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Oar (album)

Source πŸ“

416:, is a quickly recorded document of songs he penned during a 6-month stay at Bellevue Hospital. The dour tone of that time in Spence's life may explain the album's large amount of nondiscernible lyrics. He seems at times to purposely muffle them, making him a pioneer of unintelligible vocal chic long before R.E.M. And Spence's guitarβ€”once unbridled during Moby Grape sessionsβ€”is understated, yet ethereal enough to echo the pained state of his soul. "Weighted Down (The Prison Song)" is a seemingly distant cousin of "Hey Joe," with Spence jealously asking a mate, "Whose socks were you darning, darling, while I've been gone so long?" A generous 10 bonus tracks have been added to the original 12. Chronic health issues kept Spence from being creatively active as a solo artist, but overall, 306: 301: 296: 291: 286: 164: 29: 385:
is a genuinely strange record. Unsurprisingly, the journey from "Little Hands"' Grape-esque guitar grooves to "Grey / Afro"'s terrifying nine minutes of mantric drone, isn't an easy one. Even when Spence builds his songs around a familiar sound (primarily minimalist country-folk) unsettling
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In June of 1968, Alexander "Skip" Spence was admitted into the Psychiatric Ward of New York's Bellevue Hospital in lower Manhattan, putting an end to a highly creative period of his life. Oddly, it also signalled the beginning of his most prolific writing cycle. Unbeknownst to everyone involved with
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was released by Sony Special Products in 1991 and was totally remixed from the multitrack masters. This was the first release of the fadeless "Grey / Afro" along with four outtakes from the sessions. The newer Sundazed reissue uses the original 1968 mix master tapes for the first time and
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According to Spence, the Nashville sessions were intended by him to only be a demo, which he gave to Rubinson with the intent that the songs would be fleshed out with full production for the actual album. Instead, Rubinson had the demo recordings released by Columbia.
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in Nashville, where there was a particularly patient recording engineer, Mike Figlio. Rubinson instructed Figlio to keep the tapes running at all times, to record everything that Spence did. The majority of the tracks were recorded using a
1048:, under the supervision of producer David Rubinson. It was Rubinson who called the police, in order to address Spence's threatening behaviors, while Miller and Stevenson swore criminal complaints, in order to facilitate Spence's arrest. 411:
When former Moby Grape guitarist/singer Alexander "Skip" Spence died in April, it was another sad footnote in the unfruitful saga of one of rock's most multi-talented, but terminally inauspicious, bands. Spence's lone solo disc,
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was not promoted by Columbia Records, despite pleadings from Rubinson. It was at the time the lowest-selling album in Columbia Records history and was deleted from the Columbia catalogue within a year of its release.
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A common motif to this album is the presence of saints and demons. Even the straightforward narratives such as the love ballad "Broken Heart" or "Cripple Creek" β€” which feature vocal treatments reminiscent of folkie
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Subsequent reissues have added ten more songs, in different stages of completion, to the original dozen. The original release ended with a fade out of "Grey / Afro". The 1999
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in their list of "100 Records That Set the World on Fire (While No One Was Listening)". The staff described the "brilliant" album as "a progenitor of both the loner/stoner and
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was released by label Modern Harmonic. It included two discs / LPs of previously unreleased tracks; 36 tracks on discs 2 and 3 were previously unreleased at all.
503:, a 7" single of "I Want A Rock & Roll Band" backed with a previously unreleased version of "I Got A Lot To Say / Mary Jane" was released by label Modern Harmonic. 399:β€” are bathed in unusual chord sequences and lyrical double-entendre. The majority of the sounds on this long-player remain teetering near the precipice of sanity. 1397: 1271: 211:
Described as "one of the most harrowing documents of pain and confusion ever made", the album was recorded after Spence had spent six months in
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reissue appends "This Time He Has Come" to a fade-less "Grey / Afro", which reflects how the two songs appeared on the master tapes.
247:. Rubinson chose to stay away from the studio, concerned that Spence's recording activities would be distracted by the presence of a producer. 1346: 1129: 989: 449: 1059: 363:
his career at that point, Bellevue provided Spence the safety he needed and the time to create what was to become his best-known work.
