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Paolo's style was indebted to
Byzantine influences but also betrays a knowledge of contemporary painting in Rimini. His more advanced works show the influence of Gothic art. Through his art he was the founder of the Venetian school which would exert its influence throughout the 14th century and in
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or "composite altarpiece" form, which became popular all over Italy during the 13th century, partly in response to liturgical changes (only reversed in the 20th century) which placed the priest celebrating mass on the same side of the
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of the 14th century'. His many signed and dated works, some in collaboration with his sons, range between 1333 and 1358. He was regarded as the official painter of the
Venetian Republic.
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in Venice, which was only opened on
Sundays and feast days. Unfortunately most of the many scenes of these painted covers, probably his most prestigious commission, are now lost.
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He was born to a family of artists. He operated a large workshop in which he worked together with his sons Marco, Luca, and
Giovanni. He was the official painter of
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behind and above the altar, as a visual devotional focus. He is the oldest
Venetian painter whose name is known, and the earliest to paint the new subject of the
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Hans M. Schmidt, et al. "Masters, anonymous, and monogrammists." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 23 Mar. 2016
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developing north of the Alps, and personal elements. However, influence from Giotto is "almost entirely absent".
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Robert Gibbs. "Paolo
Veneziano." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 23 Mar. 2016
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Italian paintings : a catalogue of the collection of the
Metropolitan Museum of Art : Venetian school
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510:"‘Paolo Veneziano: Art & Devotion in 14th-Century Venice’ Review: Worshiping at the Altar of Beauty"
500:"There has never been a U.S. show devoted to Venice’s first great painter, Paolo Veneziano. Until now."
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as the congregation, so with his back to them for much of the time. This encouraged the creation of
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Paolo was in the past identified with the artist responsible for the works attributed to the
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The Random House
Library of Painting and Sculpture: Dictionary of artists and art terms
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150:. There is no longer unanimity among art historians regarding this identification.
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Paolo
Veneziano: Art & Devotion in 14th-Century Venice, July 13–October 3, 2021
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57:(active by 1333, died after 1358) was a 14th-century painter from
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in: Federico Zeri, with the assistance of Elizabeth E. Gardner,
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Chapter Room, Santa Maria Gloriosa dei Frari, Monument to Doge
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or “weekday altarpiece”, for the famous metalwork and enamel
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or “weekday altarpiece”, for the famous metalwork and enamel
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Doge Francesco Dandolo and his Wife Presented to the Madonna
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He led the development in Venice of the elaborately-framed
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Rona Goffen, 'Excerpt from the 1995 Save Venice Journal'
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111:His style is "still Byzantine", that is to say
486:Paolo Veneziano at the National Gallery of Art
468:"Venice: Mundus Alter" in "Virgin and Child",
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470:Italian Renaissance Learning Resources
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409:Steer, 22; Venice: Mundus Alter;
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441:References
377:Nico Muhly
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137:Pala d'Oro
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281:Notes
154:Style
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123:Life
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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