247:(1353). The frame story is that of a cursed, melancholy princess named Zoza ("mud" or "slime" in Neapolitan, but also used as a term of endearment). She cannot laugh, no matter what her father does to amuse her, so he sets up a fountain of oil by the door, thinking people slipping in the oil would make her laugh. An old woman tried to gather oil, a page boy broke her jug, and the old woman grew so angry that she danced about, and Zoza laughed at her. The old woman cursed her to marry only the prince of Round-Field, whom she could only wake by filling a pitcher with tears in three days. With some aid from fairies, who also give her gifts, Zoza found the prince and the pitcher, and nearly filled the pitcher when she fell asleep. A
169:
stories are told with hardly any break, and the tone, at least in the
Neapolitan tales, is perfectly caught.... We may therefore look on this collection of fifty tales as the basis of many others; for although it was not so in actual fact, and was indeed not known beyond the country in which it appeared, and was never translated into French, it still has all the importance of a basis, owing to the coherence of its traditions. Two-thirds of them are, so far as their principal incidents are concerned, to be found in Germany, and are current there at this very day. Basile has not allowed himself to make any alteration, scarcely even any addition of importance, and that gives his work a special value – Wilhelm Grimm
22:
131:
168:
This collection (Basile's
Pentamerone) was for a long time the best and richest that had been found by any nation. Not only were the traditions at that time more complete in themselves, but the author had a special talent for collecting them, and besides that an intimate knowledge of the dialect. The
120:
While other collections of stories have included stories that would be termed fairy tales, his work is the first collection in which all the stories fit in that single category. He did not transcribe them from the oral tradition as a modern collector would, instead writing them in
Neapolitan, and in
306:
gifts) that her husband tell her stories, or else she would crush the unborn child. The husband hires ten female storytellers to keep her amused; disguised among them is Zoza. Each tells five stories, most of which are more suitable to courtly, rather than juvenile, audiences. The
Moorish woman's
307:
treachery is revealed in the final story (related, suitably, by Zoza), and she is buried, pregnant, up to her neck in the ground and left to die. Zoza and the Prince live happily ever after.
702:
713:
in 1925. Another
English translation was made from Croce's version by Norman N. Penzer in 1934. A new, modern translation by Nancy L. Canepa was published in 2007 by
1121:
127:
This has been interpreted as a satire on
Baroque style, but as Basile praised the style, and used it in his other works, it appears to have no ironic intention.
937:
1170:
1053:
971:. Translated by Nancy L. Canepa, illustrated by Carmelo Lettere, foreword by Jack Zipes. Detroit, MI: Wayne State University Press.
1190:
384:
684:
257:
This frame story in itself is a fairy tale, combining motifs that will appear in other stories: the princess who cannot laugh in
1026:
Hurbánková, Šárka. (2018). "G. B. Basile and
Apuleius: First literary tales. morphological analysis of three fairytales". In:
1069:
1017:
995:
976:
926:
903:
237:, in which fifty stories are related over the course of five days, in analogy with the ten-day structure of the much earlier
652:
1165:
283:
847:. Bibliographies and Indexes in World Literature, vol. 11. Westport, Connecticut: Greenwood Press, 1987. p. 144.
1195:
1118:
1109:
852:
1085:
471:
289:
199:, where he spent most of his life at the local nobles. Among the places related to the stories we find the city of
607:
497:
409:
1004:
Albanese, Angela, Metamorfosi del Cunto di Basile. Traduzioni, riscritture, adattamenti, Ravenna, Longo, 2012.
164:
views on fairy tales, and as capturing the
Neapolitan voice. This drew a great deal of attention to the work.
517:
271:
21:
1180:
988:
From Court to Forest: Giambattista Basile's "Lo cunto de li cunti" and the Birth of the
Literary Fairy Tale
714:
287:; and the heroine falling asleep while trying to save the hero, and then losing him because of trickery in
1134:
571:
564:
97:, the latter making extensive, acknowledged use of Basile's collection. Examples of this are versions of
1185:
706:
751:
as protagonists of the tales "The
Enchanted Doe", "The Flayed Old Lady" and "The Flea", respectively.
