130:. Although children were advised to leave the room while it played, it still caused outrage and alarm with its graphic representation of the horrors of nuclear war. In the film, wild creatures flee in terror as a strange missile flies overhead. As it passes over the sleeping city, the world's leaders and wise men look upwards. The missile explodes, destroying humans, wild creatures and the Earth itself. It caught the mood of the times, since the mid-1950s was the height of both the Cold War and nuclear paranoia.
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mostly of still drawings, creating a terrifying effect amplified by a sombre commentary spoken in the style of the Bible. The film had a very strong impact on audiences, in particular across the
Atlantic, where it was shown on primetime television to millions of American viewers and reportedly produced one of the biggest reactions since Orson Welles' 'War of the Worlds' broadcast in 1938. (Christophe Dupin)
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Budapest-born Peter Foldes was one of a number of
Hungarian artists (another was the film's composer Mátyás Seiber) who ended up working with fellow countryman John Halas on the latter's animated films after he moved to Britain in 1946. After leaving Halas, Foldes made a number of animated films in
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This short animated film is Peter and Joan Foldes' second and last film together. Its bleak subject - the end of the world caused by a nuclear apocalypse - reflects a widespread preoccupation in 50s
Britain which would soon lead to the Campaign for Nuclear Disarmament (CND).The film is composed
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in 1975. In 1997, scientists Nestor
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Foldes later moved to Paris, where he became an early pioneer in computer animation. Foldes was one of the first animators to use the
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became one of the most influential
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method. In the 1960s, he worked for the
Research Service of the
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Reproduction in "Beaux Arts magazine" n°72, October 1989, p. 20
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220:Plus vite
99:Biography
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