446:). Each 30-gram can was priced by weight based on the current value of gold (around $ 1.12 a gram in 1960). The contents of the cans remain a much-disputed enigma, since opening them would destroy the value of the artwork. Various theories about the contents have been proposed, including speculation that it is plaster. In the following years, the cans have spread to various art collections all over the world and netted large prices, far outstripping inflation. A tin was sold for
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379:(Egg With Thumbprint). This was the last exhibition by Manzoni at Azimuth, after which the gallery was forced to close when the lease ran out. Although the invitation named the Gallery Azimuth as the location of the opening, the actual event took place at the Studio Filmgiornale Sedi in Milan. The discrepancy between the location on the invitation and the
295:. The kaolin works are generally made from clay covered canvases folded horizontally, or sometimes cut-out squares of canvas coated in the clay and adhered onto the canvas; he created just nine large-scale relief paintings depicting folded cloth. As well as Yves Klein, these works showed the influence of
422:), a series of red, white or blue balloons, inflated and attached to a wooden base inscribed "Piero Manzoni- Artist's Breath". The works continued Manzoni's obsession with the limits of physicality, whilst parodying the Art World's obsession with permanence, and also provided a poignant
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On
October 16, 2015, tin 54 was sold at Christies for the astonishing sum of £182,500. The tins were originally to be valued according to their equivalent weight in gold – $ 37 each in 1961 – with the price fluctuating according to the market.
176:. Italian artists such as Manzoni had to negotiate the new economic and material order of post-war Europe through inventive artistic practices which crossed geographic, artistic, and cultural borders.
480:, 1961–62, a printed multiple that could be bought, proving the owner's status as either part or whole work of art, depending on the price paid. He also designated a number of people, including
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375:, in which he hard-boiled 70 eggs, printed his thumbprint onto them, and after eating several himself handed them out to the audience to eat. The eggs themselves were titled
516:(1960–61). Lines drawn on paper, the longest of which was 7.2 km, intended to be left in every major city in the world, which would equal the length of the
484:, as authentic works of art gratis. Various other experimental pieces by Manzoni included trying to create a mechanical animal as a moving sculpture and using
222:. His later works, from approximately 1957 until his death in 1963, questioned and satirized the status of the art object as it had been conceived throughout
1057:, edited by C. Léveque-Claudet and C. Kazarian, exhibition catalogue (Musée cantonal des Beaux-Arts de Lausanne, Lausanne), Editions Hazan, Lausanne, 2016.
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in
Soncino in August 1956, at the age of 23. His early work was broadly gestural, and showed the influence of Milanese proponents of Nuclear Art, such as
1082:, edited by R. Pasqualino di Marineo, exhibition catalogue (Hauser & Wirth, Los Angeles and New York), Hauser & Wirth Publishers, Zürich, 2019.
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consisting of 100 sheets of transparent plastic bound to a white metal sheet. The only text is the title page. The rest of the book is totally blank.
141:(July 13, 1933 – February 6, 1963) was an Italian artist best known for his ironic approach to avant-garde art. Often compared to the work of
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Manzoni's works were often featured at
Galleria Azimuth. His work has been the subject of numerous international exhibitions, including
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157:, 1967. Manzoni is most famous for a series of artworks that call into question the nature of the art object, directly prefiguring
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Fondazione Piero
Manzoni, a family-run Italian foundation, oversees the artist's estate. It has been represented by
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His work is widely seen as a critique of the mass production and consumerism that was changing
Italian society (the
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that could be blown up by the buyer, or the artist himself, depending on the price paid. In July 1960 he exhibited
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where the event was recorded further complicates the role and space of art as it was expected to be seen.
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Silk, Gerald. Myths and
Meanings in Manzoni's Merda d'artista, Art Journal, Vol. 52, No. 3, Autumn, 1993
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462:"It is a joke, a parody of the art market, and a critique of consumerism and the waste it generates."
