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Othello error

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186:. It was later adopted by Paul Ekman and Wallace V. Friesen and published in 1978. However, in a situation in which not only law enforcement but also the general public are anxious and assiduous, the potential for Othello errors to creep into the real world is high. In a review of these practices by Lenese Herbert, it is stated that "invasive visual examination of faces and facial expressions for law enforcement purposes under the guise of protective administrative searches ineffectively protects national and airport security and violates reasonable expectations of privacy. FACS improperly provides unreasonable governmental activity with a legitimizing scientific imprimatur that conceals governmental agents' race- and ethnicity-based prejudices, which leads to targeting minorities' faces as portents of danger." 133:, has been cheating on him with another man. When confronted, she cries and denies it, all the while aware that her mien will be taken as evidence of guilt by her jealous husband. Seeing his wife's emotional distress, Othello ignores alternative, innocent explanations—like the possibility that she did not love another—and kills her, as his preconceptions biased his observation and, therefore, his judgments. 25: 155:
say things that are not the truth "To avoid hurting or offending another person, to emphasize their best qualities, to avoid getting into a conflict, or to speed up or slow down a relationship." Following the lead of others who study verbal deceit, Buller and Burgoon label these three strategies falsification, concealment, and
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has a chapter dedicated to the usage of the polygraph, in which he discusses the element of "fear" and states that "the severity of the punishment will influence the truthful person's fear of being misjudged just as much as the lying person's fear of being spotted—both suffer the same consequences."
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Buller and Burgoon think that the Othello error is typical of most interactions where honesty is an issue. Their theory explains why detection of deception (and detection of truth telling) is a hit-and-miss business. One could believe someone was lying when they were not, or one could believe their
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Othello made the mistake of assuming that he understood the source of Desdemona's anguish. He assumed that his wife's sobs when confronted were a sign of her guilt; he didn't understand that her grief was rooted not in guilt, but in her knowledge that there was no way to convince her husband of her
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This is difficult and requires the lie catcher to have previous background knowledge of the suspect and the emotions they convey under different types of duress. The lie catcher needs to know the emotional characteristics of the suspect so that they are aware of what emotions they convey when they
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is the fundamental deception that can occur between two (or more) people face-to-face and is what drives the Othello error. David Buller and Judee Burgoon coined this theory after 25 experiments in which they would ask one participant to attempt to deceive another. They concluded that people often
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of another, one must ascertain if the emotion sign of emotion is a fear of being caught lying or a fear of being falsely accused and negatively judged. The lie catcher must estimate both the emotions a suspect will be feeling if they are lying but also if they are being truthful. Just as not all
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while the subject is asked and answers a series of questions. The polygraph is currently being used in 19 of 50 states in the US. The use of polygraph in court testimony remains controversial, and no judge can force a witness to go through with the test, although it is used extensively in
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Attempts to overcome this—such as the Matte-Quadri comparison technique that factors into the system the innocent examinee's fear of terror and quantifies the results, hence addressing physiological responses produced by that emotion—have been met with scepticism.
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Lie detectors use questioning techniques in conjunction with technology to measure human responses to these stimuli to attempt to ascertain if that person is lying or telling the truth. The most longstanding and still most frequently used measure is the
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The error was studied most extensively after 9/11. Many law enforcement officials were on high alert for future attacks and quick to point the finger at "suspicious-looking" individuals. The process for determining who was a potential suspect was the
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are suspected of wrongdoing versus when they actually have done wrong. Not everybody is likely to feel afraid, guilty, angry, and so on when they know they are suspected of wrongdoing or lying. It depends in part upon the personality of the suspect.
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The lie catcher must make an effort to consider the possibility that a sign of an emotion is not a clue to deceit but a clue to how a truthful person feels about being suspected of lying. When analyzing the
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states, "when the lie catcher fails to consider that a truthful person who is under stress may appear to be lying," their non-verbal signals expressing their worry at the possibility of being disbelieved. A
129:, which provides an "excellent and famous example" of what can happen when fear and distress upon confrontation do not signal deception. In the play, Othello falsely believes that his wife, 668:
Verschuere, B.; Meijer, E. & Merckelbach, H. (2008). "The Quadri-Track Zone Comparison Technique: It's just not science: A critique to Mangan, Armitage, and Adams (2008)".
