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Oscar Micheaux

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He discusses the culture of doers who want to accomplish and those who see themselves as victims of injustice and hopelessness and who do not want to try to succeed, but instead like to pretend to be successful while living the city lifestyle in poverty. He had become frustrated with getting some members of his race to populate the frontier and make something of themselves, with real work and property investment. He wrote more than 100 letters to fellow Negroes in the East beckoning them to come West, but only his older brother eventually took his advice. One of Micheaux's fundamental beliefs was that hard work and enterprise would make any person rise to respect and prominence no matter his or her race.
491:. It contrasted the experiences for African Americans who stayed in rural areas and others who had migrated to cities and become urbanized. Micheaux explored the suffering of African Americans in the present day, without explaining how the situation arose in history. Some feared that this film would cause even more unrest within society, and others believed it would open the public's eyes to the unjust treatment of blacks by whites. Protests against the film continued until the day it was released. Because of its controversial status, the film was banned from some theaters. 571: 227: 436:. This film, released in 1919, met with critical and commercial success. It revolves around a man named Jean Baptiste, called the Homesteader, who falls in love with many white women but resists marrying one out of his loyalty to his race. Baptiste sacrifices love to be a key symbol for his fellow African Americans. He looks for love among his own people and marries an African-American woman. Relations between the couple deteriorate. Eventually, Baptiste is not allowed to see his wife. She kills her father for keeping them apart and commits 344: 6004: 2303: 2213: 33: 313:. This experience inspired his first novels and films. His neighbors on the frontier were predominately blue collar whites. "Some recall that rarely sat at a table with his blue collar white neighbors." Micheaux's years as a homesteader allowed him to learn more about human relations and farming. While farming, Micheaux wrote articles and submitted them to the press. 282:
were forced to return to the farm. The discontented Micheaux became rebellious and his struggles caused problems within his family. His father was not happy with him and sent him away to do marketing in the city. Micheaux found pleasure in this job because he was able to speak to many new people and learned social skills that he would later reflect in his films.
416:. Many of his films were open, blunt and thought-provoking regarding certain racial issues of that time. He once commented: "It is only by presenting those portions of the race portrayed in my pictures, in the light and background of their true state, that we can raise our people to greater heights." Financial hardships during the 302:
contacts and knowledge about the world through traveling as well as a greater understanding for business. When he left the position, he had seen much of the United States, had a couple of thousand dollars saved in his bank account, and had made a number of connections with wealthy white people who helped his future endeavors.
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75 to $ 100 a share. Micheaux hired actors and actresses and decided to have the premiere in Chicago. The film and Micheaux received high praise from film critics. One article credited Micheaux with "a historic breakthrough, a creditable, dignified achievement". Some members of the Chicago clergy criticized the film as
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Micheaux's films were made during a time of great change in the African-American community. His films featured contemporary black life. He dealt with racial relationships between blacks and whites, and the challenges for blacks when trying to achieve success in the larger society. His films were used
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as a feature film. Micheaux had a major career as a film producer and director: He produced more than 40 films, which drew audiences throughout the U.S. as well as internationally. Micheaux contacted wealthy academic connections from his earlier career as a porter, and sold stock for his company at $
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In South Dakota, Micheaux married Orlean McCracken. Her family proved to be complex and burdensome for Micheaux. Unhappy with their living arrangements, Orlean felt that Micheaux did not pay enough attention to her. She gave birth while he was away on business, and was reported to have emptied their
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is named Oscar Devereaux. His theme was about African Americans realizing their potential and succeeding in areas where they had not felt they could. The book outlines the difference between city lifestyles of Negroes and the life he decided to lead as a lone Negro out on the far West as a pioneer.
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for its "Black Monuments Project", which named Oscar Micheaux as one of its 50 African Americans deserving of a statue. He said Micheaux embodied "the best of what we all are as Americans" and that the filmmaker was "an inspiration". A historical marker in Roanoke, Virginia, commemorates his time
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After being "swindled out of two dollars" by an employment agency, Micheaux decided to become his own boss. His first business was a shoeshine stand, which he set up at a wealthy African American barbershop, away from Chicago competition. He learned the basic strategies of business and started to
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In his later years, Micheaux wrote about the social oppression he experienced as a young boy. His parents moved to the city so that the children could receive a better education. Micheaux attended a well-established school for several years before the family eventually ran into money troubles and
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Micheaux sought to create films that would counter negative portrayals of African Americans in films by white producers, which trafficked in degrading stereotypes. He created complex characters of different classes. His films questioned the value system of both African-American and Euro-American
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My results ... might have been narrow at times, due perhaps to certain limited situations, which I endeavored to portray, but in those limited situations, the truth was the predominant characteristic. It is only by presenting those portions of the race portrayed in my pictures, in the light and
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Sylvia is almost raped by the landowner's brother but discovers that he is her biological father. Micheaux always depicts African Americans as being serious and reaching for higher education. Before the flashback scene, we see that Sylvia travels to Boston, seeking funding for her school, which
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on the major railroads, at that time considered prestigious employment for African Americans because it was relatively stable, well paid, and secure, and it enabled travel and interaction with new people. This job was an informal education for Micheaux. He profited financially, and also gained
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In the film, Micheaux depicts educated and professional people in black society as light-skinned, representing the elite status of some of the mixed-race people who comprised the majority of African Americans free before the Civil War. Poor people are represented as dark-skinned and with more
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to oppose and discuss the racial injustice that African Americans received. Topics such as lynching, job discrimination, rape, mob violence, and economic exploitation were depicted in his films. These films also reflect his ideologies and autobiographical experiences.
