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quite sure about my own life and what I was doing and what was weird and where I was living and the people around me, including the people in the group. I was just kind of questioning everything and at the same time trying to live out some of the philosophies of the time. It was a time of strong philosophical roads and routes that people were writing about. It was a kind of age of enlightenment and searching for enlightenment." The song's plaintive mood builds to a crescendo with an exhortation for listeners to share their feelings with each other. He explains, "I felt it needed to build to something that was happier and more optimistic. It just came naturally to me. I like dynamics in songs: light and shade. I liked starting quiet and getting loud." The song employs an
523:, we started to become a studio band. We were exploring what you could do recording-wise, and not playing live-wise. So, we would experiment in all other places to try to make different sounds which we recorded completely differently. It was an interesting time because we pulled the elastic on our musical travels as far as we could go, I think." Clarke adds, "This album set the standard for how we recorded future concept albums. It's quite important in so many ways. It was the first time we had true freedom in the studio. This was our first chance at being left alone - no men in white coats or people with clipboards. It's still quite lovely. I'm proud of a great deal of it. All in all, I'm glad we did it."
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and would sound differently, every song was different even though the subject was the same." He continues, "When we came into the studio, we had a coffee table; we used to sit around there and talk about a song. If I had written a song I wanted on the album, I played it to the rest of the guys when we sat around that table, and everyone around that table would put their interpretation into that song. As soon as you played the song to the rest of the guys, it really became a Moody Blues song. You had total faith in the rest of the guys that they were going to be as creative as they can be in making that song work to its highest degree."
510:"pink noise": Varnals explains, "We chose the pitch and put lots of reverb on it to make it sound everywhere and nowhere, if you like. It worked and seemed quite atmospheric." To back up Graeme Edge's maniacal establishment-computer voice during the spoken section, the group placed everyone's ticking wristwatches and placed them inside a funnel with a microphone. The sound was combined with the sound of the clanking rotating spindle that made up the internal mechanics of a Mellotron. The overall effect intended to mimic machinery and the vibes a mad professor bent on domination.
434:, that always began with the same line and became associated with the phrase. "Are You Sitting Comfortably" was written towards the end of the sessions, and apart from "The Dream", was the last track recorded for the album. Hayward remembers, "I already had the guitar riff and the chord sequence, and I had the first line and the title. And then we just took it from there. Ray contributed a lot of lyrics. I know the first thing he did was that second line, "A fleet of golden galleons, on a crystal sea," which is a very Ray Thomas phrase."
380:"Somebody exploded an H-bomb today...But it wasn't anybody I knew" as the song fades out. Engineer Derek Varnals remembers Thomas adlibbing the final narration during recording. When mixing the album, Varnals was careful to fade out the track at the right moment for maximum effect: "Yeah, we wanted to keep that in because it was witty and quite amusing. All we had to do was to get the timing right on the fade out. We didn't want it to be too loud - it had to be part of the fade, and I think we got it right."
420:"Lazy Day" incorporates a bit of satire, poking fun at those who while away their days in a sense of contentment. With the line "must be lamb today because beef was last week" the re-release liner notes describe the lyrics as "an acerbic comment on the average Sunday for the British working man". The contentment of the verses is contrasted with ethereal yet cynical backing vocals: "It's such a crying shame / Week after week the same / That's how your life goes by / Until the day you die"
484:, employing the studio's newly installed Sculley 8 track recording equipment. Final mixing on the album was completed on 3 and 4 February. The sessions typically ran from the afternoon until well into the night, with the creative team sequestering themselves inside of the studio. Producer Tony Clarke remembers, "We brought in carpets and lamps and ashtrays and recorded in the dark. It had to be comfortable and cozy. The sessions tended to go from midday until midnight."