731:
360:
179:
1175:
1061:
635:
581:
378:
337:
1010:
Preserving the Spell: Basile's "The Tale of Tales" and Its Afterlife in the Fairy-Tale Tradition
845:
A Guide to Folktales in the English Language: Based on the Aarne-Thompson Classification System
501:
156:
1140:
526:
451:
347:
1091:
662:
204:
161:
1033:
Praet, Stijn. "“Se lieie la favola”: Apuleian Play in Basile's Lo cunto de li cunti". In:
8:
1160:
1155:
434:
421:
277:
62:
48:
942:
678:
595:
575:
244:
1129:
1104:
1065:
1013:
991:
972:
922:
915:
899:
886:
848:
539:
374:
135:
114:
718:
656:
617:
601:
588:
160:, praised it highly as the first national collection of fairy tales, fitting their
90:
130:
1125:
938:"Cannes: Italo Auteur Matteo Garrone Talks About His 'Tale of Tales' (Exclusive)"
881:
710:
698:
666:
461:
455:
110:
77:
were collected by Basile and published posthumously in two volumes by his sister
896:
The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm
646:
841:
744:
736:
510:
414:
259:
224:
174:
151:
94:
78:
1100:
1149:
1113:
428:
106:
1038:
124:
The style of the stories is heavily Baroque, with many metaphorical usages.
969:
Giambattista Basile's "The Tale of Tales, or Entertainment for Little Ones"
445:
441:
399:
295:
265:
740:
642:
611:
234:
748:
543:
490:
465:
354:
326:
251:
192:
98:
51:
310:
Many of these fairy tales are the oldest known variants in existence.
367:
239:
86:
403:
333:
208:
200:
196:
102:
59:
302:
The now-pregnant slave-princess demands (at the impetus of Zoza's
1141:
Online text of some stories, in English (from Taylor translation)
248:
121:
many respects was the first writer to preserve oral intonations.
82:
29:
739:, is generally based on stories from the collection, starring
887:"The Fantastic Accomplishment of Giambattista Basile and His
303:
89:
Gian Alesio Abbatutis. These stories were later adapted by
55:
516:"The Cockroach, the Mouse, and the Cricket" - variant of
858:
825:
823:
808:
772:
254:
steals it, finishes filling it, and claims the prince.
275:; the curse to marry only one hard-to-find person, in
820:
16:
Italian fairy tale collection by Giambattista Basile
796:
784:
760:
914:
885:
1147:
1135:Professor S. Cicciotti's page about G. B. Basile
1035:International Journal of the Classical Tradition
353:"Cenerentola" – translated into English as
47:("The Tale of Tales"), is a seventeenth-century
917:The Fairy Tale: The Magic Mirror of Imagination
990:. Detroit, MI: Wayne State University Press.
233:, 'day'. It is structured around a fantastic
1012:. Chicago, IL: University of Chicago Press.
677:"Nennillo and Nennella" – a variant of
191:The tales of Giambattista Basile are set in
912:
864:
186:
150:Although the work fell into obscurity, the
1039:https://doi.org/10.1007/s12138-017-0454-6
935:
829:
207:, the latter connected to the fairy tale
683:"The Three Citrons" – a variant of
385:The King Who Would Have a Beautiful Wife
129:
20:
697:The text was translated into German by
1148:
985:
966:
600:"The Seven Doves" – a variant of
1051:
1007:
880:
814:
802:
790:
778:
766:
616:"Pride Punished" – a variant of
594:"The Two Cakes" – a variant of
85:, Italy, in 1634 and 1636 under the
1058:The Oxford Companion to Fairy Tales
383:"The Flayed Old Lady" - variant of
13:
1171:Children's short story collections
959:
284:Anthousa, Xanthousa, Chrisomalousa
14:
1207:
1045:
1030:. 23: 75–93. 10.5817/GLB2018-2-6.
1086:"La vita di Giambattista Basile"
1191:17th-century Italian literature
936:Vivarelli, Nick (15 May 2014).
