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also recorded with
Bradley in his Nashville studio. Bradley often tried to reinvent older country hitmakers; as previously mentioned, he tried to update Moon Mullican's sound and produced one of Moon's best performances "Early Morning Blues" where the blues and the Nashville sound complement each
688:, blend his own style with the newer styles with great success. However, not everyone was as successful as Reeves or Patsy Cline in these transformations. In addition to his production, Bradley released a handful of instrumentals under his own name, including the minor 1958 hit "Big Guitar".
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Bradley's contributions have been recognized with various honors, including the dedication of a public park and a bronze likeness in
Nashville. His legacy in the music industry is marked by his role in shaping the Nashville sound and influence on several generations of musicians.
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Richliano, James Adam (2002). "Angels We Have Heard: The
Christmas Song Stories." Star Of Bethlehem Books, Chatham, New York. (Includes interviews with Bradley and chapters on Bradley's involvement in the making of "Jingle Bell Rock",
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In 1997, the Metro Parks
Authority in Nashville dedicated a small public park between 16th Avenue South and Division Street to Owen Bradley, where his bronze likeness sits at a bronze piano. Owen Bradley Park is at the northern end of
684:' "Caroline Sunshine Girl" and Moon Mullican's "Mighty Pretty Waltz", for example, feature a standard country band rather than bluegrass). Many older artists recognized they needed to change as they saw former pure honky tonk singer,
385:'s hit "Night Train to Memphis". His involvement with his dance band continued until 1964, though in the intervening decades, his work as a producer would far overshadow his career as a performer and band leader.
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film programs in the
Quonset hut studio, but the demand for recording music in the Quonset hut (which was much larger than the house's basement studio) eventually overtook the Bradley's film production business,
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Regarding the
Nashville sound, Bradley stated, "Now we've cut out the fiddle and steel guitar and added choruses to country music. But it can't stop there. It always has to keep developing to keep fresh."
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company before becoming head of RCA Records' Nashville office in 1973, succeeding Chet Atkins. In his later career, he was head of the
Opryland Music Group during its return to prominence following
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In 1954, Bradley and his brother purchased a house at 804 16th Avenue South in
Nashville for $ 7500 and remodeled it to create Music City Recording, the first recording studio in what would become
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as an arranger and musician, and by 1942 had become the station's musical director. At the same time, Bradley led a dance band that enjoyed popularity in local society circles.
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in 1961, converting a barn into a demo studio which he named
Bradley's Barn. Within a few years, Bradley's Barn became a popular recording venue in country music circles. The
344:. His father was Vernon Bradley, and his mother was Letha Maie Owen. By the time he was fifteen he had learned to play several instuments and was playing piano in local
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455:, experimented with assembling a production studio, eventually establishing a studio near 21st Avenue South in the Hillsborough Village area, where they produced
568:. In the late 1950s, Bradley's home base of Nashville was positioning itself to be a center of the recording industry, and not just the traditional home of the
619:- the Mullican sessions produced by Bradley were experimental in that they merged Moon's original blues style with the emerging Nashville Sound stylings). Lush
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Country music had long been looked on as unsophisticated and folksy, and was largely confined to listeners in the less affluent small towns of the
American
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785:" remain standards of the country music genre. It is his work with Cline and Loretta Lynn for which he is best known, and when the
596:". The success of Bradley and his contemporaries infused hokey melodies with more refined lyrics, and blended them with a refined
740:. He also achieved the distinction of having produced records for more fellow Hall of Fame members (six) than anyone else except
282:, later commonly known as the Quonset Hut Studio, which was the first music industry-related business in what is now known as
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in 1974, reflecting his impact on the industry. Bradley's later years saw him working on selected projects, including
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In 1958, Bradley succeeded Cohen as head of Decca's Nashville division, and began pioneering what would become the "
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Owen Bradley is part of what is known as "The First Family of Music Row." His younger brother and business partner
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Bradley started with piano at a young age, and began performing professionally as a teenager. At age 20, he joined
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who produced nine. He retired from production in the early 1980s, but continued to work on selected projects.
