46:
1905:
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1655:
269:, who claimed to have been a pupil of Donizetti, attempted to resurrect the French version after Donizetti's death. However, according to Will Crutchfield , Fontana did not have access to Donizetti's revised score, which by this time had ended up in London. Instead, he tried to set the original score of
591:
The Grand
Marshal, who is also partly responsible for the Potoski family's exile, tries to cause trouble for Elisabetta. Nevertheless, she manages to reach the Tsar, who in the meantime has received a letter from his messenger Michele (a friend of Elisabetta and the son of her nurse) explaining the
574:
hordes, who had initially threatened her but were won over by her innocence and virtue. She also meets Ivano, the man responsible for her parents' exile, who is now working as a ferryman at the river. When the river floods, Elisabetta saves herself by making a raft from the wooden tomb of Ivano's
332:
in a semi-staged production. Irini
Tsirakidis sang the role of Élisabeth, and Yeghishe Manucharyan was Count Potoski. To prepare the Caramoor performing edition, Crutchfield worked with the French manuscript, using the orchestration from the London version, and the original score of
545:
Having been wrongly exiled, Count
Stanislao Potoski, his wife, Countess Fedora, and their daughter, Elisabetta, are living in a ramshackle dwelling attached to an abbey. Elisabetta vows to undertake an arduous journey on foot to
930:
247:, although clearly retaining many elements of the original. However, the new work was never staged in Donizetti's lifetime. Donizetti subsequently offered the Italian version,
204:
The opera underwent many revisions and changes of title over the years, with a performance history nearly as convoluted as its plot. Its first version premiered with the title
259:
273:
to the longer De Leuven and
Brunswick libretto and composed the missing music (over half the opera) himself. The Fontana version premiered at the
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724:(Recording of a concert performance in the Royal Festival Hall, 16 December. The performance was broadcast by BBC Radio 3 on 22 December 1997)
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in Naples on 13 May 1827, and was performed 50 times in its first season. In 1831, it was presented in
Florence by
220:. In 1832, Donizetti revised the opera somewhat, adapting the original soprano role of Elisabetta for the popular
1949:
1654:
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Between 1838 and 1840 Donizetti substantially re-worked the opera again, adding new music, for a longer version,
1959:
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Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the
Nineteenth Century
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injustice of their exile. The Tsar pardons the whole family who are then reunited in Moscow.
209:
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160:), first performed in Italy in 1820, was the more immediate basis for Gilardoni's libretto.
1944:
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in 1988. It received its first performance, with the score edited by Will
Crutchfield and
179:, both of which received their first performances some 150 years after Donizetti's death.
8:
1863:
1749:
1648:
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1416:
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1127:, 11 December 1997. (A brief account of how the score for the 1997 London performance of
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892:(London), 18 December 1997. Reprinted on jcarreras.homestead.com. Accessed 25 June 2011
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has suggested that by this point, it had now a become virtually a separate opera from
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which was intended for performance in Paris. The new French libretto was written by
1885:
1741:
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conducted the Royal Opera House
Orchestra and Chorus in a concert performance with
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s website. (This article discusses in detail the significant differences between
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1632:
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489:
1923:
1805:
1669:
1624:
1616:
1222:
1155:
1084:
1046:, as well as the process of reconstructing the score.) Accessed 25 June 2011.
972:
881:
634:
426:
213:
966:
Donizetti: in the light of
Romanticism and the teaching of Johann Simon Mayr
345:
were adapted to spoken dialogue as the French version was intended to be an
1829:
1797:
298:
1113:
1781:
1765:
1488:
694:
310:
968:, Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
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338:
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in London. Likewise, this version was never performed in his lifetime.
1661:
187:
1167:
1143:
293:. Acts 1 and 3 were found by Will Crutchfield in 1984, and Act 2 by
228:. He revised the opera further for its premiere in Livorno in 1833.
1440:
1717:
649:
Orchestre
National de Montpellier and the Chorus of Radio Lettone
585:
539:
442:
1360:
571:
547:
1677:
1162:"Role creators in the Donizetti operas" on opera.stanford.edu
381:
126:
33:
853:(in Italian). Volume 4. Istituto dell'Enciclopedia Italiana.
651:(Recording of a concert performance in Montpelier, 12 July)
551:
163:
The opera has two later, substantially re-worked versions,
923:, October 2003, on mondo-marion.com. Accessed 25 June 2011
846:
191:
Caterina Lipparini who created the role of Elisabetta in
1072:
The Bel Canto Operas of Rossini, Donizetti, and Bellini
158:
The Daughter of the Exile, or Eight Months in Two Hours
482:
a former aristocrat, now a ferryman on the Kama river
847:
Borroni, Fernanda Mariani (1962). "Astolfi, Luigi".
