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Olga Rozanova

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373: 727: 757: 667: 772: 651: 591: 742: 712: 621: 682: 576: 697: 606: 636: 216: 173: 118: 462:. This was written in response to critics of modern art and held that the world is a raw material - that it is the back of a mirror for the unreceptive soul and a mirror of images for the reflective soul. She maintained that the creation of pictures based on the "Abstract Principle" constitute three stages: the intuitive principle; the individual transformation of the visible; and, abstract creation. In her criticism of photography, Rozanova agreed with 31: 109: 526:, depicts a man and a woman on opposing sides of a table, the man with his head in his hand and the women with a drink in hers. Rozanova makes use of vibrant colors and thick lines to create a piece with aspects of French avant-garde and Russian Neo-Primitivistic art. 357:(translated as "beyonsence") poetry, a language with no fixed meanings and constant neologisms, which is probably used by birds. Rozanova would write her own poetry in that style, and also illustrated books of zaum poetry, two examples being 1358: 393:. By this time, her paintings have developed from the influences of Cubism and Futurism, and took an original departure into pure abstraction, where the composition is organized by the visual weight and relationship of color. 372: 200:. She was the family's fifth child; she had two sisters, Anna and Alevtina, and two brothers, Anatolii and Vladimir. Rozanova's father died in 1903, and her mother became the head of the household. 538:
was included in the First Free International Futurist Exhibition in 1914. This piece had inspiration from the Italian Futurism movement, and its bright colors gives it an expressionist tone.
121: 267:(Union of Youth) in 1911. She became one of the most active members of this organization, which organized art exhibitions, lectures, and discussions. Two of her canvases, 563:(1915) - One of her most famous works, the series represents the height of her artistic career. It consists of portraits of her peers set as designs for playing cards. 726: 1359:
Russian Books Catalog. Vitebskii muzei sovremennogo iskusstva : istoriia sozdaniia i kollektsii, (1918--1941), Visual Arts, Belarus, Минск, Belarus, Russian
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at the age of 32 in Moscow in 1918, following a cold she contracted while working on preparations for the first anniversary of the October Revolution.
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exhibition in April 1911. She would submit her canvases to their group exhibitions until 1913. Razanova briefly studied at the art school of
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Gur'yanova,Nina. Ol'ga Rozanova i rannii russkii avangard (Olga Rozanova and early Russian avant garde. 318 pp. Gileya, Moscow, 2002 (
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She graduated from the Vladimir Women's Gymnasium in 1904. Due to her interest in the avant-garde movement, she moved to
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Tedman, Gary. Soviet Avant Garde Aesthetics, chapter from Aesthetics & Alienation. pp 203–229. Zero Books. 2012.
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in Rome, which took place from April 13 to May 25, 1914. Other Russian artists featured in the exhibition included
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By 1910, she was fairly well-known in Russian art circles. She moved to St. Petersburg and joined
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in 1907 but was not accepted for admission. After this, she trained in the private studio of
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After arriving in Moscow, she attended the Bolshakov Art School, where she worked under
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From 1917 to 1918 she created a series of non-objective paintings which she called
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history of creation and collection. 1918–1941. – Minsk: Medisont, 2007. – 144 p.
