528:Úrsula Iguarán is the matriarch of the Buendía family and is wife and cousin to José Arcadio Buendía. She lives to be well over 100 years old and she oversees the Buendía household through six of the seven generations documented in the novel. She has a business of making candy animals and pastries which she continues until the arrival of Fernanda. She exhibits a very strong character and often succeeds where the men of her family fail, for example finding a route to the outside world from Macondo. She deeply fears her family resuming their incestuous practices as her inbred relatives tended to have animalistic features. From a strong and active matriarch, Úrsula is reduced to a plaything for Amaranta Úrsula and Aureliano in her last years and shrinks to the size of a newborn baby when she finally dies.
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the Buendía line, Aureliano of
Aureliano and Amaranta Ursula, has the tail of a pig, and because they do not know their history, they do not know that this fear has materialized before, nor do they know that, had the child lived, removing the tail would have resulted in his death. This speaks to how elites in Latin America do not pass down history that remembers them in a negative manner. The Buendía family further cannot move beyond giving tribute to themselves in the form of naming their children the same names over and over again. "José Arcadio" appears four times in the family tree, "Aureliano" appears 22 times, "Remedios" appears three times and "Amaranta" and "Ursula" appear twice. The continual references to the sprawling Buendía house call to mind the idea of a Big House, or
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interconnected. Isolated from the rest of the world, the Buendías grow to be increasingly solitary and selfish. With every member of the family living only for him or her self, the Buendías become representative of the aristocratic, land-owning elite who came to dominate Latin
America in keeping with the sense of Latin American history symbolized in the novel. This egocentricity is embodied, especially, in the characters of Aureliano, who lives in a private world of his own, and Remedios the Beauty, who innocently destroys the lives of four men enamored by her unbelievable beauty, because she is living in a different reality due to what some see as autism. Throughout the novel it seems as if no character can find true love or escape the destructiveness of their own egocentricity.
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child who bears the tail of a pig, fulfilling the lifelong fear of the long-dead matriarch Úrsula. Amaranta Úrsula dies in childbirth and the child is devoured by ants, leaving
Aureliano as the last member of the family. He decodes an encryption Melquíades had left behind in a manuscript generations ago. The secret message informs the recipient of every fortune and misfortune that the Buendía family's generations lived through. As Aureliano reads the manuscript, he feels a windstorm starting around him, and he reads in the document that the Buendía family is doomed to be wiped from the face of the Earth because of it. In the last sentence of the book, the narrator describes Aureliano reading this last line just as the entire town of Macondo is scoured from existence.
518:, Colombia, along with his wife Úrsula Iguarán after being haunted by the corpse of Prudencio Aguilar (a man Buendía killed in a duel), who constantly bleeds from his wound and tries to wash it. One night while camping at the side of a river, Buendía dreams of a city of mirrors named Macondo and decides to establish the town in this location. José Arcadio Buendía is an introspective and inquisitive man of massive strength and energy who spends more time on his scientific pursuits than with his family. He flirts with alchemy and astronomy and becomes increasingly withdrawn from his family and community. He eventually goes insane and is tied to a chestnut tree until his death.
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1550:, was depicted with relative accuracy, minus a false sense of certainty about the specific facts surrounding the events. For instance, although Garcia Márquez writes that there must have been "three thousand...dead," the true number of victims is unknown. However, the number likely was not far off, because it is considered that the "number of killings was over a thousand," according to Dr. Jorge Enrique Elias Caro and Dr. Antonino Vidal Ortega. The lack of information surrounding the "Banana Massacre" is thought to be largely due to the "manipulation of the information as registered by the Colombian Government and the United Fruit Company."
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meets
Aureliano Segundo, she begins a relationship with him as well, not knowing they are two different men. After José Arcadio decides to leave her, Aureliano Segundo gets her forgiveness and remains by her side. He continues to see her, even after his marriage. He eventually lives with her, which greatly embitters his wife, Fernanda del Carpio. When Aureliano and Petra make love, their animals reproduce at an amazing rate, but their livestock is wiped out during the four years of rain. Petra makes money by keeping the lottery alive and provides food baskets for Fernanda and her family after the death of Aureliano Segundo.
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marriage to the beautiful and bitter
Fernanda del Carpio. When living with Petra, his livestock propagate wildly, and he indulges in unrestrained revelry. After the long rains, his fortune dries up, and the Buendías are left almost penniless. He turns to a search for a buried treasure, which nearly drives him to insanity. He dies of an unknown throat illness at the same moment as his twin. During the confusion at the funeral, the bodies are switched, and each is buried in the other's grave (highlighting Úrsula's earlier comment that they had been switched at birth).
467:. It has been said that the novel is one of a number of texts that "Latin American culture has created to understand itself." In this sense, the novel can be conceived as a linear archive that narrates the story of a Latin America discovered by European explorers, which had its historical entity developed by the printing press. The Archive is a symbol of the literature that is the foundation of Latin American history and also a decoding instrument. Melquíades, the keeper of the archive, represents both the whimsical and the literary. Finally, "the world of
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seem less remarkable than it actually is, further blending the real with the magical. Reinforcing this effect is the unastonished tone in which the book is written. This tone restricts the ability of the reader to question the events of the novel. However, it also causes the reader to call into question the limits of reality. Furthermore, maintaining the same narrator throughout the novel familiarizes the reader with his voice and causes them to become accustomed to the extraordinary events in the novel.
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of rebellion. Several months after arriving at the convent, she gives birth to a son, Aureliano. He is sent to live with the Buendías. Aureliano arrives in a basket and
Fernanda is tempted to kill the child in order to avoid shame, but instead claims he is an orphan in order to cover up her daughter's promiscuity and is forced to "tolerate him against her will for the rest of her life because at the moment of truth she lacked the courage to go through with her inner determination to drown him".
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bloody confrontation. After the fiasco, she marries
Aureliano Segundo, who despite this maintains a domestic relation with his concubine, Petra Cotes. Nevertheless, she soon takes the leadership of the family away from the now frail Úrsula. She manages the Buendía affairs with an iron fist. She has three children by Aureliano Segundo: José Arcadio; Renata Remedios, a.k.a. Meme; and Amaranta Úrsula. She remains in the house after her husband dies, taking care of the household until her death.
876:, but he, nonetheless, returns to live with the Buendía family, stating he could not bear the solitude of death. He stays with the Buendías and begins to write the mysterious parchments, which are eventually translated by Aureliano Babilonia, and prophesy the House of Buendía's end. Melquíades dies a second time from drowning in the river near Macondo and, following a grand ceremony organized by the Buendías, is the first individual buried in Macondo. His name echoes
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time before she realizes that her
European ways are out of place, causing her to want to move back to Europe. However, when he realizes his wife intends to stay in Macondo, he arranges for his airplane to be shipped over so he can start an airmail service. The plane is shipped to Africa by mistake. When he travels there to claim it, Amaranta writes to him of her love for Aureliano Babilonia Buendía. Gastón takes the news in stride, only asking that they ship him his
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displaced repetition that they evoke are, in fact, firmly grounded in the particular development of Latin
American history", writes Daniel Erickson. "Ideological transfiguration ensured that Macondo and the Buendías always were ghosts to some extent, alienated and estranged from their own history, not only victims of the harsh reality of dependence and underdevelopment but also of the ideological illusions that haunt and reinforce such social conditions."