358:, were printed. He published the book anonymously, for unknown reasons. He based it on his experiences as a homesteader and the failure of his first marriage and it was largely autobiographical. Although character names have been changed, the 1929: 228: 483:
serves black children. They are underserved by the segregated society. On her journey, she is hit by the car of a rich white woman. Learning about Landry's cause, the woman decides to give her school $ 50,000.
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into a new feature film, negotiations and paperwork became inharmonious. Micheaux wanted to be directly involved in the adaptation of his book as a movie, but Johnson resisted and never produced the film.
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to live with his older brother, then working as a waiter. Micheaux became dissatisfied with what he viewed as his brother's way of living "the good life". He rented his own place and found work in the
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bank accounts and fled. Orlean's father sold Micheaux's property and took the money from the sale. After his return, Micheaux tried unsuccessfully to get Orlean and his property back. He married
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Critic Barbara Lupack described Micheaux as pursuing moderation with his films and creating a "middle-class cinema". His works were designed to appeal to both middle- and lower-class audiences.
262:, on January 2, 1884. He was the fifth child born to Calvin S. and Belle Michaux, who had a total of 13 children. In his later years, Micheaux added an "e" to his last name. His father was 2235: 1799: 795:
he was shocked that, in spite of Micheaux's historical significance, there was "virtually nothing out there about life". The film's executive producer, Frances Presley Rice, told the
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marketing his work. While in Sioux City, he lived in and was influenced by the West 7th Street neighborhood where the town's African-American community had a strong presence.
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published one of his earliest articles. His homestead failed and he was forced to sell it in 1911. The next year, he began his publishing career when Woodruff Press of
1059: 519: 1075: 4762: 1981: 6086: 2335: 6091: 234:; (January 2, 1884 – March 25, 1951) was an American author, film director and independent producer of more than 44 films. Although the short-lived 1446: 6126: 6116: 6096: 440:. Baptiste is accused of the crime, but is ultimately cleared. An old love helps him through his troubles. After he learns that she is a 1752: 6081: 1877: 1851: 6101: 6066: 246:, and has been described as "the most successful African-American filmmaker of the first half of the 20th century". He produced both 1593: 6111: 6056: 6041: 6036: 2407: 1340: 522:
that Micheaux was forced to make cuts to have it shown. He remade this story as a sound film in 1932, releasing it with the title
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UC Berkeley: Moffitt Library: Media Resources Center: "Oscar Micheaux: A Bibliography of Materials in the UC Berkeley Library"
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refugees had settled in Virginia in 1700; their descendants took slaves west when they migrated into Kentucky after the
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background of their true state, that we can raise our people to greater heights. I am too imbued with the spirit of
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In addition to writing and directing his own films, Micheaux also adapted the works of different writers for his
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Micheaux decided to concentrate on writing and, eventually, filmmaking, a new industry. He wrote seven novels.
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undiluted African ancestry. Mixed-race people also feature as some of the villains. The film is set within the
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was the first movie company owned and controlled by black filmmakers, Micheaux is regarded as the first major
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archived footage, photos, illustrations and vintage music. The film was announced by American radio host
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became known as Micheaux's breakout film; it helped him become widely known as a writer and a filmmaker.
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Lupack, Barbara Tepa (2004), "Black Pioneer: Oscar Micheaux", in Mazur, Zygmunt; Utz, Richard (eds.),
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that Micheaux was the first "indie movie producer". In 2018, Mack was interviewed by the news site
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Howard, John R. (2009). Faces in the Mirror: Oscar Micheaux and Spike Lee. Fireside Publications.
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eventually made it impossible for Micheaux to keep producing films, and he returned to writing.
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Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era
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Outside America: Race, Ethnicity, and the Role of the American West in National Belonging
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and thus part-African, they marry. This film deals extensively with race relationships.
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to engraft false virtues upon ourselves, to make ourselves that which we are not.
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Oscar Micheaux, the Great and Only: The Life of America's First Black Filmmaker
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Oscar Micheaux – A Biography: Dakota Homesteader, Author, Pioneer Film Maker
1227: 689:, created a category for donors, the Micheaux Society, in honor of Micheaux. 5734: 5572: 5465: 5437: 5372: 5340: 5312: 5277: 5270: 5263: 5228: 5194: 5110: 5068: 4926: 4915: 4905: 4652: 4624: 4562: 4555: 4541: 4513: 4485: 4450: 4443: 4415: 4401: 4387: 4366: 4275: 4233: 4226: 4066: 4038: 3989: 3975: 3849: 3814: 3709: 3695: 3632: 3559: 3452: 3410: 3208: 3033: 2159:
Oscar Micheaux: Dakota Homesteader, Author, Pioneer Film Maker: a Biography
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Literary Adaptations in Black American Cinema: From Micheaux to Morrison
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societies, which stirred controversy with the press and state censors.
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external links, and converting useful links where appropriate into
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for being "culturally, historically, or aesthetically significant".
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In 2001, Oscar Micheaux Golden Anniversary Festival (March 24–25)
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Instead, Micheaux founded the Micheaux Film & Book Company of
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United States Postal Service: Oscar Micheaux commemorative stamp
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Homo narrans: texts and essays in honor of Jerome Klinkowitz
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Midnight Ramble: Oscar Micheaux and the Story of Race Movies
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Bowser, Pearl; Gaines, Jane; Musser, Charles, eds. (2001).
