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Periaktos

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204: 33: 334: 249:, were also based on rapidly rotating solid polygons, which had the successive animation or photographic plates affixed or projected to each face, thus providing the optical illusion of movement. 130: 192:. On each of its three faces, a different scene is painted, so that, by quickly revolving the periaktos, another face can appear to the audience. Other solid 211:
A series of periaktoi positioned one after the other along the stage's depth can produce the illusion of a longer scene, composed by its faces as seen in
238:, which are made up of a series of triangular prisms arranged so that they can be rotated to present three separate flat display surfaces in succession. 313: 303: 375: 306:. In: The Development of Scenic Spectacle. This excellent article shows periaktoi inventions by Sabbatini, Furttenbach and Danti, with 173: 297: 97: 69: 116: 409: 368: 76: 54: 83: 394: 215:. These periaktoi must therefore be rotated simultaneously to a new position, thus achieving interesting 200:, but triangular prisms offer the best combination of simplicity, speed and number of scenes per device. 361: 50: 203: 65: 17: 235: 212: 43: 404: 399: 300:. Scene by scene breakdown of design, in which the use of periaktoi is illustrated very well. 8: 341: 90: 318: 172:, in the story, "Allegory of a Cave" (c. 375 BCE), but its most intense use began in 349: 268: 185: 177: 274: 258: 345: 242: 150: 388: 285: 228: 161: 321:
Page showing the process of building Periaktoi for a high school production.
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mechanical transmission system. A similar concept is used in some modern
181: 280: 224: 307: 232: 176:, as a result of the work of important theatrical designers, such as 32: 220: 216: 193: 158: 165: 333: 129: 197: 189: 157:) is a device used for displaying and rapidly changing 57:. Unsourced material may be challenged and removed. 386: 298:Geauga Lyric Theatre Guild's The Sound of Music 180:(1574–1654). It consists of a revolving solid 133:Use of periaktos in 17th century theater. In: 369: 207:A tabletop model of a set with two periaktoi 376: 362: 219:. This is made by coupling them by using 117:Learn how and when to remove this message 202: 128: 319:Building Periaktoi, Edward R. Murrow HS 14: 387: 328: 55:adding citations to reliable sources 26: 24: 25: 421: 304:Early Illusionistic Scene Changes 291: 332: 245:mechanical devices, such as the 31: 42:needs additional citations for 13: 1: 348:. You can help Knowledge by 310:animations and descriptions. 164:. It was first mentioned in 7: 252: 223:gears at their bases and a 10: 426: 327: 135:Architectura recreationis 236:multi-message billboards 340:This article about the 410:Cultural history stubs 208: 138: 206: 196:can be used, such as 132: 51:improve this article 174:Renaissance theatre 137:, by J. Furttenbach 395:History of theatre 342:history of theatre 209: 139: 357: 356: 127: 126: 119: 101: 16:(Redirected from 417: 378: 371: 364: 336: 329: 314:The Praxinoscope 269:Set construction 178:Nicola Sabbatini 122: 115: 111: 108: 102: 100: 59: 35: 27: 21: 425: 424: 420: 419: 418: 416: 415: 414: 385: 384: 383: 382: 325: 294: 259:Scenic painting 255: 123: 112: 106: 103: 60: 58: 48: 36: 23: 22: 15: 12: 11: 5: 423: 413: 412: 407: 402: 397: 381: 380: 373: 366: 358: 355: 354: 337: 323: 322: 316: 311: 301: 293: 292:External links 290: 289: 288: 283: 278: 271: 266: 261: 254: 251: 243:motion picture 125: 124: 39: 37: 30: 9: 6: 4: 3: 2: 422: 411: 408: 406: 405:Theatre stubs 403: 401: 400:Scenic design 398: 396: 393: 392: 390: 379: 374: 372: 367: 365: 360: 359: 353: 351: 347: 343: 338: 335: 331: 330: 326: 320: 317: 315: 312: 309: 305: 302: 299: 296: 295: 287: 286:Scenic design 284: 282: 279: 277: 276: 272: 270: 267: 265: 262: 260: 257: 256: 250: 248: 244: 239: 237: 234: 230: 229:conveyor belt 226: 222: 218: 214: 205: 201: 199: 195: 191: 187: 183: 179: 175: 171: 167: 163: 160: 156: 153:word meaning 152: 148: 145:(plural form 144: 136: 131: 121: 118: 110: 99: 96: 92: 89: 85: 82: 78: 75: 71: 68: –  67: 63: 62:Find sources: 56: 52: 46: 45: 40:This article 38: 34: 29: 28: 19: 350:expanding it 339: 324: 273: 247:praxinoscope 240: 210: 169: 154: 146: 142: 140: 134: 113: 104: 94: 87: 80: 73: 61: 49:Please help 44:verification 41: 264:Scenography 213:perspective 184:triangular 182:equilateral 66:"Periaktos" 389:Categories 281:Stagecraft 225:flat chain 77:newspapers 308:QuickTime 233:Trivision 217:illusions 155:revolving 149:, from a 147:periaktoi 143:periaktos 107:June 2020 18:Periaktoi 253:See also 221:sprocket 194:polygons 188:made of 170:Republic 159:theatre 91:scholar 241:Early 162:scenes 93:  86:  79:  72:  64:  344:is a 275:skênê 198:cubes 186:prism 166:Plato 151:Greek 98:JSTOR 84:books 346:stub 190:wood 70:news 227:or 168:'s 53:by 391:: 141:A 377:e 370:t 363:v 352:. 120:) 114:( 109:) 105:( 95:· 88:· 81:· 74:· 47:. 20:)

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Periaktoi

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Greek
theatre
scenes
Plato
Renaissance theatre
Nicola Sabbatini
equilateral
prism
wood
polygons
cubes
A small tabletop model of a theatre set. In the center is a gateway entrance with two large periaktoi on either side, painted to show a country side scene, and a Greek temple in the distance.
perspective
illusions
sprocket
flat chain
conveyor belt

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