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spends his days pining for
Amaranta, the object of his obsession. Eventually, he discovers the treasure Úrsula had buried under her bed, which he wastes on lavish parties and escapades with adolescent boys. Later, he begins a tentative friendship with Aureliano Babilonia, his nephew. José Arcadio plans to set Aureliano up in a business and return to Rome, but is murdered in his bath by four of the adolescent boys who ransack his house and steal his gold.
829:Úrsula, not knowing that she is his aunt. When both she and her child die, he is able to decipher the parchments. "...Melquíades' final keys were revealed to him and he saw the epigraph of the parchments perfectly placed in the order of man's time and space: 'The first in line is tied to a tree and the last is being eaten by ants'." It is assumed he dies in the great wind that destroys Macondo the moment he finishes reading Melquíades' parchments.
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insatiable creativity, full of sorrow and beauty, of which this roving and nostalgic Colombian is but one cipher more, singled out by fortune. Poets and beggars, musicians and prophets, warriors and scoundrels, all creatures of that unbridled reality, we have had to ask but little of imagination, for our crucial problem has been a lack of conventional means to render our lives believable. This, my friends, is the crux of our solitude.
1085:, which effectively combine the comic and grotesque with the dramatic and tragic. Furthermore, political and historical realities are combined with the mythical and magical Latin American world. Lastly, through human comedy the problems of a family, a town, and a country are unveiled. This is all presented through García Márquez's unique form of narration, which causes the novel to never cease being at its most interesting point.
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solitude, whether through attempts to deconstruct the world with reason as in the case of José Arcadio Buendía, or by the endless creation and destruction of golden fish as in the case of his son Colonel Aureliano Buendía. Furthermore, a sense of inevitability prevails throughout the text. This is a feeling that regardless of what way one looks at time, its encompassing nature is the one truthful admission.
1515:, the Conservative Army has invaded the town of Macondo leading Aureliano to eventually lead a rebellion. The rebellion is successful - the Conservative Army falls - and afterward, Aureliano, now 'Colonel Aureliano Buendía' decides to continue fighting. He departs Macondo with the band of people who helped him oust the Conservative Army to go continue fighting elsewhere for the Liberal side.
1163:. The patriarch of the family, Jose Arcadio Buendía, is the first of numerous Buendías to intermarry when he marries his first cousin, Úrsula. Furthermore, the fact that "throughout the novel the family is haunted by the fear of punishment in the form of the birth of a monstrous child with a pig's tail" can be attributed to this initial act and the recurring acts of incest among the Buendías.
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27:
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mentally delayed. However, Colonel Aureliano Buendía believes she has inherited great lucidity: "It is as if she's come back from twenty years of war," he said. She rejects clothing and beauty which has the opposite effect and makes her more beautiful. Too beautiful and, arguably, too wise for the world, Remedios ascends to heaven one afternoon, while folding Fernanda's white sheet.
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one's traditional sense of naturalistic fiction. There is something clearly magical about the world of Macondo. It is a state of mind as much as, or more than, a geographical place. For example, one learns very little about its actual physical layout. Furthermore, once in it, the reader must be prepared to meet whatever the imagination of the author presents to them.
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plantation, the company traps the more than three thousand strikers and machine guns them down in the town square. The banana company and the government completely cover up the event. José Arcadio is the only one who remembers the slaughter. The company arranges for the army to kill off any resistance, then leaves Macondo for good. The event is likely based on the
1146:, while basically chronological and "linear" enough in its broad outlines, also shows abundant zigzags in time, both flashbacks of matters past and long leaps towards future events. One example of this is the youthful amour between Meme and Mauricio Babilonia, which is already in full swing before we are informed about the origins of the affair.
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During the wars he fathered 17 sons by unknown women, all named Aureliano. Four of them later begin to live in Macondo, and in the span of several weeks all of them but one (including those who chose not to remain in Macondo) are murdered by unknown assassins, before any of them had reached thirty-five years of age.
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adaptation, Netflix worked with Rodrigo and Gonzalo García who served as the show's executive producers. The episodes were all shot in the late writer's native Colombia and directed by Alex García Lopez, and all the characters' lines are spoken in Spanish. Barbara Enriquez, who had previously worked on Netflix's
1197:, all areas of the Buendía household mentioned throughout the book. The book focuses squarely on one family in the midst of the many residents of Macondo as a representation of how the poorest of Latin American villages have been subjugated and forgotten throughout the course of Latin American history.
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with which it accomplishes this task is the alchemist's laboratory in the Buendía family home. The laboratory was first designed by Melquíades near the start of the story and remains essentially unchanged throughout its course. It is a place where the male Buendía characters can indulge their will to
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Nonetheless, the appearance of love represents a shift in Macondo, albeit one that leads to its destruction. "The emergence of love in the novel to displace the traditional egoism of the Buendías reflects the emergence of socialist values as a political force in Latin America, a force that will sweep
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Aureliano is the child of Aureliano and his aunt, Amaranta Úrsula. He is born with a pig's tail, as the eldest and long dead Úrsula had always feared would happen (the parents of the child had never heard of the omen). His mother dies after giving birth to him, and, due to his grief-stricken father's
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Mauricio is a brutally honest, generous and handsome mechanic for the banana company. He is said to be a descendant of the Gypsies who visit Macondo in the early days. He has the unusual characteristic of being constantly swarmed by yellow butterflies, which follow even his lover for a time. Mauricio
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Meme meets and falls in love with Mauricio Babilonia, but when Fernanda discovers their affair, she arranges for Mauricio to be shot, claiming that he was a chicken thief. She then takes Meme to a convent. Meme remains mute for the rest of her life, partially because of the trauma, but also as a sign
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Arcadio is José Arcadio's illegitimate son with Pilar Ternera, although he never learns about his origins. He is a schoolteacher who assumes leadership of Macondo after Colonel Aureliano Buendía leaves. He becomes a tyrannical dictator and uses his schoolchildren as his personal army and Macondo soon
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Remedios was the youngest daughter of the town's Conservative administrator, Don Apolinar Moscote. Her most striking physical features are her beautiful skin and her emerald-green eyes. The future Colonel Aureliano falls in love with her, despite her extreme youth. She dies shortly after the marriage
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is the inevitable and inescapable repetition of history in Macondo. The protagonists are controlled by their pasts and the complexity of time. Throughout the novel the characters are visited by ghosts. "The ghosts are symbols of the past and the haunting nature it has over Macondo. The ghosts and the
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By the novel's end, Macondo has fallen into a decrepit and near-abandoned state, with the only remaining Buendías being Amaranta Úrsula and her nephew Aureliano, whose parentage is hidden by his grandmother Fernanda, and he and Amaranta Úrsula unknowingly begin an incestuous relationship. They have a
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against the Conservative government. He becomes an iconic revolutionary leader, fighting for many years and surviving multiple attempts on his life, but ultimately tires of war and signs a peace treaty with the Conservatives. Disillusioned, he returns to Macondo and spends the rest of his life making