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100 Greatest African Americans: A Biographical Encyclopedia
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in 1926. Oscar and Alice remained married until his death.
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continues to honor his work and educate about his legacy.
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The Oscar Micheaux Award for excellence was established.
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being decorated during the 2005 Oscar Micheaux festival.
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Homestead to Lynch Mob: Portrayals of Black Masculinity
1222:. Sioux City, Iowa: Western Book Supply Company. 1917. 2347:"Within Our Gates (1920) – Oscar Micheaux Silent Film" 1904:"New Documentary About Black Filmmaker Oscar Micheaux" 370:, dedicated to his mother, attracted the attention of 678:
issued a 44-cent, Oscar Micheaux commemorative stamp.
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honored Micheaux with a Golden Jubilee Special Award.
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revolved around the main character, Sylvia Landry, a
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Writer and African-American film director (1884–1951)
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because Micheaux's life mirrored his own. Mack told
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A Sunday Afternoon on the Island of La Grande Jatte
1563:"The Journal for MultiMedia History Volume 3~ 2000" 808:living and working in the city as a film producer. 518:, created so much controversy when reviewed by the 211: 205: 2055:(Summer 1991). "Micheaux: Celebrating Blackness". 2008:. Bloomington, Indiana: Indiana University Press. 2001: 983:(1927), adapted from novel by Charles W. Chesnutt 590:, aged 67. He is buried in Great Bend Cemetery in 2226:may not follow Knowledge's policies or guidelines 1825:"Little Known Black History Fact: Oscar Micheaux" 623:1987, Micheaux was recognized with a star on the 498:, which he released under their original titles: 6018: 1797: 1368:. University Press of New England. p. 53. 510:(1927). The latter, which dealt with issues of 2366:(features clips from some of Micheaux's films) 2155: 736: 2780: 2401: 1960:"The Black Monuments Project: Oscar Micheaux" 1531:Literary Adaptations in Black American Cinema 654:holds an annual Oscar Micheaux Film Festival. 5695: 5684: 2885: 2874: 2828: 2817: 2187:Who's Who in Colored America: 1930-1931-1932 2120:. Rochester: University of Rochester Press. 285:When Micheaux was 17 years old, he moved to 2956: 2372:(recorded an album of songs about Micheaux) 2026:Straight Lick: The Cinema of Oscar Micheaux 1771: 1176:. Lincoln, Nebraska: Woodruff Press. 1913. 253: 242:feature filmmaker, a prominent producer of 2787: 2773: 2408: 2394: 2134: 1173:The Conquest: The Story of a Negro Pioneer 394:; its first project was the production of 356:The Conquest: The Story of a Negro Pioneer 338: 142: 1926⁠–⁠1951) 31: 6087:20th-century American short story writers 2262:Learn how and when to remove this message 1875: 1849: 1731: 1687:"Taubman Museum reduces its annual rates" 1619: 1617: 1615: 1426: 1424: 1422: 1420: 1418: 1416: 1414: 1412: 354:In 1913, 1,000 copies of his first book, 6092:People from Gregory County, South Dakota 1523: 1521: 1519: 1517: 1515: 1513: 1511: 1410: 1408: 1406: 1404: 1402: 1400: 1398: 1396: 1394: 1392: 569: 342: 1676:World Stamp News www.worldstampnews.com 1294:. New York: Book Supply Company. 1947. 1276:. New York: Book Supply Company. 1946. 1258:. New York: Book Supply Company. 1944. 1240:. New York: Book Supply Company. 1941. 732:has an exhibition devoted to his works. 667:included Oscar Micheaux on his list of 309:, where he bought land and worked as a 6019: 2184: 2113: 2094: 1927: 1798:Movies News Desk (February 12, 2014). 1732:Zimmerman, Eilene (October 20, 2021). 