441:"Have You Heard" dates from at least 1966, when an early version appeared in the band's live set. Its lyrics repeat the album's theme of enlightenment. The song bookends "The Voyage", an instrumental piece that builds with Mellotron-produced orchestral strings and reaches a crescendo with a repeated melody on piano before cellos lead a transition back to a reprise of "Have You Heard". Varnals remembers the introductory section of "The Voyage" being influenced by
340:; everybody was out in the street and it was a fun time, and flower power and all that kind of thing. So, we were thinking, 'Hey, we're on the brink of a new consciousness, a new way of looking at things.' And so we were talking about that, and it was like we were 'on the verge of a human dream, a dream of humanity', and Dave said 'threshold', and I came up with 'of a dream', and it was like perfect." Guitarist
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bemused lone person who confirms his own existence. Edge, a mocking establishment figure, confirms the first man's existence, but insists his purpose is to be a cog in a corporate machine. The first man sheepishly asserts that he thinks his existence is about more than that, finding encouragement from his "Inner Man, spoken by Pinder, who tells him to "keep cool" and "keep thinking free."
387:. The lyrics of "Send Me No Wine" reflect a country music style. Varnals suggests, "'Wine' is really a country and western song. When you play it, imagine it slower, with some of the repetition taken out. Listen to the song and note that the Mellotron parts are very much like a pedal steel guitar as well."
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recalls, "We would get our graphic artist, Phil
Travers, in to the studio to listen to each track as it was completed. We also gave him the lyrics in order for him to get further ideas. Phil would then sketch out various rough sleeve designs and we would all sit around a coffee table and discuss what
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Side two opens with
Hayward's "Never Comes the Day", an ode to unrequited love. He remembers the song being influenced by his struggles to find meaning in his life at the time: "It was quite a difficult time in my life. It was a real painful situation for someone who was as young as me then. I wasn't
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The imagery on the cover features "a metallic, robot-type entity clutching different, various life forms and squeezing tight representing freedom of thought and expression and creativity", explains Mike Pinder, as well as an image of Merlin casting a spell, Camelot, and a fleet of golden galleons on
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Mike Pinder's recitation of Graeme Edge's poem "The Dream" introduces the album's dream sequence. Its words suggest that just as new life springs from death in nature, a spirit of love and selflessness can help society realize its dream and achieve enlightenment. Edge explains, "My job back then was
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continues, "We probably were . But quite rightly. To do what we were doing we had to believe in it. It was from the heart. But at the time we got the reputation for that. I felt I was speaking for a lot of other people in the late '60s. I wanted to write about our search for enlightenment, as simple
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Justin
Hayward remembers, "It was certainly a time for me when I was sort of searching and seeking different religions, psychedelic experiences; it was a real time of discovery for me as a young man. So, I was getting stoned a lot and going deeper into music and things. I certainly saw it as a real
379:
The lyrics of "Dear Diary" reflect on a feeling of being unable to relate to the world as it rushes by around you. The song presents a bit of cutting social commentary by closing with a mundane diary entry recounting a day of posting letters and window shopping followed by a subdued recounting that
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The opening "In the
Beginning" in particular offered much opportunity for the group plus Clarke and Varnals to express their studio creativity. The album begins and ends with "the sound of everything but also of nothing", created by producing high and low frequencies on the Mellotron combined with
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According to
Hawyard, "Are You Sitting Comfortably" is "about storytelling, but elevated to a bit of a psychedelic story". Its lyrics recall the days of medieval minstrels, featuring finger-picked guitar and lyrics full of vibrant imagery including "a fleet of golden galleons on a crystal sea" and
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remembers the band's creative process, how each member would bring ideas to the group related to the album's theme, and then work on the songs together as they produced the album: "Collectively we all had the same subject. But because we were all different people and we all played different things
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remembers negotiating with their record label, Decca, over the additional cost: "They were concerned that it would increase the cost of the sleeve by 2 pence an album. We were originally told by the head of production that if the album was as good as we said it was, it could be housed in a brown
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remembers the introduction's production being a collaborative effort among the group's members. "In the
Beginning" features three characters, listed as "First Man", "Establishment" and "Inner Man" in the printed lyrics provided in the album gate-fold sleeve. Hayward takes the role of a slightly
82:
308:, the album marked a busy time of rapid creative output from the band. Guitarist Justin Hayward remembers, "We were on a fast train in the '60s with our heads down, plowing away at this stuff, never really doing that much on the road. Just going back in the studio and moving forward."
