29:
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cannot love her. Prince Gremin, a distant relative of
Tatiana who is in love with her, appears. Madame Larina hopes they will make a good match, but Tatiana hardly notices him as she is so distressed. Onegin decides to provoke Lensky by flirting with Olga, hoping it will relieve his boredom. Olga joins in with the joke, but Lensky takes it seriously and challenges Onegin to a duel.
197:
in 1952. He first proposed a ballet based on
Pushkin's story to the Royal Opera House board in the 1960s, but it was turned down, and he pursued the idea when he moved to Stuttgart. The Stuttgart Ballet premiered the work in 1965. The Royal Ballet did not present the work until 2001. The choreography
371:
In the garden, Madame Larina, her daughters Olga and
Tatiana, and the nurse are finishing party dresses and discussing Tatiana's upcoming birthday celebrations. They think about the future, and the local girls play an old folk game: whoever looks into the mirror will see her beloved. Lensky, a young
225:
several times. His scenario originally ended with
Tatiana kissing her children goodnight, which he decided lessened the drama of her final encounter with Onegin. Cranko also deleted the prologue, in which Onegin was seen at his uncle's deathbed. The standard version of the ballet was first performed
428:
Onegin writes to
Tatiana and reveals his love. He asks to see her but she does not wish to see him. She pleads with her husband not to leave her alone that evening. Onegin comes and declares his love for her. Tatiana feels Onegin's change of heart has come too late. And even if she still loves
690:
rated the piece enjoyable but not wholly successful. He found the score unmemorable and the characters sketchy: "Solitary introverts are difficult to depict in dancing". By 1974, when the
Stuttgart company presented the piece at Covent Garden shortly after Cranko's death, the critic John Percival
419:
Years later, Onegin returns to St. Petersburg after travelling the world. He goes to a ball at the palace of Prince Gremin. Onegin is surprised when he recognises the beautiful
Princess Tatiana as the country girl he once turned away. He realises how much he lost through his previous actions.
397:
The local gentry have all arrived to celebrate
Tatiana's birthday. Onegin finds the company boring and is struggling to be polite. He is also annoyed by Tatiana's letter, which he thinks is just an outburst of adolescent love. He seeks Tatiana out and tears up her letter, telling her that he
376:. He introduces Eugene Onegin, who has come to the country to see if it can offer him any distraction from city life. Tatiana falls in love with the handsome stranger, who seems so different from the country people she knows, while Onegin only sees a naive, romantic girl.
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found that the work's "acutely expressive choreography ... never fails to enthral... Cranko's handling of the
Pushkin story as dance is masterly." Other comments have included "compelling but dramatically flawed",
198:
for his ballet includes a wide range of styles, including folk, modern, ballroom and acrobatic. The music takes inspiration from the composer he worked with when he was first introduced to the story –
758:
728:
for
Stuttgart Ballet) to arrange and orchestrate a compilation of solo piano and orchestral pieces from different compositions by Tchaikovsky. Stolze used selections from five solo piano
708:... a neck-pricking five-star triumph, "stodgily operatic" and "a sad, beautiful ballet, a true romance with four finely drawn leading characters and a grown-up poignance rarely found."
429:
him she has now a new life with Prince Gremin and also after having killed Lensky she would never want Onegin again. She tears up his letter and orders him to leave her forever.
691:
reassessed the work much more favourably, praising both the music and the narrative expertise of the choreography. The work has continued to divide critical opinion. In 2004
1525:
815:, Op. 37, Nocturne No. 4, Op. 19, Three pieces for piano, Op. 9, Six Pieces for piano, Op. 19, Six Pieces for piano, Op. 51, 18 Pieces for piano, Op. 72, the opera
202:
arranged music by Tchaikovsky, which came principally from his piano works rather than his orchestral works, to accompany the dancers. The original principals were
787:
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1535:
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845:
and Luc Amyot were originally scheduled to star in the National Ballet of Canada premiere, but withdrew due to injuries. Sabina Allemann and
384:
That night, Tatiana dreams of Onegin, her first love. She writes him a passionate love letter, which she asks her nurse to deliver.
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to redesign the production, which debuted in 2010. ABT started using Loquasto's design in 2012. Other companies that have danced
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and Luc Amyot were originally scheduled to star in the premiere, but withdrew due to injuries. Sabina Allemann and
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called it "a weak piece the story's depth, its psychological understanding". Three years later the critic in
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Tatiana and Olga try to reason with Lensky but he insists the duel must go ahead. Onegin kills his friend.