1651: 1623: 1612: 1527: 761:on his nationally syndicated program, 6127:20th-century African-American writers 5621:Six Characters in Search of an Author 2768: 2389: 2051: 2022: 1901: 1750: 1705:Chow, Andrew R. (December 11, 2019). 1508: 1485: 1483: 1481: 1389: 701:. It was first aired on the PBS show 2206: 2156:VanEpps-Taylor, Betti Carol (1999). 2029:. Bloomington, Indiana: Indiana UP. 1876:Wetzstein, Cheryl (April 30, 2014). 1850:Wetzstein, Cheryl (April 30, 2014). 1774:"The Czar of Black Hollywood (2014)" 1751:Chang, Justin (September 21, 2021). 1704: 1698: 1588: 1586: 1584: 1361: 641:created an annual award in his name. 610: 582:Micheaux died on March 25, 1951, in 6117:20th-century American screenwriters 2336:"Black Cinema: Micheaux Must Go On" 13: 6097:20th-century American male writers 4823:Nude Descending a Staircase, No. 2 2370:Stace England & The Salt Kings 1995: 1982:"Oscar Micheaux Historical Marker" 1478: 1447:"Patent Details - BLM GLO Records" 779:Oscar Micheaux: The Great and Only 447:Micheaux's second silent film was 432:was adapted to film and re-titled 327:. He began work on a second book, 14: 6148: 6082:American male short story writers 2202: 1772:Paul Day II (December 24, 2014). 1656:. Amherst, NY: Prometheus Books. 1624:Ravage, John W. (March 3, 2007). 1581: 1461:""Oscar Micheaux biography", Bio" 730:Academy Museum of Motion Pictures 471:school teacher played by actress 159:Directors Guild of America Awards 121: 1910, divorced) 6102:Film directors from South Dakota 6067:People from Metropolis, Illinois 6003: 6002: 2301: 2285:Works by or about Oscar Micheaux 2211: 1685:Allen, Mike (February 21, 2011) 777:said he read the 2007 biography 597: 382:. After Johnson offered to make 201: 6112:Screenwriters from South Dakota 6057:American film studio executives 6042:African-American film directors 6037:20th-century American novelists 2162:. Rapid City, SD: Dakota West. 2057:Black American Literature Forum 1974: 1952: 1921: 1895: 1869: 1843: 1817: 1791: 1765: 1744: 1734:"Capturing the Magic of Movies" 1725: 1679: 1670: 1645: 258:Micheaux was born on a farm in 139: 118: 6047:African-American screenwriters 5770:Grosvenor School of Modern Art 5763:Fourth dimension in literature 1928:Geggis, Anne (July 10, 2014). 1902:Kelly, Kate (August 4, 2014). 1695:. Retrieved February 21, 2011. 1555: 1534:. University Rochester Press. 1453: 1439: 1355: 1339:. May 24, 2005. Archived from 1325: 1291:Masquerade, a Historical Novel 1273:The Story of Dorothy Stanfield 940:(1926), adapted from novel by 816: 705:in 1994, and released in 2004. 669:100 Greatest African Americans 616:The Oscar Micheaux Society at 494:Micheaux adapted two works by 376:Lincoln Motion Picture Company 236:Lincoln Motion Picture Company 1: 6132:African-American male writers 2794: 2454:The Symbol of the Unconquered 2325:Oscar Micheaux: Pioneer Negro 2114:Lupack, Barbara Tepa (2002). 1528:Lupack, Barbara Tepa (2002). 1319: 849:The Symbol of the Unconquered 646:Black Filmmakers Hall of Fame 38: 6062:Film directors from Illinois 2135:McGilligan, Patrick (2007). 1652:Asante, Molefi Kete (2002). 1431:Betti Carol VanEpps-Taylor, 785:and was inspired to produce 745:Block Starz Music Television 648:gave him a posthumous award. 307:Gregory County, South Dakota 166:Golden Jubilee Special Award 7: 6107:Screenwriters from Illinois 6052:American male screenwriters 5863:List of avant-garde artists 4847:The Cabinet of Dr. Caligari 2582:The House Behind the Cedars 2300:(public domain audiobooks) 2141:. New York: HarperCollins. 1307: 980:The House Behind the Cedars 787:The Czar of Black Hollywood 764:The Tom Joyner Morning Show 750:The Czar of Black Hollywood 738:The Czar of Black Hollywood 574:Grave of Oscar Micheaux in 507:The House Behind the Cedars 10: 6153: 6122:African-American novelists 5721:Classical Hollywood cinema 2494:The Virgin of the Seminole 1934:tribunedigital-sunsentinel 889:The Virgin of the Seminole 639:Producers Guild of America 632:Directors Guild of America 276:American Revolutionary War 5984: 5662: 5503: 5371: 5211: 4967: 4956: 4799:Les Demoiselles d'Avignon 4753: 4579: 4139: 3622: 3613: 3490: 3274: 3016: 3007: 2802: 2424: 1594:""Oscar Micheaux' grave"" 1337:African American Registry 708:In 2019, Micheaux's film 584:Charlotte, North Carolina 531: 150: 101: 93: 86:Charlotte, North Carolina 74: 48: 30: 23: 3584:The Master and Margarita 2744:The Notorious Elinor Lee 2023:Green, Ronald J (2000). 