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of the Buendía family. Gabriel García Márquez shows his criticism of the Latin American elite through the stories of the members of a high-status family who are essentially in love with themselves, to the point of being unable to understand the mistakes of their past and learn from them. The Buendía
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Throughout the novel, García Márquez is said to have a gift for blending the everyday with the miraculous, the historical with the fabulous, and psychological realism with surreal flights of fancy. It is a revolutionary novel that provides a looking glass into the thoughts and beliefs of its author,
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García Márquez blends the real with the magical through the use of tone and narration. By maintaining the same tone throughout the novel, García Márquez makes the extraordinary blend with the ordinary. His condensation of events and lackadaisical manner in describing them causes the extraordinary to
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Gabriel is only a minor character in the novel but he has the distinction of bearing almost the same name as the author. He is the great-great-grandson of Colonel Gerineldo Márquez. He and Aureliano Babilonia are close friends because they know the history of the town, which no one else believes. He
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Aureliano Babilonia, or Aureliano II, is Meme's illegitimate child with Mauricio Babilonia. He is hidden from everyone by his grandmother, Fernanda. He is strikingly similar to his namesake, the Colonel, and has the same character patterns as well. He is taciturn, silent, and emotionally charged. He
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The glass city is an image that comes to José Arcadio Buendía in a dream. It is the reason for Macondo's location, but also a symbol of its fate. Higgins writes, "By the final page, however, the city of mirrors has become a city of mirages. Macondo thus represents the dream of a brave new world that
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and revealed that the series will run for sixteen episodes. The cast includes Claudio Cataño (Colonel Aureliano Buendía), Jerónimo Barón (young Aureliano Buendía), Marco González (Jose Arcadio Buendía), Leonardo Soto (José Arcadio), Susana Morales (Úrsula Iguarán), Ella Becerra (Petronila Iguarán),
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not only shows how elites consider themselves to be above the law, but also reveals how little they learn from their history. José Arcadio Buendía and Ursula fear that since their relationship is incestuous, their child will have animalistic features; even though theirs does not, the final child of
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The selfishness of the Buendía family is eventually broken by the once superficial Aureliano Segundo and Petra Cotes, who discover a sense of mutual solidarity and the joy of helping others in need during Macondo's economic crisis. The pair even find love, and their pattern is repeated by Aureliano
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There are three main mythical elements of the novel: classical stories alluding to foundations and origins, characters resembling mythical heroes, and supernatural elements." Magic realism is achieved by the constant intertwining of the ordinary with the extraordinary. This magic realism strikes at
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in the Buendía house. He becomes engaged to Rebeca, but Amaranta, who also loves him, manages to delay the wedding for years. When José Arcadio and Rebeca agree to be married, Pietro begins to woo Amaranta, who is so embittered that she cruelly rejects him. Despondent over the loss of both sisters,
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Amaranta Úrsula is Aureliano Segundo and Fernanda's third child. She displays the same characteristics as her namesake who dies when she is only a child. She never knows that the child sent to the Buendía home is her nephew, the illegitimate son of Meme. He becomes her best friend in childhood. She
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Fernanda comes from a ruined, aristocratic family that kept her isolated from the world. She was chosen as the most beautiful of 5,000 girls. She is brought to Macondo to compete with Remedios the Beauty for the title of Queen of the local carnival; however, her appearance turns the carnival into a
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Aureliano Segundo is José Arcadio Segundo's twin brother, and one of Arcadio and Santa Sofía's three children. Of the two brothers, Aureliano Segundo is the more boisterous and impulsive, much like the José Arcadios of the family. He takes his first girlfriend Petra Cotes as his mistress during his
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José Arcadio Segundo is Aureliano Segundo's twin brother, and one of Arcadio and Santa Sofía's three children. Úrsula believes that the two were switched in their childhood, as José Arcadio begins to show the characteristics of the family's Aurelianos, growing up to be pensive and quiet. He plays a
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Santa Sofía is a beautiful virgin girl and the daughter of a shopkeeper. She is hired by Pilar Ternera to have sex with her son Arcadio, her eventual husband. She is taken in along with her children by the Buendías after Arcadio's execution. After Úrsula's death she leaves unexpectedly, not knowing
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Pilar is a local woman who moved to Macondo to escape the man who raped her as a teenager. She sleeps with the brothers Aureliano and José Arcadio. She becomes the mother of their sons, Aureliano José and Arcadio respectively. Pilar reads the future with cards, and every so often makes an accurate,
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José Arcadio, named after his ancestors in the Buendía tradition, is Aureliano Segundo and Fernanda's oldest child and follows the trend of previous Arcadios. He is raised by Úrsula, who intends for him to become Pope. After Fernanda's death, he returns from Rome without having become a priest. He
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Petra is a dark-skinned mulatto woman with gold-brown eyes similar to those of a panther. She is Aureliano Segundo's mistress and the love of his life. She arrives in Macondo as a teenager with her first husband. After her husband dies, she begins a relationship with José Arcadio Segundo. When she
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José Arcadio Buendía and Úrsula's firstborn child, José Arcadio seems to have inherited his father's headstrong, impulsive mannerisms. He eventually leaves the family after being molested by Pilar Ternera to chase a Gypsy girl and unexpectedly returns many years later as an enormous man covered in
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from 1899 to 1902. The Conservatives had been "in control more or less constantly since 1867," and the Liberals, mainly coffee plantation owners and workers who had been excluded from representation, sparked a revolution in October 1899. The fighting continued for a few years, and it is estimated
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through the story of the Buendía family, whose spirit of adventure places them amidst the important actions of Colombian historical events. These events include the inclusion of the Roma "Gypsies", the Liberal political reformation of a colonial way of life, and the 19th-century arguments for and
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I dare to think that it is this outsized reality, and not just its literary expression, that has deserved the attention of the Swedish Academy of Letters. A reality not of paper, but one that lives within us and determines each instant of our countless daily deaths, and that nourishes a source of
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Gastón is Amaranta Úrsula's wealthy, Belgian husband. She marries him in Europe and returns to Macondo leading him on a silk leash. Gastón is about fifteen years older than his wife. He is an aviator and an adventurer. When he moves with Amaranta Ursula to Macondo he thinks it is only a matter of
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José Arcadio Buendía and Úrsula's third child, Amaranta grows up as a companion of her adopted sister Rebeca. However, her feelings toward Rebeca turn sour over Pietro Crespi, whom both sisters intensely desired in their teenage years. Amaranta does everything she can to prevent Rebeca and Pietro
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José Arcadio Buendía and Úrsula's second child and the first person to be born in Macondo. He was thought to have premonitions because everything he said came true. He represents not only a warrior figure but also an artist due to his ability to write poetry and create finely crafted golden fish.
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Because Macondo is a fictional town created by Gabriel García Márquez, the exact events of the Thousand Days' War as they occurred in the book are fictional. However, these events are widely considered to be metaphorical for the Thousand Days War as experienced by the entire country of Colombia.
