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compositions, but the title "Painterly
Architectonics" (which she gave to many of her paintings) suggests that, even as a Suprematist, Popova was more interested in painting as a projection of material reality than as the personal expression of a metaphysical reality. Popova's superimposed planes and
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declared that easel painting was to be abandoned and all creative work was to be for the people and the making of the new society. Popova worked in a broad range of mediums and disciplines, including painting, relief, works on paper, and designs for the theater, textiles, and typography. Popova did
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form. The canvas surface is an energy field of overlapping and intersecting angular planes in a constant state of potential release of energy. At the same time the elements are held in a balanced and proportioned whole as if linking the compositions of the classical past to the future. Color is used
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to remake the world. The term 'supreme' refers to a 'non-objective' or abstract world beyond that of everyday reality. However, there was a tension between those who, like
Malevich, saw art as a spiritual quest, and others who responded to the need for the artist to create a new physical world.
31:
548:, Moscow. The exhibition included Popova's works such as seventy-seven paintings, as well as books, posters, textile designs, and line engravings. "Artist-Constructor" was the term applied to Popova by her contemporaries in the catalogue of the artist's posthumous exhibition.
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painting. At eleven years old she began formal art lessons at home; she was first enrolled in
Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. By the age of 18 she was studying with
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when it was set up in Moscow in March 1921, but joined by the end of 1921. In 1923 she began creating designs for fabric to be manufactured by the First State
Textile Printing Works in Moscow.
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of 1914 suggests the development from Cubism towards the "painterly architectonics" series of 1916–1918. This series defined her distinct artistic trajectory in
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she had exhibited a number of figurative painted cardboard reliefs in a cubist derived style. In 1916 she began to paint completely abstract
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335:, whose geometry of tubular and conical forms in his series of paintings from 1913 to 1914 is similar to that in Popova's paintings.
475:, 1918, she contributed the architectonic series of paintings. She continued painting advanced abstract works until 1921. In the
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630:, 1916, Oil on canvas, 106 × 69.5 cm (41.7 × 27.4 in), Solomon R. Guggenheim Museum, New York Gift, George Costakis, 1981
612:, 1915, Oil on canvas, 106.4 × 71.1 cm (41.9 × 28 in), Solomon R. Guggenheim Museum, New York Gift, George Costakis, 1981
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From 1914 to 1915 her Moscow home became the meeting-place for artists and writers. In 1914–1916 Popova together with other
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Popova died at the peak of her artistic powers two days after the death of her son, from whom she had contracted
929:. London : New York, New York: Thames & Hudson Ltd. ; Thames & Hudson Inc. 2021. p. 170.
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Popova traveled widely to investigate and learn from diverse styles of painting, but it was the ancient
Russian
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in 1924 in Moscow. A large exhibition of her work opened in Moscow from
December 21, 1924, to January 1925, at
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From 1921 to 1924 Popova became entirely involved in
Constructivist projects, sometimes in collaboration with
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As early as 1917, in parallel with her
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Popova embraced both of these ideals but eventually identified herself entirely with the aims of the
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in Moscow. An analysis of Popova's cubo-futurist work also suggests an affinity with the work of
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as the iconic focus; the strong primary color at the center drawing the outer shapes together.
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in 1913. After returning to Russia that same year, she worked with Tatlin, Udaltsova and the
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She worked briefly in the Cotton
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In 1914 she traveled in France and Italy at the development of Cubism and
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strong color have the objective presence of actual space and materials.
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Tenth State
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677:"Lyubov Sergeyevna Popova | Russian Constructivist Artist"
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412:. The creation of a new kind of painting was part of the
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Popova grew up with a strong interest in art, especially
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were used as the basis of her art teaching theory at
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565:Popova's work was included in the 2021 exhibition
362:(Artist's brother, Pavel Sergeyevich Popov), 1915
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479:Exhibition of 1921, Popova and her four fellow
457:. Popova was also seriously ill but recovered.
280:Popova was one of the first female pioneers in
990:Liubov Popova: From Painting to Textile Design
708:, Museum of Modern Art, New York, 1991, p.122.
2139:Expatriates from the Russian Empire in France
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140:, and in 1908 entered the private studios of
821:- chapter from Aesthetics & Alienation,
905:"Rodchenko/Popova: Defining Constructivism"
751:Sarabianov, Dmitri, and Adaskina, Natalia,
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593:, 1912, Oil on canvas, 125 x 107 cm,
212:'s collection of modern French paintings.