692:
336:" - connected to Russian tale "
835:
724:
717:, and was later released as a
557:"The Stone in the Cock's Head"
498:Penta of the Chopped-off Hands
1:
967:Basile, Giambattista (2007).
754:
518:The Princess Who Never Smiled
272:The Princess Who Never Smiled
68:
1101:Works by Giambattista Basile
913:Swann Jones, Steven (1995).
715:Wayne State University Press
709:in 1893 and into Italian by
427:"Pippo" – a variant of
154:, in their third edition of
145:
140:The Stone in the Cock's Head
7:
572:The Seven Little Pork Rinds
565:The Three Enchanted Princes
214:
10:
1212:
1166:Collections of fairy tales
873:
707:Sir Richard Francis Burton
685:The Love for Three Oranges
173:Basile's writing inspired
986:Canepa, Nancy L. (1999).
701:in 1846, into English by
1196:Books adapted into films
898:. New York: W W Norton.
894:. In Zipes, Jack (ed.).
187:Geography of the stories
1062:Oxford University Press
1028:Graeco-Latina Brunensia
1008:Maggi, Armando (2015).
454:" – a variant of
379:The Knights of the Fish
729:The 2015 Italian film
665:" – a variant of
655:" – a variant of
645:" – a variant of
610:" – a variant of
574:" – a variant of
542:" – a variant of
502:The Girl Without Hands
500:" – a variant of
464:" – a variant of
444:" – a variant of
402:" – a variant of
340:" ("Emelian the Fool")
322:"The Tale of the Ogre"
171:
142:
54:collection by Italian
32:
1092:The complete text of
705:in 1847 and again by
313:The fairy tales are:
166:
133:
28:from a 1788 edition,
24:
1094:Lo cunto de li cunti
1052:Zipes, Jack (2002).
1037:25: 315–332 (2018).
921:. New York: Twayne.
663:Sun, Moon, and Talia
338:At the Pike's Behest
230:, 'five', and ἡμέρα
205:Castle of Lagopesole
162:romantic nationalist
44:Lo cunto de li cunti
1181:Italian fairy tales
817:, pp. 888–889.
781:, pp. 880–881.
721:paperback in 2016.
290:The Sleeping Prince
278:Snow-White-Fire-Red
157:Grimm's Fairy Tales
73:The stories in the
63:Giambattista Basile
1124:2011-05-14 at the
703:John Edward Taylor
679:Brother and Sister
596:Diamonds and Toads
576:The Three Spinners
560:"The Two Brothers"
522:"The Garlic Patch"
245:Giovanni Boccaccio
143:
33:
1186:Culture in Naples
1130:George Cruikshank
1105:Project Gutenberg
1071:978-0-19-860509-6
1019:978-0-226-24296-5
997:978-0-8143-2758-6
978:978-0-8143-2866-8
928:978-0-8057-0950-6
905:978-0-393-97636-6
540:The Three Fairies
377:" - a variant of
375:The Enchanted Doe
180:The Tale of Tales
136:George Cruikshank
115:Hansel and Gretel
1203:
1082:
1080:
1078:
1023:
1001:
982:
954:
952:
950:
932:
920:
909:
893:
882:Croce, Benedetto
868:
865:Swann Jones 1995
862:
856:
839:
833:
827:
818:
812:
806:
800:
794:
788:
782:
776:
770:
764:
719:Penguin Classics
657:Cupid and Psyche
618:King Thrushbeard
602:The Seven Ravens
589:The Three Crowns
219:The name of the
134:Illustration by
91:Charles Perrault
1211:
1210:
1206:
1205:
1204:
1202:
1201:
1200:
1146:
1145:
1126:Wayback Machine
1097:(in Neapolitan)
1076:
1074:
1072:
1048:
1043:
1020:
998:
979:
962:
960:Further reading
957:
948:
946:
929:
906:
876:
871:
863:
859:
842:Ashliman, D. L.