1495:Sioux City Public Museum 1255:The Case of Mrs. Wingate 1219:The Homesteader: A Novel 1164: 1148:The Notorious Elinor Lee 811: 718:for preservation in the 565: 544: 423: 297:save money. He became a 254:Early life and education 191:Oscar Devereaux Micheaux 53:Oscar Devereaux Micheaux 6077:American male novelists 5870:List of modernist poets 5756:Fourth dimension in art 4939:Meshes of the Afternoon 2622:A Daughter of the Congo 2294:Works by Oscar Micheaux 2276:Works by Oscar Micheaux 2189:. Brooklyn: T. Yenser. 2185:Yenser, Thomas (1933). 1020:A Daughter of the Congo 703:The American Experience 428:Micheaux's first novel 339:Writing and film career 5954:Second Viennese School 5696: 5685: 3596:The Sound and the Fury 3500:In Search of Lost Time 2957: 2886: 2875: 2829: 2818: 720:National Film Registry 674:On June 22, 2010, the 625:Hollywood Walk of Fame 579: 563: 520:Film Board of Virginia 348: 171:Hollywood Walk of Fame 5933:Reactionary modernism 5856:List of art movements 2682:Harlem After Midnight 2668:The Girl from Chicago 2462:The Gunsaulus Mystery 1940:on September 28, 2015 1237:The Wind from Nowhere 1084:Harlem After Midnight 1068:The Girl from Chicago 857:The Gunsaulus Mystery 683:Taubman Museum of Art 652:Gregory, South Dakota 573: 554: 456:The Birth of a Nation 374:, the manager of the 346: 5777:Hanshinkan Modernism 5633:The Threepenny Opera 5549:Pelléas et Mélisande 2550:The Devil's Disciple 2323:J.D. Walker, Ph.D.: 2232:improve this article 1882:The Washington Times 1436:, Dakota West, 1999. 948:The Devil's Disciple 770:The Washington Times 714:was selected by the 559:Booker T. Washington 316:The Chicago Defender 260:Metropolis, Illinois 67:Metropolis, Illinois 5835:International Style 5585:Afternoon of a Faun 4871:Battleship Potemkin 4775:Mont Sainte-Victoir 2712:God's Step Children 2654:Ten Minutes to Live 2486:Uncle Jasper's Will 2244:footnote references 1908:The Huffington Post 1831:. February 13, 2014 1116:God's Step Children 1052:Ten Minutes to Live 942:Charles W. Chesnutt 881:Uncle Jasper's Will 792:The Huffington Post 755:Library of Congress 716:Library of Congress 496:Charles W. Chesnutt 366:In 1918, his novel 180:Hollywood Boulevard 5714:Buddhist modernism 5671:American modernism 5597:The Rite of Spring 3572:The Sun Also Rises 3548:The Magic Mountain 2675:Phantom of Kenwood 2646:Veiled Aristocrats 2590:Thirty Years Later 2416:Films directed by 2378:(page archived at 1738:The New York Times 1600:on August 27, 2013 1362:Moos, Dan (2005). 1076:Phantom of Kenwood 1044:Veiled Aristocrats 988:Thirty Years Later 783:Patrick McGilligan 665:Molefi Kete Asante 659:Great Bend, Kansas 592:Great Bend, Kansas 580: 525:Veiled Aristocrats 349: 305:Micheaux moved to 6014: 6013: 5742:Experimental film 5658: 5657: 5645:Waiting for Godot 4952: 4951: 3609: 3608: 3512:The Metamorphosis 2762: 2761: 2574:The Broken Violin 2542:The Conjure Woman 2280:Project Gutenberg 2272: 2271: 2264: 2127:978-1-58046-103-0 1829:Black America Web 1804:broadwayworld.com 1758:Los Angeles Times 1692:The Roanoke Times 1663:978-1-57392-963-9 1626:"Micheaux, Oscar" 1491:"Micheaux, Oscar" 972:The Broken Violin 937:The Conjure Woman 687:Roanoke, Virginia 676:US Postal Service 663:In 2002, scholar 611:Legacy and honors 501:The Conjure Woman 321:Lincoln, Nebraska 264:born into slavery 250:and sound films. 