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2014:Estorick Collection of Modern Italian Art
960:Web Archives (archived 2001-11-25) –
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552:Rodchenko/Popova: Defining Constructivism
449:In 1918 Popova married the art historian
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558:, London, in 2009, and subsequently at
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1707:Futurist Painting: Technical Manifesto
1651:Drama in the Futurists' Cabaret No. 13
992:by Christina Lodder, Tate Papers no.14
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408:and others who at this time worked in
1700:Dynamism of a Speeding Horse + Houses
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755:, Harry N Abrams Inc. New York, 1990
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1805:Unique Forms of Continuity in Space
791:, Guggenheim Museum, New York, 1999
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215:In 1912–1913 she studied art with
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1644:Development of a Bottle in Space
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437:design, as well as teaching. At
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1749:Manifesto of Futurist Musicians
1686:Dynamism of a Human Body: Boxer
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721:Harris, Ann Sutherland (1976).
1756:Mercury Passing Before the Sun
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503:. She produced stage designs:
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1:
973: (archived 2004-12-06) –
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836:The Russian Experiment in Art
819:Soviet Avant Garde Aesthetics
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2063:Verbovka Village Folk Centre
1679:Dynamism of a Dog on a Leash
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975:Solomon R. Guggenheim Museum
410:Verbovka Village Folk Centre
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2129:Academic staff of Vkhutemas
1777:The Street Enters the House
1693:Dynamism of a Soccer Player
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519:Spatial Force Constructions
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2134:Suprematism (art movement)
1555:Italian futurism in cinema
1116:Francesco Balilla Pratella
789:Amazons of the Avant-Garde
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469:books and posters, In the
317:exhibitions, in Petrograd
275:National Gallery of Canada
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98:Любо́вь Серге́евна Попо́ва
54:Ivanovskoe, Russian Empire
35:Lyubov Popova, before 1920
16:Russian artist (1889–1924)
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1728:The Hand of the Violinist
1721:Girl Running on a Balcony
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1232:Vladimir Baranoff-Rossine
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360:Portrait of a Philosopher
311:) contributed to the two
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1497:Valentine de Saint-Point
1482:José de Almada Negreiros
883:. Museum of Modern Art.
724:Women Artists, 1550-1950
595:The State Russian Museum
294:Composition with Figures
288:. After first exploring
286:painterly architectonics
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184:In 1909 she traveled to
90:Lyubov Sergeyevna Popova
1517:Frances Simpson Stevens
1512:Amadeo de Souza Cardoso
657:List of Russian artists
514:The Magnanimous Cuckold
366:In 1916 she joined the
1857:Luisa, Marchesa Casati
1602:Abstract Speed + Sound
1536:Techniques, sub-genres
645:Textile design, c.1924
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307:, Nadezhda Udaltsova,
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158:Académie de La Palette
2058:Ukrainian avant-garde
2036:Robert René Meyer-Sée
1742:Manifesto of Futurism
1672:Dynamism of a Cyclist
1560:Futurist architecture
1252:Kseniya Boguslavskaya
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269:
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1819:Victory over the Sun
1222:Alexander Archipenko
927:Women in abstraction
823:John Hunt Publishing
567:Women in Abstraction
406:Ksenia Boguslavskaya
225:Alexander Archipenko
2041:Russian avant-garde
1862:Gabriele D'Annunzio
1826:Vladimir Mayakovsky
1763:The Poem of the End
1570:Futurist literature