840:
836:
828:
821:
813:
809:
801:
797:
789:
785:
777:
773:
765:
761:
757:
727:
711:Benedetto Croce
699:Felix Liebrecht
695:
674:"The Five Sons"
667:Sleeping Beauty
653:The Golden Root
462:The Young Slave
456:The Master Maid
412:" - variant of
217:
189:
148:
111:Sleeping Beauty
71:
17:
12:
11:
5:
1209:
1199:
1198:
1193:
1188:
1183:
1178:
1176:Italian novels
1173:
1168:
1163:
1158:
1144:
1143:
1138:
1132:
1116:
1107:
1098:
1089:
1083:
1070:
1047:
1046:External links
1044:
1042:
1041:
1031:
1024:
1018:
1005:
1002:
996:
983:
977:
963:
961:
958:
956:
955:
933:
927:
910:
904:
877:
875:
872:
870:
869:
857:
834:
830:Vivarelli 2014
819:
807:
805:, p. 882.
795:
793:, p. 881.
783:
771:
769:, p. 879.
758:
756:
753:
745:Vincent Cassel
737:Matteo Garrone
735:, directed by
726:
723:
694:
691:
690:
689:
688:
687:
681:
675:
672:
669:
659:
649:
639:
632:
627:
623:
622:
621:
620:
614:
604:
598:
592:
585:
578:
568:
561:
558:
553:
552:The Fourth Day
549:
548:
547:
546:
536:
533:
530:
523:
520:
514:
511:Sapia Liccarda
507:
504:
494:
485:
481:
480:
479:
478:
475:
468:
458:
448:
438:
431:
425:
418:
415:The Bird Lover
406:
394:
393:The Second Day
390:
389:
388:
387:
381:
371:
364:
357:
351:
344:
341:
330:
323:
318:
260:The Magic Swan
216:
213:
188:
185:
177:'s 2015 film,
175:Matteo Garrone
152:Brothers Grimm
147:
144:
95:Brothers Grimm
70:
67:
26:Il Pentamerone
15:
9:
6:
4:
3:
2:
1208:
1197:
1194:
1192:
1189:
1187:
1184:
1182:
1179:
1177:
1174:
1172:
1169:
1167:
1164:
1162:
1159:
1157:
1154:
1153:
1151:
1142:
1139:
1136:
1133:
1131:
1127:
1123:
1120:
1119:Illustrations
1117:
1115:
1114:Warwick Goble
1111:
1110:Illustrations
1108:
1106:
1102:
1099:
1096:
1095:
1090:
1087:
1084:
1073:
1067:
1063:
1059:
1055:
1054:"Pentamerone"
1050:
1049:
1040:
1036:
1032:
1029:
1025:
1021:
1015:
1011:
1006:
1003:
999:
993:
989:
984:
980:
974:
970:
965:
964:
945:
944:
939:
934:
930:
924:
919:
918:
911:
907:
901:
897:
892:
890:
889:Tale of Tales
883:
879:
878:
867:, p. 38.