332:. The album's title reflects the hopes of the flower power zeitgeist and Woodstock free-love era, and the hope that society was on the cusp of a new era of consciousness, a new enlightenment. The title was coined by Mike Pinder in conversation with his friend and BBC presenter
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remembers the creative environment: "The album was our one where we actually concentrated on recording and weren't rushing off to do gigs here and there. As we'd just come off tour the music we created combined the knowledge of studio techniques that we had acquired recording
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The album cover, like its predecessor, is designed by Phil
Travers. For the first time, the album incorporates a gate-fold sleeve allowing a larger canvas for album artwork. The band would repeat this practice on their next several albums. Flautist
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provided the Moody Blues with their first
British number-one album, and also boosted their American fortunes by becoming their first top-20 album there. It proved to be one of the group's more enduring records in the US, staying in the
453:, which was released several months before the album's sessions. The track took three days to record, with Mike Pinder largely working alone on Mellotron, with overdubbed cellos, piano and other instruments played by the group.
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paper bag! Eventually, after a great deal of protest we managed to get our way." The additional space allowed for inclusion, for the first time, the album's lyrics, as well as an essay by composer
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336:. Pinder remembers, "About halfway through making the album, when we were kicking some titles around, I remember talking about how here we are, we'd just come through '67 in
406:: "I learned a lot in those early years about chords, open tunings. "Question," which is a big open C tuning, and "Never Comes a Day," an open G. We played a few times with
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Ray Thomas' "Lazy Day" and
Hayward's "Are You Sitting Comfortably" introduce a mood of drowsiness, preparing the listener for the album's centerpiece, Mike Pinder's "
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The upbeat "Lovely to See You" opens the album. With its welcoming lyrics, the song later served as a concert opener during the later part of the group's career.
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The album was recorded in
January 1969 after concluding the group's first tour of North America. Released in April 1969, nine months after its predecessor,
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is the defining album for the Moody Blues. And it's the one in the '60's that you would find in people's homes when you went, they would have that album."
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Gleason, Paul. 2013. “Justin Hayward of the Moody Blues on His Days of Future Passed (and Present).” Rock Cellar Magazine. April 2, 2013.
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Gleason, Paul. 2013. “Justin Hayward of the Moody Blues on His Days of Future Passed (and Present).” Rock Cellar Magazine. April 2, 2013.
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Gleason, Paul. 2013. “Justin Hayward of the Moody Blues on His Days of Future Passed (and Present).” Rock Cellar Magazine. April 2, 2013.
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Wardlaw, Matt. Justin Hayward on His New Solo Album and Possible New Music from the Moody Blues. Ultimate Classic Rock. 28 February 2013.
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to write a poem that kind of hinted at all of the various themes to make sure that people's heads were pointed in the right direction."
364:, where the narrator questions and then confirms his own existence, and then questions the meaning of his existence. Written by drummer
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Breznikar, Klemen. 2023. “The Moody Blues | John Lodge | Interview by Zach White.” It’s Psychedelic Baby Magazine. October 23, 2023.
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chance at musical freedom on this record...a way to express the sort of searching, seeking things that we were doing in our lives."
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At the end of the "Have You Heard" reprise, the album concludes with the droning electronic sound that opens the album. Produced by
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we wanted. We all felt that both the music and the album sleeve design had to be part of one special package and had to be right".
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The album was recorded from 12 to 31 January 1969, once again at Decca's Studio One at their West Hampstead studio with producer
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format and repackaged with nine extra tracks. In 2008 a remaster for standard audio CD was issued with the same bonus tracks.
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DeRiso, Nick. The Moody Blues Broke through with ‘on the Threshold of a Dream.’ Ultimate Classic Rock. April 25, 2015.