468:
Maria's son and messenger for the Russian government
239:and LĂ©on-LĂ©vy Brunswick. The American musicologist
154:
La figlia dell’esiliato, ossia Otto mesi in due ore
971:Ashbrook, William (1998), "Donizetti, Gaetano" in
324:, using only Donizetti's music, took place at the
320:The first performance of the 1840 French version,
123:Eight Months in Two Hours or The Exiles in Siberia
117:Otto mesi in due ore ossia Gli esiliati in Siberia
865:(London), 21 December 1997. Accessed 25 June 2011
1921:
1131:was assembled and edited.) Accessed 25 June 2011
906:(London)], 2 January 1998. Accessed 25 June 2011
328:on 17 July 2003. Will Crutchfield conducted the
1121:"Lost" Donizetti opera scored by Music Faculty"
1090:The New Grove Dictionary of Music and Musicians
998:Ashbrook, William and Sarah Hibberd (2001), in
981:, Vol. One. London: MacMillan Publishers, Inc.
678:(Elisabetta, Potoski, Fedora, Maria, Michele)
313:singing the role of Elisabetta, and the young
140:The original story comes from the 1806 novel,
50:Original stage setting for act 1, Naples, 1827
1183:
115:
24:
289:was later found in the basement of London's
1190:
1176:
44:
1087:, (Ed.); John Tyrell (Exec. Ed.) (2004),
1505:Le convenienze ed inconvenienze teatrali
1401:Le convenienze ed inconvenienze teatrali
727:Audio CD: Charles Handelman, Live Opera,
186:
1019:Donizetti’s Operas in Naples, 1822–1848
171:Elisabeth, or the daughter of the exile
1922:
1064:, 2nd edition. Rowman and Littlefield
931:"A Donizetti Discovery, Reinterpreted"
182:
152:. Luigi Marchionni's subsequent play,
1197:
1171:
1051:Review of the Actes Sud recording of
937:, 19 July 2003. Accessed 25 June 2011
878:, 27 June 2003. Accessed 25 June 2011
830:Source for recording information for
616:(Elisabetta, Potoski, Fedora, Maria)
326:Caramoor International Music Festival
1457:Elisabetta al castello di Kenilworth
1093:. 2nd edition. London: Macmillan.
850:Dizionario Biografico degli Italiani
816:Source of recording information for
1561:Il furioso all'isola di San Domingo
1074:, Portland, Oregon: Amadeus Press.
146:Elisabeth, or the Exiles of Siberia
142:Elisabeth, ou Les exilés de Sibérie
78:Elisabeth, ou Les exilés de Sibérie
13:
1158:as source for further information.
1156:Donizetti Society (London) website
14:
1971:
1149:
1040:Élisabeth, ou la fille de l'exilé
1031:Élisabeth, ou la fille de l'exilé
978:The New Grove Dictionary of Opera
337:to construct the final aria. The
1904:
1903:
1653:
1021:. London: The Donizetti Society.
322:Élisabeth ou la fille de l'exilé
233:Élisabeth ou la fille de l'exilé
166:Élisabeth ou la fille de l'exilé
305:in London on 16 December 1997.
1305:Chiara e Serafina, o Il pirata
954:, Cambridge University Press.
823:
809:
800:
791:
782:
773:
764:
755:
746:
1:
1258:I piccioli virtuosi ambulanti
1125:The Oxford University Gazette
964:Allitt, John Stewart (1991),
886:"Bizarre – but seldom boring"
875:The Christian Science Monitor
735:
595:
285:The long forgotten score for
1678:Betly, o La capanna svizzera
1138:, New York: Pantheon Books.
1006:, New York: Penguin Putnam.
718:Orchestra and Chorus of the
639:Christine Neithardt-Barbaux,
570:Elisabetta is befriended by
7:
1930:Operas by Gaetano Donizetti
1521:La romanziera e l'uomo nero
1134:Weinstock, Herbert (1963),
1060:Loewenberg, Alfred (1970).