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Combining the ramblings of a man on the brink of mental collapse with some real moments of flippancy and laughter,
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At the time of Spence's release from hospital, he had written a number of songs that he wanted to record. Producer
203:. It was recorded over seven days in December 1968 in Nashville, and features Spence on all of the instruments. 1407: 163: 1281: 582:
represents a type of internalized psychedelic exploration that would not find a real audience for decades."
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According to producer David Rubinson, the actual recording period was seven days. See Alexander Lau.
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of "Books of Moses", "All Come To Meet Her", "Broken Heart" and "War In Peace"; www.beck.com.
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In September 2018, another reissue, of a three-CD / three-LP boxed set, titled
936: 554:'s list of top 50 Canadian albums of all time. The album was also included in the book 1212:
https://www.discogs.com/release/13489274-Alexander-Skip-Spence-I-Want-A-Rock-Roll-Band
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Alexander "Skip" Spence - vocals, acoustic guitar, electric guitar, bass guitar, drums
215:. Spence had been committed to Bellevue following a delusion-driven attempt to attack 1308: 1276: 1237: 551: 500: 482: 429: 342: 200: 132: 101: 91: 914: 462: 444: 139: 1114: 593: 544: 532: 235: 1371: 1091: 1045: 454: 329: 1347:"The Chapel hosts all-star tribute to San Francisco rock legend Skip Spence" 963: 1233: 589: 540: 536: 474: 458: 224: 192: 127: 1044:
At the time, Moby Grape was in New York City recording its second album,
571: 520: 196: 83: 41: 1183: 1156: 1095:. No. 42. San Francisco: Straight Arrow Publishers, Inc. p. 37 941:"The Top 25 1960s Folk-Rock Albums: A Subjective List of Personal Faves" 1328:"100 Records That Set the World on Fire (While No One Was Listening)". 1257: 998: 588:
write that despite the album's initial poor sales, leading to it being
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1001 Albums You Must Hear Before You Die: Revised and Updated Edition
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https://www.discogs.com/release/12279537-Alexander-Spence-AndOarAgain
466: 396: 96: 584: 523:" series, Beck began posting the videos of his complete version of 486: 278: 228: 528: 447:
label of Burbank, California released a tribute album titled
36: 478: 425: 728:"Dixie Peach Promenade (Yin For Yang) (Alternate)" - 2:06 390:
The album is viewed by critic Lindsay Planer as follows:
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on his website (www.beck.com), recorded with members of
983: 981: 979: 977: 975: 1115:"Robert Christgau: Consumer Guide (1): July 10, 1969" 773:"I Want A Rock & Roll Band (Instrumental)" - 1:47 972: 767:"Weighted Down (The Prison Song) (Rehearsal)" - 1:11 852:
Charlie Bradley, Don Meehan, Mike Figlio - engineer
