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Odeon Records

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The company's output included "drama songs, speeches, folk music, classical music, drama sets, skits and plays, vocal and instrumental music". It has been estimated that about 600 titles have survived in private collections. The British Museum have digitised some of these records which are free in an
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International Talking Machine Company issued the Odeon label first in Germany in 1903 and applied for a U.S. trademark the same year. While other companies were making single-side discs, Odeon made them double-sided. In 1909 it created the first recording of a large orchestral work — and
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Odeon discs were first manufactured in America, for export only, in 1905 or 1906 by the American Record Company, which produced lateral-cut, 10¾-inch 78 discs made of blue shellac. This business ceased in 1907 when ARC was sued by Columbia for patent infringement. Lindström tried again to open an
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The Berlin Odeon plant recorded, processed, and exported records to many countries. There were extensive national catalogs for some of these countries: Greece, Scandinavia, India, all of Arabia, Netherlands, Estonia, Portugal, South and Central America, Romania, Turkey, Hungary, China, Dutch East
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American branch, this time through Otto Heineman, who worked for Lindström's company and was living in America when World War I broke out. Stuck in New York, Heineman created the Otto Heineman Phonograph Supply Company in 1915, then four years later started his own label, Okeh Records.
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Odeon's shellac disc issues were in two phases: (1) 1912–1916 and (2) 1932–1938. During the first phase their engineers visited many cities to record the diverse regional music of India, and after production in Berlin shipped records back to India. The company was based in
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In 1919, Okeh began issuing foreign recordings in the United States on the Odeon label. During the 1920s, Odeon issued American jazz records in other countries, such as Germany, Italy, France, and Spain. During the 1930s and 1940s Odeon sold its Swing Music Series.
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is a record label founded in 1903 by Max Straus and Heinrich Zuntz of the International Talking Machine Company in Berlin, Germany. The label's name and logo come from the
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Indies, Siam, the Balkan countries etc. In the 1920s and 1930s about 70% of the German Odeon production was exported. Some Odeon recordings were leased to the American
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that he had founded in 1897. They transformed the Lindström enterprise into a public company, the Carl Lindström A.G. and in 1903 purchased
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After World War II, the Odeon label continued as an EMI subsidiary in many non-English-speaking markets, such as
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Between 1910 and 1911 Odeon was acquired by Carl Lindström. On 30 January 1904, Odeon became a part of the
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manages UMG's Odeon catalogue with Parlophone and WEA International handling WMG's own.
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Odeon recorded and issued over 2,700 titles of Indian music from the period 1900–1940.
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In October 2018, Universal Music Germany revived Odeon to release the brass pop band
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The British Library: Odeon record label recordings from the Indian subcontinent
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The orchestra: a collection of 23 essays on its origins and transformations
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with Hermann Finck conducting the London Palace Orchestra.
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With the sale of most EMI properties to erstwhile rival
532: 530: 528: 698:"Warner Music Group Buys EMI Assets for $ 765 Million" 525: 49:. Unsourced material may be challenged and removed. 672: 647: 770:. Paul Vernon. 31 July 1997. Accessed 2 Apr 2010. 290:during the second phase. However the outbreak of 794: 509:Ethnic Music on Records Volume 1: Western Europe 743:"Das Album "Randale & Hurra" von Querbeat" 569: 567: 565: 563: 561: 559: 674:"Universal-EMI is the dinosaur in the room" 556: 427:Rye, Howard (2002). Kernfeld, Barry (ed.). 422: 420: 418: 721:"Warner to buy the Parlophone Label Group" 506: 208:Straus and Zuntz bought the company from 109:Learn how and when to remove this message 415: 386: 384: 382: 380: 695: 670: 645: 267:for distribution in the United States. 795: 622: 573: 472:. Hal Leonard Corporation. p. 42. 464: 390: 247:in 1926. In 1931 Columbia merged with 718: 377: 768:Odeon Records: Their "ethnic" output 220:what may have been the first record 47:adding citations to reliable sources 18: 426: 13: 753:from the original on Dec 28, 2023. 731:from the original on Nov 17, 2018. 708:from the original on Jun 17, 2022. 685:from the original on Jul 29, 2021. 660:from the original on Jul 15, 2021. 