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Pinoy rock

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1429: 2145: 2157: 746:-influenced bands dominated the Philippine music scene, causing Pinoy rock to take a backseat. Only a number of Pinoy rock bands managed to stay in the mainstream during this period. In 2003, a not-so-well-known home-educated DJ named DJ RO started playing in a small bar and restaurant known as Gweilos; DJ RO helped promote the club every Monday night while there was an emergence of Filipino rock bands like 362:, an ethnic-folk band, was the first commercial band to successfully bring a pro-environment song to the airwaves with "Masdan Mo ang Kapaligiran". Also famous for providing subtle rebellious (anti-Marcos dictatorship sentiment was growing at that time) and peace messages behind its skillful vocal harmonizing, Asin gave the masses hits such as "Bayan Kong Sinilangan (Cotabato)" and "Balita". 578:
The Breed, GreyHoundz, Slapshock, Sugar Free, Fatal Posporos, Itchy Worms, Peryodiko, Monsterbot, Tanya Markova, Pedicab, and many others. NU107.5 was the only radio station that played music longer than the standard radio format would allow, as well as soundtracks (The Reel Score). Apart from allotting air time to new and known foreign rock bands such as
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have also played in other countries such as Singapore and the US, amongst others. Some have even garnered nominations and recognition from internationally based publications and award-giving bodies. This is mainly attributed to the effect of the internet and globalization on almost anything including
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Another band named the Wuds was formed in the 1980s; its members were composed of Alfred Guevara (bass), Bobby Balingit (guitar) and Aji Adriano (drums). The group was established in July 1983. Guevara and Bobby Wuds Balingit were sing-along home boys that were born and bred in the streets of a tough
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of which the Beatles were a part of, many Filipino bands began adopting similar musical styles. The Dynasonics (later known as the Dynasouls, and also known as the "Pinoy Beatles") were the premier Beatles band in the country. Other popular combos of the era were D'Swooners (featuring Edmond Fortuno,
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Only a few years earlier, teens formed informal groups using instruments like ukuleles, guitars, and gas cans with a single rope for a stand-up bass and often without amplification. It was similar to the British with their skiffle music, except that Pinoys sang Elvis's songs, not railroad songs. One
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In mid-2010, NU 107, known as the nation's premier FM station using a rock format, had been taken down as it was sold by its management after declining interest in the audience. In the early 2010s, rock music was still largely popular in the country despite a decline in sales, due to the domination
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scene had begun to die down in Manila. “All the punks disappeared,” recalls Jep Peligro, creator of Konspirazine, a prominent zine published in the late ‘90s and early ‘00s documenting the local DIY music scene. Still, there were hubs of activity in places such as in Laguna, a province southeast of
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The late 1980s and early 1990s marked the beginning of what was known as the era of underground rock and progressive music, with NU107.5 playing unknown bands through Francis Brew's "In the Raw". It was through this station that many of the prominent and promising rock bands were discovered such as
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with Hardware Syndrome and Erectus), despite some earlier controversy with hip hop-bashing allegedly incited by some artists. These bands adopted a variety of influences both in image and music; many fell under a particular genre; however, the crossing over of styles was most often inevitable.
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were a hit on street concerts and campus tours. These groups of artists reunited and formed Buklod (Bukluran ng mga Musikero para sa Bayan), which later Rom Dongeto of Sinaglahi, Noel Cabangon, and Rene Bongcocan of Lingkod Sining took as their new band name when it disbanded after the
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that sold out. Know-It-All then printed a new batch dubbed "Taste Test: The Expanded Menu". The rest of the 2000s further ushered in the mainstream buzz on Pinoy rock, and along with it bands that leaned more towards pop sensibilities. During this time, bands such as
263:, another teen idol from the period, became known as the "Elvis Presley of the Philippines". As in the 1960s, many Filipinos referred then to rock bands as "combos". Many of these used nontraditional instruments like floor-bass bongos, maracas, and gas tanks. 323:" dominated the airwaves in the mid 1970s and slowly but surely, the popularity of Pinoy pop continued till the end of the decade. Coinciding with the slow demise of that genre was the birth and acceptance of OPM rock. This helped innovate the so-called " 893:
fully transitioned to alternative rock/indie pop, including songs played by local popular rock artists and bands. Since 2013, the station began playing songs from local and unsigned Filipino independent artists/bands through its supplemental program
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halted the Philippine music industry, with many music venues being closed and concerts/festivals being either postponed or canceled. But the pandemic also gave artists and bands more time to bring new releases, recorded from their respective homes.
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In the early 1960s, electric guitars, drum sets, amplifiers, and echo machines became more available. Filipino instrumental bands popularly called "combos" formed all over the country. They emulated American and British bands like
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that started performing in Gweilos and eventually became popular. In 2004, Pinoy rock once again gained prominence, with the rise of yet another wave of Filipino rock bands. During this time, the Pinoy rock music scene in
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105.9 challenged the current system by providing a venue for the bands to broadcast their original songs. Pinoy rock enthusiasts were finally elated to hear their favorite underground bands ruling the airwaves.