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Perhaps the most dominant theme in the book is that of solitude. Macondo was founded in the remote jungles of the Colombian rainforest. The solitude of the town is representative of the colonial period in Latin American history, where outposts and colonies were, for all intents and purposes, not
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During his 32 civil war campaigns, Colonel Aureliano Buendía has 17 sons by 17 different women, each named after their father. Four of these Aurelianos (A. Triste, A. Serrador, A. Arcaya and A. Centeno) stay in Macondo and become a permanent part of the family. Eventually, as revenge against the
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is considered by fans to be García Márquez's masterpiece yet he himself refused to sell the screening rights to his novel because he did not want it to be adapted in any language other than Spanish and felt a film adaptation would not cover the entire plot due to its length. For the upcoming TV
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While other members of the family leave and return, Aureliano stays in the Buendía home. He only ventures into the empty town after the death of Fernanda. He works to decipher the parchments of Melquíades but stops to have an affair with his childhood partner and the love of his life, Amaranta
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Remedios the Beauty is Arcadio and Santa Sofía's first child. It is said she is the most beautiful woman ever seen in Macondo, and unintentionally causes the deaths of several men who love or lust over her. She appears to most of the town as naively innocent, and some come to think that she is
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comes to Macondo, bringing in new technology and many foreign settlers. An American fruit company establishes a banana plantation outside the town, and builds its own segregated village across the river. This ushers in a period of prosperity that ends in tragedy as the Colombian army massacres
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Aureliano José is Colonel Aureliano Buendía's illegitimate son with Pilar Ternera. He joins his father in several wars before deserting to return to Macondo upon hearing that it is possible to marry one's aunt. Aureliano José is obsessed with his aunt, Amaranta, who raised him since birth and
360:. One night of their emigration journey, while camping on a riverbank, José Arcadio dreams of "Macondo", a city of mirrors that reflected the world in and about it. Upon awakening, he decides to establish Macondo at the riverside; after days of wandering the jungle, his founding of Macondo is
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He reiterates the metaphor of history as a circular phenomenon through the repetition of names and characteristics belonging to the Buendía family. Over six generations, all the José Arcadios possess inquisitive and rational dispositions as well as enormous physical strength. The Aurelianos,
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for a vacation with his family when he thought of the beginning for a new book; he then turned his car around, asked his wife to manage the family's finances for the coming months, and drove back home to Colombia. For the next eighteen months, García Márquez spent his time writing what would
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who shows up at the Buendía house for lunch one day. After tasting the local bananas for the first time, he arranges for a banana company to set up a plantation in Macondo. The plantation is run by the dictatorial Jack Brown. When José Arcadio Segundo helps arrange a workers' strike on the
448:
The fate of Macondo is both doomed and predetermined from its very existence. "Fatalism is a metaphor for the particular part that ideology has played in maintaining historical dependence, by locking the interpretation of Latin American history into certain patterns that deny alternative
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Babilonia and Amaranta Úrsula. Eventually, Aureliano and Amaranta Úrsula have a child, and the latter is convinced that it will represent a fresh start for the once-conceited Buendía family. However, the child turns out to be the perpetually feared monster with the pig's tail.
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major role in the banana worker strike, and is the only survivor when the company massacres the striking workers. Afterward, he spends the rest of his days studying the parchments of Melquíades, and tutoring the young Aureliano. He dies at the exact instant that his twin does.
392:. The leader of the Gypsies, a man named Melquíades, maintains a close friendship with José Arcadio, who becomes increasingly withdrawn, obsessed with investigating the mysteries of the universe presented to him by the Gypsies. Ultimately, he is driven insane, speaking only in
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begins a romantic affair with Meme until Fernanda discovers them and tries to end it. When Mauricio continues to sneak into the house to see her, Fernanda has him shot, claiming he is a chicken thief. Paralyzed and bedridden, he spends the rest of his long life in solitude.
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Renata Remedios, or Meme, is Aureliano Segundo and Fernanda's second child and first daughter. While she doesn't inherit Fernanda's beauty, she does have Aureliano Segundo's love of life and natural charisma. After her mother declares that she is to do nothing but play the
764:, she is sent to school where she receives her performance degree as well as academic recognition. While she pursues the clavichord with "an inflexible discipline" to placate Fernanda, she also enjoys partying and exhibits the same tendency towards excess as her father.
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who chose to give a literary voice to Latin America: "A Latin America which neither wants, nor has any reason, to be a pawn without a will of its own; nor is it merely wishful thinking that its quest for independence and originality should become a Western aspiration."
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Fernanda is never accepted by anyone in the Buendía household for they regard her as an outsider, although none of the Buendías rebel against her inflexible conservatism. Her mental and emotional instability is revealed through her paranoia, her correspondence with the
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that involve the generations of the Buendía family, who are unable or unwilling to escape their periodic (mostly self-inflicted) misfortunes. For years the town has been solitary and unconnected to the outside world, with the exception of the annual visit of a band of
1342:). These novels are often considered representative of the boom that allowed Hispanic American literature to reach the quality of North American and European literature in terms of technical quality, rich themes, and linguistic innovations, among other attributes.
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is Netflix's most expensive Latin American-made project to date, with Colombian groups and indigenous communities making and providing props, and a total of four hundred fifty locals building three different versions of Macondo for the progression of the series.
1361:, is a kind of aesthetic battle fatigue, since every page is rammed full of life beyond the capacity of any single reader to absorb... There are no wasted sentences, no mere transitions, in this novel, and you must notice everything at the moment you read it."
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though vague, prediction. She has close ties with the Buendías throughout the whole novel, helping them with her card predictions. She dies some time after she turns 145 years old (she had eventually stopped counting), surviving until the last days of Macondo.
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Rebeca is the second cousin of Úrsula Iguarán and the orphaned child of Nicanor Ulloa and Rebeca Montiel. At first, she is extremely timid, refuses to speak, and has the habits of eating earth and whitewash from the walls of the house, a condition known as
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America seemed to promise and that was cruelly proved illusory by the subsequent course of history." Images such as the glass city and the ice factory represent how Latin America already has its history outlined and is therefore fated for destruction.
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differs from this tendency by including the traveling Roma throughout the story. Led by a man named Melquíades, the Roma bring new discoveries and technology to the isolated village of Macondo, often inciting the curiosity of José Arcadio Buendía.
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myth and history overlap. The myth acts as a vehicle to transmit history to the reader. García Márquez's novel could also be referred to as anthropology, where truth is found in language and myth. The real and the fiction are indistinguishable.
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a large land holding in which elite families lived and managed their lands and laborers. In Colombia, where the novel takes place, a Big House was known for being a grand one-story dwelling with many bedrooms, parlors, a kitchen, a pantry and a
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contains several ideas concerning time. Although the story can be read as a linear progression of events, both when considering individual lives and Macondo's history, García Márquez allows room for several other interpretations of time:
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tattoos, claiming that he has sailed the seas of the world. He marries his adopted sister Rebeca, causing his banishment from the mansion, and he dies from a mysterious gunshot wound, days after saving his brother from execution.
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Some Implications of Yellow and Gold in García Márquez's "One Hundred Years of Solitude": Color Symbolism, Onomastics, and Anti-Idyll" by John Carson Pettey Citation Revista Hispánica Moderna, Año 53, No. 1 pp. 162–178 Year
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She plays an integral part in the plot as she is the link between the second and the third generations of the Buendía family. The author highlights her importance by following her death with a declaratory "it was the end."
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Melquíades is one of a band of Gypsies who visit Macondo every year in March, displaying amazing items from around the world. Melquíades sells José Arcadio Buendía several new inventions including a pair of
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meanwhile, lean towards insularity and quietude. This repetition of traits reproduces the history of the individual characters and, ultimately, the history of the town as a succession of the same mistakes
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603:. She falls in love with and marries her adoptive brother José Arcadio after his return from traveling the world. After his mysterious and untimely death, she lives in seclusion for the rest of her life.