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label. The album reached the top of the album charts, the group's first No. 1 album in the UK. According to guitarist
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Murley, Mark. The Making of 'On the Threshold of a Dream'. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Murley, Mark. The Making of 'On the Threshold of a Dream'. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Murley, Mark. The Making of 'On the Threshold of a Dream'. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Murley, Mark. The Making of 'On the Threshold of a Dream'. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Murley, Mark. The Making of 'On the Threshold of a Dream'. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Murley, Mark. The Making of 'On the Threshold of a Dream'. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Murley, Mark. The Making of 'On the Threshold of a Dream'. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Murley, Mark. The Making of 'On the Threshold of a Dream'. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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together with the craft we had learnt through performing on stage every night. That may explain the presence of
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Sokol, Tony. The Moody Blues’ Justin Hayward Talks New Record and Lost Chords. Den of Geek. April 17, 2020.
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Murley, Mark. August 29, 2003. Hayward on Threshold. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Murley, Mark. August 29, 2003. Hayward on Threshold. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Murley, Mark. October 2002. Pinder on Threshold. Spring/Summer 2004. Higher & Higher. Issue 46/47.
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Sokol, Tony. 2020. "The Day the Moody Blues Jammed with the Four Tops." Den of Geek. 13 April 2020.
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John Lodge reflects on how the group's creative process evolved on the album: "I think with
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Daly, Andrew. An Interview with John Lodge of the Moody Blues. VWMusic. January 14, 2022.
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https://rockcellarmagazine.com/justin-hayward-interview-moody-blues-spirits-western-sky/
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https://rockcellarmagazine.com/justin-hayward-interview-moody-blues-spirits-western-sky/
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casts a spell of slumber. The song takes its first line from a popular children's show,
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a crystal sea, images inspired by the lyrics to "Are You Sitting Comfortably". Bassist
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Powell, Mark. Liner notes essay, 2006 On the Threshold of a Dream SACD Deluxe Edition.
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The Moody Blues Album Covers by Phil Travers. The Music Aficionado. 18 November 2020.
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Powell, Mark. Liner notes essay, 2006 On the Threshold of a Dream SACD Deluxe Edition.
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Powell, Mark. Liner notes essay, 2006 On the Threshold of a Dream SACD Deluxe Edition.
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Powell, Mark. Liner notes essay, 2006 On the Threshold of a Dream SACD Deluxe Edition.
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Powell, Mark. Liner notes essay, 2006 On the Threshold of a Dream SACD Deluxe Edition.
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The Moody Blues Album Covers by Phil Travers. The Music Aficionado. 18 November 2020.
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Powell, Mark. Liner notes essay, 2006 On the Threshold of a Dream SACD Deluxe Edition.
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Powell, Mark. Liner notes essay, 2006 On the Threshold of a Dream SACD Deluxe Edition.
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https://musicaficionado.blog/2020/11/18/the-moody-blues-album-covers-by-phil-travers/
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Silverstein, Robert. Thinking Is (Still) the Best Way to Travel. 2000. MWE3 Features.
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https://musicaficionado.blog/2020/11/18/the-moody-blues-album-covers-by-phil-travers/
1531:"Justin Hayward of the Moody Blues on His Days of Future Passed (and Present) |"
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Silverstein, Robert. Thinking Is (Still) the Best Way to Travel. 2000. MWE3 Features.
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https://vwmusicrocks.com/2022/01/14/an-interview-with-john-lodge-of-the-moody-blues/
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https://www.denofgeek.com/culture/the-day-the-moody-blues-jammed-with-the-four-tops/
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The upbeat "Send Me No Wine" and "To Share Our Love" are both written by bassist
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Interview – John Lodge of the Moody Blues. Cryptic Rock. September 19, 2018.
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Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972
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2008:"Norwegiancharts.com – The Moody Blues – On the Threshold of a Dream"
1992:"Offiziellecharts.de – The Moody Blues – On the Threshold of a Dream"
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1782:"Moody Blues | Full Official Chart History | Official Charts Company"
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https://ultimateclassicrock.com/justin-hayward-moody-blues-interview/
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Threshold of a Dream. Albumlinernotes. Accessed February 14, 2024.
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was released on 25 April 1969 in the UK and 30 May 1969 in the US.