1303:Dimery, Robert; Lydon, Michael (7 February 2006). 710:"Furry Heroine (Halo Of Gold) (Alternate)" - 3:26 1369: 506:It was voted number 510 in the third edition of 604:All tracks composed by Alexander "Skip" Spence 403:The album is viewed by critic John Reed in the 1062:. Crawdaddy.wolfgangsvault.com. Archived from 635:"Dixie Peach Promenade (Yin for Yang)" – 2:53 592:, it "was later hailed as one of the greatest 283: 1272:"The 50 Greatest Canadian Albums of All Time" 994:After 40 Years: Brilliant or Mere Ramblings?" 550:In 2013, the album was listed at number 8 on 372:After 40 Years: Brilliant or Mere Ramblings?" 1222: 1024:More Oar: A Tribute To The Skip Spence Album 450:More Oar: A Tribute To The Skip Spence Album 1398:Psychedelic rock albums by Canadian artists 1302: 794:"All Come To Meet Her (Alternate 2)" - 2:13 722:"All Come To Meet Her (Alternate 1)" - 2:14 959: 957: 719:"Broken Heart (Voc & Acoustic)" - 4:44 386:oddities and ominous modulations creep in. 162: 27: 803:"All Come To Meet Her (Rehearsal)" - 2:59 731:"Lawrence Of Euphoria (Alternate)" - 2:01 620:"Weighted Down (The Prison Song)" – 6:27 574:movements", further adding: "Recorded on 16:1969 studio album by Alexander Spence 903: 658:"Keep Everything Under Your Hat" – 3:06 596:albums ever released on a major label." 557:1001 Albums You Must Hear Before You Die 254: 1344: 1127: 1060:"Blogs :: Crawdaddy :: Paste" 1019: 954: 935: 832:"I Got A Lot To Say / Mary Jane" - 2:02 812:"Broken Heart (Extended Master)" - 4:36 785:"I Got A Lot To Say (Version 2)" - 0:49 737:"I Got A Lot To Say (Version 1)" - 1:50 440:added a further six unreleased tracks. 1370: 1216: 1084: 829:"I Want A Rock & Roll Band" - 3:27 815:"War In Peace (Guitar Overdub)" - 4:45 725:"I Want A Rock & Roll Band" - 3:10 661:"Furry Heroine (Halo of Gold)" – 3:35 1269: 904:Marchese, David (September 6, 2012). 872: 800:"It's A Hard Life (Version 2)" - 0:38 776:"It's A Hard Life (Version 1)" - 0:32 761:"Little Hands (Vocal Overdub)" - 3:47 655:"It's the Best Thing for You" – 2:48 377:As described by critic Ross Bennett: 264: 1130:"Disc of the Day - Alexander Spence" 1057: 875:"The Memory of Music: Skip Spence's 743:"War In Peace (Instrumental)" - 3:27 238:suggested that Spence record at the 1085:Marcus, Griel (20 September 1969). 987: 855:David Rubinson, Don Meehan - mixing 457:of the original record's tracks by 285: 13: 1270:Unger, Andrew (13 February 2013). 1154: 825:(2019 Record Store Day 7" tracks) 797:"It Ain't Nice (Version 2)" - 1:04 788:"It Ain't Nice (Version 1)" - 1:16 782:"Diana (12 String Version)" - 3:58 519:In November 2009, as part of his " 14: 1419: 873:Black, Louis (17 December 1999). 716:"War In Peace (Alternate)" - 3:46 1181: 988:Lau, Andrew (24 November 2009). 779:"I Got Something For You" - 2:00 599: 547:, and others the previous June. 304: 299: 294: 289: 284: 1345:Pehling, Dave (June 13, 2024). 1338: 1334:. No. 175. September 1998. 1321: 1296: 1263: 1250: 1205: 1194: 1184:"Review of Sundazed reissue of 1175: 1157:"Review of Sundazed reissue of 1148: 1128:Bennett, Ross (July 12, 2008). 