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in the lead roles. Both productions were staged by Anderson and choreologist Jane Bourne. The
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replaced them. The production was staged by then-Stuttgart Ballet principal dancer
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744:, Op. 9 (as a main musical theme for Tatiana and Onegin), the symphonic fantasy
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the impact of the COVID-19 coronavirus pandemic on the performing arts
1220:"Cranko, J.: Onegin [Ballet] (Stuttgart Ballet, 2017) (NTSC)"
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As the sets and costumes became fragile, the National Ballet invited
207:
310:. Both Ciaravola and Mathias Heymann, who played Lensky, were named
460:
264:. Anderson himself performed with the National Ballet alongside
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The Tchaikovsky works on which Stolze drew for the score were
28:
738:, Op. 37a, Op. 19, and Op. 72), selections from the opera
484:
National Ballet of Canada new production premiere (2010)
183:
Cranko first discovered Alexander Pushkin's verse-novel
1396:
770:
In 2017, Stuttgart Ballet released a DVD, featuring
790:, Stuttgart Ballet released the recording online.
684:After the Stuttgart premiere the ballet critic of
159:. The ballet has since been in the repertoires of
372:poet engaged to Olga, arrives with a friend from
1526:Ballets to the music of Pyotr Ilyich Tchaikovsky
1502:
720:, Cranko invited German musician and conductor
762:, and Impromptu from Two Piano Pieces, Op. 1.
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178:
1541:Ballets based on works by Alexander Pushkin
1170:, Royal Opera House 2014–15 season, pp. 6–9
244:. Some dancers were coached by Haydée. The
1389:
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968:, Royal Opera House, revived 17 March 2015
756:, Op. 3, a duet from the incomplete opera
236:'s repertoire in 1976, first performed by
226:by the Stuttgart company in October 1967.
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1038:
995:
993:
987:, The Ballet Bag, retrieved 19 March 2015
316:at the curtain call of that performance.
1232:Percival, John. "Cranko's inspiration".
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1536:Arrangements of classical compositions
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778:as Onegin, David Moore as Lensky and
221:Between 1965 and 1967 Cranko revised
189:when he choreographed the dances for
1093:Royal Opera House Collections Online
932:Royal Opera House Collections Online
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282:. Tatiana and Onegin were danced by
1209:
1181:"Onegin - 11 February 1993 Evening"
1166:"Synopsis", Programme booklet for
928:"Onegin - 22 November 2001 Evening"
306:in 2009, starring Hervé Moreau and
286:and Robert Hill. Later that year,
137:that premiered on 13 April 1965 at
13:
1185:La Scala Historical Archive Online
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290:made their company premiere, with
16:1965 ballet created by John Cranko
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1315:"Lukewarm love in a cold climate"
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1332:"Rapture in 19th-century Russia"
1298:"Rojo leads a five-star triumph"
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1018:"Why Fiona Tonkin Loves Onegin"
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750:, Op. 32, the symphonic ballad
1281:"That's one lean, mean Onegin"
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1:
907:"Onegin (Australian context)"
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1556:Works based on Eugene Onegin
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7:
1546:Ballets based on literature
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141:. The ballet was based on
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1136:National Ballet of Canada
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246:National Ballet of Canada
179:Background and production
165:National Ballet of Canada
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26:
21:
1511:Ballets set in the 1820s
1349:"Stuttgart Ballet @Home"
1247:"Saved by the execution"
946:"A trial of broken arts"
798:
432:
280:Metropolitan Opera House
153:Pyotr Ilyich Tchaikovsky
63:Pyotr Ilyich Tchaikovsky
888:American Ballet Theatre
716:For the music score to
467:American Ballet Theatre
445:World premiere (1965)
345:La Scala Theatre Ballet
272:American Ballet Theatre
169:American Ballet Theatre
139:Staatstheater Stuttgart
129:is a ballet created by
105:Original ballet company
97:Staatstheater Stuttgart
1521:Ballets by John Cranko
367:Madame Larina's garden
1531:1965 ballet premieres
1516:Ballets set in Russia
1264:"The peak of passion"
1236:, 25 June 1974, p. 13
1022:The Australian Ballet
449:The Australian Ballet
234:The Australian Ballet
161:The Australian Ballet
1156:. 17 September 2010.