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1930:(in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava.
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https://crypticrock.com/interview-john-lodge-of-the-moody-blues/
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Mike Pinder's "So Deep Within You" was later recorded by the
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The album begins with a spoken word introduction inspired by
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Justin Hayward and Friends Sing the Moody Blues Classic Hits
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A Night at Red Rocks with the Colorado Symphony Orchestra
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with instrumental backing by members of the Moody Blues.
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In March 2006 the album was completely remastered into
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http://albumlinernotes.com/Threshold_Of_A_Dream.html
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is a concept album, but carries a looser theme than
1916:(in Dutch). Hung Medien. Retrieved July 10, 2024.
1836:"Al Worden's Apollo 15 Flown Music Cassette Tapes"
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460:, the sound plays continuously into the album's
1299:Shipments figures based on certification alone.
1080:David Wedgbury - inside front cover photographs
2427:Voices in the Sky: The Best of The Moody Blues
1083:Terence Ibbott - inside back cover photographs
638:LPs chart for more than two and a half years.
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1809:"The Moody Blues – Chart History | Billboard"
44:. Consider transferring direct quotations to
1952:"Le Détail des Albums de chaque Artiste – M"
2585:I'm Just a Singer (In a Rock and Roll Band)
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105:25 April 1969 (UK) / May 1969 (US/Canada)
2010:. Hung Medien. Retrieved July 10, 2024.
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1009:– vocals, harmonica, flute, tambourine,
69:1969 studio album by the Moody Blues
2395:Live at the Isle of Wight Festival 1970
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302:and seven months before its successor,
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213:To Our Children's Children's Children
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1856:. 28 September 2016. Archived from
1537:. 28 September 2016. Archived from
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2476:An Introduction to The Moody Blues
1068:Derek Varnals - Recording Engineer
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2501:I Don't Want to Go On Without You
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2020:"Official Albums Chart Top 100"
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2251:In Search of the Lost Chord
2117:On the Threshold of a Dream
2048:. Retrieved July 10, 2024.
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1998:. Retrieved July 10, 2024.
1958:(in French). Archived from
1904:. Retrieved July 10, 2024.
1902:Library and Archives Canada
1146:The Official Finnish Charts
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625:On the Threshold of a Dream
515:On The Threshold Of A Dream
504:On The Threshold Of A Dream
499:In Search of the Lost Chord
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2402:Days of Future Passed Live
2388:Live at the BBC: 1967-1970
1977:from the menu, then press
553:
360:'s philosophical argument
311:
2698:
2485:
2411:
2351:
2228:
2165:
1296:
1281:
1260:
1245:
1234:
1231:
1206:
1191:
1179:
1167:
1155:
1143:
1131:
1117:
1110:
1107:
1100:
833:
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827:
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819:
690:
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571:
568:
261:
240:
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168:
156:
140:
128:
117:
109:
101:
88:
79:
74:
2592:Steppin' in a Slide Zone
1996:GfK Entertainment Charts
42:summarize the quotations
2420:This Is The Moody Blues
2381:Lovely to See You: Live
2237:The Magnificent Moodies
2024:Official Charts Company
1926:Pennanen, Timo (2006).
1382:"Moody Blues Interview"
1118:Canada Top Albums/CDs (
957:Have You Heard (Part 2)
919:Have You Heard (Part 1)
444:Also sprach Zarathustra
316:Like its predecessors,
272:is the fourth album by
2763:The Moody Blues albums
2668:Here Comes the Weekend
2654:The Other Side of Life
2571:The Story in Your Eyes
2314:The Other Side of Life
1854:Rockcellarmagazine.com
1535:Rockcellarmagazine.com
707:Hayward, Pinder, Edge
447:, having been used in
253:Released: 2 April 1969
2515:Nights in White Satin
2300:Long Distance Voyager
2272:A Question of Balance
2244:Days of Future Passed
1752:(18 September 1969).