646:Sisario, Ben (28 September 2012). 635:from the original on Apr 15, 2024. 623:Sweney, Mark (21 September 2012). 16:German multi-national record label 14: 834: 808:Record labels established in 1903 774:russian-records.com, Odeon-Record 761: 719:Jolly, James (7 February 2013). 696:Sisario, Ben (8 February 2013). 429:The New Grove Dictionary of Jazz 134: 23: 735: 712: 689: 664: 639: 616: 590: 507:Spottswood, Richard K. (1990). 34:needs additional citations for 823:1903 establishments in Germany 749:(in German). 12 October 2018. 574:Newitz, Annalee (7 May 2016). 500: 488: 476: 458: 453:25 Jahre Lindström 1904 - 1929 445: 1: 671:McClure, Steve (2 May 2013). 370: 245:Columbia Graphophone Company 7: 358: 342:Universal Music Enterprises 340:'s divestiture conditions. 10: 839: 786:on the Internet Archive's 203: 255:and other labels to form 198:OdĂ©on-Théâtre de l'Europe 183: 175: 167: 157: 142: 133: 126: 397:www.mainspringpress.com 233:Carl Lindström Company 747:Universal Music Group 544:. The British Library 391:Sutton, Alan (1999). 365:List of record labels 330:Universal Music Group 803:German record labels 598:"Label Guide: Odeon" 43:improve this article 542:The British Library 483:25 Jahre Lindström, 455:. Berlin 1929, p.12 353:Randale & Hurra 338:European Commission 235:, which also owned 818:Jazz record labels 702:The New York Times 654:The New York Times 604:. Rames El Desouki 495:25 Jahre Lindström 393:"Odeon in America" 334:Warner Music Group 214:Fonotipia Records 191: 190: 176:Country of origin 119: 118: 111: 93: 830: 788:Great 78 Project 755: 754: 739: 733: 732: 716: 710: 709: 693: 687: 686: 676: 668: 662: 661: 651: 643: 637: 636: 620: 614: 613: 611: 609: 594: 588: 587: 585: 583: 571: 554: 553: 551: 549: 534: 523: 522: 504: 498: 492: 486: 480: 474: 473: 462: 456: 451:Alfred Gutmann: 449: 443: 442: 424: 413: 412: 410: 408: 403:on 29 April 2017 399:. Archived from 388: 298:online archive. 226:Nutcracker Suite 153: 151: 138: 129: 124: 123: 114: 107: 103: 100: 94: 92: 51: 27: 19: 838: 837: 833: 832: 831: 829: 828: 827: 793: 792: 764: 759: 758: 741: 740: 736: 717: 713: 694: 690: 679:The Japan Times 669: 665: 644: 640: 621: 617: 607: 605: 596: 595: 591: 581: 579: 572: 557: 547: 545: 536: 535: 526: 519: 505: 501: 493: 489: 481: 477: 463: 459: 450: 446: 439: 425: 416: 406: 404: 389: 378: 373: 361: 351:'s third album 206: 162: 149: 147: 127: 122: 115: 104: 98: 95: 58:"Odeon Records" 52: 50: 40: 28: 17: 12: 11: 5: 836: 826: 825: 820: 815: 810: 805: 791: 790: 781: 776: 771: 763: 762:External links 760: 757: 756: 734: 711: 688: 663: 638: 615: 589: 578:. Ars Technica 555: 524: 517: 499: 487: 475: 457: 444: 437: 414: 375: 374: 372: 369: 368: 367: 360: 357: 210:Carl Lindström 205: 202: 189: 188: 185: 181: 180: 177: 173: 172: 169: 165: 164: 163:Heinrich Zuntz 159: 155: 154: 144: 140: 139: 131: 130: 120: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 835: 824: 821: 819: 816: 814: 811: 809: 806: 804: 801: 800: 798: 789: 785: 784:Odeon Records 782: 780: 777: 775: 772: 769: 766: 765: 752: 748: 744: 738: 730: 726: 722: 715: 707: 703: 699: 692: 684: 680: 675: 667: 659: 655: 650: 642: 634: 630: 626: 619: 603: 599: 593: 577: 570: 568: 566: 564: 562: 560: 543: 539: 533: 531: 529: 520: 518:0-252-01719-6 514: 510: 503: 496: 491: 484: 479: 471: 467: 461: 454: 448: 440: 438:1-56159-284-6 434: 430: 423: 421: 419: 402: 398: 394: 387: 385: 383: 381: 376: 366: 363: 362: 356: 354: 350: 345: 343: 339: 335: 331: 326: 324: 323:Latin America 320: 316: 312: 308: 304: 299: 295: 293: 289: 285: 279: 276: 272: 268: 266: 260: 258: 254: 250: 246: 242: 238: 234: 229: 227: 223: 217: 215: 211: 201: 199: 195: 194:Odeon Records 186: 182: 178: 174: 170: 166: 160: 156: 145: 141: 137: 132: 128:Odeon Records 125: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 746: 737: 724: 714: 701: 691: 678: 666: 653: 641: 629:The Guardian 628: 618: 606:. Retrieved 601: 592: 580:. Retrieved 546:. Retrieved 541: 508: 502: 494: 490: 482: 478: 469: 466:Peyser, Joan 460: 452: 447: 428: 405:. Retrieved 401:the original 396: 352: 346: 327: 303:West Germany 300: 296: 292:World War II 280: 277: 273: 269: 265:Okeh Records 261: 237:Beka Records 230: 218: 207: 193: 192: 121:Record label 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 497:, pp 75–119 315:Scandinavia 797:Categories 725:Gramophone 631:. London. 602:cvinyl.com 371:References 241:Parlophone 200:in Paris. 161:Max Straus 99:April 2010 69:newspapers 608:7 October 249:Electrola 751:Archived 729:Archived 706:Archived 683:Archived 658:Archived 633:Archived 468:(2006). 407:5 August 359:See also 349:Querbeat 184:Location 204:History 179:Germany 171:Various 158:Founder 148: ( 143:Founded 83:scholar 515:  435:  307:France 288:Madras 284:Mumbai 187:Berlin 85:  78:  71:  64:  56:  582:8 May 548:8 May 485:p. 12 319:Japan 311:Spain 222:album 168:Genre 90:JSTOR 76:books 610:2019 584:2016 550:2016 513:ISBN 433:ISBN 409:2016 321:and 286:and 150:1903 146:1903 62:news 813:EMI 257:EMI 253:HMV 45:by 799:: 745:. 727:. 723:. 704:. 700:. 681:. 677:. 656:. 652:. 627:. 600:. 558:^ 540:. 527:^ 417:^ 395:. 379:^ 355:. 317:, 313:, 309:, 305:, 259:. 251:, 239:, 612:. 586:. 552:. 521:. 441:. 411:. 152:) 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Odéon-Théâtre de l'Europe
Carl Lindström
Fonotipia Records
album
Nutcracker Suite
Carl Lindström Company
Beka Records
Parlophone
Columbia Graphophone Company
Electrola
HMV
EMI
Okeh Records
Mumbai
Madras
World War II
West Germany
France

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