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Although we are faced with a very convoluted narrative, García Márquez is able to define clear themes while maintaining individual character identities, and using different narrative techniques such as
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leaves for Paris after winning a contest and decides to stay there, selling old newspapers and empty bottles. He is one of the few who is able to leave Macondo before the town is wiped out entirely.
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that should be required reading for the entire human race. Mr. García Márquez has done nothing less than to create in the reader a sense of all that is profound, meaningful, and meaningless in life.
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The rise and fall, birth and death of the mythical but intensely real Macondo, and the glories and disasters of the wonderful Buendía family; make up an intensely brilliant chronicle of humankind's
599:. She arrives carrying a canvas bag containing her parents' bones and seems not to understand or speak Spanish. However, she responds to questions asked by Visitación and Cataure in the Guajiro or
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The novel presents a fictional story in a fictional setting. The extraordinary events and characters are fabricated, yet García Márquez uses his fantastic story as an expression of reality. "In
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In the novel's account of the civil war and subsequent peace, there are numerous mentions of the pensions not arriving for the veterans, a reference to one of García Márquez's earlier works,
1255:. The novel topped the list of books that have most shaped world literature over the last 25 years, according to a survey of international writers commissioned by the global literary journal
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cross on their foreheads. The only survivor of the massacre is A. Amador, who escapes into the jungle only to be assassinated at the doorstep of his father's house many years later.
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of 1928. José Arcadio Segundo, the only survivor of the massacre, finds no evidence of the massacre, and the surviving townspeople deny or refuse to believe it happened.
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molested him as a child, and who rejects the marriage proposal he makes as an adult. He is eventually shot to death by a Conservative captain midway through the wars.
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1041:, a style of writing in which the supernatural is presented as mundane, and the mundane as supernatural or extraordinary. The term was coined by German art critic
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On October 21, 2022, Netflix commemorated the fortieth anniversary of the announcement of García Márquez's Nobel Prize in Literature with an exclusive preview of
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In his Nobel Prize acceptance speech, García Márquez addressed the significance of his writing and proposed its role to be more than just literary expression:
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barely knows Úrsula, who dies during his childhood. He is a friend of José Arcadio Segundo, who explains to him the true story of the banana worker massacre.
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in the following line: "...in the room that smelled of boiled cauliflower where Rocamadour was to die" (p. 412). Rocamadour is a fictional character in
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2616:: Edited and with an Introduction by Harold Bloom: "Gabriel García Márquez's One Hundred Years of Solitude". Philadelphia: Chelsea House Publishers, 2003
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Elsey, Brenda. "One Hundred Years of Solitude." History of Latin America 1810-Present. Hofstra University. Adams Hall, Hempstead. 3 March 2020. Lecture.
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possibilities. The narrative seemingly confirms fatalism in order to illustrate the feeling of entrapment that ideology can performatively create."
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returns home from Europe with an older husband, Gastón, who leaves her when she informs him of her passionate affair with Aureliano. She dies of a
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has received universal recognition. The novel has been awarded Italy's Chianciano Award, France's Prix de Meilleur Livre Etranger, Venezuela's
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In her later years, she becomes a caring figure within the Buendía household, particularly showing affection for her nephew, Aureliano José.
352:. The founders of Macondo, José Arcadio Buendía and Úrsula Iguarán, leave their hometown after José Arcadio kills Prudencio Aguilar after a
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Franz Roh: Nach-Expressionismus. Magischer Realismus. Probleme der neuesten europäischen Malerei. Klinkhardt & Biermann, Leipzig 1925.
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Eventually Macondo becomes exposed to the outside world and the government of newly independent Colombia. A rigged election between the
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960:. All the many varieties of life are captured here: inventively, amusingly, magnetically, sadly, humorously, luminously, truthfully.
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from a blood poisoning illness during her pregnancy. Until soon before the Colonel's death, her dolls are displayed in his bedroom.
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García Márquez uses colours as symbols. Yellow and gold are the most frequently used and symbolize imperialism and the Spanish
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1629:(さらば箱舟) are loose (and unauthorized) adaptations of the novel transplanted into the realm of Japanese culture and history.
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José Arcadio Buendía believes Macondo to be surrounded by water, and from that island, he invents the world according to
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who indeed dies in the room described. He also refers to two other major works by Latin American writers in the novel:
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becomes subject to his whims. When the Liberal forces in Macondo fall, Arcadio is shot by a Conservative firing squad.
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Ghosts, Metaphor, and History in Toni Morrison's Beloved and Gabriel García Márquez's One Hundred Years off Solitude
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has been translated into 46 languages and sold more than 50 million copies. The novel, considered García Márquez's
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The Dialectics of our America: Genealogy, Cultural Critique, and Literary History Post-Contemporary Interventions
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Carlos Suaréz (Aureliano Iguarán), Moreno Borja (Melquiades), and Santiago Vásquez (teenage Aureliano Buendía).
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The novel explores the issue of timelessness or eternity even within the framework of mortal existence. A major
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could be a wishful prediction by García Márquez, a well-known socialist, regarding the future of Latin America.
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The superlatives from reviewers and readers alike display the resounding praise which the novel has received.
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is a place where beliefs and metaphors become forms of fact, and where more ordinary facts become uncertain."
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Márquez, Gabriel Garcia. Nobel Lecture, Hispanic Heritage in the Americas. Nobel Lecture, 8 December 1982
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456:. Gold signifies a search for economic wealth, whereas yellow represents death, change, and destruction.
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As a metaphoric, critical interpretation of Colombian history, from foundation to contemporary nation,
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722:", and her irrational behavior towards Meme's son Aureliano, whom she tries to isolate from the world.
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Colonel, all are assassinated by unknown assailants, who identified them by the mysteriously permanent
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3009:"Colombian writer Gabriel García Márquez reading the first chapter of One Hundred Years of Solitude"
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McMurray, George R. (December 1969). "Reality and Myth in Garcia Márquez' 'Cien anos de soledad'".
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Netflix's One Hundred Years of Solitude brings fame to Gabriel García Márquez's Colombian hometown
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that states a Knowledge editor's personal feelings or presents an original argument about a topic.
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2161:"Cien años de soledad: the novel as myth and archive" by Gonzalez Echevarria. p. 358-80 Year 1984
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He is the friend and comrade-in-arms of Colonel Aureliano Buendía. He fruitlessly woos Amaranta.
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482:, wherein the novel compresses decades of cause and effect whilst telling an interesting story.
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Pietro is a very handsome and polite Italian musician who runs a music school. He installs the
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2718:"The worker's massacre of 1928 in the Magdalena Zona Bananera - Colombia. An unfinished story"
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2014:
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265:, remains widely acclaimed and is recognized as one of the most significant works both in the
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On the tenth anniversary of García Márquez's death, Netflix released the official teaser for
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where García Márquez spent his childhood inspired him to make his book's setting of Macondo.
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of the Buendía family, whose patriarch, José Arcadio Buendía, founded the fictitious town of
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to earn better labor conditions when members of the local military fired guns into crowds.
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In 2017, Chilean artist Luisa Rivera illustrated a fiftieth anniversary special edition of
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was not shot there yet they still hope the upcoming Netflix series will draw people in.
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today. However, "most South American history books...exclude the presence of the Roma."
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is considered one of the five key novels in Hispanic American literature (together with
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outlook. Meanwhile, Doña Iguarán Cotes' superstitious beliefs became the foundation of
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Gullon, Ricardo. "Review: Gabriel García Márquez & the Lost Art of Storytelling".