616: 159:. The three differ in that falsification creates a fiction, concealment hides a secret, and equivocation dodges the issue, yet all three are types of deception. 205:
test. A polygraph, popularly referred to as a lie detector, measures and records several physiological indices such as blood pressure, pulse, respiration, and
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are fundamentally flawed, is the Othello error—an especially emotional, angry or distraught subject produces similar results to a supposed liar. Ekman's
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liars will have every possible feeling about lying, not all truthful people will have every feeling about being under suspicion.
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Rosenfeld, J. P. (1995). "Alternative Views of Bashore and Rapp's (1993) alternatives to traditional polygraphy: a critique".
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post-conviction supervision, particularly of sex offenders. The reason that the test is controversial, and the reason that
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may be deceived in the same way by misinterpreting nervous signals from a truthful person. The error is named after
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In Lewis, M. & Saarni, C. (Eds.), Lying and deception in everyday life (pp. 184-200). New York: Guilford Press.
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occurs when a suspicious observer discounts cues of truthfulness. Essentially the Othello error occurs,
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Bond, Charles F.; Fahey, William E. (1987). "False suspicion and the misperception of deceit".
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Forensic Psychophysiology Using The Polygraph: Scientific Truth Verification - Lie Detection
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The phrase "Othello error" was first used in the book
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in 1985. The name was coined from Shakespeare's play
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Misinterpretation of stress as a suspicious attitude
1184:Othello Ballet Suite/Electronic Organ Sonata No. 1 140: 1403: 459:: CS1 maint: bot: original URL status unknown ( 99:; the dynamics between the two main characters, 745: 497: 495: 417: 418:Buller, David B.; Burgoon, Judee K. (1996). 413: 411: 449:. Archived from the original on 2016-03-23. 752: 738: 492: 705: 562: 408: 61:Learn how and when to remove this message 614: 501: 361: 1404: 336: 226: 733: 589: 369:. EMC Publishing, LLC. Archived from 285: 163:lies when they were being deceitful. 708:British Journal of Social Psychology 281: 279: 277: 275: 18: 13: 720:10.1111/j.2044-8309.1987.tb00759.x 699: 511:Ohio State Journal of Criminal Law 439:10.1111/j.1468-2885.1996.tb00127.x 14: 1448: 272: 420:"Interpersonal Deception Theory" 189: 23: 661: 608: 583: 556: 529: 1391:Cultural references to Othello 836:Della descrittione dell’Africa 467: 387: 355: 330: 317: 304: 290:. W. W. Norton & Company. 152:Interpersonal deception theory 147:Interpersonal deception theory 141:Interpersonal deception theory 32:This article needs editing to 1: 682:10.1016/j.physbeh.2008.06.002 537:Man's face and mimic language 266: 166: 7: 577:10.1037/0033-2909.117.1.159 502:Herbert, Lenese C. (2007). 