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Sadie notes, reflecting on
Leopold's remark given above, that indeed "Mozart's Paris Symphony is quite noisy. It has vigorous, stirring tuttis, with a lively violin line and an active line for the basses, lending the music extra animation. The actual thematic matter is relatively conventional, more a
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remarks that this is the largest orchestra for which Mozart had yet composed in his career. The number of string players is (as usual) not specified in the score, but Sadie remarks that at the premiere there were 22 violins, five violas, eight cellos, and five basses. He adds, "
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during 1779, on 18 and 23 March, 23 May, and 3 June; and on 14 May 1780. The work was published in Paris by Sieber and announced for sale 20 February 1779. During the years 1782 to 1788, Sieber's catalog described it as "in the repertoire of the
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on 15 August, this time with a new second movement, an
Andante replacing the original Andantino in 6/8 (the latter, according to Deutsch, "had failed to please".)
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Mozart. This artist, who from the tenderest age made a name for himself among harpsichord players, may today be ranked among the most able composers.
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when he was 22 years old. The premiere took place on 12 June 1778 in a private performance in the home of Count
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for its time, made possible by the large orchestra available to Mozart during his time in Paris. There are 2
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The first movement opens with a rising and accelerating D major scale in an effect known at the time as the
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remarked that, to judge by the
Parisian symphonies he had seen, the French must like noisy symphonies."
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Both second movements still exist, as does a sketch of an earlier longer version of the
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in Vienna on 11 March 1783 during a benefit concert for Mozart's sister-in-law, the singer
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591:(1996). "Audiences for Mozarts Symphonies During His Lifetime". In Churgin, Batha (ed.).
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The work evidently was popular. Deutsch lists several further performances at the
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The autograph manuscript of the symphony (with that of the alternative middle
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Symphonies generally agreed to be spurious today, but included in either the
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as such, and most of the working-out of ideas comes at their presentation."
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30:"Paris Symphony" redirects here. For the 6 symphonies by Joseph Haydn, see
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110:. The public premiere took place six days later in a performance at the
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The work received a positive review in the June 26 issue of the
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529:"The Autograph Manuscripts and Early Performances of Mozart's
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The symphony is laid out in fast-slow-fast form, omitting the
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597:. Vol. 6. Jerusalem: Israel Musicological Society.
1206:, except for the slow introduction which Mozart added.
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The symphony is notable for having an unusually large
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The Music of
Wolfgang Amadeus Mozart, the Symphonies
224:. It was Mozart's first symphony to use clarinets.
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338:matter of figures than melodies, but there is not
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1185:(although Mozart changed the instrumentation).
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1212:List of symphonies by Wolfgang Amadeus Mozart
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637:"Autograph 'Sinfonia Ă 10 instrumenti'
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1217:List of spurious/doubtful Mozart symphonies
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675:International Music Score Library Project
98:during Mozart's unsuccessful job-hunting
615:. Fairleigh Dickinson University Press.
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172:The symphony was later performed in the
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570:Mozart: Studies of the Autograph Scores
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522:. Stanford: Stanford University Press.
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1675:Symphonies by Wolfgang Amadeus Mozart
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1165:Symphonies of doubtful authenticity.
147:The work was performed again at the
549:. Oxford: Oxford University Press.
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104:Karl Heinrich Joseph von Sickingen
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1696:
682:"K297/300a Symphony in D 'Paris'"
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546:Mozart: The Early Years 1756–1781
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1627:
1626:
1487:Maria Anna Thekla Mozart (Bäsle)
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267:
75:released their edition in 1779.
1604:Beethoven–Haydn–Mozart Memorial
705:, performed by students of the
698:Mozart: Symphony No. 31 "Paris"
518:Mozart: A Documentary Biography
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671:Symphony No. 31 (W. A. Mozart)
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59:297/300a, better known as the
13:
1:
139:Day began with a symphony by
27:1778 symphony by W. A. Mozart
1513:(paternal great-grandfather)
1356:Concert arias, songs, canons
594:Israel Studies in Musicology
573:. Harvard University Press.
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108:Electorate of the Palatinate
63:, is one of the most famous
7:
1493:Franz Xaver Wolfgang Mozart
1475:Maria Anna Mozart (Nannerl)
10:
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649:Sinfonie in D KV 297 (300)
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1599:Mozart in popular culture
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1411:Relationship with G minor
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1265:
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609:Dearling, Robert (1982).
94:The work was composed in
1328:Appearance and character
535:. Mozart Studies Online.
533:Symphony, K. 297 (300a)"
345:
106:, the ambassador of the
90:Composition and premiere
1680:Compositions in D major
1614:Mozart Monument, Vienna
1259:Wolfgang Amadeus Mozart
749:Wolfgang Amadeus Mozart
527:Noguchi, Hideo (1998).
290:(earlier as Andantino,
125:, published in London:
82:) are preserved in the
69:Wolfgang Amadeus Mozart
1507:(paternal grandfather)
1095:Adapted from serenades
707:Royal College of Music
165:
158:
149:
145:
131:
112:
44:
692:on 29 September 2007.
127:
42:
1406:Compositional method
1386:Works for solo piano
775:K. 45a (Old Lambach)
680:Smith, Gary (2007).
641:Berlin State Library
123:Courrier de l'Europe
84:Berlin State Library
1505:Johann Georg Mozart
1440:Neue Mozart-Ausgabe
1433:Alte Mozart-Ausgabe
1183:Carl Friedrich Abel
665:Neue Mozart-Ausgabe
512:Deutsch, Otto Erich
424:, pp. 185, 188
388:, pp. 174, 176
358:Original in French.
73:Jean-Georges Sieber
1499:Karl Thomas Mozart
1202:now attributed to
1196:complete editions.
