:Antwerp
121:Website
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795:link
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731:2021
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628:ISBN
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