450:2001: A Space Odyssey
323:Days of Future Passed
2778:1960s concept albums
2768:Deram Records albums
2634:Sitting at the Wheel
2550:Watching and Waiting
1754:"Consumer Guide (4)"
1048:Additional personnel
795:"So Deep Within You"
559:Professional ratings
2647:Your Wildest Dreams
2620:Talking Out of Turn
2543:Never Comes the Day
2328:Keys of the Kingdom
1228:
984:– vocals, guitars,
844:Never Comes the Day
816:
778:"To Share Our Love"
721:"Lovely to See You"
673:
560:
248:Never Comes the Day
2578:Isn't Life Strange
2124:(list of releases)
1962:on 22 October 2014
1227:
1180:Norwegian Albums (
1170:Offizielle Top 100
1108:Chart (1969-1971)
814:
699:"In the Beginning"
671:
558:
431:Listen with Mother
113:12–31 January 1969
2745:
2744:
2716:Threshold Records
2529:Voices in the Sky
2522:Tuesday Afternoon
1937:978-951-1-21053-5
1860:on 4 October 2014
1759:The Village Voice
1750:Christgau, Robert
1541:on 4 October 2014
1305:
1304:
1300:
1271:
1220:
1219:
972:
971:
906:
810:
809:
759:"Send Me No Wine"
710:
622:
621:
265:
264:
221:
220:
67:
66:
2785:
2699:Related articles
2682:Say It with Love
2152:
2145:
2138:
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2091:
2085:
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2073:
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1334:
1332:
1318:
1298:
1269:release of 2008
1267:
1261:United Kingdom (
1229:
1226:
1144:Finnish Albums (
1105:
1104:
994:
904:
822:
817:
813:
708:
679:
674:
670:
614:Robert Christgau
608:
607:
606:
602:
601:
597:
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592:
591:
587:
586:
561:
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362:Cogito, ergo sum
254:
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190:
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152:
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135:Progressive rock
84:
72:
71:
62:
59:
53:
26:
25:
18:
2793:
2792:
2788:
2787:
2786:
2784:
2783:
2782:
2748:
2747:
2746:
2741:
2729:Moody Bluegrass
2694:
2536:Ride My See-Saw
2508:Life's Not Life
2481:
2407:
2360:Caught Live + 5
2347:
2286:Seventh Sojourn
2224:
2161:
2159:The Moody Blues
2156:
2112:
2107:
2106:
2093:
2092:
2088:
2075:
2074:
2070:
2057:
2056:
2052:
2034:
2030:
2018:
2014:
2006:
2002:
1990:
1986:
1965:
1963:
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1843:
1834:
1833:
1829:
1819:
1817:
1807:
1806:
1802:
1792:
1790:
1787:Official Charts
1780:
1779:
1775:
1765:
1763:
1747:
1743:
1738:Allmusic review
1736:
1732:
1727:
1723:
1714:
1710:
1705:
1701:
1696:
1692:
1687:
1683:
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1340:
1330:
1328:
1326:Official Charts
1320:
1319:
1315:
1310:
1282:United States (
1266:
1239:Certified units
1225:
1168:German Albums (
1156:French Albums (
1112:
1103:
1074:Phil Travers –
1056:Pete Jackson –
1050:
992:
978:
973:
883:Hayward, Thomas
869:Thomas, Hayward
811:
668:
604:
599:
594:
589:
556:
529:
474:
314:
294:
274:the Moody Blues
257:
252:
245:
244:
216:
207:
198:
182:The Moody Blues
149:
145:
144:
97:
95:the Moody Blues
70:
63:
57:
54:
48:or excerpts to
39:
27:
23:
12:
11:
5:
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2696:
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2692:
2689:English Sunset
2685:
2678:
2671:
2664:
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2650:
2643:
2637:
2630:
2623:
2616:
2609:
2602:
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2574:
2567:
2564:Melancholy Man
2560:
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2532:
2525:
2518:
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2504:
2497:
2489:
2487:
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2472:
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2458:
2451:
2448:Time Traveller
2444:
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2430:
2423:
2415:
2413:
2409:
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2406:
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2226:
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2222:
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2209:
2203:
2202:
2195:
2192:Justin Hayward
2188:
2181:
2174:
2166:
2163:
2162:
2155:
2154:
2147:
2140:
2132:
2126:
2125:
2111:
2110:External links
2108:
2105:
2104:
2086:
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2050:
2028:
2012:
2000:
1984:
1943:
1936:
1918:
1906:
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1395:
1380:(April 2006).
