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233:. The exhibition "IM Spazio" (The Space of Thoughts), curated by Celant and held at the Galleria La Bertesca in Genoa, Italy, from September through October 1967, is often considered to be the official starting point of Arte Povera. Celant, who became one of Arte Povera's major proponents, organized two exhibitions in 1967 and 1968, followed by an influential book published by Electa in 1985 called
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began painting on mirrors in 1962, connecting painting with the constantly changing realities in which the work finds itself. In the later 1960s he began bringing together rags with casts of omnipresent classical statuary of Italy to break down the hierarchies of "art" and common things. An art of
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Although Celant attempted to encompass the radical elements of the entire international scene, the term properly centered on a group of
Italian artists who attacked the corporate mentality with an art of unconventional materials and style. Key figures closely associated with the movement are
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The 'reality effect' is not secondary but constitutive.(...)Kounellis shifts the frontier of what can be defined as art, but there is never the idea that art should be dissolved into life. On the contrary, art is given a new message as a rite of initiation through which to re-experience
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which used "natural" leaves, rocks, and soil as decoration, design and art meshed together to question societal sensibilities towards what is real and natural and how artificiality was being engrained into the contemporary commercialized world.
477:, his aim was to challenge what could be defined as art, but unlike Duchamp, maintains the objects real and alive, redefining the notion of life and art, while keeping both entities independent.
186:; literally "poor art") was an art movement that took place between the end of the 1960s and the beginning of the 1970s in major cities throughout Italy and above all in
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Jacopo
Galimberti, "A Third-worldist Art? Germano Celant's Invention of Arte Povera", volume 36, issue 2, Art History, 2013, 418-441.
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attempted to make the experience of art more immediately real while also more closely connecting the individual to nature. In his
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Some of the first exhibitions of artists associated with Arte Povera were held at the
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in their works. Other early exponents of radical change in the visual arts include proto Arte Povera artists:
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stance. Artists began attacking the values of established institutions of government, industry, and culture.
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Arte Povera Storie e protagonisti/Arte Povera. Histories and
Protagonists
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impoverished materials is certainly one aspect of the definition of
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Nature can be documented in its physical and chemical transformation
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190:. Other cities where the movement was also important are
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Glossary of Art, Architecture & Design since 1945
49:. Unsourced material may be challenged and removed.
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428:Ground Zero, no culture, no art system, Art = Life
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845:, Cinq Continents Ăditions, Milan-Paris, 2006.
133:Igloo by Mario Merz, an example of Arte Povera
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416:Dynamism and energy are embodied in the work
214:. The term was coined by Italian art critic
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888:Manacorda, Francesco, and Robert Lumley,
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391:Learn how and when to remove this message
109:Learn how and when to remove this message
422:Explore the notion of space and language
1188:Zero to Infinity: Arte Povera 1962-1972
825:Zero to infinity: Arte povera 1962-1972
762:Arte Povera: Histories and Protagonists
425:Complex and symbolic signs lose meaning
404:A return to simple objects and messages
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823:Flood, Richard, and Morris, Frances.
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744:Movements in Modern Art, Povera Arte
717:Christov-Bakargiev, Carolyn (2005).
413:Traces of nature and industry appear
369:adding citations to reliable sources
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47:adding citations to reliable sources
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805:Christov-Bakargiev, Carolyn (Ed.).
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925:, 3rd edition, via art design café
641:"Arte Povera's radical simplicity"
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774:Arte Povera: History and Stories
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329:was a champion of the movement.
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410:The everyday becomes meaningful
34:needs additional citations for
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218:in 1967 and introduced in
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1078:Michelangelo Pistoletto
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764:, Milan: Electa, 1985.
742:Lumley, Robert (2004).
721:. Phaidon. p. 17.
584:Michelangelo Pistoletto
438:Michelangelo Pistoletto
287:Michelangelo Pistoletto
183:[ËarteËpÉËvera]
167:Michelangelo Pistoletto
789:Jean-Christophe Ammann
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1301:Italian art movements
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1211:Galleria La Bertesca
1157:Untitled (12 Horses)
1028:Pier Paolo Calzolari
668:MoMA: The Collection
524:Pier Paolo Calzolari
365:improve this section
255:Pier Paolo Calzolari
43:improve this article
16:Italian art movement
594:Guillem Ramos-PoquĂ
333:Trends and concepts
297:. They often used
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1228:Arte Povera (book)
1182:Arte Povera (1967)
448:Muretto di Stracci
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1164:Venus of the Rags
1111:Concetto spaziale
921:"Arte Povera" in
873:978-1-85437-588-9
851:978-88-7439-205-6
841:Lista, Giovanni,
837:978-0-935640-69-4
801:978-88-8158-316-4
782:978-88-370-7542-2
760:Celant, Germano,
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664:"Arte Povera"
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325:. Art dealer
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319:Lucio Fontana
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315:Piero Manzoni
312:
311:Alberto Burri
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303:Antoni TĂ pies
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299:found objects
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32:This article
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1316:1970s in art
1311:1960s in art
1270:Found object
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1068:Pino Pascali
1048:Ondrej Mares
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701:. Retrieved
697:the original
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671:. Retrieved
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617:Nnenna Okore
589:Emilio Prini
569:Pino Pascali
495:polyurethane
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363:Please help
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291:Emilio Prini
279:Pino Pascali
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139:Years active
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96:
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41:Please help
36:verification
33:
1291:Arte Povera
1058:Marisa Merz
987:Arte Povera
857:Arte Povera
807:Arte Povera
793:Arte povera
719:Arte Povera
559:Marisa Merz
443:Arte Povera
271:Marisa Merz
175:Arte Povera
122:Arte Povera
1331:Modern art
1285:Categories
1265:Spatialism
1260:Dau al Set
1053:Mario Merz
827:. London:
809:. London:
755:References
703:2021-12-03
554:Mario Merz
463:Mario Merz
381:April 2014
323:Spatialism
309:movement,
307:Dau al Set
267:Mario Merz
163:Mario Merz
142:1967â1980s
99:April 2013
69:newspapers
883:1467-8365
352:does not
1238:See also
1150:Sisyphus
1097:Artworks
831:, 2001.
813:, 1999.
776:, 2011.
689:"Storia"
606:See also
453:Rag Wall
305:and the
179:Italian:
147:Location
1220:Book(s)
1199:museums
1011:Artists
995:Founder
947:at the
937:at the
927:at the
811:Phaidon
673:May 13,
433:Artists
373:removed
358:sources
224:radical
212:Bologna
83:scholar
1117:Igloos
1105:Alberi
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317:, and
293:, and
208:Naples
204:Venice
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1174:Shows
1129:Mappa
623:Notes
482:life.
220:Italy
200:Genoa
192:Milan
188:Turin
150:Italy
90:JSTOR
76:books
894:ISBN
879:ISSN
869:ISBN
861:ISBN
847:ISBN
833:ISBN
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797:ISBN
778:ISBN
766:ISBN
723:ISBN
675:2013
471:Dada
461:and
356:any
354:cite
321:and
210:and
196:Rome
62:news
367:by
285:,
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