1121: 1107: 652:"This Time He Has Come" – 4:42 648:(1999 CD reissue bonus tracks) 199:, released on May 19, 1969, by 1078: 1051: 1038: 1013: 929: 897: 866: 809:"War In Peace (Take 2)" - 4:16 734:"Mary Jane / Steamboat" - 4:59 704:"Cripple Creek (Basic)" - 2:16 701:"Little Hands (Take 2)" - 3:40 638:"Lawrence of Euphoria" – 1:31 629:"All Come to Meet Her" – 2:04 195:by American singer-songwriter 1: 1020:Brunner, Rob (23 July 1999). 859: 823:I Want A Rock & Roll Band 206: 168:Cover of 2018 deluxe box set 1256:See, and hear, for example, 836: 770:"The Shape You're In" - 0:54 746:"Diana (Alternate 2)" - 5:55 740:"Diana (Alternate 1)" - 2:38 617:"Margaret/Tiger Rug" – 2:17 7: 1258:Beck's Record Club versions 906:"Alexander "Skip" Spence – 686:"I Think You and I" – 1:14 10: 1424: 764:"Diana (Version 2)" - 1:10 664:"Givin' Up Things" – 0:59 272: 269: 180: 176: 161: 157: 152: 148: 138: 126: 110: 82: 71: 63: 48: 35: 26: 21: 1229:All Time Top 1000 Albums 632:"Books of Moses" – 2:42 513:All Time Top 1000 Albums 435:The first CD reissue of 1388:Sundazed Records albums 1383:Columbia Records albums 818:"Diana (Basics)" - 3:42 791:"She Don't Care" - 0:55 707:"Diana (Take 3)" - 4:36 611:"Cripple Creek" – 2:16 197:Alexander "Skip" Spence 1132:. Mojo. Archived from 806:"Diana (Overdub)" 4:01 626:"Broken Heart" – 3:29 623:"War in Peace" – 4:05 608:"Little Hands" – 3:44 422: 420:is a radiant endeavor. 401: 388: 375: 78:(Nashville, Tennessee) 52:May 19, 1969 1408:Outsider music albums 674:"If I'm Good" – 0:47 409: 392: 379: 360: 353:When first released, 255:Release and reception 1031:Entertainment Weekly 883:The Austin Chronicle 757:CD3 reissue tracks) 697:CD2 reissue tracks) 260:Professional ratings 245:three-track recorder 1284:on 18 February 2013 1066:on 19 December 2007 937:Unterberger, Richie 641:"Grey/Afro" – 9:38 578:, absolutely solo, 261: 67:December 3–12, 1968 1403:Lo-fi music albums 1393:Skip Spence albums 713:"My Friend" - 2:49 683:"Fountain" – 0:34 677:"You Know" – 1:47 259: 1378:1969 debut albums 1155:Planer, Lindsay. 351: 350: 213:Bellevue Hospital 184: 183: 153:Alternative cover 1415: 1362: 1361: 1359: 1357: 1342: 1336: 1335: 1325: 1319: 1318: 1300: 1294: 1293: 1291: 1289: 1280:. Archived from 1267: 1261: 1254: 1248: 1247: 1232:(3rd ed.). 1220: 1214: 1209: 1203: 1198: 1192: 1191: 1179: 1173: 1172: 1170: 1168: 1152: 1146: 1145: 1143: 1141: 1125: 1119: 1118: 1111: 1105: 1104: 1102: 1100: 1082: 1076: 1075: 1073: 1071: 1058:Williams, Paul. 1055: 1049: 1042: 1036: 1035: 1017: 1011: 1010: 1008: 1006: 985: 970: 961: 952: 951: 949: 947: 933: 927: 926: 924: 922: 901: 895: 893: 891: 889: 870: 680:"Doodle" – 1:02 501:Record Store Day 483:Diesel Park West 373: 343:Robert Christgau 309: 308: 307: 303: 302: 298: 297: 293: 292: 288: 287: 262: 258: 240:Columbia Studios 201:Columbia Records 166: 144:Alexander Spence 122: 121: 117: 102:psychedelic rock 92:Psychedelic folk 59: 57: 42:Alexander Spence 31: 19: 18: 1423: 1422: 1418: 1417: 1416: 1414: 1413: 1412: 1368: 1367: 1366: 1365: 1355: 1353: 1343: 1339: 1327: 1326: 1322: 1315: 1301: 1297: 1287: 1285: 1268: 1264: 1255: 1251: 1244: 1236:. p. 178. 