866:
861:
854:
853:0-313-25961-5
850:
846:
843:
838:
831:
826:
824:
816:
811:
804:
799:
792:
787:
780:
775:
768:
763:
759:
752:
750:
746:
742:
738:
734:
733:
732:Tale of Tales
722:
720:
716:
712:
708:
704:
700:
686:
682:
680:
676:
673:
670:
668:
664:
660:
658:
654:
650:
648:
644:
640:
637:
633:
630:
629:
628:
626:The Fifth Day
625:
624:
619:
615:
613:
609:
605:
603:
599:
597:
593:
590:
586:
583:
579:
577:
573:
569:
566:
562:
559:
556:
555:
554:
551:
550:
545:
541:
537:
534:
531:
528:
524:
521:
519:
515:
512:
508:
505:
503:
499:
495:
492:
488:
487:
486:
484:The Third Day
483:
482:
476:
473:
469:
467:
463:
459:
457:
453:
449:
447:
443:
439:
436:
432:
430:
429:Puss In Boots
426:
423:
419:
417:
416:
411:
407:
405:
401:
397:
396:
395:
392:
391:
386:
382:
380:
376:
372:
369:
365:
362:
358:
356:
352:
349:
345:
342:
339:
335:
331:
328:
324:
321:
320:
319:
317:The First Day
316:
315:
314:
311:
308:
305:
300:
298:
297:
292:
291:
286:
285:
280:
279:
274:
273:
268:
267:
262:
261:
255:
253:
250:
246:
242:
241:
236:
232:
229:
226:
222:
212:
210:
206:
202:
198:
194:
184:
182:
181:
176:
170:
165:
163:
159:
158:
153:
141:
137:
132:
128:
125:
122:
118:
116:
112:
108:
107:Puss in Boots
104:
100:
96:
92:
88:
84:
80:
76:
66:
64:
61:
57:
53:
50:
46:
45:
40:
39:
31:
27:
23:
19:
1137:(in Italian)
1093:
1088:(in Italian)
1077:17 September
1075:. Retrieved
1057:
1034:
1027:
1009:
987:
968:
947:. Retrieved
941:
916:
895:
888:
860:
844:
837:
810:
798:
786:
774:
762:
730:
728:
696:
693:Translations
647:Mr Simigdáli
446:Allerleirauh
442:The She-Bear
413:
410:Green Meadow
361:The Merchant
312:
309:
301:
296:Nourie Hadig
294:
288:
282:
276:
270:
266:Golden Goose
264:
258:
256:
238:
231:
228:
220:
218:
190:
178:
172:
167:
155:
149:
139:
126:
123:
119:
74:
72:
43:
42:
41:, subtitled
37:
36:
34:
25:
18:
741:Salma Hayek
725:Adaptations
643:Pintosmalto
631:"The Goose"
612:Trusty John
532:"The Booby"
477:"The Buddy"
472:The Padlock
343:"Vardiello"
235:frame story
223:comes from
221:Pentamerone
75:Pentamerone
38:Pentamerone
1161:1636 books
1156:1634 books
1150:Categories
815:Croce 2001
803:Croce 2001
791:Croce 2001
779:Croce 2001
767:Croce 2001
755:References
749:Toby Jones
636:The Months
582:The Dragon
544:Frau Holle
491:Cannetella
466:Snow White
355:Cinderella
327:The Myrtle
193:Basilicata
138:(1847) to
99:Cinderella
69:Background
52:fairy tale
49:Neapolitan
608:The Raven
535:"Rosella"
435:The Snake
368:Goat-Face
240:Decameron
146:Influence
87:pseudonym
1122:Archived
949:13 March
884:(2001).
527:Corvetto
452:The Dove
404:Rapunzel
348:The Flea
334:Peruonto
215:Synopsis
209:Rapunzel
203:and the
201:Acerenza
197:Campania
103:Rapunzel
93:and the
60:courtier
943:Variety
874:Sources
671:"Sapia"
400:Parsley
249:Moorish
79:Adriana
1068:
1016:
994:
975:
925:
902:
851:
506:"Face"
422:Violet
269:, and
227:πέντε
113:, and
83:Naples
30:Naples
304:fairy
252:slave
225:Greek
1079:2023
1066:ISBN
1014:ISBN
992:ISBN
973:ISBN
951:2015
923:ISBN
900:ISBN
849:ISBN
747:and
293:and
281:and
195:and
58:and
56:poet
35:The
1128:by
1112:by
1103:at
243:by
81:in
1152::
1064:.
1060:.
1056:.
940:.
822:^
743:,
299:.
263:,
211:.
183:.
117:.
109:,
105:,
101:,
65:.
1081:.
1022:.
1000:.
981:.
953:.
931:.
908:.
891:"
855:.
832:.
661:"
651:"
641:"
638:"
634:"
606:"
591:"
587:"
584:"
580:"
570:"
567:"
563:"
538:"
529:"
525:"
513:"
509:"
496:"
493:"
489:"
474:"
470:"
460:"
450:"
440:"
437:"
433:"
424:"
420:"
408:"
398:"
373:"
370:"
366:"
363:"
359:"
350:"
346:"
332:"
329:"
325:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
