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this base layer can be further modified with brushes, combs, decorative stamps, fingers, and other implements. A common historical pattern called "veined" (German: geädert) was created by putting the pasted side of two sheets together, then peeling the sheets apart to create dynamic ridges and waves. Wooden blocks, wadded fabric, feathers, and kitchen utensils can be used to create unique effects, along with altering the consistency of the paste and the methods of application. Historical paste papers were generally produced with a starch paste and colorants from plant and mineral sources such as
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As an historical and living art form, paste papers are produced with a variety of techniques, tools, and styles which have been openly modified, adapted, and re-imagined over time. Generally, a layer of colored starch paste is applied over the full surface of the paper sheet with a brush, after which
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were well-established in the production of printed textiles using paste colors. The technique of decorating paper with paste colors was quickly picked up for the production of playing cards and wallpapers, while papers made explicitly for the bookbinding trade became popular starting at the end of
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settlement began producing paste papers for exportation. Papers produced there were of such a distinct quality and style that paste papers are sometimes generally referred to as "Herrnhuter papers", though their product was virtually never signed and their designs were widely copied. According to
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movement of the late-19th and early-20th century, with many fine-press publishers producing papers for their publications. The Bird and Bull Press published a sample book of papers in 1975, and further attention was drawn to the technique through the work of makers and researchers including
35:, in which colored designs are created on a bath and then transferred to the paper surface. The term "paste paper" is used to refer to both the articles created using the technique and the technique itself, which has also been used to decorate wooden furniture. Paste papers are used as
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31:) is applied directly to the surface of a paper sheet and modified with various tools and techniques to render an array of patterns and effects. It is sometimes confused with
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Marbled paper: its history, techniques, and patterns with special reference to the relationship of marbling to bookbinding in Europe and the
Western world
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the 17th century. Production of these early papers is generally associated with
Germany, Austria, and the Netherlands.
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357:"A Preliminary Evaluation of Pigment Identification as a Provenance-Building Technique for Historical Paste Papers"
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334:(2., überarbeitete und erweiterte Auflage ed.). Stuttgart: Dr. Ernst Hauswedell 惘. KG, Verlag.
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Multi-colored paste paper with impressed designs used as book endpapers, 18th century
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church ledgers, paste papers continued to be produced at
Herrnhut until around 1824.
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Black and crimson paste paper with impressed designs used as a book wrapper, c. 1810
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is a type of surface design in which a colored, viscous media (generally starch
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424:(4th ed.). Cambridge (Mass.): Houghton library, Harvard College Library.
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Blue paste paper with impressed designs used as a book covering, c. 1782
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Decorated book papers, being an account of their designs and fashions
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Buntpapier: Herkommen, Geschichte, Techniken, Beziehungen zur Kunst
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Paste papers experienced a resurgence of popularity during the
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Multi-colored paste paper with impressed designs, 20th century
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Red and blue paste paper with impressed designs, 20th century
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The earliest extant examples of paste paper were produced in
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Red paste paper with veined (geädert) pattern, 18th century
309:(Second ed.). New Castle (Del.): Oak Knoll Press.
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Red paste paper with impressed designs, 19th century
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Green paste paper with floral pattern, 21st century
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447:"The Olga Hirsch collection of decorated papers"
305:Wolfe, Richard James; Berger, Sidney E. (2018).
92:in the early 17th century, where cities such as
20:Paste paper used as a book covering, c. 1749.
393:Roller-Printed Paste Papers for Bookbinding
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502:"About The Artist | Artist's Name Here"
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330:Krause, Susanne; Rinck, Julia (2016).
281:(2. Aufl ed.). München: Callwey.
243:Rinck, Julia; Krause, Susanne (2021).
420:Loring, Rosamond; Mayo, Hope (2007).
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355:Gundrum, Mitchel (2023-01-01).
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477:"Dirk Lange Handmarmorpapier"
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451:The British Library Journal
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277:Haemmerle, Albert (1977).
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481:handmademarbledpaper.com
445:Foot, Mirjam M. (1981).
395:. Bird & Bull Press.
506:www.madeleinedurham.com
39:and covering papers in
391:Morris, Henry (1975).
372:Cite journal requires
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245:Handbuch Buntpapier
465:– via JSTOR.
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431:978-0-9765472-6-6
341:978-3-7762-0516-9
316:978-1-58456-360-0
288:978-3-7667-0388-0
254:978-3-7762-2100-8
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509:. Retrieved
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536:Handicrafts
483:(in German)
41:bookbinding
25:Paste paper
525:Categories
511:2024-05-26
487:2024-05-26
228:References
51:Production
546:Paper art
401:cite book
66:buckthorn
45:wallpaper
37:endpapers
125:Examples
106:Herrnhut
94:Augsburg
90:Germany
84:History
58:carmine
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68:, and
62:indigo
531:Paper
29:paste
426:ISBN
407:link
378:help
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283:ISBN
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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