570:, but comfortable in her existence after having finally accepted what she had become.
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1880:"Esto es lo que sabemos de la serie de 'Cien Años de Soledad' que producirá Netflix"
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has argued that García Márquez may have borrowed themes from several works, such as
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Colombians await One Hundred Years of Solitude screen adaptation with joy and fear
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wrote that "with a single bound, Gabriel García Márquez leaps onto the stage with
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in the Old Testament, whose source of authority as a high priest was mysterious.
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of the Buendía family and the founder of Macondo. Buendía leaves his hometown in
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marrying, even attempting to murder Rebeca. Amaranta dies a lonely and virginal
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2931:"Memory and Prophecy, Illusion and Reality Are Mixed and Made to Look the Same"
2004:, post-script section entitled: 'P.S. Insights, Interviews & More' pp. 2–12
1833:"Gabriel García Márquez será el personaje central del IV Congreso de la Lengua"
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In García Márquez's birthplace of Aracataca, the locals were disappointed that
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The Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother
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On March 6, 2019, García Márquez's son Rodrigo García Barcha, announced that
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According to Hazel Marsh, a Senior Lecturer in Latin American Studies at the
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Netflix Presents a First Look at Scenes From One Hundred Years of Solitude
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Ian Johnston (March 28, 1995) "On Marquez's One Hundred Years of Solitude"
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perceptions. Soon after its founding, Macondo became a town frequented by
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Netflix to adapt One Hundred Years of Solitude by Gabriel García Márquez
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in New York City. These awards set the stage for García Márquez's 1982
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is the story of seven generations of the Buendía Family in the town of
2015:"Ediciones conmemorativas | Obras | Real Academia Española"
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against it; the arrival of the railway to a mountainous country; the
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333:(1967) earned García Márquez international fame as a novelist of the
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Revista digital de Historia y Arqueología desde el Caribe colombiano
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2050:"The Modern World". Web, www.themodernword.com/gabo/. April 17, 2010
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established it as an important representative novel of the literary
1562:. In the novel's final chapter, García Márquez refers to the novel
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thousands of striking plantation workers, an incident based on the
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Gabriel García Márquez's One Hundred Years of Solitude: A Casebook
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called it "the greatest revelation in the Spanish language since
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One Hundred Years of Solitude: Special Announcement from Netflix
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away the Buendías and the order they represent." The ending to
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parties is held in town, inspiring Aureliano Buendía to join a
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The Bulletin of the Rocky Mountain Modern Language Association
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1996:, by Gabriel García Márquez, 2003, Harper Collins: New York,
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The use of particular historic events and characters renders
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A history of modern Latin America : 1800 to the present
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Critics often cite certain works by García Márquez, such as
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There is an underlying pattern of Latin American history in
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Cien años de soledad' se convertirá en una serie de Netflix
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personal reflection, personal essay, or argumentative essay
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after she has given birth to the last of the Buendía line.
2997:, Nobel lecture by Gabriel García Márquez, 8 December 1982
1539:. Banana plantation workers had been striking against the
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remarked, "My primary impression, in the act of rereading
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of the 1960s and 1970s; the other three were the Peruvian
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The Circuit: Why Netflix Is Betting Big on Latin America
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Books Abroad/Neustadt International Prize for Literature
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On the other hand, it is important to keep in mind that
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2376:, by José David Saldívar, Duke University Press, 1991,
1788:"100 must-read classic books, as chosen by our readers"
1247:. García Márquez also received an honorary LL.D. from
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Gabriel García Márquez: One Hundred Years of Solitude
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García Márquez, Gabriel, 1927-2014 (25 March 1970).
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Cinco novelas claves de la novela hispano americana
1443:(Guerra de los Mil Días, 1899–1902); the corporate
2983:Magical Realism in "One Hundred Years of Solitude"
2032:Why should you read One Hundred Years of Solitude?
2437:One Hundred Years of Solitude, Encyclopedia Beta.
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2627:Bags of Bones: A Source for Cien Años de Soledad
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213:International Conference of the Spanish Language
2470:. Rabassa, Gregory (First ed.). New York.
1810:Congresos Internacionales de la Lengua Española
1312:City College of the City University of New York
2839:One Hundred Years of Solitude: Official Teaser
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1310:According to Antonio Sacoto, professor at the
1180:family's literal loving of themselves through
400:by his family for many years until his death.
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1989:
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1451:("American Fruit Company" in the story); the
3001:"On Marquez's One Hundred Years of Solitude"
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2663:"The Roma Gypsies of Colombia | Latino Life"
2531:(Second ed.). Chichester, West Sussex.
1958:
1668:, served as the show's production designer.
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251:Since it was first published in May 1967 in
242:(European and North American) and the Cuban
2649:Penguin Random House Group Editorial, Spain
2502:) CS1 maint: multiple names: authors list (
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1730:"The 50 Most Influential Books of All Time"
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2364:, Vol. 1, No. 1 (Autumn, 1971), pp. 27–32.
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1023:Subjectivity of reality and magic realism
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313:novelists first included in the literary
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2686:Minster, Christopher (January 2, 2020).
2643:Cien años de soledad (edición ilustrada)
2299:Barcelona: Editorial Vosgos, S.A., 1977.
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2028:Díez-Buzo, Francisco (August 30, 2018).
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1523:Representation of the "Banana Massacre"
1463:as government–labour relations policy.
832:With his death, the Buendía line ends.
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2738:Hoyos Vargas, Andrés (March 6, 2019).
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1830:
1770:"The 100 greatest novels of all time"
1461:military massacre of striking workers
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2789:Daniels, Joe Parkin (8 March 2019).
2715:
2629:, The Johns Hopkins University Press
2581:. September 25, 2009. Archived from
2088:
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1921:
1619:(百年の孤独, originally performed by the
1560:El coronel no tiene quien le escriba
1416:Penguin Random House Group Editorial
963:
848:negligence, he is devoured by ants.
674:
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16:1967 novel by Gabriel García Márquez
1768:Writers, Telegraph (23 July 2021).
1109:
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309:García Márquez was one of the four
13:
3179:A Very Old Man with Enormous Wings
2922:
2716:Caro, Jorge Enrique Elías (2012).
2704:
2514:
2454:
2440:
2061:"Love and Immolation in Argentina"
1831:Tovar, Guillermo (22 March 2007).
1531:" occurred December 5-6, 1928, in
1492:Depiction of the Thousand Days War
1030:A Very Old Man with Enormous Wings
819:Aureliano Babilonia (Aureliano II)
234:of the 1960s and 1970s, which was
14:
3332:
3199:The Story of a Shipwrecked Sailor
2963:
1467:Inclusion of the Roma ("Gypsies")
1206:Literary significance and acclaim
1200:
248:(Avant-Garde) literary movement.
3316:Novels by Gabriel García Márquez
3117:Memories of My Melancholy Whores
3007:García Márquez, Gabriel (1967).
2614:Bloom's Critical Interpretations
968:
416:tiny gold fish in his workshop.
373:unusual and extraordinary events
356:for suggesting José Arcadio was
226:style and thematic substance of
2995:"The Solitude of Latin America"
2929:Kiely, Robert (March 8, 1970).
