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Ono no Michikaze

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able to reach the willow". Upon thinking this, the willow curved in a big breeze allowing the frog to jump onto the willow. Michikaze then realized "I myself am the stupid one. The frog created this chance with his determination. Up until now I haven't been as diligent as this frog". This story made him famous during the Edo period and earned him his place on the willow set in
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cards. As the story goes, one day when Michikaze was feeling inadequate about his calligraphy he took a walk outside in the rain. Seeing a frog trying to jump on a willow branch, again and again missing its mark, he thought to himself "Stupid frog! No matter how many times you try you will never be
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works are believed to be by Michikaze, but only a few are strongly attributed to him. One of the well-known works ascribed without much evidence to Michikaze is a draft for an inscription on a
339:. The same collection also has his other masterpieces, like the Gyokusen-Jo handscroll, presenting poems by a Tang Chinese poet. Michikaze also was given credit for many 278:
Michikaze took the first step in Japanizing the art of calligraphy, imported from China around the 5th century. Strongly influenced by the style of the "Two Wangs" (
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cards depict Michikaze watching the leaping frog on a card in the suit of November. Michikaze is required to form the Ame-Shikō (雨四光) "Rainy Four Hikari"
203:. He was a government official, a poet and a calligrapher. He provided highly distinguished calligraphic services for three emperors during his career: 336: 504: 236:). Michikaze's fame permitted him to serve, at the age of twenty-seven, in the Seiryoden, the residential quarters of the imperial court. 408:
There is a shrine to his spirit in Kyoto, where his divine soul is considered to be protecting the women of the region in maternity.
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On 20 October 2000 (Heisei 12), an 80 yen "Willow and frog" postal stamp was issued, depicting Michikaze watching a leaping frog.
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monk Kanken two volumes of Michikaze's works in 927 and urged him to take them with him on a voyage to
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poems from the twelfth volume – "Poems of Love" – of the early-Heian poetry anthology,
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was accredited and practiced, as a pure Japanese art form, until the mid-19th century.
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As a recognition of the calligrapher's high skill, Emperor Daigo offered the
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to introduce Michikaze's calligraphic achievements to the Chinese.
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calligraphy is known to have survived. A number of extant
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Michikaze had lost much of his sight by the time he died.
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Michikaze became well known due to his depiction in
294:唐様), which was later refined by other two masters, 486: 347:era, among which a scroll containing forty-nine 199:prefecture, as the grandson of a courtier-poet, 290:和様, as opposed to Chinese-style calligraphy or 145: 50:introducing citations to additional sources 366: 269: 257: 127: 40:Relevant discussion may be found on the 487: 17: 505:10th-century Japanese calligraphers 343:(famous calligraphic works) of the 13: 195:Michikaze was born in the present 14: 526: 460: 164:(794–1185). One of the so-called 466: 33:relies largely or entirely on a 22: 481:(Kasugai City official website) 443:. A History . . of Japan . 日本歴史 231: 220: 209: 431: 1: 424: 371:Ono no Michikaze and the frog 479:Mitikaze Memorial Hall Guide 262:Draft for an inscription on 7: 412: 10: 531: 515:People from Kasugai, Aichi 112: 389: 362: 146: 253: 150:, 894 – February 9, 966) 190: 372: 275: 267: 133: 370: 273: 261: 183:He was also known as 172:style calligraphy or 131: 510:Deified Japanese men 475:at Wikimedia Commons 419:Japanese calligraphy 309:None of Michikaze's 300:Fujiwara no Yukinari 296:Fujiwara no Sukemasa 46:improve this article 274:Gyokusen-jo Opening 373: 276: 268: 134: 61:"Ono no Michikaze" 471:Media related to 111: 110: 96: 522: 473:Ono no Michikaze 470: 454: 453: 451: 449: 435: 235: 233: 224: 222: 213: 211: 152:was a prominent 151: 149: 148: 137:Ono no Michikaze 132:Ono no Michikaze 106: 103: 97: 95: 54: 26: 18: 530: 529: 525: 524: 523: 521: 520: 519: 485: 484: 463: 458: 457: 447: 445: 437: 436: 432: 427: 415: 392: 365: 256: 230: 219: 208: 201:Ono no Takamura 193: 143: 126: 107: 101: 98: 55: 53: 39: 27: 12: 11: 5: 528: 518: 517: 512: 507: 502: 497: 483: 482: 476: 462: 461:External links 459: 456: 455: 429: 428: 426: 423: 422: 421: 414: 411: 410: 409: 406: 396: 391: 388: 364: 361: 337:Oe no Asatsuna 329:folding screen 255: 252: 234: 946–967 223: 930–946 212: 897–930 197:Kasugai, Aichi 192: 189: 109: 108: 44:. Please help 30: 28: 21: 9: 6: 4: 3: 2: 527: 516: 513: 511: 508: 506: 503: 501: 498: 496: 493: 492: 490: 480: 477: 474: 469: 465: 464: 444: 440: 434: 430: 420: 417: 416: 407: 404: 400: 397: 394: 393: 387: 385: 380: 379: 369: 360: 358: 357: 356:Kokin Wakashū 352: 351: 346: 342: 338: 334: 330: 326: 325: 320: 319: 314: 313: 307: 305: 301: 297: 293: 289: 285: 281: 272: 265: 260: 251: 248: 246: 242: 237: 228: 217: 206: 202: 198: 188: 186: 181: 179: 175: 171: 167: 163: 160:) during the 159: 155: 142: 138: 130: 124: 120: 116: 115:Japanese name 105: 94: 91: 87: 84: 80: 77: 73: 70: 66: 63: –  62: 58: 57:Find sources: 51: 47: 43: 37: 36: 35:single source 31:This article 29: 25: 20: 19: 16: 446:. Retrieved 442: 433: 402: 383: 376: 374: 354: 348: 341:kohitsu-gire 340: 332: 322: 316: 310: 308: 303: 291: 287: 284:Wang Xianzhi 277: 249: 238: 194: 184: 182: 173: 162:Heian period 158:calligrapher 153: 140: 136: 135: 122: 99: 89: 82: 75: 68: 56: 32: 15: 185:Yaseki Tōfū 141:Ono no Tōfū 500:966 deaths 495:894 births 489:Categories 425:References 327:(Japanese 280:Wang Xizhi 178:Wang Xizhi 156:(Japanese 72:newspapers 174:wayōshodō 102:June 2023 42:talk page 448:25 March 413:See also 399:Hanafuda 384:Hanafuda 378:Hanafuda 241:Buddhist 227:Murakami 170:Japanese 113:In this 386:cards. 166:Sanseki 154:Shodōka 119:surname 86:scholar 390:Legacy 363:Legend 333:gyōsho 324:byoubu 292:Karayō 266:detail 225:) and 216:Suzaku 117:, the 88:  81:  74:  67:  59:  345:Heian 318:kanji 264:byōbu 254:Works 245:China 205:Daigo 147:小野 道風 93:JSTOR 79:books 450:2022 403:yaku 350:waka 312:kana 304:Wayō 298:and 288:Wayō 282:and 191:Life 65:news 214:), 180:". 139:or 123:Ono 121:is 48:by 491:: 441:. 302:. 232:r. 221:r. 210:r. 187:. 452:. 405:. 229:( 218:( 207:( 144:( 125:. 104:) 100:( 90:· 83:· 76:· 69:· 52:. 38:.

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