1377:Vadim Shershenevich
1347:Vladimir Mayakovsky
1307:Aleksei Kruchyonykh
1247:Alexander Bogomazov
1081:Nikolay Diulgheroff
958:Library of Congress
546:Stroganov Institute
509:Fernand Crommelynck
501:Alexander Rodchenko
418:Russian avant-garde
208:, and also visited
177:, the paintings of
150:Henri Le Fauconnier
138:Stanislav Zhukovsky
133:Italian Renaissance
120:Popova was born in
2109:Soviet avant-garde
1502:Jules Schmalzigaug
1382:Nadezhda Udaltsova
1322:Aristarkh Lentulov
1297:Velimir Khlebnikov
1282:Natalia Goncharova
1189:Konstantin Olimpov
505:Vsevolod Meyerhold
390:Nadezhda Udaltsova
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217:Nadezhda Udaltsova
188:, then in 1910 to
102:avant-garde artist
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2053:Sackville Gallery
1896:Groups influenced
1850:Associated people
1665:Dynamism of a Car
1616:The Art of Noises
1545:Anti-neutral suit
1487:C. R. W. Nevinson
1456:Enrico Prampolini
1342:Mikhail Matyushin
1332:Benedikt Livshits
1277:Nina Genke-Meller
1272:Aleksandra Ekster
1209:Russian Futurists
1131:Antonio Sant'Elia
1034:Italian Futurists
783:Bowlt, John, and
632:Guggenheim Museum
614:Guggenheim Museum
560:Museo Reina Sofia
507:'s production of
493:Varvara Stepanova
382:Aleksandra Ekster
376:, the founder of
314:Knave of Diamonds
305:Aleksandra Ekster
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86:
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2119:Soviet designers
1963:Soyuz Molodyozhi
1933:Jack of Diamonds
1928:Grosvenor School
1872:Benito Mussolini
1867:Sergei Diaghilev
1784:The Street Light
1714:The Knifegrinder
1565:Futurist cooking
1507:Mykhaylo Semenko
1492:Emilio Pettoruti
1431:Fortunato Depero
1421:Giuseppe Caselli
1337:Kazimir Malevich
1317:Mikhail Larionov
1262:Vladimir Burliuk
1184:Dmitri Kryuchkov
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1086:Luigi De Giudici
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374:Kazimir Malevich
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1882:Léonide Massine
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1594:Selected output
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1327:El Lissitzky
1169:Boris Gusman
1101:Bruno Munari
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65:(1924-05-25)
63:May 25, 1924
2094:1924 deaths
2089:1889 births
2068:Zveno (art)
2031:Primitivism
2026:Pointillism
2009:Divisionism
1968:Suprematism
1948:Panfuturism
1580:Noise music
1522:Mary Swanzy
1451:Marisa Mori
1398:Aeropittura
1194:Rurik Ivnev
1096:Marisa Mori
1071:Carlo Carrà
911:October 13,
556:Tate Modern
443:Suprematist
431:book design
425:working in
378:Suprematism
372:group with
339:Suprematism
301:avant-garde
271:The Pianist
79:Suprematism
2083:Categories
1908:Agit-train
1302:Ivan Kliun
1287:Elena Guro
1237:Lilya Brik
1111:Ugo Piatti
980:Collection
865:2017-03-11
771:Guggenheim
681:Britannica
663:References
562:, Madrid.
423:Revolution
402:Nina Genke
386:Ivan Kliun
345:The Violin
160:in Paris.
146:Ivan Dudin
122:Ivanovskoe
116:Early life
47:1889-04-24
2020:Le Chahut
1978:Vorticism
1623:BÏF§ZF+18
1411:"Barbara"
1367:Ivan Puni
1242:Osip Brik
1051:"Barbara"
967:Biography
523:Vkhutemas
398:Ivan Puni
329:The Store
319:Tramway V
303:artists (
260:The Model
1987:See also
1973:Supremus
1958:Rayonism
1903:Agitprop
1477:Mina Loy
1389:(Iliazd)
1027:Futurism
651:See also
610:Untitled
467:Agitprop
369:Supremus
349:abstract
321:and the
273:, 1914,
240:Futurism
194:Novgorod
110:designer
72:Movement
1918:Dadaism
1833:Zangezi
1735:Lacerba
1637:Cyclist
982:at the
969:at the
956:at the
687:18 July
577:Gallery
569:at the
435:theatre
169:Travels
124:, near
106:painter
94:Russian
2004:Cubism
1999:5x5=25
1943:Oberiu
1770:Poesia
1441:Fillìa
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808:, 2001
753:Popova
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427:poster
262:, 1913
179:Giotto
164:Career
126:Moscow
1791:Thaïs
859:(PDF)
852:(PDF)
628:Birsk
246:Style
221:Paris
190:Pskov
175:icons
1585:Zaum
931:ISBN
913:2012
885:ISBN
733:ISBN
689:2024
499:and
439:0.10
324:0.10
227:and
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192:and
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152:and
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108:and
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41:Born
1211:and
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