2896:
2880:Chang, Emily (April 25, 2024).
2873:
2851:
2829:
2807:
2782:
2758:
2731:
2679:
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2639:García Márquez, Garcia (2017).
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2007:
1898:"The magician in his labyrinth"
1508:that over 130,000 people died.
1499:in Colombia was fought between
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302:s style. The couple's house in
3286:Colombian magic realism novels
2944:Soame, Sally (December 2015).
2096:. Cambridge University Press.
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300:One Hundred Years of Solitude'
20:One Hundred Years of Solitude
1:
3281:20th-century Colombian novels
3238:The Solitude of Latin America
3089:Chronicle of a Death Foretold
3075:One Hundred Years of Solitude
2977:One Hundred Years of Solitude
2975:Oprah's Book Club's Guide to
2948:One Hundred Years of Solitude
2903:Taylor, Luke (May 18, 2024).
2468:One hundred years of solitude
1994:One Hundred years of Solitude
1713:
1678:One Hundred Years of Solitude
1670:One Hundred Years of Solitude
1659:One Hundred Years of Solitude
1652:One Hundred Years of Solitude
1645:One Hundred Years of Solitude
1638:One Hundred Years of Solitude
1623:theater troupe) and his film
1617:One Hundred Years of Solitude
1548:One Hundred Years of Solitude
1513:One Hundred Years of Solitude
1485:One Hundred Years of Solitude
1475:, it is estimated that 8,000
1432:One Hundred Years of Solitude
1426:Relation to Colombian history
1412:One Hundred Years of Solitude
1359:One Hundred Years of Solitude
1316:One Hundred Years of Solitude
1237:One Hundred Years of Solitude
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1035:One Hundred Years of Solitude
754:Renata Remedios (a.k.a. Meme)
485:
476:One Hundred Years of Solitude
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346:One Hundred Years of Solitude
331:One Hundred Years of Solitude
288:One Hundred Years of Solitude
257:One Hundred Years of Solitude
228:One Hundred Years of Solitude
181:[sjenˈaɲosðesoleˈðað]
164:One Hundred Years of Solitude
3306:Novels about sleep disorders
3151:No One Writes to the Colonel
3103:The General in His Labyrinth
1906:. 2017-09-06. Archived from
1863:"One Hundred Years at Forty"
1390:A Journal of the Plague Year
510:José Arcadio Buendía is the
7:
3096:Love in the Time of Cholera
3082:The Autumn of the Patriarch
3003:– a lecture by Ian Johnston
2295:Gordo-Guarinos, Francisco.
1966:. Oxford University Press.
1707:What Remains of Edith Finch
1683:
1088:
255:by Editorial Sudamericana,
10:
3337:
1701:List of best-selling books
1265:-anniversary celebration.
1253:Nobel Prize for Literature
1229:New York Times Book Review
1166:
3247:
3229:
3188:
3133:
3057:
2625:Haberly, David T. (1990)
2415:La muerte de Artemio Cruz
2122:Erickson, Daniel (2009).
1588:La Muerte de Artemio Cruz
1583:The Death of Artemio Cruz
1473:University of East Anglia
1333:La Muerte de Artemio Cruz
1243:, and the United States'
1150:
927:Colonel Gerineldo Márquez
851:
549:Colonel Aureliano Buendía
273:Biography and publication
269:and in world literature.
146:
138:
130:Published in English
128:
120:
110:
86:
76:
66:
56:
46:
36:
24:
3110:Of Love and Other Demons
2688:"The Thousand Days' War"
1696:100 Books of the Century
1593:Explosion in a Cathedral
1590:) by Carlos Fuentes and
1075:streams of consciousness
650:Santa Sofía de la Piedad
201:multi-generational story
90:Editorial Sudamericana,
3220:Living to Tell the Tale
2989:Lectures and recordings
2946:"The Secret History of
2746:(in Spanish). El Tiempo
2347:April 16, 2016, at the
1734:Open Education Database
1511:In Chapters 5 and 6 of
1127:due to some endogenous
494:The Buendía family tree
436:Symbolism and metaphors
340:
267:Hispanic literary canon
177:Latin American Spanish:
3321:Novels set in Colombia
3296:Harper & Row books
3051:Gabriel García Márquez
2421:La ciudad y los perros
2396:Antonio Sacoto (1979)
1352:
1339:La ciudad y los perros
1234:
1071:third-person narrators
990:by rewriting it in an
962:
495:
279:Gabriel García Márquez
197:Gabriel García Márquez
172:
41:Gabriel García Márquez
2727:– via Memorias.
2297:Cien años de soledad.
1960:Bell-Villada, Gene H.
1598:El siglo de las luces
1537:Santa Marta, Colombia
1497:The Thousand Days War
1347:
1241:Rómulo Gallegos Prize
1209:
1155:A recurring theme in
950:
516:Riohacha Municipality
493:
478:an exemplary work of
3311:Fiction about incest
3213:News of a Kidnapping
3206:Clandestine in Chile
2667:www.latinolife.co.uk
2426:Cien años de soledad
2314:www.britannica.com /
1886:. 29 September 2020.
1884:culturacolectiva.com
1752:thegreatestbooks.org
1748:"The Greatest Books"
1541:United Fruit Company
1449:United Fruit Company
1380:Orlando: A Biography
1371:Yoknapatawpha County
689:José Arcadio Segundo
505:José Arcadio Buendía
440:A dominant theme in
173:Cien años de soledad
51:Cien años de soledad
3301:Jonathan Cape books
2825:. October 21, 2022.
2527:(19 January 2016).
2403:El señor presidente
1626:Farewell to the Ark
1554:Internal references
1434:presents different
1403:, in an example of
1321:El Señor Presidente
1261:as a part of its 25
1249:Columbia University
1171:A theme throughout
918:that took place in
710:Fernanda del Carpio
680:Remedios the Beauty
396:, and is tied to a
315:Latin American Boom
232:Latin American Boom
47:Original title
21:
3291:Family saga novels
3158:Big Mama's Funeral
2969:Reading curriculum
2936:The New York Times
2585:on October 5, 2009
1736:. 26 January 2010.
1640:into a TV series.
1441:Thousand Days' War
1296:The New York Times
1037:, as exemplary of
992:encyclopedic style
979:is written like a
920:Ciénaga, Magdalena
895:he kills himself.
836:Seventh generation
788:Mauricio Babilonia
496:
325:, and the Mexican
319:Mario Vargas Llosa
292:Thousand Days' War
286:eventually become
19:
3263:
3262:
2869:. April 17, 2024.
2847:. April 17, 2024.
2692:www.thoughtco.com
2579:Wasafiri Magazine
2538:978-1-118-77248-5
2133:978-0-230-61348-5
2069:. 16 August 1981.
1264:
1020:
1019:
1012:
937:Gabriel (Márquez)
909:Mr. Herbert is a
720:invisible doctors
700:Aureliano Segundo
675:Fourth generation
656:her destination.
532:Second generation
160:
159:
121:Publication place
3328:
3172:Strange Pilgrims
3040:
3033:
3026:
3017:
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2571:
2565:
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2558:
2550:
2525:Meade, Teresa A.