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ideas appeared in her work, but she appears to have been especially inspired by
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exhibition in January 1912. This exhibition was the first appearance of the
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Exploring Color: Olga Rozanova and the Early Russian Avant-Garde 1910-1918
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anticipates the flat picture plane and poetic nuancing of color of some
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Amazons of the avant-garde : Alexandra Exter [and others]
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The Bases of the New Creation and the Reasons Why it is Misunderstood
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MoMA Celebrates 1913: Olga Rozanova’s Little Duck’s Nest…of Bad Words
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in 1912; he then introduced her to the Russian Futurist concept of
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Rozanova also published literary works, which included the essay
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Explodity: Sound, Image, and Word in Russian Futurist Book Art
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Olga Rozanova and the Early Russian Avant-Garde 1910-1918
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Olga Rozanova and the Early Russian Avant-Garde 1910-1918
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Olga Rozanova and the Early Russian Avant-Garde 1910-1918
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Olga Rozanova and the Early Russian Avant-Garde 1910-1918
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that year, which was led by former fellow Cubo-Futurist
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50 pictures of art-works by Olga Rozanova, on Wikiart
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Rozanova's work was included in the 2021 exhibition
1057:"Olga Rozanova Biography – Olga Rozanova on artnet" 546:(c. 1914) - A piece from the middle of her career, 814: 522:(c.1911-1912) - One of Rozanova's earlier pieces, 2508: 400:, and, together with other Suprematist artists ( 1273:"Olga Rozanova Artworks & Famous Paintings" 466:that photography is for the "servile artist". 1436: 1110:Portraiture and Critical Reflections on Being 1107: 1042:. New York: Taylor and Francis. p. 152. 1027:. New York: Taylor and Francis. p. 140. 910:"Olga Rozanova Biography, Life & Quotes" 898:. New York: Taylor and Francis. p. 135. 376:Rozanova, Boguslavkaya, and Malevich at the 332:First Free International Futurist Exhibition 1443: 1429: 1137:. Moscow: Rodchenko and Stepanova Archive. 984:. New York: Taylor and Francis. p. 6. 29: 2439:Estorick Collection of Modern Italian Art 1132: 1079: 1037: 1022: 979: 893: 287:artists. In January 1912, her two works, 1084:. 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She audited courses at the 183: 2488:Verbovka Village Folk Centre 2104:Dynamism of a Dog on a Leash 1450: 1417: (archived May 13, 2008) 1348:Vitebsk Museum of Modern Art 434:Verbovka Village Folk Centre 283:, which housed many Russian 167: 7: 2587:20th-century women painters 2202:The Street Enters the House 2118:Dynamism of a Soccer Player 1174:"Olga Vladimirova Rozanova" 1000:Aesthetics & Alienation 134:Olga Vladimirovna Rozanova 10: 2603: 2552:Suprematism (art movement) 1980:Italian futurism in cinema 1541:Francesco Balilla Pratella 1317: 1178:Philadelphia Museum of Art 1133:Stepanova, Vavara (1919). 567: 536:The Factory and the Bridge 531:The Factory and the Bridge 487:Philadelphia Museum of Art 432:and others) worked at the 188:Olga Rozanova was born in 45:Olga Vladimirovna Rozanova 2411: 2320: 2274: 2153:The Hand of the Violinist 2146:Girl Running on a Balcony 2018: 1960: 1889: 1821: 1657:Vladimir Baranoff-Rossine 1632: 1574: 1458: 763:Non-Objective Composition 733:Non-Objective Composition 491:Thyssen-Bornemisza Museum 328:Filippo Tommaso Marinetti 115: 106: 101: 83: 67: 40: 28: 21: 2547:Ukrainian women painters 1922:Valentine de Saint-Point 1907:José de Almada Negreiros 1080:Gurianova, Nina (2012). 