794:Notes and references
268:the following year.
252:in 1984 in Toronto.
155:and arrangements by
1336:The Daily Telegraph
1304:, 24 November 2001
1302:The Daily Telegraph
1007:, 7 June 1965, p. 4
824:Francesca da Rimini
747:Francesca da Rimini
648:Elisabetta Armiato
341:Berlin State Ballet
145:'s 1825–1832 novel
118:19th-century Russia
999:"Cranko ballet on
952:, 20 November 2001
827:, Op. 32, and the
662:Myriam Ould-Braham
524:Isabelle Ciaravola
479:Paris Opera Ballet
393:Tatiana's birthday
308:Isabelle Ciaravola
300:Paris Opera Ballet
1498:
1497:
1404:Alexander Pushkin
1287:, 27 January 2013
913:. 1 January 2010.
833:Fantasy-Overture.
722:Kurt-Heinz Stolze
677:
676:
610:Vladimir Malakhov
606:Vittorio D'Amato
424:Tatiana's boudoir
380:Tatiana's bedroom
200:Kurt-Heinz Stolze
157:Kurt-Heinz Stolze
143:Alexander Pushkin
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83:Alexander Pushkin
67:Kurt-Heinz Stolze
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1551:Stuttgart Ballet
1490:Vasily Helmersen
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1355:. Archived from
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1321:, 5 October 2010
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1279:Jennings, Luke.
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1268:The Sunday Times
1262:Dougill, David.
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772:Alicia Amatriain
759:Romeo and Juliet
707:
700:The Sunday Times
582:Friedemann Vogel
534:Alicia Amatriain
505:Sabina Allemann
481:premiere (2009)
475:premiere (2001)
473:The Royal Ballet
469:premiere (2001)
463:premiere (1993)
457:premiere (1984)
451:premiere (1976)
437:
436:
374:Saint Petersburg
302:first performed
288:The Royal Ballet
254:Veronica Tennant
248:first performed
195:of the same name
173:The Royal Ballet
135:Stuttgart Ballet
109:Stuttgart Ballet
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65:arrangements by
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1330:Brown, Ismene.
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1319:The Independent
1313:Anderson, Zoe.
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1296:Brown, Ismene.
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1089:"Onegin (2001)"
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1359:on 1 May 2020.
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329:Houston Ballet
321:Santo Loquasto
258:Frank Augustyn
214:as Lensky and
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1454:Eugene Onegin
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509:Carla Fracci
501:Marilyn Rowe
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818:Cherevichki
813:The Seasons
766:Videography
741:Cherevichki
735:The Seasons
712:Music score
642:Maria Lang
592:Egon Madsen
567:Adam Cooper
549:John Meehan
529:Xiao Nan Yu
519:Tamara Rojo
296:Adam Cooper
292:Tamara Rojo
242:John Meehan
212:Egon Madsen
210:as Onegin,
191:Tchaikovsky
131:John Cranko
53:John Cranko
1505:Categories
1199:"Onéguine"
1114:"Onéguine"
857:References
724:(then the
638:Ana Cardus
597:Kelvin Coe
514:Julie Kent
284:Julie Kent
266:Karen Kain
216:Ana Cardus
1234:The Times
1203:MémOpéera
1118:MémOpéera
1005:The Times
950:The Times
782:as Olga,
687:The Times
680:Reception
544:Ray Barra
487:2017 DVD
218:as Olga.
208:Ray Barra
193:'s opera
1465:(ballet)
1150:"Onegin"
1132:"Onegin"
1071:"Onegin"
1046:"Onegin"
884:"Onegin"
492:Tatiana
461:La Scala
402:The duel
356:Setting:
351:Synopsis
327:include
274:debuted
133:for the
89:Premiere
73:Based on
1473:Related
1457:(opera)
588:Lensky
540:Onegin
115:Setting
1462:Onegin
1438:(1999)
1435:Onegin
1430:(1958)
1422:(1911)
1168:Onegin
1098:24 May
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1027:24 May
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732:(from
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313:Ă©toile
304:Onegin
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230:Onegin
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126:Onegin
42:Onegin
22:Onegin
1411:Films
911:Trove
799:Notes
634:Olga
433:Casts
410:Act 3
388:Act 2
362:Act 1
59:Music
1100:2020
1057:2020
1029:2020
441:Role
343:and
294:and
240:and
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