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In 1958, Bradley became vice president of Decca's Nashville division. This period marked the beginning of the
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piano (ironically, one of the artists Bradley would record in the 1950s was honky tonk blues singer pianist,
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in 1957, though it was commonly referred to as the "Quonset hut studio." The Bradleys produced several
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Bradley's studio was an instant success, recording hits by several Decca artists as well as hits for
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and others. When Cohen told Bradley that he was considering moving Decca's country headquarters to
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1241:"History Lesson: Nashville's Music Milestones from the Bradleys to the Outlaws and Beyond"
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Bradley sold Bradley Studios to Columbia Records in 1962, and two years later established
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The singers Bradley produced made unprecedented headway into radio, and artists such as
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sensibility to create the "Nashville Sound", known later as "countrypolitan". Light,
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That Thin, Wild Mercury Sound: Dylan, Nashville, and the Making of Blonde on Blonde
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that played society parties all over Nashville. That same year Bradley co-wrote
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224:(October 21, 1915 – January 7, 1998) was an American musician, bandleader and
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in both bluegrass and decidedly non-bluegrass settings (Monroe's covers of
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had a recording studio, Bradley offered to build a new Nashville studio.
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soon followed, setting up shop on what would eventually become known as
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recording sessions of some of the biggest talents of the day, including
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Paul Kingsbury, Ed. New York: Oxford University Press. pp. 50–51.
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1323:(1st ed.). Fulham, London: Flame Tree Publishing. p. 14.
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for filming musical performances, and changed the studios' name to
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Burials at Woodlawn Memorial Park Cemetery (Nashville, Tennessee)
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At the time of his death, he and Harold were producing the album
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How Nashville Became Music City, U.S.A.: A History Of Music Row
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How Nashville Became Music City, U.S.A.: 50 Years of Music Row
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How Nashville Became Music City, U.S.A.: 50 Years of Music Row
1048:. New York City, US: Oxford University Press. pp. 50–51.
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were filmed, Bradley was chosen to direct their soundtracks.
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paid tribute to the studio, through titling their 1968 album
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became household names. Rock and Roll singers such as
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and attached it to the back of the house to use as a
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1021:. Lanham, Maryland, US: Backbeat Books. p. 12.
451:, seeking to capitalize on the rising popularity of
862:catalog. Jerry's wife, Connie Bradley, worked with
751:chose Bradley to produce her acclaimed 1988 album,
1463:"Country Music Hall Of Famer Jerry Bradley Passes"
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1495:"The Bradley Family Honored with Applause Award"
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360:In 1935 at the age of 20, Bradley got a job at
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1581:Discography of American Historical Recordings
1346:"Oh boy: Why Buddy Holly still matters today"
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1266:"Owen Bradley Heads Decca C&W Division"
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676:other surprisingly well. Also, he produced
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714:and bought a farm outside of Nashville in
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478:Owen Bradley's Quonset Hut Studio console
447:In the early 1950s, Owen and his brother
1799:Members of the Country Music Association
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1156:A Guide to Historic Nashville, Tennessee
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831:became one of the world’s most recorded
819:upon receiving the 2019 Producer Award.
773:His production of Cline's hits such as "
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434:It Wasn't God Who Made Honky Tonk Angels
1437:. Country Music Hall of Fame and Museum
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918:The Guinness Who's Who of Country Music
710:Bradley sold The Quonset Hut Studio to
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499:Bradleys' Film & Recording Studios
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1321:The Illustrated Encyclopedia of Music
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592:, known collectively as Nashville's "
428:. He produced both Foley's 1950 hit "
1814:20th-century American male musicians
1804:20th-century American businesspeople
1784:Country Music Hall of Fame inductees
1749:People from Sumner County, Tennessee
373:, where he worked as a musician and
16:American record producer (1915–1998)
1754:Musicians from Nashville, Tennessee
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990:Stark, Phyllis (19 November 2005).
