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380:(piano player) will typically read from a piano reduction of the opera. When a choir is learning a work scored for choir and full orchestra, the initial rehearsals will usually be done with a pianist playing a piano reduction of the orchestra part. Before the advent of the
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A reduction for a smaller orchestra or chamber ensemble may be used when not enough players are available, when a venue is too small to accommodate the full orchestra, to accompany less powerful voices, or to save money by hiring fewer players.
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should largely be ignored, since "the attempt to make a useful object equally usable for a variety of purposes is usually the way to spoil it completely".
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39:). (b) and (c) block chord reduction and voice leading reduction ease analysis and practice
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349:(such as a symphony, overture, or opera), rearranged for a single instrument (typically
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The Queen's Dolour (A Farewell) by Henry
Purcell / Realised by Ronald Stevenson (1958)
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317:, performance, or practice easier or clearer; the number of
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Two-hand piano reduction of the "Lacrimosa" from Mozart's
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Style and Idea: Selected
Writings of Arnold Schoenberg
384:, arrangements of orchestral works for solo piano or
544:. University of California Press. pp. 348–350.
365:). A reduction for solo piano is sometimes called a
345:arrangement of a work originally for full symphony
106:Two-hand piano reduction of the "Lacrimosa" from
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325:may be simplified, such as through the use of
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577:. Cambridge University Press. pp. 9–40.
47:Full score of the "Lacrimosa" from Mozart's
148:reduction of the "Lacrimosa" from Mozart's
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388:were in common use for enjoyment at home.
313:in which complexity is lessened to make
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263:Prelude and Fugue in A minor, BWV 543
244:Prelude and Fugue in A minor, BWV 543
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361:with or without a keyboard (e.g. a
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280:Problems playing these files? See
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462:viewpoint", and he advises that
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357:), a smaller orchestra, or a
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538:"The Modern Piano Reduction"
515:. Cornell University Press.
439:The most notable example is
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536:Schoenberg, Arnold (1975).
485:Social history of the piano
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376:During opera rehearsals, a
31:(a) first four measures of
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652:Essays in Musical Analysis
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366:
222:Transcribed for piano by
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569:Kregor, Jonathan (2010).
208:Awake, the Voice Commands
35:'s Preludium in C major (
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675:Roman numeral analysis
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152:, arranged by Czerny.
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599:Opus Transcribisticum
509:Walker, Alan (2005).
490:Transcription (music)
267:Johann Sebastian Bach
232:Johann Sebastian Bach
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30:
685:Schenkerian analysis
575:Liszt as Transcriber
571:"Models and methods"
512:Reflections on Liszt
449:Ludwig van Beethoven
339:orchestral reduction
721:Musical terminology
658:Functional analysis
430:contraction scoring
428:less well known as
406:piano transcription
18:Piano transcription
447:for solo piano of
321:may be reduced or
198:Performed live by
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41:
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584:978-0-521-11777-7
551:978-0-520-05294-9
480:Piano-vocal score
456:Arnold Schoenberg
261:transcription of
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228:SchĂĽbler Chorales
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16:(Redirected from
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726:Orchestral music
716:Musical notation
640:Musical analysis
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386:piano four hands
359:chamber ensemble
271:Raymond Smullyan
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236:Martha Goldstein
224:Ferruccio Busoni
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563:Further reading
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593:External links
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441:Franz Liszt
426:arrangement
418:piano score
410:sheet music
371:piano score
343:sheet music
311:composition
299:arrangement
200:Mark Gasser
118:Carl Czerny
78:Franz Liszt
710:Categories
522:0801443636
382:phonograph
378:répétiteur
333:Orchestral
282:media help
680:Reduction
468:thickness
424:or music
347:orchestra
295:reduction
226:from the
474:See also
412:for the
315:analysis
37:BWV 846a
496:Sources
150:Requiem
113:Requiem
74:Requiem
50:Requiem
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464:timbre
323:rhythm
297:is an
108:Mozart
731:Piano
414:piano
396:Piano
355:organ
351:piano
341:is a
319:parts
307:score
291:music
579:ISBN
546:ISBN
517:ISBN
466:and
293:, a
158:play
126:play
86:play
59:play
33:Bach
460:one
443:'s
416:(a
408:is
404:or
369:or
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337:An
309:or
301:or
289:In
230:by
110:'s
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400:A
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