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on May 23, 2007; in
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Meroni
Manzoni di Chiosca e Poggiolo. Through his sister Elena he was the uncle of the artist
916:"Exhibitions — Piero Manzoni Materials of His Time - Piero Manzoni | Hauser & Wirth"
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as the eldest of five children of Egisto
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in order to "tap mythological sources and to realize authentic and universal values".
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as a power source. In 1960 he created a sphere that was held aloft on a jet of air.
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Other works from this period include limited edition thumbprints, and the
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Manzoni's work is represented in many public collections, including the
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Poop Culture: How America is Shaped by its Grossest National Product
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In May 1961 Manzoni created 90 small cans, sealed with the text
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signed Manzoni's death certificate, declaring it a work of art.
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that could be stood on to acquire status of 'Living Sculpture'.
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Merda d'artista Künstlerscheisse Merde d'artiste Artist's Shit
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Piero Manzoni, Catalog Raisoné, Battino & Palazzoli, p162
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in his studio in Milan on February 6, 1963. His contemporary
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Grove Art Online, Piero Manzoni, essay by Laural Weintraub,
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Self-taught as an artist, Manzoni first exhibited at the
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Foundation for Piero Manzoni Goes to Hauser & Wirth
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and materials. Initially favouring canvases coated in
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exhibition 'Epoca Blu' at the Galleria Apollinaire in
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50–70,000. It sold for £97,250. It was described as:
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Una visione internazionale. Piero Manzoni e Albisola
952:, edited by G. Celant, Prearo Editore, Milan, 1975.
540:(1963), published posthumously by Jes Petersen. An
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759:Piero Manzoni, Catalog Generale, First Vol, Celant
259:Manzoni's work changed irrevocably after visiting
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1133:'More about Piero Manzoni', on website Heart
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1128:Art Review, "Manzoni: A Retrospective"
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1076:Piero Manzoni. Materials of His Time
1006:Breve storia della "Merda d'artista"
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957:Piero Manzoni. Catalogue raisonné
928:Alex Greenberger (June 8, 2017),
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538:Piero Manzoni; The Life And Works
339:in Milan in 1959 with the artist
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287:(1957–1958), he also worked with
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964:Piero Manzoni. General catalogue
950:Piero Manzoni. Catalogo Generale
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1168:Italian contemporary artists
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1062:Piero Manzoni. Nuovi studi
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1018:- F. Pola,
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887:, New York.
697:Tate Online
653:Arte Povera
595:Tate Modern
581:Collections
549:Exhibitions
498:Magic Bases
492:Other works
482:Umberto Eco
450:124,000 at
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269:monochromes
232:Ben Vautier
209:Pippa Bacca
185:Ben Vautier
151:Arte Povera
89:Nationality
1142:Categories
1013:Caro Piero
845:2010-05-22
659:References
605:in Genoa.
601:; and the
323:paint and
313:fiberglass
236:Yves Klein
220:Enrico Baj
143:Yves Klein
51:1933-07-13
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224:modernism
191:Biography
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561:(1991),
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350:12 Linee
281:pigments
277:Achromes
243:Achromes
172:) after
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557:at the
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369:tripods
253:Achrome
197:Soncino
93:Italian
83:, Italy
59:Soncino
985:Diario
820:
609:Legacy
317:rabbit
311:wool,
309:cotton
289:kaolin
103:Artist
1080:Lines
664:Notes
633:Linee
599:Turin
285:gesso
265:Milan
205:Count
155:Genoa
81:Milan
1078:and
818:ISBN
299:and
234:and
70:Died
41:Born
1144::
1099:-
1074:-
1060:-
1053:-
1046:-
1032:-
976:-
969:-
962:-
955:-
948:-
892:^
837:.
714:^
680:^
426:.
315:,
238:.
211:.
199:,
61:,
937:.
918:.
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848:.
786:.
526:(
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456:£
448:€
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