1034:, on donizettisociety.com,
1004:The New Penguin Opera Guide
909:Rosenberg, Marion Lignana,
527:
498:leader of the Tartar hordes
216:to only limited success as
10:
1976:
1417:L'eremitaggio di Liverpool
1062:Annals of Opera, 1597–1940
683:Opera House and Orchestra
621:Opera House and Orchestra
550:to seek a pardon from the
16:Opera by Gaetano Donizetti
1899:
1873:
1856:
1425:Alina, regina di Golconda
1393:Il borgomastro di Saardam
1214:
1205:
675:
613:
88:
73:
65:
55:
43:
32:
23:
952:Donizetti and His Operas
578:
557:
532:
409:Conte Stanislao Potoski
352:
1935:Italian-language operas
1265:Il falegname di Livonia
1164:. Accessed 26 June 2011
1057:. Accessed 25 June 2011
1053:Gli esiliati in Siberia
584:A grand chamber in the
391:Il Grande Maresciallo,
330:Orchestra of St. Luke's
281:20th century and beyond
218:Gli esiliati in Siberia
1950:Operas based on novels
1891:Donizetti's birthplace
1609:Rosmonda d'Inghilterra
1481:Imelda de' Lambertazzi
1036:The Donizetti Society'
1014:. pp. 224 – 247.
196:
116:
25:
1960:Operas based on plays
1601:Il diluvio universale
1473:Il diluvio universale
900:"Return of the exile"
514:another Tartar leader
461:Francesca Ceccherini
258:The Italian composer
253:Her Majesty's Theatre
190:
150:Sophie Ristaud Cottin
93:13 May 1827
83:Sophie Ristaud Cottin
1955:Operas set in Russia
1774:La fille du régiment
1569:Otto mesi in due ore
1537:Ugo, conte di Parigi
1465:I pazzi per progetto
1385:Otto mesi in due ore
1329:L'ajo nell'imbarazzo
1321:Il fortunato inganno
1055:on classicstoday.com
1044:Otto mesi in due ore
1017:Black, John (1982),
370:(Conductor unknown)
335:Otto mesi in due ore
245:Otto mesi in due ore
206:Otto mesi in due ore
193:Otto mesi in due ore
26:Otto mesi in due ore
1734:Lucie de Lammermoor
1686:L'assedio di Calais
1649:Lucia di Lammermoor
1553:Sancia di Castiglia
1337:Emilia di Liverpool
859:"Replacement value"
709:Alessandro Corbelli
654:Audio CD: Actes Sud
641:Alessandra Palomba
447:Caterina Lipparini
403:Giuseppe Fioravanti
303:Royal Festival Hall
183:Performance history
1881:Donizetti Monument
1857:Other compositions
1814:Linda di Chamounix
1369:Gabriella di Vergy
1297:La lettera anonima
1281:Zoraida di Granata
1243:Enrico di Borgogna
935:The New York Times
927:Tommasini, Anthony
868:Lamb, Gregory M.,
752:Borroni, p. ?
704:Leah-Marian Jones,
563:The shores of the
454:Elisabetta's nurse
317:as Count Potoski.
277:in Paris in 1853.
197:
135:Domenico Gilardoni
60:Domenico Gilardoni
1917:
1916:
1513:Francesca di Foix
1449:Il giovedì grasso
1345:Alahor in Granata
1313:Alfredo il grande
1273:Le nozze in villa
1199:Gaetano Donizetti
1099:978-0-19-517067-2
1025:Crutchfield, Will
948:Ashbrook, William
733:
732:
720:Royal Opera House
706:Anne-Marie Owens,
700:Juan Diego FlĂłrez
660:
659:
525:
524:
420:Contessa Fedora,
315:Juan Diego FlĂłrez
291:Royal Opera House
237:Adolphe de Leuven
133:to a libretto by
131:Gaetano Donizetti
129:in three acts by
112:
111:
38:Gaetano Donizetti
1967:
1907:
1906:
1886:Donizetti Museum
1822:Caterina Cornaro
1750:L'Ange de Nisida
1702:Roberto Devereux
1657:
1545:L'elisir d'amore
1497:Gianni di Parigi
1433:Gianni di Calais
1377:Olivo e Pasquale
1236:L'ira di Achille
1192:
1185:
1178:
1169:
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1068:Osborne, Charles
1049:Levine, Robert,
870:"Lost and Found"
863:The Sunday Times
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431:Signora Servoli
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1593:Lucrezia Borgia
1409:L'esule di Roma
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1107:0-19-517067-9
1104:
1101:(hardcover).