188: 187: 6144: 6006: 6005: 5977: 5975:Vulgar modernism 5970: 5968:Underground film 5963: 5956: 5949: 5942: 5935: 5928: 5921: 5914: 5907: 5900: 5893: 5886: 5879: 5872: 5865: 5858: 5851: 5844: 5837: 5830: 5821: 5814: 5807: 5800: 5793: 5791:Hippie modernism 5786: 5779: 5772: 5765: 5758: 5751: 5744: 5737: 5730: 5723: 5716: 5709: 5707:Bloomsbury Group 5702: 5701: 5691: 5690: 5680: 5673: 5651: 5650: 5639: 5638: 5627: 5626: 5615: 5614: 5603: 5602: 5591: 5590: 5579: 5578: 5567: 5566: 5555: 5554: 5543: 5542: 5531: 5530: 5519: 5518: 5496: 5489: 5482: 5475: 5468: 5461: 5454: 5447: 5440: 5433: 5426: 5419: 5412: 5405: 5398: 5391: 5384: 5364: 5357: 5350: 5343: 5336: 5329: 5322: 5315: 5308: 5301: 5294: 5287: 5280: 5273: 5266: 5259: 5252: 5245: 5238: 5231: 5224: 5204: 5197: 5190: 5183: 5176: 5169: 5162: 5155: 5148: 5141: 5134: 5127: 5120: 5113: 5106: 5099: 5092: 5085: 5078: 5071: 5064: 5057: 5050: 5043: 5036: 5029: 5022: 5015: 5008: 5001: 4994: 4987: 4980: 4965: 4964: 4945: 4944: 4933: 4932: 4921: 4920: 4911: 4910: 4901: 4900: 4895:Un Chien Andalou 4889: 4888: 4877: 4876: 4865: 4864: 4859:Ballet Mécanique 4853: 4852: 4841: 4840: 4829: 4828: 4817: 4816: 4805: 4804: 4793: 4792: 4787:The Starry Night 4781: 4780: 4769: 4768: 4746: 4739: 4732: 4725: 4718: 4711: 4704: 4697: 4690: 4683: 4676: 4669: 4662: 4655: 4648: 4641: 4634: 4627: 4620: 4613: 4606: 4599: 4592: 4572: 4565: 4558: 4551: 4544: 4537: 4530: 4523: 4516: 4509: 4502: 4495: 4488: 4481: 4474: 4467: 4460: 4453: 4446: 4439: 4432: 4425: 4418: 4411: 4404: 4397: 4390: 4383: 4376: 4369: 4362: 4355: 4348: 4341: 4334: 4327: 4320: 4313: 4306: 4299: 4292: 4285: 4278: 4271: 4264: 4257: 4250: 4243: 4236: 4229: 4222: 4215: 4208: 4201: 4194: 4187: 4180: 4173: 4166: 4159: 4152: 4132: 4125: 4118: 4116:Toulouse-Lautrec 4111: 4104: 4097: 4090: 4083: 4076: 4069: 4062: 4055: 4048: 4041: 4034: 4027: 4020: 4013: 4006: 3999: 3992: 3985: 3978: 3971: 3964: 3957: 3950: 3943: 3936: 3929: 3922: 3915: 3908: 3901: 3894: 3887: 3880: 3873: 3866: 3859: 3852: 3845: 3838: 3831: 3824: 3817: 3810: 3803: 3796: 3789: 3782: 3775: 3768: 3761: 3754: 3747: 3740: 3733: 3726: 3719: 3712: 3705: 3698: 3691: 3684: 3677: 3670: 3663: 3656: 3649: 3642: 3635: 3620: 3619: 3602: 3601: 3590: 3589: 3578: 3577: 3566: 3565: 3554: 3553: 3542: 3541: 3530: 3529: 3518: 3517: 3506: 3505: 3483: 3476: 3469: 3462: 3455: 3448: 3441: 3434: 3427: 3420: 3413: 3406: 3399: 3392: 3385: 3378: 3371: 3364: 3357: 3350: 3343: 3336: 3329: 3322: 3315: 3308: 3301: 3294: 3287: 3267: 3260: 3253: 3246: 3239: 3232: 3225: 3218: 3211: 3204: 3197: 3190: 3183: 3176: 3169: 3162: 3155: 3148: 3141: 3134: 3127: 3120: 3113: 3106: 3099: 3092: 3085: 3078: 3071: 3064: 3057: 3050: 3043: 3036: 3029: 3014: 3013: 3000: 2993: 2986: 2979: 2972: 2963: 2962: 2952: 2945: 2938: 2931: 2922: 2915: 2908: 2899: 2892: 2891: 2881: 2880: 2877:Der Blaue Reiter 2870: 2863: 2856: 2849: 2842: 2835: 2834: 2824: 2823: 2813: 2789: 2782: 2775: 2766: 2765: 2690:Murder in Harlem 2606:The Wages of Sin 2558:The Spider's Web 2438:Within Our Gates 2410: 2403: 2396: 2387: 2386: 2380:Internet Archive 2359: 2348: 2305: 2304: 2289:Internet Archive 2267: 2260: 2256: 2253: 2247: 2215: 2214: 2207: 2198: 2181: 2152: 2131: 2110: 2080: 2048: 2019: 1990: 1989: 1978: 1972: 1971: 1969: 1967: 1956: 1950: 1949: 1947: 1945: 1936:. Archived from 1925: 1919: 1918: 1916: 1914: 1899: 1893: 1892: 1890: 1888: 1873: 1867: 1866: 1864: 1862: 1856:Washington Times 1847: 1841: 1840: 1838: 1836: 1821: 1815: 1814: 1812: 1810: 1795: 1789: 1788: 1786: 1784: 1769: 1763: 1762: 1748: 1742: 1741: 1729: 1723: 1722: 1720: 1718: 1702: 1696: 1683: 1677: 1674: 1668: 1667: 1649: 1643: 1642: 1640: 1638: 1621: 1610: 1609: 1607: 1605: 1596:. Archived from 1590: 1579: 1578: 1576: 1574: 1559: 1553: 1552: 1550: 1548: 1525: 1506: 1505: 1503: 1501: 1487: 1476: 1475: 1473: 1471: 1457: 1451: 1450: 1443: 1437: 1428: 1387: 1386: 1384: 1382: 1359: 1353: 1352: 1350: 1348: 1329: 1303: 1285: 1267: 1249: 1231: 1213: 1195: 1092:Murder in Harlem 1004:The Wages of Sin 956:The Spider's Web 833:Within Our Gates 605:Alice B. Russell 465:Within Our Gates 450:Within Our Gates 418:Great Depression 347:Micheaux in 1919 333:Sioux City, Iowa 240:African-American 233: 232: 231: 230: 223: 220: 219: 216: 213: 210: 207: 200: 179: 165: 143: 141: 128:Alice B. Russell 122: 120: 108:Orlean McCracken 97:Director, author 81: 62: 60: 43: 40: 35: 21: 20: 6152: 6151: 6147: 6146: 6145: 6143: 6142: 6141: 6137:Cinema pioneers 6017: 6016: 6015: 6010: 6001: 5993: 5980: 