106:, he included an explicit part for organ accompaniment in the publication. While Falconio almost surely did not invent the technique, and this work of 1575 is very probably pre-dated by the presence of other such organ parts in manuscript, it contains the first known published example of "basso seguente." This technique, in which a line for organ simply provides the lowest note being sounded in the vocal parts at any given time, is the precursor of the
82:. He seems to have taken pains in many cases to make his works readily performable even for less-trained forces in smaller parishes. This is illustrated in that, despite the prevailing atmosphere of
22:, also called Falconi in some sources, was an Italian composer of the 16th century. His birth and death dates are unknown; his first publication dates from 1575, his last from 1588.
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works, or at least works for five or more voices, Falconio wrote often for but four voices, and even for three on one occasion, a
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era of the 1570s and 80s. Perhaps more telling, then, of
Falconio's practicality is that, when he did compose in a more
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nature shared by many of his works, though of course such an idiom had begun to dominate in the post-
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at the time of their printing. According to the dedication of
Falconio's
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55:), the composer was part of a group or consortium that helped introduce
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32:, and the title pages of his published works indicate that he was a
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Falconio's works are all of the sacred vocal category, and include
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90:. Contributing also to this accessibility is the simple,
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Introitus et
Alleluia per omnes festivitates totius anni
132:New Grove Dictionary of Music and Musicians Online
125:New Grove Dictionary of Music and Musicians Online
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130:Peter Williams, David Ledbetter, 'Continuo,'
78:, psalm settings, and works relating to the
59:music printing methods into his native
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110:(for further explanation of this, see
134:, ed. L. Macy, accessed 2 June 2005.
127:, ed. L. Macy, accessed 2 June 2005.
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153:Italian male classical composers
123:Ian Fenlon, 'Placido Falconio,'
1:
148:Italian Renaissance composers
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102:fashion, in his collection
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25:In 1549, he entered a
158:Italian Benedictines
46:Psalmodia vespertina
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20:Placido Falconio
16:Italian composer
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108:basso continuo
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76:magnificats
27:Benedictine
142:Categories
118:References
96:Tridentine
92:homophonic
84:polychoral
72:alleluias
30:monastery
68:introits
57:Venetian
80:Passion
61:Brescia
50:Vespers
36:in the
53:psalms
38:abbey
34:monk
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40:of
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48:(
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