1002:. 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New York: Routledge. 960:Encyclopedia Britannica 869:Perloff, Nancy (2017). 453:Abstract Expressionists 2577:Deaths from diphtheria 2542:Russian watercolorists 2537:Russian women painters 2282:Luisa, Marchesa Casati 2027:Abstract Speed + Sound 1961:Techniques, sub-genres 1228:Carnegie Museum of Art 954:Sarabianov, Andrei D. 849:: CS1 maint: others ( 778:Hand Fan - Design for 495:Carnegie Museum of Art 380: 275:debuted at the second 223: 180: 2483:Ukrainian avant-garde 2461:Robert René Meyer-Sée 2167:Manifesto of Futurism 2097:Dynamism of a Cyclist 1985:Futurist architecture 1677:Kseniya Boguslavskaya 998:Tedman, Gary (2012). 554:in Petrograd in 1915. 550:was displayed at the 375: 295:appeared at the next 218: 175: 2562:Women watercolorists 2244:Victory over the Sun 1647:Alexander Archipenko 1249:Women in abstraction 1153:Museum of Modern Art 502:Women in Abstraction 483:Museum of Modern Art 418:Ksenia Boguslavskaya 336:Alexander Archipenko 192:, a small town near 126:Museum of Modern Art 2532:Russian avant-garde 2466:Russian avant-garde 2287:Gabriele D'Annunzio 2251:Vladimir Mayakovsky 2188:The Poem of the End 1995:Futurist literature 1802:Vadim Shershenevich 1772:Vladimir Mayakovsky 1732:Aleksei Kruchyonykh 1672:Alexander Bogomazov 1506:Nikolay Diulgheroff 1325:Russian avant-garde 314:From 1913 to 1914, 311:disbanded in 1914. 281:Elizabeta Zvantseva 207:to study painting. 150:Russian avant-garde 1927:Jules Schmalzigaug 1807:Nadezhda Udaltsova 1747:Aristarkh Lentulov 1722:Velimir Khlebnikov 1707:Natalia Goncharova 1614:Konstantin Olimpov 658:Colour Composition 627:Factory and Bridge 422:Nadezhda Udaltsova 381: 351:Aleksei Kruchenykh 252:Aleksei Kruchenykh 248:Nadezhda Udaltsova 224: 181: 2501: 2500: 2478:Sackville Gallery 2321:Groups influenced 2275:Associated people 2090:Dynamism of a Car 2041:The Art of Noises 1970:Anti-neutral suit 1912:C. 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Russian) 1354: 1346: 1336:Abstract Art 1335: 1330:Andrei Nakov 1323: 1304:. 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During 220:Metronome 168:Biography 2412:See also 2398:Supremus 2383:Rayonism 2328:Agitprop 1902:Mina Loy 1814:(Iliazd) 1452:Futurism 837:43879449 780:Verbovka 386:Supremus 320:Futurism 289:Portrait 273:The Café 194:Vladimir 148:) was a 138:Rosanova 84:Movement 62:, Russia 2343:Dadaism 2258:Zangezi 2160:Lacerba 2062:Cyclist 1413:at the 1318:Sources 1233:22 July 1208:22 July 1183:22 July 1158:22 July 705:(1915) 568:Gallery 504:at the 190:Melenki 142:Russian 2429:Cubism 2424:5x5=25 2368:Oberiu 2195:Poesia 1866:Fillìa 1391:  1381:  1342:, 2001 1255:  1116:  1088:  1006:  965:28 May 877:  835:  825:  783:(1917) 765:(1917) 750:(1917) 735:(1917) 720:(1916) 690:(1915) 675:(1915) 656:Third 644:(1914) 629:(1913) 614:(1913) 584:(1907) 561:series 489:, the 485:, the 443:. Her 342:, and 254:, and 222:(1915) 205:Moscow 179:, 1912 177:Smithy 160:, and 146:Moscow 2216:Thaïs 2010:Zaum 1389:ISBN 1379:ISBN 1253:ISBN 1235:2024 1210:2024 1185:2024 1160:2024 1114:ISBN 1086:ISBN 1004:ISBN 967:2020 875:ISBN 851:link 833:OCLC 823:ISBN 361:and 355:zaum 291:and 271:and 68:Died 41:Born 1636:and 428:, 404:, 140:, 2513:: 1328:, 1299:. 1275:. 1226:. 1201:. 1176:. 1151:. 1100:^ 1059:. 1048:^ 990:^ 958:. 928:^ 912:. 859:^ 847:}} 843:{{ 831:. 508:. 497:, 455:. 436:. 424:, 420:, 416:, 412:, 408:, 346:. 338:, 250:, 246:, 164:. 156:, 124:, 90:, 1472:) 1468:( 1444:e 1437:t 1430:v 1395:) 1361:, 1309:. 1285:. 1261:. 1237:. 1212:. 1187:. 1162:. 1122:. 1094:. 1069:. 1012:. 969:. 922:. 883:. 853:) 839:. 53:) 49:(

Index


Vladimir Oblast
Cubo-Futurism
Suprematism

MoMA Celebrates 1913: Olga Rozanova’s Little Duck’s Nest…of Bad Words
Museum of Modern Art
Russian
Moscow
Russian avant-garde
Suprematism
Neo-Primitivism
Cubo-Futurism

Melenki
Vladimir
Orthodox priest
Moscow

Nikolai Ulyanov
Andrey Matveev
Stroganov School of Applied Art
Konstantin Yuon
Lyubov Popova
Nadezhda Udaltsova
Aleksei Kruchenykh
Serge Charchoune
Soyuz Molodyozhi
Elizabeta Zvantseva
Art Nouveau

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