1181:now attributed to
1171:now attributed to
254:normally found in
45:
1685:1778 compositions
1640:
1639:
1469:Anna Maria Mozart
1449:
1448:
1225:
1224:
258:-era symphonies:
166:Concert Spirituel
159:Concert Spirituel
150:Concert Spirituel
132:Concert Spirituel
114:Concert Spirituel
16:(Redirected from
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1519:(brother-in-law)
1481:Constanze Mozart
1427:Köchel catalogue
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1401:Violin concertos
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688:. Archived from
673:: Scores at the
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1381:Piano concertos
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1081:No. 41 (K. 551)
1076:No. 40 (K. 550)
1071:No. 39 (K. 543)
1061:No. 38 (K. 504)
1056:No. 37 (K. 444)
1046:No. 36 (K. 425)
1036:No. 35 (K. 385)
1031:No. 34 (K. 338)
1026:No. 33 (K. 319)
1021:No. 32 (K. 318)
1011:No. 31 (K. 297)
1006:No. 30 (K. 202)
1001:No. 29 (K. 201)
996:No. 28 (K. 200)
991:No. 27 (K. 199)
986:No. 26 (K. 184)
981:No. 25 (K. 183)
976:No. 24 (K. 182)
971:No. 23 (K. 181)
966:No. 22 (K. 162)
961:No. 21 (K. 134)
956:No. 20 (K. 133)
951:No. 19 (K. 132)
946:No. 18 (K. 130)
941:No. 17 (K. 129)
936:No. 16 (K. 128)
931:No. 15 (K. 124)
926:No. 14 (K. 114)
921:No. 13 (K. 112)
916:No. 12 (K. 110)
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765:K. 16a (Odense)
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686:Mozartforum.com
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657:critical report
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264:
261:
260:
259:
257:
253:
243:
242:
236:
234:
229:
225:
223:
219:
215:
211:
207:
203:
199:
195:
191:
181:
179:
178:Aloysia Weber
175:
170:
167:
160:
154:
151:
144:
142:
138:
133:
126:
124:
119:
116:
115:
109:
105:
101:
97:
87:
85:
81:
76:
74:
70:
66:
62:
58:
54:
50:
41:
37:
33:
19:
1594:Georg Nissen
1541:Sophie Weber
1517:Joseph Lange
1511:Franz Mozart
1438:
1431:
1333:Pet starling
1084:
1064:
1049:
1039:
1014:
1010:
690:the original
685:
663:
648:
611:
593:
589:Zaslaw, Neal
569:
545:
530:
517:
491:
485:Noguchi 1998
480:
468:
446:Deutsch 1965
441:
434:Deutsch 1965
429:
422:Deutsch 1965
417:
410:Deutsch 1965
405:
398:Deutsch 1965
393:
386:Deutsch 1965
381:
376:, p. 22
369:
354:
336:
328:
321:
297:
282:
249:
226:
187:
171:
155:
146:
128:
122:
120:
93:
77:
60:
48:
46:
43:W. A. Mozart
36:
1568:Freemasonry
1293:Nationality
1273:Biographies
660:(in German)
565:Tyson, Alan
374:Zaslaw 1996
340:development
174:Burgtheater
1669:Categories
1551:Influences
1396:Symphonies
1283:Grand tour
1278:Birthplace
845:K. 208+102
840:K. 196+121
835:K. 135+61h
820:K. 111+120
758:Unnumbered
743:Symphonies
496:Tyson 1987
473:Tyson 1987
461:Sadie 2006
65:symphonies
1558:Beethoven
1303:Scatology
1298:Residence
1266:Biography
311:Allegro,
275:Andante,
256:classical
239:The music
202:clarinets
1632:Category
1477:(sister)
1471:(mother)
1465:(father)
1420:Editions
1308:Smallpox
854:Numbered
567:(1987).
543:(2006).
514:(1965).
214:trumpets
206:bassoons
204:in A, 2
80:movement
1587:Related
1578:Salieri
1391:Sonatas
1085:Jupiter
1040:Haffner
703:YouTube
662:in the
505:Sources
307:G major
265:assai,
263:Allegro
233:Leopold
222:strings
218:timpani
53:D major
1645:Portal
1483:(wife)
1455:Family
1376:Operas
1371:Masses
1361:Dances
1323:Prague
1318:Berlin
1200:No. 37
1143:K. 66e
1138:K. 66d
1133:K. 66c
1128:K. 19b
1112:K. 320
1107:K. 250
1102:K. 204
1065:Prague
830:K. 161
790:K. 74g
785:K. 45b
770:K. 19a
647:
619:
577:
553:
305:), in
252:minuet
220:, and
194:flutes
1573:Haydn
1501:(son)
1495:(son)
1348:Music
1338:Death
1313:Italy
1179:No. 3
1169:No. 2
1015:Paris
825:K. 96
815:K. 98
810:K. 75
805:K. 97
800:K. 95
795:K. 81
780:K. 76
653:Score
531:Paris
346:Notes
228:Sadie
210:horns
198:oboes
1288:Name
1121:Lost
1050:Linz
655:and
617:ISBN
575:ISBN
551:ISBN
212:, 2
208:, 2
200:, 2
196:, 2
129:The
96:1778
47:The
1194:new
1192:or
1190:old
745:by
701:on
169:".
135:on
67:by
51:in
1671::
684:.
651::
639:,
453:^
326:.
216:,
180:.
141:M.
118:.
86:.
57:K.
55:,
1647::
1251:e
1244:t
1237:v
1175:.
1087:)
1083:(
1067:)
1063:(
1052:)
1048:(
1042:)
1038:(
1017:)
1013:(
735:e
728:t
721:v
625:.
583:.
559:.
298:4
283:8
34:.
20:)
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