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Paper negative

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152: 40:. The plastic acetate negative (which is what modern films produce) enables the printing of a very sharp image intended to be as close a representation of the actual subject as is possible. By using a negative based on paper instead, there is the possibility of creating a more ethereal image, simply by using a type of paper with a very visible grain, or by drawing on the paper or distressing it in some way. 74:
The process of the paper negative is still relevant, though, in the realm of alternative-process photography. Photographers employing alternative processes reject the idea of the exact replica of nature and seek to use the inherent inexactness of antiquated processes to create a more personal and
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When Talbot created this process it was intended to be a way to reproduce nature as accurately as possible (hence the name of his work, "The Pencil of Nature"). Through the years afterwards, however, better and more accurate ways of producing exact replicas of nature were developed, and these
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emotional image. The paper negative is an extremely versatile process that allows all manner of reworking and retouching of an image, and is the perfect medium to bridge the gap between
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was based on the paper negative process. William Henry Fox Talbot's paper negative process, which was used to create his work "
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Photo-Imaging: A Complete Guide to Alternative Processes (Photography for All Levels: Advanced)
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Alternative Photographic Processes: A Working Guide for Image Makers
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processes relegated the paper negative process to obsolescence.
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A Short Essay on the Paper Negative and Early Examples
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Photographic processes dating from the 19th century
51:", used a negative created on paper treated with 200: 125:The Book of Alternative Photographic Processes 183: 103:Paper texture effects in calotype photography 32:, as opposed to using a modern negative on a 190: 176: 201: 158:This photography-related article is a 146: 13: 14: 225: 136: 150: 63:on a similar paper to produce a 59:to create the negative and then 129:Webb, Randall and Martin Reed. 55:salts, which was exposed in a 1: 108: 43:One of the original forms of 162:. You can help Knowledge by 20:process consists of using a 7: 86: 10: 230: 145: 123:James, Christopher. 49:The Pencil of Nature 214:Photography stubs 171: 170: 38:cellulose acetate 221: 192: 185: 178: 154: 147: 93:Contact printing 229: 228: 224: 223: 222: 220: 219: 218: 199: 198: 197: 196: 139: 111: 89: 77:camera operator 61:contact printed 12: 11: 5: 227: 217: 216: 211: 195: 194: 187: 180: 172: 169: 168: 155: 144: 143: 138: 137:External links 135: 134: 133: 127: 121: 110: 107: 106: 105: 100: 95: 88: 85: 57:camera obscura 18:paper negative 9: 6: 4: 3: 2: 226: 215: 212: 210: 207: 206: 204: 193: 188: 186: 181: 179: 174: 173: 167: 165: 161: 156: 153: 149: 148: 141: 140: 132: 128: 126: 122: 120: 116: 115:Enfield, Jill 113: 112: 104: 101: 99: 96: 94: 91: 90: 84: 82: 78: 72: 68: 67:image. 66: 62: 58: 54: 50: 46: 41: 39: 35: 31: 27: 23: 19: 164:expanding it 157: 130: 124: 118: 73: 69: 42: 17: 15: 45:photography 24:printed on 203:Categories 109:References 30:photograph 34:film base 98:Calotype 87:See also 65:positive 22:negative 81:artist 53:silver 26:paper 160:stub 79:and 16:The 36:of 205:: 117:. 83:. 191:e 184:t 177:v 166:.

Index

negative
paper
photograph
film base
cellulose acetate
photography
The Pencil of Nature
silver
camera obscura
contact printed
positive
camera operator
artist
Contact printing
Calotype
Paper texture effects in calotype photography
Enfield, Jill
Stub icon
stub
expanding it
v
t
e
Categories
Photographic processes dating from the 19th century
Photography stubs

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