244: 180:Facial Action Coding System 173:Facial Action Coding System 10: 1453: 193: 170: 144: 110: 1383: 1274: 1251: 1233: 1213: 1166: 1087: 1049: 1011: 932: 861: 825: 772: 670:Physiology & Behavior 953:(1816; opera by Rossini) 846:"Un Capitano Moro" from 337:Ekman, P.; Frank, M. G. 34:comply with Knowledge's 963:(1887; opera by Verdi) 649:Cite journal requires 565:Psychological Bulletin 362:Shakespeare, William. 761:William Shakespeare's 590:James, Matte (1996). 535:Hjortsjö, CH (1969). 312:Forensic Interviewing 1242:Beast with two backs 1202:The Othello Syndrome 1187:(1967; ballet suite) 993:(1998; ballet score) 427:Communication Theory 325:Social Communication 184:Carl-Herman Hjortsjö 1432:Human communication 1349:Goodnight Desdemona 227:Potential solutions 91:William Shakespeare 43:improve the content 594:. J. a. M. Pubns. 542:2022-08-06 at the 286:Ekman, P. (1985). 212:lie detector tests 1399: 1398: 1357:An Imaginary Tale 980:The Moor's Pavane 874:The Duke of Milan 256:Confirmation bias 207:skin conductivity 71: 70: 63: 1444: 1412:Cognitive biases 1309:Men Are Not Gods 1206: 1188: 1004: 994: 984: 974: 973:(1892; overture) 964: 954: 909: 882:Love's Sacrifice 854: 848:Gli Hecatommithi 754: 747: 740: 731: 730: 723: 694: 693: 665: 659: 658: 652: 647: 645: 637: 635: 634: 628: 622:. Archived from 621: 612: 606: 605: 587: 581: 580: 560: 554: 533: 527: 526: 508: 499: 490: 489: 487: 486: 471: 465: 464: 458: 450: 424: 415: 406: 405: 403: 402: 391: 385: 384: 382: 381: 375: 368: 359: 353: 351: 349: 348: 343: 339:"Lies That Fail" 334: 328: 321: 315: 310:K. D. Harrison, 308: 302: 301: 283: 66: 59: 55: 52: 46: 27: 26: 19: 1452: 1451: 1447: 1446: 1445: 1443: 1442: 1441: 1422:1985 neologisms 1402: 1401: 1400: 1395: 1379: 1276: 1270: 1265:Filming Othello 1247: 1229: 1209: 1199: 1181: 1162: 1090: 1083: 1045: 1007: 997: 987: 977: 967: 957: 947: 940: 928: 904: 864: 857: 845: 821: 768: 758: 727: 702: 700:Further reading 697: 666: 662: 650: 648: 639: 638: 632: 630: 626: 619: 613: 609: 602: 588: 584: 561: 557: 544:Wayback Machine 534: 530: 506: 500: 493: 484: 482: 473: 472: 468: 452: 451: 422: 416: 409: 400: 398: 393: 392: 388: 379: 377: 373: 366: 360: 356: 346: 344: 341: 335: 331: 322: 318: 309: 305: 298: 284: 273: 269: 247: 229: 198: 192: 175: 169: 149: 143: 113: 93:'s tragic play 67: 56: 50: 47: 40: 36:Manual of Style 28: 24: 17: 12: 11: 5: 1450: 1440: 1439: 1434: 1429: 1424: 1419: 1414: 1397: 1396: 1394: 1393: 1387: 1385: 1381: 1380: 1378: 1377: 1369: 1361: 1353: 1345: 1337: 1329: 1321: 1313: 1305: 1297: 1289: 1280: 1278: 1272: 1271: 1269: 1268: 1261: 1255: 1253: 1249: 1248: 1246: 1245: 1237: 1235: 1231: 1230: 1228: 1227: 1219: 1217: 1211: 1210: 1208: 1207: 1197: 1189: 1179: 1170: 1168: 1164: 1163: 1161: 1160: 1152: 1144: 1136: 1128: 1120: 1112: 1108:All Night Long 1104: 1095: 1093: 1085: 1084: 1082: 1081: 1076: 1071: 1066: 1061: 1059:1964 Australia 1055: 1053: 1047: 1046: 1044: 1043: 1038: 1033: 1028: 1023: 1017: 1015: 1009: 1008: 1006: 1005: 995: 985: 983:(1949; ballet) 975: 965: 955: 944: 942: 930: 929: 927: 926: 918: 910: 902: 894: 886: 878: 869: 867: 859: 858: 856: 855: 843: 831: 829: 823: 822: 820: 819: 814: 809: 804: 799: 794: 789: 784: 778: 776: 770: 769: 757: 756: 749: 742: 734: 725: 724: 701: 698: 696: 695: 676:(1–2): 27–28. 660: 651:|journal= 607: 600: 582: 571:(1): 159–166. 555: 528: 491: 466: 433:(3): 203–242. 