2521:
2512:
2511:
2497:
2489:
2463:
2452:
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2438:
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2394:
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2199:
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2119:
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2086:
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2019:
2018:
2011:
2005:
1991:
1978:
1977:
1956:
1919:
1918:
1916:
1915:
1894:
1888:
1887:
1876:
1870:
1865:(December 2007)
1860:
1854:
1853:
1851:
1849:
1838:El Mundo (Spain)
1828:
1822:
1821:
1819:
1817:
1806:"Agradecimiento"
1802:
1796:
1795:
1784:
1778:
1777:
1765:
1756:
1755:
1744:
1738:
1737:
1726:
1695:
1602:Alejo Carpentier
1367:William Faulkner
1305:Vladimir Nabokov
1262:
1232:
1110:Fluidity of time
1015:
1008:
1004:
1001:
995:
972:
971:
964:
813:Sixth generation
737:Fifth generation
622:Third generation
578:Remedios Moscote
499:First generation
321:, the Argentine
209:world literature
183:
178:
150:
112:Publication date
95:Harper & Row
29:
22:
18:
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3335:
3331:
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2925:
2923:Further reading
2920:
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2857:
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2778:. 7 March 2019.
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2612:Bloom, Harold.
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2349:Wayback Machine
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2188:10.2307/1346518
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2066:Washington Post
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1556:
1529:Banana Massacre
1525:
1494:
1469:
1428:
1405:intertextuality
1233:
1224:William Kennedy
1222:
1216:Book of Genesis
1208:
1203:
1169:
1153:
1112:
1091:
1025:
1016:
1005:
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988:help improve it
985:
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949:
916:Banana massacre
854:
838:
815:
773:Amaranta Úrsula
739:
712:
682:
677:
624:
534:
501:
488:
480:magical realism
438:
426:Banana Massacre
343:
335:magical realism
281:was driving to
275:
224:magical realist
219:in March 2007.
199:that tells the
176:
131:
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106:
61:Gregory Rabassa
32:
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12:
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2964:External links
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2647:(in Spanish).
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1841:(in Spanish).
1823:
1797:
1794:. 26 May 2022.
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1613:Shūji Terayama
1609:
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1574:Julio Cortázar
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1436:national myths
1427:
1424:
1375:Virginia Woolf
1274:Nobel Laureate
1220:
1207:
1204:
1202:
1201:Interpretation
1199:
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1131:in our nature.
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323:Julio Cortázar
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3135:Short stories
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2126:. Macmillan.
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2103:0-521-31692-8
2099:
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2090:Wood, Michael
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1910:on 2017-09-06
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1903:The Economist
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1505:Conservatives
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1395:Chateaubriand
1392:
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1363:David Haberly
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669:Ash Wednesday
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101:Jonathan Cape
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31:First edition
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3124:Until August
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3068:In Evil Hour
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2913:The Guardian
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2800:The Guardian
2798:
2792:
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2775:The Guardian
2773:
2767:
2760:
2748:. Retrieved
2741:
2733:
2724:
2695:. Retrieved
2691:
2681:
2670:. Retrieved
2666:
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2599:
2587:. Retrieved
2583:the original
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2409:Pedro Páramo
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1912:. Retrieved
1908:the original
1901:
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1836:
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1814:. Retrieved
1812:(in Spanish)
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1353:
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1327:Pedro Páramo
1325:
1319:
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1309:
1301:Günter Grass
1294:
1291:John Leonard
1280:
1277:Pablo Neruda
1267:
1256:
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1211:
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1125:ad infinitum
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1000:January 2022
997:
978:
951:
947:Major themes
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743:José Arcadio
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538:José Arcadio
537:
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454:Siglo de Oro
451:
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405:Conservative
402:
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253:Buenos Aires
250:
244:
227:
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163:
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50:
3276:1967 novels
3190:Non-fiction
2955:Vanity Fair
1608:Adaptations
1282:Don Quixote
900:Mr. Herbert
878:Melchizedek
727:Petra Cotes
262:magnum opus
3270:Categories
3144:Leaf Storm
2697:2021-03-24
2672:2021-03-24
2589:October 2,
2362:Diacritics
2319:2023-05-26
1914:2020-04-16
1867:The Walrus
1714:References
1596:(Spanish:
1586:(Spanish:
1568:(Spanish:
1459:; and the
1457:automobile
858:Melquíades
807:velocipede
781:hemorrhage
762:clavichord
486:Characters
386:telescopes
245:Vanguardia
57:Translator
2933:. Books.
2555:cite book
2547:915135785
2494:cite book
2310:"Maranta"
1848:31 August
1816:31 August
1578:Hopscotch
1565:Hopscotch
1289:", while
1287:Cervantes
1272:poet and
1045:in 1925.
1043:Franz Roh
958:tragedies
922:in 1928.
904:Mr. Brown
874:Singapore
870:alchemist
842:Aureliano
512:patriarch
413:civil war
354:cockfight
304:Aracataca
296:socialist
277:In 1965,
240:Modernism
217:Cartagena
193:Colombian
124:Argentina
87:Publisher
2384:, pg. 21
2345:Archived
2092:(1990).
1962:(2002).
1869:, Canada
1691:Le Monde
1684:See also
1615:'s play
1501:Liberals
1481:Colombia
1479:live in
1445:hegemony
1258:Wasafiri
1221:—
1188:hacienda
1089:Solitude
1083:close-up
1081:and the
954:comedies
568:spinster
560:Amaranta
421:railroad
358:impotent
283:Acapulco
215:held in
155:17522865
67:Language
3255:Macondo
2890:YouTube
2867:Netflix
2845:YouTube
2823:YouTube
2750:6 March
2196:1346518
2038:YouTube
1792:Penguin
1634:Netflix
1570:Rayuela
1533:Ciénaga
1447:of the
1270:Chilean
1195:veranda
1177:elitism
1175:is the
1167:Elitism
1079:montage
986:Please
892:pianola
868:and an
866:magnets
628:Arcadio
409:Liberal
382:magnets
378:Gypsies
350:Macondo
205:Macondo
195:author
184:) is a
169:Spanish
71:Spanish
3230:Speech
3059:Novels
2545:
2535:
2484:
2474:
2380:
2194:
2130:
2100:
2000:
1970:
1694:'s
1455:; the
1453:cinema
1393:, and
1336:, and
1182:incest
1161:incest
1151:Incest
1129:hubris
911:gringo
852:Others
799:Gastón
589:Rebeca
388:, and
362:utopic
37:Author
3248:Other
3047:Works
2721:(PDF)
2486:54659
2192:JSTOR
1600:) by
1572:) by
1535:near
1527:The "
1420:Spain
1400:Atala
1385:Defoe
1136:trope
394:Latin
189:novel
139:Pages
77:Genre
2752:2019
2591:2009
2561:link
2543:OCLC
2533:ISBN
2508:link
2504:link
2500:link
2482:OCLC
2472:ISBN
2378:ISBN
2147:2000
2128:ISBN
2098:ISBN
1998:ISBN
1968:ISBN
1850:2024
1818:2024
1665:Roma
1503:and
1477:Roma
1303:and
1033:and
956:and
902:and
597:pica
419:The
407:and
341:Plot
222:The
186:1967
149:OCLC
134:1970
116:1967
103:(UK)
97:(US)
3049:by
2412:,
2184:doi
1843:EFE
1397:'s
1387:'s
1377:'s
1369:'s
1307:."
1293:in
1285:of
390:ice
369:his
191:by
142:422
3272::
2952:.
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