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1080:0-931340-71-3
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1029:"Donizetti's
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1012:0-14-029312-4
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994:1-56159-228-5
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987:0-333-73432-7
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973:Stanley Sadie
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960:0-521-23526-X
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1353:Don Gregorio
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915:at Caramoor"
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467:
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436:Elisabetta,
421:
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334:
321:
319:
299:Roger Parker
286:
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257:
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232:
230:
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210:Teatro Nuovo
205:
203:
200:19th century
199:
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175:
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157:
153:
145:
141:
139:
122:
114:
113:
104:Teatro Nuovo
77:
18:
1945:1827 operas
1782:La favorite
1766:Les martyrs
1489:Anna Bolena
1070:, (1994),
714:Carlo Rizzi
695:Andrea Rost
656:Cat: AD124
368:13 May 1827
363:Voice type
339:recitatives
311:Andrea Rost
307:Carlo Rizzi
263: [
224:contralto,
1924:Categories
1289:La zingara
1251:Una follia
1129:Elisabetta
920:Opera News
832:Elisabetta
736:References
681:Conductor,
665:Elisabetta
619:Conductor,
596:Recordings
565:Kama River
496:Alterkan,
343:Elisabetta
287:Elisabetta
249:Elisabetta
176:Elisabetta
97:1827-05-13
56:Librettist
1662:Belisario
1500:(1828-31)
1230:Olimpiade
1114:419285866
913:Elisabeth
904:The Times
890:The Times
818:Otto mesi
806:Tommasini
797:Rosenberg
603:Otto mesi
538:Saimika,
466:Michele,
301:, at the
271:Otto mesi
1909:Category
1577:Parisina
1441:Il paria
1144:63-13703
1116:(eBook).
975:(Ed.),
950:(1982),
528:Synopsis
125:) is an
106:, Naples
89:Premiere
74:Based on
66:Language
1874:Related
1864:Requiem
1718:Poliuto
1652:(1835)
1002:(Ed.),
761:Canning
586:Kremlin
540:Siberia
512:Orzak,
480:Ivano,
452:Maria,
443:soprano
208:at the
173:), and
95: (
69:Italian
1940:Operas
1866:(1835)
1849:(1843)
1841:(1843)
1833:(1843)
1825:(1844)
1817:(1842)
1809:(1841)
1801:(1841)
1793:(1841)
1790:Adelia
1785:(1840)
1777:(1840)
1769:(1840)
1761:(1840)
1753:(1839)
1745:(1839)
1737:(1839)
1729:(1838)
1721:(1838)
1713:(1838)
1705:(1837)
1697:(1837)
1689:(1836)
1681:(1836)
1673:(1836)
1665:(1836)
1644:(1835)
1636:(1834)
1628:(1834)
1620:(1834)
1612:(1834)
1604:(1834)
1596:(1833)
1588:(1833)
1580:(1833)
1572:(1833)
1564:(1833)
1556:(1832)
1548:(1832)
1540:(1832)
1532:(1832)
1529:Fausta
1524:(1831)
1516:(1831)
1508:(1831)
1492:(1830)
1484:(1830)
1476:(1830)
1468:(1830)
1460:(1829)
1452:(1829)
1444:(1829)
1436:(1828)
1428:(1828)
1420:(1828)
1412:(1828)
1404:(1827)
1396:(1827)
1388:(1827)
1380:(1827)
1372:(1826)
1364:(1826)
1361:Elvida
1356:(1826)
1348:(1826)
1340:(1824)
1332:(1824)
1324:(1823)
1316:(1823)
1308:(1822)
1300:(1822)
1292:(1822)
1284:(1822)
1276:(1820)
1268:(1819)
1260:(1819)
1254:(1818)
1246:(1818)
1238:(1817)
1232:(1817)
1226:(1816)
1215:Operas
1142:
1119:Unk.,
1112:
1105:
1097:
1078:
1010:
992:
985:
958:
779:Porter
770:Milnes
686:Label
624:Label
572:Tartar
548:Moscow
518:tenor
412:tenor
741:Notes
691:1997
676:Cast
673:Year
629:1999
614:Cast
611:Year
579:Act 3
558:Act 2
533:Act 1
502:bass
486:bass
472:bass
382:tenor
360:Role
353:Roles
341:from
267:]
251:, to
127:opera
34:Opera
1798:Rita
1140:LCCN
1110:OCLC
1103:ISBN
1095:ISBN
1076:ISBN
1042:and
1008:ISBN
990:ISBN
983:ISBN
956:ISBN
788:Lamb
552:Tsar
398:bass
377:Tsar
663:As
601:As
81:by
36:by
1926::
1123:,
1027:,
933:,
929:,
917:,
902:,
898:,
888:,
884:,
872:,
861:,
554:.
349:.
265:it
137:.
1191:e
1184:t
1177:v
716:,
702:,
697:,
647:,
637:,
169:(
156:(
144:(
121:(
99:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