407: 386: 354: 329: 316: 303: 296: 270: 268: 265: 264: 263: 258: 253: 251:Cherry picking 246: 243: 228: 225: 194:Main article: 191: 188: 171:Main article: 168: 165: 145:Main article: 142: 139: 112: 109: 69: 68: 31: 29: 22: 15: 9: 6: 4: 3: 2: 1449: 1438: 1435: 1433: 1430: 1428: 1425: 1423: 1420: 1418: 1417:Lie detection 1415: 1413: 1410: 1409: 1407: 1392: 1389: 1388: 1386: 1382: 1375: 1374: 1370: 1367: 1366: 1362: 1359: 1358: 1354: 1351: 1350: 1346: 1343: 1342: 1338: 1335: 1334: 1330: 1327: 1326: 1322: 1319: 1318: 1317:A Double Life 1314: 1311: 1310: 1306: 1303: 1302: 1298: 1295: 1294: 1290: 1287: 1286: 1282: 1281: 1279: 1273: 1267: 1266: 1262: 1260: 1259:Othello error 1257: 1256: 1254: 1250: 1243: 1239: 1238: 1236: 1232: 1226: 1225: 1221: 1220: 1218: 1216: 1212: 1205:(2008; album) 1204: 1203: 1198: 1195: 1194: 1190: 1186: 1185: 1180: 1177: 1176: 1172: 1171: 1169: 1165: 1158: 1157: 1153: 1150: 1149: 1145: 1142: 1141: 1137: 1134: 1133: 1129: 1126: 1125: 1121: 1118: 1117: 1116:Catch My Soul 1113: 1110: 1109: 1105: 1102: 1101: 1097: 1096: 1094: 1092: 1086: 1080: 1077: 1075: 1072: 1070: 1067: 1065: 1062: 1060: 1057: 1056: 1054: 1052: 1048: 1042: 1039: 1037: 1034: 1032: 1029: 1027: 1024: 1022: 1019: 1018: 1016: 1014: 1010: 1003:(1999; opera) 1002: 1001: 996: 992: 991: 986: 982: 981: 976: 972: 971: 966: 962: 961: 956: 952: 951: 946: 945: 943: 939: 935: 931: 924: 923: 919: 916: 915: 914:Catch My Soul 911: 907: 906:Catch My Soul 903: 900: 899: 895: 892: 891: 887: 884: 883: 879: 876: 875: 871: 870: 868: 866: 860: 853: 849: 844: 842: 841:Leo Africanus 838: 837: 833: 832: 830: 828: 824: 818: 815: 813: 810: 808: 805: 803: 800: 798: 795: 793: 790: 788: 785: 783: 780: 779: 777: 775: 771: 767: 766: 762: 755: 750: 748: 743: 741: 736: 735: 732: 728: 721: 717: 713: 709: 704: 703: 691: 687: 683: 679: 675: 671: 664: 656: 643: 629:on 2017-12-12 625: 618: 611: 603: 601:0-9655794-0-9 597: 593: 586: 578: 574: 570: 566: 559: 553: 549: 545: 541: 538: 532: 524: 520: 516: 512: 505: 498: 496: 481:. 16 May 2014 480: 476: 470: 462: 456: 448: 444: 440: 436: 432: 428: 421: 414: 412: 396: 390: 376:on 2016-03-05 372: 365: 358: 340: 333: 327:(2011) p. 327 326: 320: 313: 307: 299: 293: 289: 282: 280: 278: 276: 271: 262: 261:Filter bubble 259: 257: 254: 252: 249: 248: 242: 238: 235: 234:body language 224: 220: 217: 213: 208: 204: 197: 196:Lie detection 190:Lie detectors 187: 185: 181: 174: 164: 160: 158: 153: 148: 138: 134: 132: 128: 127: 122: 118: 108: 106: 102: 98: 97: 92: 88: 84: 79: 75: 74:Othello error 65: 62: 54: 51:November 2015 44: 39: 37: 30: 21: 20: 1371: 1363: 1355: 1347: 1339: 1331: 1323: 1315: 1307: 1301:The Deceiver 1299: 1291: 1283: 1275:Story within 1263: 1258: 1222: 1200: 1196:(1986; film) 1191: 1182: 1178:(1906; film) 1173: 1154: 1146: 1138: 1130: 1122: 1114: 1106: 1098: 998: 988: 978: 968: 958: 948: 920: 912: 905: 896: 888: 880: 872: 847: 834: 763: 726: 714:(1): 41–46. 711: 707: 673: 669: 663: 642:cite journal 631:. 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Index

Manual of Style
improve the content
Learn how and when to remove this message
Paul Ekman
lie-detector
polygraph
William Shakespeare
Othello
Othello
Desdemona
Paul Ekman
Othello
Desdemona
Interpersonal deception theory
Interpersonal deception theory
equivocation
Facial Action Coding System
Facial Action Coding System
Carl-Herman Hjortsjö
Lie detection
polygraph
skin conductivity
lie detector tests
body language
Cherry picking
Confirmation bias
Filter bubble


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