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Pakad

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An important aspect of a Pakad is Laya. Lay essentially means time, but contextually, it means how time is spent. Lay helps us to place emphasis on specific notes by giving them longer playing time - this helps to properly space apart notes. Without spacing apart notes accordingly, a Raag will fail
99:. The pakad contains the melodic theme of the raga, on listening to the pakad a person who knows the raga is usually able to identify it. In many cases, the ragas contain the same 115:, while in some cases it is quite different from them. The pakad for a particular raga need not be unique, its sole purpose is to clarify what raga it is. 188: 217: 65: 47: 207: 107:(the way the notes are to be ordered and played/sung). Usually, the pakad is formed from short convolutions of the 95:) is a generally accepted musical phrase (or set of phrases) thought to encapsulate the essence of a particular 181: 32: 222: 174: 92: 135:
to show its true characteristics, and this is why a Pakad is important to truly understand a raag.
212: 43: 8: 123: 82: 162: 158: 154: 104: 39: 201: 119: 112: 50:. Statements consisting only of original research should be removed. 103:(notes), then the pakad also contains information about gayaki or 108: 146: 100: 96: 199: 182: 189: 175: 66:Learn how and when to remove this message 200: 118:For example, here is a pakad for raga 141: 15: 13: 78:Musical phrase in Hindustani music 14: 234: 145: 20: 130:Ni* Re Ga Ma# Pa, Ma# Ga Re Sa. 1: 218:Hindustani music terminology 161:. You can help Knowledge by 7: 46:the claims made and adding 10: 239: 140: 122:, a prominent raga from 208:Hindustani music theory 153:This article about the 223:Indian music stubs 31:possibly contains 170: 169: 76: 75: 68: 33:original research 230: 191: 184: 177: 149: 142: 124:Hindustani music 83:Hindustani music 71: 64: 60: 57: 51: 48:inline citations 24: 23: 16: 238: 237: 233: 232: 231: 229: 228: 227: 198: 197: 196: 195: 138: 79: 72: 61: 55: 52: 37: 25: 21: 12: 11: 5: 236: 226: 225: 220: 215: 213:Carnatic music 210: 194: 193: 186: 179: 171: 168: 167: 155:music of India 150: 132: 131: 77: 74: 73: 28: 26: 19: 9: 6: 4: 3: 2: 235: 224: 221: 219: 216: 214: 211: 209: 206: 205: 203: 192: 187: 185: 180: 178: 173: 172: 166: 164: 160: 156: 151: 148: 144: 143: 139: 136: 129: 128: 127: 125: 121: 116: 114: 110: 106: 102: 98: 94: 90: 89: 84: 70: 67: 59: 49: 45: 41: 35: 34: 29:This article 27: 18: 17: 163:expanding it 152: 137: 133: 117: 87: 86: 80: 62: 53: 30: 202:Categories 40:improve it 113:avarohana 91:(Hindi: 44:verifying 56:May 2024 109:arohana 38:Please 105:chalan 101:swaras 157:is a 120:Yaman 88:pakad 159:stub 111:and 97:raga 93:पकड़ 85:, a 81:In 42:by 204:: 126:: 190:e 183:t 176:v 165:. 69:) 63:( 58:) 54:( 36:.

Index

original research
improve it
verifying
inline citations
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Hindustani music
पकड़
raga
swaras
chalan
arohana
avarohana
Yaman
Hindustani music
Stub icon
music of India
stub
expanding it
v
t
e
Categories
Hindustani music theory
Carnatic music
Hindustani music terminology
Indian music stubs

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