5973: 5966: 5961:Structural film 5959: 5952: 5945: 5938: 5931: 5924: 5917: 5912:New Objectivity 5910: 5903: 5898:Neo-romanticism 5896: 5891:Neo-primitivism 5889: 5882: 5875: 5868: 5861: 5854: 5847: 5840: 5833: 5826: 5817: 5810: 5803: 5796: 5789: 5782: 5775: 5768: 5761: 5754: 5747: 5740: 5733: 5726: 5719: 5712: 5705: 5694: 5683: 5676: 5669: 5654: 5648: 5642: 5636: 5630: 5624: 5618: 5612: 5606: 5600: 5594: 5588: 5582: 5576: 5570: 5564: 5558: 5552: 5546: 5540: 5537:Verklärte Nacht 5534: 5528: 5522: 5516: 5510: 5499: 5492: 5485: 5478: 5471: 5464: 5457: 5450: 5443: 5436: 5429: 5422: 5415: 5408: 5401: 5394: 5387: 5380: 5367: 5360: 5353: 5346: 5339: 5332: 5325: 5318: 5311: 5304: 5297: 5290: 5283: 5276: 5269: 5262: 5255: 5248: 5241: 5234: 5227: 5220: 5207: 5200: 5193: 5186: 5179: 5172: 5165: 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4002: 3995: 3988: 3981: 3974: 3967: 3960: 3953: 3946: 3939: 3932: 3925: 3918: 3911: 3904: 3897: 3890: 3883: 3876: 3869: 3862: 3855: 3848: 3841: 3834: 3827: 3820: 3813: 3806: 3799: 3792: 3785: 3778: 3771: 3764: 3757: 3750: 3743: 3736: 3729: 3722: 3715: 3708: 3701: 3694: 3687: 3680: 3673: 3666: 3659: 3652: 3645: 3638: 3631: 3605: 3599: 3593: 3587: 3581: 3575: 3569: 3563: 3557: 3551: 3545: 3539: 3533: 3527: 3521: 3515: 3509: 3503: 3497: 3486: 3479: 3472: 3465: 3458: 3451: 3444: 3437: 3430: 3423: 3416: 3409: 3402: 3395: 3390:Lowell (Robert) 3388: 3381: 3374: 3367: 3360: 3353: 3346: 3339: 3332: 3325: 3318: 3311: 3304: 3297: 3290: 3283: 3270: 3263: 3256: 3249: 3242: 3235: 3228: 3221: 3214: 3207: 3200: 3193: 3186: 3179: 3172: 3165: 3158: 3151: 3144: 3137: 3130: 3123: 3116: 3109: 3102: 3095: 3088: 3081: 3074: 3067: 3060: 3053: 3046: 3039: 3032: 3025: 3003: 2996: 2989: 2982: 2975: 2968: 2955: 2948: 2941: 2934: 2927: 2918: 2911: 2904: 2895: 2884: 2873: 2866: 2859: 2852: 2845: 2838: 2827: 2816: 2809: 2798: 2793: 2763: 2758: 2598:When Men Betray 2566:The Millionaire 2430:The Homesteader 2420: 2414: 2357: 2346: 2342:, May. 13, 2002 2332:Richard Corliss 2302: 2268: 2257: 2251: 2248: 2229: 2220:This article's 2216: 2212: 2205: 2170: 2149: 2128: 2107: 2069:10.2307/3041692 2037: 2016: 1998: 1996:Further reading 1993: 1980: 1979: 1975: 1965: 1963: 1958: 1957: 1953: 1943: 1941: 1926: 1922: 1912: 1910: 1900: 1896: 1886: 1884: 1874: 1870: 1860: 1858: 1848: 1844: 1834: 1832: 1823: 1822: 1818: 1808: 1806: 1796: 1792: 1782: 1780: 1770: 1766: 1749: 1745: 1730: 1726: 1716: 1714: 1703: 1699: 1684: 1680: 1675: 1671: 1664: 1650: 1646: 1636: 1634: 1622: 1613: 1603: 1601: 1592: 1591: 1582: 1572: 1570: 1561: 1560: 1556: 1546: 1544: 1542: 1526: 1509: 1499: 1497: 1489: 1488: 1479: 1469: 1467: 1459: 1458: 1454: 1445: 1444: 1440: 1429: 1390: 1380: 1378: 1376: 1360: 1356: 1346: 1344: 1343:on May 19, 2016 1331: 1330: 1326: 1322: 1310: 1288: 1270: 1252: 1234: 1216: 1201:The Forged Note 1198: 1184: 1170: 1167: 1162: 996:When Men Betray 964:The Millionaire 825:The Homesteader 819: 814: 741: 618:Duke University 613: 600: 568: 552:Micheaux said, 547: 534: 434:The Homesteader 426: 414:silent pictures 407:The Homesteader 397:The Homesteader 384:The Homesteader 368:The Homesteader 341: 329:The Forged Note 272:French Huguenot 256: 226: 225: 204: 195: 194: 184: 177: 163: 146: 145: 137: 133: 130: 124: 116: 112: 109: 89: 83: 79: 70: 64: 63:January 2, 1884 58: 56: 55: 54: 44: 41: 26: 17: 12: 11: 5: 6150: 6140: 6139: 6134: 6129: 6124: 6119: 6114: 6109: 6104: 6099: 6094: 6089: 6084: 6079: 6074: 6069: 6064: 6059: 6054: 6049: 6044: 6039: 6034: 6029: 6012: 6011: 5994: 5986: 5985: 5982: 5981: 5979: 5978: 5971: 5964: 5957: 5950: 5943: 5936: 5929: 5922: 5919:Poetic realism 5915: 5908: 5901: 5894: 5887: 5880: 5873: 5866: 5859: 5852: 5849:Late modernity 5845: 5842:Late modernism 5838: 5831: 5824: 5823: 5822: 5815: 5808: 5794: 5787: 5784:High modernism 5780: 5773: 5766: 5759: 5752: 5745: 5738: 5731: 5728:Degenerate art 5724: 5717: 5710: 5703: 5698:Ballets Russes 5692: 5681: 5674: 5666: 5664: 5660: 5659: 5656: 5655: 5653: 5652: 5640: 5628: 5616: 5604: 5592: 5580: 5568: 5556: 5544: 5532: 5520: 5507: 