13:
1538:", and "A Holly Jolly Christmas").
1528:The Encyclopedia of Country Music.
1159:. The History Press. p. 105.
850:worked for his Forest Hills Music
14:
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1809:20th-century American songwriters
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1536:Rockin' Around the Christmas Tree
1435:Country Music Hall of Fame and Mu
1291:Coe, Tyler Mahan (May 18, 2021).
1045:The Encyclopedia of Country Music
817:Musicians Hall of Fame and Museum
1069:Coe, Tyler Mahan (May 4, 2021).
837:American Federation of Musicians
1759:Record producers from Tennessee
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1371:
1359:from the original on 2022-05-24
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1189:. Hal Leonard. pp. 11–12.
961:from the original on 2022-05-24
623:took the place of the mountain
1461:Cantrell, LB (July 17, 2023).
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815:Bradley was inducted into the
1:
1132:. Hal Leonard. pp. 6–7.
1042:Kingsbury, Paul, ed. (1998).
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1769:American country songwriters
1355:. London. January 23, 2009.
1239:Cooper, Peter (1 May 2008).
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7:
706:Owen Bradley's final studio
430:Chattanoogie Shoe Shine Boy
10:
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1764:Songwriters from Tennessee
1618:Country Music Hall of Fame
1526:(1998). "Owen Bradley" In
1214:(epub ed.). Chicago:
1153:Hoobler, James A. (2008).
1105:Country Music Hall of Fame
738:Country Music Hall of Fame
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314:Country Music Hall of Fame
1774:American male songwriters
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1298:Cocaine & Rhinestones
1076:Cocaine & Rhinestones
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1779:American music arrangers
1380:"Gene Vincent Biography"
1183:Kosser, Michael (2006).
1126:Kosser, Michael (2006).
1017:Kosser, Michael (2006).
948:"Obituary: Owen Bradley"
98:recording studio founder
1577:Owen Bradley recordings
1319:Du Noyer, Paul (2003).
1210:Sanders, Daryl (2020).
856:Gaylord Entertainment's
760:I've Got A Right To Cry
716:Mount Juliet, Tennessee
432:" and Wells' 1952 hit "
338:Westmoreland, Tennessee
52:Westmoreland, Tennessee
1789:Charly Records artists
1405:"Always...Patsy Cline"
1293:"The Nashville A Team"
870:, as an executive for
783:Walkin' After Midnight
732:Later years and honors
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611:) replaced the clinky
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436:", along with hits by
400:. Bradley worked as a
394:country music division
272:country music division
1819:Coral Records artists
1794:Decca Records artists
1071:"The Nashville Sound"
810:Mt. Juliet, Tennessee
791:Coal Miner's Daughter
768:Always... Patsy Cline
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692:Bradley's Barn studio
554:Further information:
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107:radio and TV producer
1216:Chicago Review Press
992:"Q&A: Mike Curb"
872:Sony Music Nashville
342:Nashville, Tennessee
336:Bradley was born in
222:William Owen Bradley
69:Nashville, Tennessee
34:William Owen Bradley
1218:. pp. 99–100.
957:. 22 October 2011.
923:Guinness Publishing
858:acquisition of the
607:(as popularized by
550:The Nashville sound
1524:Oermann, Robert K.
1499:Belmont University
1384:Rockabillyhall.com
1378:Carpenter, Cecil.
921:(First ed.).