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Into the early 1970s, Filipino music was growing more nationalistic and socio-political in nature, as well as using Tagalog more often. Pop music still dominated the airwaves with disco and funk bands such as
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At this point in time, emerging social and political consciousness somehow crept into the industry with the traditional allied genres that are folk and rock music. Folk musicians and bands included
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In the early to mid-1980s, groups like RP, with Goff Macaraeg and Bob Aves, Nuklus, Sinaglahi, UP Sintunado, Patatag, Tambisan, and soloists like the nationalist folk rock singers Paul Galang and
380:, are often credited for ushering in the first "rock & roll revolution" in the Philippines that lasted from the late 1960s to the late 1970s (also known as the "Golden Age of Pinoy Rock"). 181:. Because these genres are generally considered to fall under the broad rock music category, Pinoy rock may be more specifically defined as rock music with Filipino cultural sensibilities. 479:. Bobby Wuds continues to perform; he attended a street concert in Baguio City during the Baguio Day Celebrations in 2012 that was organized in Assumption Road by Christel Pay Seng. 383:
Being influenced by the counterculture, the bands of the 1970s were known to have never been sidelined commercially and sometimes took the center stage by storm. The radio station
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became teen favorites in the last years of the 1950s. Rock as Filipinos know it did not really attract teenage Filipinos attention until the Ventures and the Shadows came along.
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were among the prominent bands receiving mainstream recognition. An underground music scene was already burgeoning in some unknown bars in Manila. Red Rocks (which later became
137:. It has become as diverse as the rock music genre itself, and bands adopting this style are now further classified under more specific genres or combinations of genres like 503:(Sazi's Music Bar) and Kampo (Yosh in the mid '90s), were the only venues where unsigned bands were allowed to play their own songs. Bands were influenced by such genres as 979:
During the final years of the 2010s, the genre also gave prominence of Pinoy artists from outside the Philippine territory, including UK-based Filipino independent artists
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Many music journalists and enthusiasts, as well as musicians themselves, attributed the flourishing in the mid-1980s of new wave and post-punk influenced bands to
1287: 882:, later became UDD in 2017, became an early staple of a resurgence with the popularity of their signature single "Tadhana" and the release of their 2012 album 996: 457:
Manila neighborhood. Before forming the group, Guevera and Balingit had first created an acoustic folk singing group called Think God, playing covers of
1344: 358:", became the most commercially successful Filipino recording in history. The song became known also in other Asian countries and in Europe.) Perhaps 806:, distributed by SonyBMG Music Entertainment. Their first hit was "Jeepney" which was released in the summer of 2006. According to the Philippine 697:" and "Bilanggo". Some brave all-female bands got signed (Kelt's Cross, Tribal Fish, Agaw Agimat) and a few solo artists as well (Maegan Aguilar, 1096: 1317: 1264: 1663: 1658: 1530: 1648: 574:, Bad Omen, Rumblebelly, Disinterment (Death Metal Philippines), Dethrone, Signos (Cebu City's underground death metal) and Iconoclast. 1378: 814:
genre into the modern world through their own mix of funky, jazzy electronic rock music. The band was also part of the tribute album
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music, as listeners from other countries can now see and hear songs and videos of bands overseas without leaving their country.
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Manila with a rich DIY punk culture, and the neighboring Cavite region, which is jointly called Strong South known as the
247:), who were the top billed opening act for The Beatles concert on July 4, 1966, at the Rizal Memorial Coliseum in Manila, 2188: 335:
were re-directing musical trends world-wide and Pinoy rockers followed suit in no time with their own original material.
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2013 saw the re-emergence of Pinoy indie music. Some indie acts became popular (and eventually went mainstream) such as
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launched the Pinoy Rock 'n Roll Hall of Fame, which was established to recognize notable Filipino musicians.
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system in the radio industry despite the fact that most of these bands, if not all, had self-produced (
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is another Pinoy rock band that emerged in the 1980s; the songs that they created were influenced by
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To add to the plight of the underground bands, radio stations would not play their music due to the
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of the first popular Filipino rockers was Bobby Gonzales, had a hit called "Hahabol-Habol".
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Easy listening was the popular genre for much of the decade which saw the popularity of
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The late 2010s/early 2020s gave birth of new breed of rock and indie artists/bands:
1841: 1836: 1148: 902: 871: 864: 627: 619: 540: 524: 516: 223: 138: 1195:. Spotify Technology S.A., headquartered in Luxembourg. Retrieved October 7, 2008. 1873: 1815: 1363: 1207: 958: 938: 842: 623: 544: 423: 392: 347: 339: 134: 395:, provided the much-needed support and publicity to Pinoy rock during this era. 1928: 1908: 1898: 1810: 1780: 1765: 1750: 1745: 942: 879: 698: 427: 377: 315:") combined Filipino and English (also known as Taglish) within the same song. 150: 2177: 1903: 1888: 1831: 1805: 1795: 1459: 1026: 1014: 973: 930: 918: 914: 875: 755: 735: 718: 655: 552: 412: 404: 304: 222:
in 1966 signaled the end of instrumental music as a genre. Influenced by the
215:(RJ) and his band the Riots were considered the Ventures of the Philippines. 212: 196: 102: 469:
parlors in the Philippines. They changed their name to the Woods, after the
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appeared in the commercial music scene with their full-length album titled
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honored the Philippine rock industry's best and brightest for 17 years.