5505: 5501: 5500: 5498: 5497: 5490: 5483: 5476: 5469: 5462: 5455: 5448: 5441: 5434: 5427: 5420: 5413: 5406: 5399: 5392: 5385: 5377: 5375: 5369: 5368: 5366: 5365: 5358: 5351: 5344: 5337: 5330: 5323: 5316: 5309: 5302: 5295: 5288: 5281: 5274: 5267: 5260: 5253: 5246: 5239: 5232: 5225: 5217: 5215: 5209: 5208: 5206: 5205: 5198: 5191: 5184: 5177: 5170: 5163: 5156: 5149: 5142: 5135: 5128: 5121: 5114: 5107: 5100: 5093: 5086: 5079: 5072: 5065: 5058: 5051: 5044: 5037: 5030: 5023: 5016: 5009: 5002: 4995: 4988: 4981: 4973: 4971: 4962: 4954: 4953: 4950: 4949: 4947: 4946: 4934: 4922: 4912: 4902: 4890: 4878: 4866: 4854: 4842: 4830: 4818: 4806: 4794: 4782: 4770: 4757: 4755: 4751: 4750: 4748: 4747: 4740: 4733: 4726: 4719: 4712: 4705: 4698: 4691: 4684: 4677: 4670: 4663: 4656: 4649: 4642: 4635: 4628: 4621: 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3543: 3536:The Waste Land 3531: 3519: 3507: 3494: 3492: 3488: 3487: 3485: 3484: 3477: 3470: 3463: 3456: 3449: 3442: 3435: 3428: 3421: 3414: 3407: 3400: 3393: 3386: 3379: 3372: 3365: 3358: 3351: 3344: 3337: 3330: 3323: 3316: 3309: 3302: 3295: 3288: 3280: 3278: 3272: 3271: 3269: 3268: 3261: 3254: 3247: 3240: 3233: 3226: 3219: 3212: 3205: 3198: 3191: 3184: 3177: 3170: 3163: 3156: 3149: 3142: 3135: 3128: 3121: 3114: 3107: 3100: 3093: 3086: 3079: 3072: 3065: 3058: 3051: 3044: 3037: 3030: 3022: 3020: 3011: 3005: 3004: 3002: 3001: 2994: 2987: 2980: 2973: 2966: 2965: 2964: 2946: 2939: 2932: 2925: 2924: 2923: 2909: 2902: 2901: 2900: 2893: 2882: 2864: 2857: 2850: 2847:Constructivism 2843: 2836: 2825: 2814: 2806: 2804: 2800: 2799: 2792: 2791: 2784: 2777: 2769: 2760: 2759: 2757: 2756: 2748: 2740: 2732: 2724: 2716: 2708: 2700: 2694: 2686: 2678: 2672: 2664: 2658: 2650: 2642: 2634: 2630:Darktown Revue 2626: 2618: 2610: 2602: 2594: 2586: 2578: 2570: 2562: 2554: 2546: 2538: 2534:Marcus Garland 2530: 2522: 2518:A Son of Satan 2514: 2506: 2498: 2490: 2482: 2474: 2466: 2458: 2450: 2442: 2434: 2425: 2422: 2421: 2418:Oscar Micheaux 2413: 2412: 2405: 2398: 2390: 2384: 2383: 2373: 2367: 2354: 2343: 2329: 2327:(Feature Film) 2320: 2315: 2309:Oscar Micheaux 2306: 2291: 2282: 2270: 2269: 2224:external links 2219: 2217: 2210: 2204: 2203:External links 2201: 2200: 2199: 2182: 2168: 2153: 2147: 2132: 2126: 2111: 2105: 2092: 2081: 2063:(2): 351–360. 2049: 2036:978-0253109224 2035: 2020: 2015:978-0253339942 2014: 1997: 1994: 1992: 1991: 1973: 1951: 1920: 1894: 1868: 1842: 1816: 1790: 1764: 1743: 1724: 1713:. New York, NY 1697: 1678: 1669: 1662: 1644: 1611: 1580: 1554: 1540: 1507: 1477: 1452: 1438: 1388: 1374: 1354: 1323: 1321: 1318: 1317: 1316: 1314:Deanna Michaux 1309: 1306: 1305: 1304: 1286: 1268: 1250: 1232: 1214: 1196: 1183:978-0803282094 1182: 1166: 1163: 1161: 1160: 1152: 1144: 1136: 1128: 1120: 1112: 1104: 1096: 1088: 1080: 1072: 1064: 1056: 1048: 1040: 1032: 1028:Darktown Revue 1024: 1016: 1008: 1000: 992: 984: 976: 968: 960: 952: 944: 933: 929:Marcus Garland 925: 917: 913:A Son of Satan 909: 901: 893: 885: 877: 869: 861: 853: 845: 837: 829: 820: 818: 815: 813: 810: 740: 735: 734: 733: 726: 723: 706: 690: 679: 672: 661: 655: 649: 642: 635: 628: 621: 612: 609: 599: 596: 567: 564: 546: 543: 533: 530: 425: 422: 372:George Johnson 340: 337: 299:Pullman porter 255: 252: 186: 185: 183: 182: 167: 154: 152: 148: 147: 135: 131: 126: 125: 114: 110: 107: 106: 105: 103: 99: 98: 95: 91: 90: 84: 82:(aged 67) 78:March 25, 1951 76: 72: 71: 65: 52: 50: 46: 45: 36: 28: 27: 25:Oscar Micheaux 24: 15: 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Index


Metropolis, Illinois
Charlotte, North Carolina
Alice B. Russell
Directors Guild of America Awards
Hollywood Walk of Fame
6721 Hollywood Boulevard
US
/mɪˈʃ/

Lincoln Motion Picture Company
African-American
race films
silent films
Metropolis, Illinois
born into slavery
Kentucky
French Huguenot
American Revolutionary War
Chicago
stockyards
Pullman porter
Gregory County, South Dakota
homesteader
The Chicago Defender
Lincoln, Nebraska
Sioux City, Iowa

protagonist
George Johnson

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