1378:Du Noyer, Paul
1369:
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1224:
1223:Certifications
1221:
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1200:
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1177:
1176:
1173:
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1161:
1153:
1152:
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1141:
1140:
1137:
1132:Dutch Albums (
1129:
1128:
1125:
1115:
1114:
1109:
1102:
1099:
1098:
1097:
1084:
1081:
1078:
1076:cover painting
1072:
1069:
1066:
1060:
1049:
1046:
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1044:
1030:
1021:
1004:
995:
982:Justin Hayward
977:
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725:Justin Hayward
722:
719:
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473:
470:
462:run-out groove
415:Have You Heard
368:, keyboardist
358:René Descartes
342:Justin Hayward
313:
310:
293:
290:
282:Justin Hayward
263:
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2641:Running Water
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2445:
2443:
2442:
2441:Greatest Hits
2438:
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2431:
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2424:
2422:
2421:
2417:
2416:
2414:
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2336:
2335:Strange Times
2332:
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2255:
2253:
2252:
2248:
2246:
2245:
2241:
2239:
2238:
2234:
2233:
2231:
2229:Studio albums
2227:
2221:
2220:Patrick Moraz
2218:
2215:
2213:
2212:Clint Warwick
2210:
2208:
2205:
2204:
2201:
2200:
2196:
2194:
2193:
2189:
2187:
2186:
2182:
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2173:
2172:
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2054:
2047:
2046:
2041:
2039:
2032:
2025:
2021:
2016:
2009:
2004:
1997:
1994:(in German).
1993:
1988:
1982:
1978:
1974:
1961:
1957:
1953:
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1939:
1933:
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1405:
1399:
1383:
1379:
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1351:
1342:
1327:
1323:
1322:"Moody Blues"
1317:
1313:
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1295:
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1288:
1285:
1280:
1276:
1273:
1270:
1264:
1259:
1255:
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1244:
1240:
1235:Certification
1230:
1213:
1211:
1205:
1198:
1194:
1190:
1183:
1178:
1171:
1166:
1159:
1154:
1147:
1142:
1135:
1134:Album Top 100
1130:
1123:
1122:
1116:
1106:
1096:
1092:
1091:David Symonds
1088:
1085:
1082:
1079:
1077:
1073:
1070:
1067:
1064:
1061:
1059:
1055:
1054:
1053:
1042:
1041:Hammond organ
1038:
1034:
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1025:
1022:
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1016:
1012:
1008:
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1003:
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790:
786:
784:Pinder, Lodge
783:
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773:
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766:
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735:
731:
728:
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723:
720:
716:
712:
706:
704:
701:
698:
694:
675:
666:Track listing
663:
661:
656:
655:to the moon.
654:
650:
646:
645:
639:
637:
636:
630:
626:
617:
615:
612:
611:
581:
579:
576:
575:
567:
564:Review scores
562:
551:
548:
542:
540:
535:
524:
522:
521:
516:
511:
507:
505:
501:
500:
494:
489:
485:
483:
482:Derek Varnals
480:and engineer
479:
469:
467:
463:
459:
454:
452:
451:
446:
445:
439:
435:
433:
432:
427:
421:
418:
416:
411:
409:
408:Richie Havens
405:
404:Richie Havens
401:
400:open G tuning
395:
393:
388:
386:
381:
377:
374:
371:
367:
363:
359:
354:
351:
346:
343:
339:
335:
334:David Symonds
331:
330:
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31:This article
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2706:Band members
2675:No More Lies
2606:Gemini Dream
2474:
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2412:Compilations
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2374:Hall of Fame
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2063:Music Canada
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1964:. Retrieved
1960:the original
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1248:Music Canada
1209:
1119:
1095:sleeve notes
1051:
944:instrumental
938:"The Voyage"
740:"Dear Diary"
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90:Studio album
55:
40:Please help
32:
15:
2758:1969 albums
2711:Discography
2352:Live albums
2307:The Present
2207:Denny Laine
2178:Mike Pinder
2171:Graeme Edge
1975:Moody Blues
1956:Infodisc.fr
1087:Lionel Bart
1063:Tony Clarke
1033:Mike Pinder
1024:Graeme Edge
1002:double bass
905:(narration)
897:"The Dream"
831:Lead vocals
799:Mike Pinder
709:(narration)
703:Graeme Edge
688:Lead vocals
539:Lionel Bart
527:Album cover
493:Graeme Edge
478:Tony Clarke
468:is lifted.