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etc., it gave full exposure to Filipino groups such as Sugar Hiccup,
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and The Youth getting record deals and spawning singles such as "
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Brand of rock music produced in the Philippines or by Filipinos
1173:. Eric Caruncho. The Philippine Daily Inquirer. August 4, 2013 709: 567: 856: 311:. Songs like Hotdog's "Ikaw ang Miss Universe ng Buhay Ko" (" 297: 252: 1312: 760: 647: 571: 162: 434:. The Dawn released their independently released single " 174: 822:'s "Rock Baby Rock" which hit number 1 in the airwaves. 889:
Following NU leaving the airwaves, another FM station,
701:, DJ Alvaro). Rappers crossed over with great success ( 1280:"Pinoy rock icons to hold grand gig for Hall of Fame" 997:
Impact of the COVID-19 pandemic on the music industry
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The logo of defunct Pinoy rock radio station, NU 107.
1245:. Office of the Ombudsman. May 12, 2006. p. 7 870:During the early 2010s, new acts emerged such as 2175: 1072:"The Beatles: Some History Behind the Influence" 681:paved the way for more Pinoy rock acts such as 1690: 1664:National Music Competitions for Young Artists 1659:Philippine Association of the Record Industry 1338: 354:. (In 1978, Freddie Aguilar's debut single, " 1352: 1318:Hardcore Punk Underground in the Philippines 1119:"Dynasouls music, videos, stats, and photos" 867:, and the rise of music streaming services. 965:, UP (University of the Philippines) Fair, 1697: 1683: 1345: 1331: 487:During the start of the decade, The Hayp, 298:1970s: Manila sound and classic Pinoy rock 1704: 1143:(PHNO), Philippine Headline News Online. 810:, the band started the resurgence of the 708: 1193:"Disinterment: Manila Death Metal Band" 969:, and Fete de la Musique Philippines). 2176: 1678: 1326: 1277: 1205: 251:(featuring Eddie Mesa, "The Filipino 239:, future drummer / lead vocalist for 189: 1037:released their own solo recordings. 825:In recent years as well, bands like 972:In 2015, entrepreneur and musician 313:You're the Miss Universe of My Life 13: 1142: 14: 2210: 1306: 391:named Dante David, also known as 2155: 2144: 2143: 1427: 1271: 1171:"We're Not Out of the Wuds Yet" 1366:" (Philippine national anthem) 1257: 1228: 1199: 1185: 1163: 1145:"The Legacy of Bobby Gonzales" 1136: 1111: 1089: 1064: 818:. They made a funky remake of 654:, and Cheese. Its prestigious 1: 1057: 798:2006 was when Filipino band, 389:Philippine Women's University 1508:Billboard Philippine Hot 100 1206:Levin, Mike (May 18, 1996). 795:gained mainstream exposure. 766:2001 saw the indie band the 726:capital of the Philippines. 7: 1503:Billboard Philippines Songs 1278:Ansis, JC (July 24, 2015). 1236:"The Songwriting Finalists" 1040: 10: 2215: 2189:Philippine styles of music 1654:Philippine patriotic songs 1649:Philippine music festivals 1557:List of Filipino composers 1547:List of Filipino musicians 994: 677:The commercial success of 555:Loads of Motherhood, RDA, 235:), D'Downbeats (featuring 184: 2139: 2118: 1947: 1824: 1738: 1712: 1636: 1565: 1539: 1516: 1495: 1437: 1424: 1371: 1360: 1047:List of Pinoy rock groups 93: 88: 81: 76: 66: 54: 36: 28: 23: 1552:List of Filipino singers 1354:Music of the Philippines 1052:Music of the Philippines 990: 849: 742:, acoustic pop/jazz and 729: 482: 398: 241:Speed, Glue & Shinki 1644:Philippine music awards 642:, Tropical Depression, 463:Crosby, Stills and Nash 1970:Bosnia and Herzegovina 763:also gained exposure. 714: 2184:Rock music by country 1706:Rock music by country 1019:the Vowels They Orbit 927:The Ransom Collective 712: 618:, Cynthia Alexander, 376:, and lead guitarist 49:Philippine folk music 2150:Category: Rock music 1847:Cambodia (1959-1975) 1725:Sahara desert region 1267:. 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Index

Rock music
Manila sound
Philippine folk music
Manila
Pinoy reggae
Bisrock
Pinoy pop
Pinoy hip hop
Pinoy reggae
rock music
Philippines
Filipinos
alternative rock
post-grunge
ethnic
new wave
pop rock
punk rock
funk
reggae
heavy metal
ska
indie
the Fireballs
the Ventures
the Gamblers
the Shadows
Ramon Jacinto
the Beatles
British Invasion

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