1221: 1217: 1210: 1206: 1199: 1195: 1180: 1176: 1166: 1164: 1153: 1149: 1139: 1137: 1126: 1122: 1113: 1112: 1108: 1098: 1096: 1083: 1079: 1069: 1067: 1056: 1052: 1043: 1039: 1018: 1014: 1004: 1002: 986: 973: 962: 955: 945: 943: 934: 930: 920: 918: 902: 898: 887: 885: 871: 867: 862: 839: 614:"Diana" – 3:32 602: 463:Robyn Hitchcock 374: 367: 305: 300: 295: 290: 257: 209: 172: 119: 115: 114: 106: 55: 53: 44: 17: 12: 11: 5: 1421: 1411: 1410: 1405: 1400: 1395: 1390: 1385: 1380: 1364: 1363: 1337: 1320: 1313: 1295: 1262: 1249: 1242: 1226:, ed. (2000). 1215: 1204: 1193: 1174: 1147: 1136:on 22 May 2011 1120: 1106: 1077: 1050: 1037: 1012: 971: 953: 928: 896: 864: 863: 861: 858: 857: 856: 853: 849: 848: 844: 843: 838: 835: 834: 833: 830: 820: 819: 816: 813: 810: 807: 804: 801: 798: 795: 792: 789: 786: 783: 780: 777: 774: 771: 768: 765: 762: 748: 747: 744: 741: 738: 735: 732: 729: 726: 723: 720: 717: 714: 711: 708: 705: 702: 688: 687: 684: 681: 678: 675: 666: 665: 662: 659: 656: 653: 643: 642: 639: 636: 633: 630: 627: 624: 621: 618: 615: 612: 609: 601: 598: 576:three track(!) 545:Brian LeBarton 489:, and others. 453:. It featured 365: 349: 348: 345: 339: 338: 333: 325: 324: 319: 311: 310: 281: 275: 274: 271: 267: 266: 256: 253: 236:David Rubinson 208: 205: 182: 181: 178: 177: 174: 173: 167: 159: 158: 155: 154: 150: 149: 146: 145: 142: 136: 135: 130: 124: 123: 112: 108: 107: 105: 104: 99: 94: 88: 86: 80: 79: 73: 69: 68: 65: 61: 60: 50: 46: 45: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1420: 1409: 1406: 1404: 1401: 1399: 1396: 1394: 1391: 1389: 1386: 1384: 1381: 1379: 1376: 1375: 1373: 1352: 1348: 1341: 1333: 1332: 1324: 1316: 1314:0-7893-1371-5 1310: 1306: 1299: 1283: 1279: 1278: 1273: 1266: 1259: 1253: 1245: 1243:0-7535-0493-6 1239: 1235: 1231: 1230: 1225: 1219: 1213: 1208: 1202: 1197: 1189: 1187: 1178: 1162: 1160: 1151: 1135: 1131: 1124: 1116: 1110: 1094: 1093: 1092:Rolling Stone 1088: 1081: 1065: 1061: 1054: 1047: 1046:Wow/Grape Jam 1041: 1033: 1032: 1027: 1025: 1016: 1001: 1000: 995: 993: 984: 982: 980: 978: 976: 969: 965: 960: 958: 942: 938: 932: 917: 916: 911: 909: 900: 884: 880: 878: 869: 865: 854: 851: 850: 846: 845: 841: 840: 831: 828: 827: 826: 824: 817: 814: 811: 808: 805: 802: 799: 796: 793: 790: 787: 784: 781: 778: 775: 772: 769: 766: 763: 760: 759: 758: 756: 752: 745: 742: 739: 736: 733: 730: 727: 724: 721: 718: 715: 712: 709: 706: 703: 700: 699: 698: 696: 692: 685: 682: 679: 676: 673: 672: 671: 670: 663: 660: 657: 654: 651: 650: 649: 647: 640: 637: 634: 631: 628: 625: 622: 619: 616: 613: 610: 607: 606: 605: 600:Track listing 597: 595: 591: 587: 586: 581: 577: 573: 569: 565: 564: 559: 558: 553: 548: 546: 542: 538: 534: 530: 526: 522: 517: 515: 514: 509: 504: 502: 499:In 2019, for 497: 495: 490: 488: 484: 480: 476: 472: 468: 464: 460: 456: 452: 451: 446: 443:In 1999, the 441: 438: 433: 431: 428: /  427: 421: 419: 415: 408: 406: 400: 398: 391: 387: 384: 378: 371: 368:Andrew Lau, " 364: 359: 356: 346: 344: 341: 340: 337: 334: 332: 331: 330:Rolling Stone 327: 326: 323: 320: 318: 317: 313: 312: 282: 280: 277: 276: 268: 265:Review scores 263: 252: 248: 246: 241: 237: 232: 230: 226: 222: 221:Don Stevenson 218: 214: 204: 202: 198: 194: 190: 189: 179: 175: 171: 165: 160: 156: 151: 147: 143: 141: 137: 134: 131: 129: 125: 113: 109: 103: 100: 98: 95: 93: 90: 89: 87: 85: 81: 77: 74: 70: 66: 62: 51: 47: 43: 38: 34: 30: 25: 20: 1356:September 2, 1354:. Retrieved 1350: 1340: 1329: 1323: 1307:. Universe. 