370:Mike Pinder
366:Graeme Edge
284:, "I think
175:Tony Clarke
2752:Categories
2627:Blue World
2321:Sur la Mer
2199:John Lodge
2185:Ray Thomas
1762:. New York
1388:30 January
1384:. The Word
1331:26 January
1308:References
1292:1,000,000
1065:- Producer
1052:Sources:
1035:– vocals,
1007:Ray Thomas
998:John Lodge
863:"Lazy Day"
763:John Lodge
744:Ray Thomas
651:astronaut
547:John Lodge
534:Ray Thomas
417:" suite.
385:John Lodge
350:John Lodge
292:Background
184:chronology
58:April 2024
50:Wikisource
2736:Blue Jays
2613:The Voice
2599:Driftwood
2462:Anthology
2216:Rod Clark
2045:Billboard
2038:Billboard
1864:2 October
1814:Billboard
1545:2 October
1289:Platinum
1253:Platinum
1210:Billboard
1193:UK Albums
1113:position
1037:Mellotron
1028:EMS VCS 3
1019:EMS VCS 3
990:Mellotron
976:Personnel
828:Writer(s)
685:Writer(s)
653:Al Worden
649:Apollo 15
635:Billboard
472:Recording
458:Mellotron
392:Four Tops
286:Threshold
46:Wikiquote
33:contains
2557:Question
2342:December
1256:100,000
1246:Canada (
1182:VG-lista
1058:triangle
815:Side Two
672:Side One
578:AllMusic
491:Drummer
348:Bassist
170:Producer
124:, London
110:Recorded
102:Released
92: by
2486:Singles
2434:Prelude
2122:Discogs
1973:Select
1820:12 June
1793:12 June
1766:29 July
1277:60,000
1274:Silver
1241:/sales
1232:Region
1015:piccolo
903:Pinder
886:Hayward
852:Hayward
849:Hayward
729:Hayward
554:Release
466:tonearm
338:kaftans
312:Writing
231:Singles
217:(1969)
208:(1969)
199:(1968)
2494:Go Now
2293:Octave
1966:9 June
1934:
1101:Charts
965:Pinder
962:Pinder
941:Pinder
927:Pinder
924:Pinder
866:Thomas
834:Length
803:Pinder
748:Thomas
691:Length
572:Rating
569:Source
426:Merlin
141:Length
118:Studio
2040:200)"
986:cello
825:Title
781:Lodge
682:Title
278:Deram
233:from
163:Deram
158:Label
130:Genre
122:Decca
2469:Gold
1968:2012
1932:ISBN
1866:2016
1822:2016
1795:2016
1768:2012
1547:2016
1390:2024
1333:2024
1284:RIAA
1158:SNEP
1111:Peak
1011:oboe
968:2:32
947:3:58
930:1:30
909:0:57
900:Edge
889:3:29
872:2:43
855:4:43
806:3:07
787:2:54
770:2:20
751:3:56
732:2:35
713:2:08
660:SACD
517:and
326:and
2120:at
1897:RPM
1263:BPI
1216:20
1212:200
1207:US
1197:OCC
1187:12
1175:37
1139:11
1127:26
1121:RPM
993:(7)
821:No.
678:No.
2754::
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1979:OK
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1093:–
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952:7.
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