833:session guitarists
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504:Country Style, USA
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288:recording industry
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1225:978-1-61373-550-3
1055:978-0-19-517608-7
1028:978-1-49306-512-7
486:. They bought an
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852:music publishing
779:I Fall to Pieces
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712:Columbia Records
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1681:Minnie Pearl
1675:Pee Wee King
1669:Owen Bradley
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1651:Jimmie Davis
1563:Owen Bradley
1549:Owen Bradley
1527:
1518:Bibliography
1505:September 3,
1503:. Retrieved
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1472:September 3,
1470:. Retrieved
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1441:28 September
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673:Gene Vincent
657:Loretta Lynn
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609:Floyd Cramer
590:Buddy Harman
586:Hank Garland
578:Grady Martin
559:
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529:RCA Studio B
510:
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488:Army surplus
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303:Loretta Lynn
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234:Bob Ferguson
221:
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193:Loretta Lynn
163:Bob Ferguson
127:Years active
64:(1998-01-07)
23:Owen Bradley
1744:1998 deaths
1739:1915 births
1711:Hubert Long
1693:Kitty Wells
1663:Patsy Cline
1657:Chet Atkins
1639:Bill Monroe
1304:November 2,
1082:November 2,
678:Bill Monroe
669:Buddy Holly
649:Patsy Cline
645:Kitty Wells
495:sound stage
491:Quonset hut
442:Webb Pierce
438:Bill Monroe
426:Kitty Wells
414:Ernest Tubb
408:during the
299:Patsy Cline
238:Bill Porter
230:Chet Atkins
183:Patsy Cline
178:Kitty Wells
158:Chet Atkins
153:Ernest Tubb
146:Formerly of
86:Occupations
1733:Categories
1687:Paul Cohen
1415:August 17,
1111:August 14,
878:References
754:Shadowland
742:Paul Cohen
686:Jim Reeves
653:Brenda Lee
613:honky-tonk
566:Appalachia
525:RCA Victor
453:television
406:songwriter
398:Paul Cohen
379:dance band
350:roadhouses
346:nightclubs
332:Early life
322:Shadowland
276:Paul Cohen
254:rockabilly
208:Paul Cohen
188:Brenda Lee
118:Instrument
101:songwriter
45:1915-10-21
30:Birth name
1717:Hank Snow
1467:Music Row
1389:2 January
1270:Billboard
1002:15 August
996:Billboard
965:August 4,
806:Music Row
749:k.d. lang
661:Lenny Dee
639:Starmaker
598:pop music
582:Bob Moore
537:Music Row
484:Music Row
422:Red Foley
418:Burl Ives
383:Roy Acuff
324:" album.
318:k.d. lang
290:center.
284:Music Row
173:Red Foley
168:Burl Ives
131:1935–1980
1553:AllMusic
1357:Archived
1250:5 August
959:Archived
517:Columbia
469:Jim Beck
467:, where
375:arranger
261:WSM (AM)
110:arranger
92:Musician
1579:at the
1567:Discogs
1363:12 June
787:biopics
781:" and "
627:sound;
513:Capitol
461:Genesco
242:Don Law
80:Country
1719:(1979)
1713:(1979)
1707:(1978)
1701:(1977)
1695:(1976)
1689:(1976)
1683:(1975)
1677:(1974)
1671:(1974)
1665:(1973)
1659:(1973)
1653:(1972)
1647:(1971)
1641:(1970)
1635:(1970)
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1136:
1107:. 1974
1052:
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929:
823:Legacy
663:, and
625:fiddle
594:A-Team
465:Dallas
449:Harold
356:Career
240:, and
136:Labels
76:Genres
71:, U.S.
54:, U.S.
1621:1970s
1276:9 May
864:ASCAP
848:Jerry
775:Crazy
605:piano
562:South
121:Piano
1631:The
1507:2024
1474:2024
1443:2021
1417:2021
1391:2015
1365:2014
1325:ISBN
1306:2022
1278:2024
1252:2024
1220:ISBN
1191:ISBN
1161:ISBN
1134:ISBN
1113:2024
1084:2022
1050:ISBN
1023:ISBN
1004:2024
967:2021
927:ISBN
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762:for
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