1304: 1298: 1286:. Retrieved 1282:the original 1275: 1265: 1252: 1234:Virgin Books 1227: 1224:Colin Larkin 1218: 1207: 1196: 1185: 1182:Reed, John. 1177: 1165:. Retrieved 1158: 1150: 1138:. Retrieved 1134:the original 1123: 1109: 1097:. Retrieved 1090: 1080: 1068:. Retrieved 1064:the original 1053: 1040: 1029: 1023: 1015: 1003:. Retrieved 997: 991: 944:. Retrieved 931: 919:. Retrieved 913: 907: 899: 886:. Retrieved 882: 876: 868: 822: 821: 754: 750: 749: 694: 690: 689: 669:Unissued Oar 668: 667: 645: 644: 603: 583: 579: 567: 561: 555: 549: 541:James Gadson 537:Jamie Lidell 524: 518: 511: 508:Colin Larkin 505: 498: 493: 491: 475:Mark Lanegan 459:Robert Plant 448: 442: 436: 434: 423: 417: 413: 410: 405:Boston Globe 404: 402: 393: 389: 382: 380: 376: 369: 361: 354: 352: 335: 328: 321: 314: 249: 233: 225:Jerry Miller 210: 193:studio album 191:is the only 187: 186: 185: 169: 37:Studio album 1288:14 February 1099:10 February 1022:"Review of 755:AndOarAgain 695:AndOarAgain 560:. In 1998, 521:Record Club 494:AndOarAgain 336:(favorable) 322:(favorable) 170:AndOarAgain 1372:Categories 1163:. AllMusic 999:Crawdaddy! 860:References 471:Greg Dulli 316:Crawdaddy! 219:bandmates 217:Moby Grape 207:Background 56:1969-05-19 1087:"Records" 847:Technical 837:Personnel 646:Extra Oar 566:included 467:Tom Waits 397:Fred Neil 97:folk rock 1351:CBS News 1331:The Wire 968:AllMusic 594:outsider 585:CBS News 563:The Wire 516:(2000). 487:Mudhoney 430:Sundazed 366:β€”  279:Allmusic 229:fire axe 140:Producer 133:Columbia 76:Columbia 64:Recorded 49:Released 39: by 1277:Ballast 1167:15 June 1140:15 June 1070:3 March 1005:15 June 946:May 22, 888:15 June 590:deleted 552:Ballast 445:Birdman 227:with a 54: ( 1311:  1240:  921:22 May 753:(2018 693:(2018 455:covers 273:Rating 270:Source 111:Length 72:Studio 572:lo-fi 533:Feist 529:Wilco 128:Label 84:Genre 1358:2024 1309:ISBN 1290:2013 1238:ISBN 1169:2011 1142:2011 1101:2016 1072:2012 1007:2011 948:2023 923:2023 915:Spin 890:2011 751:More 479:Beck 426:Sony 223:and 1186:Oar 1159:Oar 992:Oar 966:at 964:Oar 908:Oar 877:Oar 580:Oar 568:Oar 525:Oar 510:'s 437:Oar 418:Oar 414:Oar 383:Oar 370:Oar 355:Oar 188:Oar 22:Oar 1374:: 1349:. 1274:. 1089:. 1028:. 996:. 974:^ 956:^ 939:. 912:. 881:. 691:Or 543:, 539:, 535:, 531:, 485:, 481:, 477:, 473:, 469:, 465:, 461:, 407:: 347:Cβˆ’ 231:. 120:38 116:44 1360:. 1317:. 1292:. 1246:. 1190:. 1188:" 1171:. 1161:" 1144:. 1117:. 1103:. 1074:. 1034:. 1026:" 1009:. 990:" 950:. 925:. 910:" 892:. 879:" 118:: 58:)

Index

A photograph of Spence
Studio album
Alexander Spence
Columbia
Genre
Psychedelic folk
folk rock
psychedelic rock
Label
Columbia
Producer
Cover of 2018 deluxe box set AndOarAgain
studio album
Alexander "Skip" Spence
Columbia Records
Bellevue Hospital
Moby Grape
Don Stevenson
Jerry Miller
fire axe
David Rubinson
Columbia Studios
three-track recorder
Allmusic
Crawdaddy!
Rolling Stone
Robert Christgau
Fred Neil
Sony
Sundazed

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