344:
793:
367:, and a few by family friends such as Johann Gottfried Bernhard and Johann Gottfried Heinrich. Although the 1725 notebook does contain work composed by Johann Sebastian Bach, it also includes works by many other composers. The authorship of several pieces is identified in the notebook itself, while that of others was established by researchers. The composers of still others, including several popular songs of the time, remain unknown. Here is a complete list of the pieces included, in order of appearance in the notebook:
1169:
697:
22:
821:
182:
590:
3494:
45:
3504:
1099:
846:
1345:
1190:
849:
57:
848:
853:
852:
847:
193:
This notebook contains 25 unbound sheets (including two blank pages), which is estimated to be approximately a third of the original size. It is not known what happened to the other pages. The back and the corners are decorated with brown leather; greenish paper is used for the cover. The title page
854:
168:
The two notebooks are known by their title page dates of 1722 and 1725. The title "Anna
Magdalena Notebook" is commonly used to refer to the latter. The primary difference between the two collections is that the 1722 notebook contains works only by Johann Sebastian Bach (including most of the
354:
The 1725 notebook is larger than the 1722 one, and more richly decorated. Light green paper is used for the front cover, Anna
Magdalena's initials and the year number "1725" are printed in gold, the annotations A M B added by her stepson C. P. E. Bach when he inherited it. All pages feature
1191:
1311:
851:
2508:
2363:
1188:
680:
714:
2501:
620:
The
Notebooks contain instrumental as well as vocal musical compositions. These notebooks serve more as collections of sheet music and other compositions rather than what notebooks are traditionally used for.
655:
424:
850:
299:
of suites 2 and 3 are separated from the rest of their respective suites and were most probably added at a later date by Anna
Magdalena Bach (they are almost certainly in her hand), some time before 1725.
2494:
1153:
The two
Minuets in G major and G minor, Nos. 4–5 in the second Notebook, BWV Anh. 114 and 115, were composed by Christian Petzold. Because their former attribution to Bach is spurious they appear in
713:
1181:
419:
1148:
3244:
1189:
3507:
2692:
1439:
1390:
No. 21 of the second
Notebook, "Menuet fait par Mons. Böhm" (Minuet by Mr. Böhm), in G major, was never assigned a number in the BWV catalogue. It is however included in both the
2522:
2387:
715:
2282:
1448:
2368:
371:
Keyboard partita in A minor, BWV 827. This is the third partita from Bach's set of
Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of
2475:
202:
in Anna
Magdalena's hand (using the feminine version of her last name). For a reason so far unknown to researchers, Johann Sebastian wrote the titles of three books by
1117:
The Minuet in F major, BWV Anh. 113, is No. 3 in the second
Notebook. Its attribution to J. S. Bach is considered doubtful, and for that reason it is included in
320:
Air with variations in C minor, unfinished, BWV 991. The first 10 bars feature coherent two-part writing, but the remaining 35 bars only have one voice written out.
3237:
1253:
1243:
3267:
544:
Movement in F major, BWV Anh. 131. The handwriting looks like that of a child, and apparently the piece is an attempt to create a bass line for a given melody.
3028:
1378:
1367:
1328:
Anh. III 130 – No. 28: Polonaise in G major by Johann Adolph Hasse, i.e. "Polonoise secondo", originally in F major, from his keyboard sonata in F major.
3230:
3108:
2518:
3538:
3497:
3478:
3360:
3048:
206:
3272:
3171:
2355:
2006:
1948:
1413:
1039:
828:
2705:
359:. Most of the entries in the 1725 notebook were made by Anna Magdalena herself, with others written in the hand of Johann Sebastian, some by sons
3291:
3064:
2634:
1521:
639:
The recitative "Ich habe genug" and the aria "Schlummert ein, ihr matten Augen", the second and third movements of the second version of
Cantata
3533:
3459:
3309:
3201:
2620:
3206:
2581:
2960:
2947:
2913:
2900:
2815:
2802:
323:"Jesus, meine Zuversicht", chorale prelude, BWV 728. A brief (9 bars) piece in three voices, features two sections with repeats for each.
3211:
2973:
2868:
2855:
2828:
1655:
681:
List of songs and arias by Johann Sebastian Bach § Songs and arias from the second Notebook for Anna Magdalena Bach (BWV 508–518)
3434:
2649:
2481:
2410:
2683:
1350:
Anh. III 131 – No. 32: in F major attributed to Johann Christian Bach (W A22), formerly also attributed to Gottfried Heinrich Bach
1134:
3342:
877:
The aria "So oft ich meine Tobackspfeife" appears in two versions, BWV 515 and 515a, the second a fourth higher than the first.
3003:
2615:
2566:
3543:
3394:
3164:
2986:
2940:
2933:
2926:
2893:
2886:
2848:
2841:
2795:
2788:
2769:
2625:
2601:
2596:
2591:
2586:
2576:
2571:
2561:
2556:
1534:
1061:
1055:
3548:
3276:
2760:
2753:
2746:
3057:
1398:(Neue Bach-Ausgabe, NBA) of the Notebooks. There is some doubt which composer by the name Böhm may have been intended,
706:
601:
1297:
3451:
2486:
2459:
661:
382:
Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830.
392:
3280:
3041:
2675:
2606:
1372:
Anh. III 183 – No. 6: Rondeau in B-flat major by François Couperin, "Les Bergeries, Rondeau", sixth piece of the
1140:
493:", BWV 508. This composition is probably the most well-known of the arias of the 1725 notebook. Its melody is by
912:
The authenticity of "Willst du dein Herz mir schenken", BWV 518, also known as "Aria di Govannini", is doubted.
3101:
3086:
776:
The sacred songs BWV 510–512 are three settings of "Gib dich zufrieden und sei stille" for voice and continuo.
3385:
1550:
334:
in the 1725 notebook). A short dance with simplistic two-part writing and two sections with repeats for each.
259:
211:
757:
494:
3008:
2997:
2740:
2639:
656:
List of chorale harmonisations by Johann Sebastian Bach § In the 1725 Notebook for Anna Magdalena Bach
396:
327:
2266:
2252:
2238:
2224:
2210:
2196:
2182:
2168:
2154:
2140:
2126:
2112:
2098:
2084:
2070:
2056:
2042:
2038:
2024:
1984:
1980:
1966:
1930:
1916:
1902:
1888:
1874:
1870:
1856:
1852:
1848:
1844:
1840:
1826:
1812:
1798:
1784:
1770:
1756:
1742:
1738:
1724:
1710:
1696:
1692:
1688:
1674:
1628:
1614:
1600:
156:
The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the
3376:
3335:
3121:
2451:
1516:
784:
The sacred song "O Ewigkeit, du Donnerwort", BWV 513, No. 42 in the second Notebook, is a setting of the
3528:
3408:
3128:
3013:
2542:
2340:
2329:
1491:
1470:
1421:
3351:
3081:
2644:
2359:
1391:
1066:
785:
665:
527:
509:
364:
3222:
1248:
Nos. 16–19 (BWV Anh. 122–125) are considered to be early compositions by Carl Philipp Emanuel Bach:
515:
Solo per il cembalo in E-flat major, BWV Anh. 129. A harpsichord piece by Carl Philipp Emanuel Bach.
3420:
2725:
2403:
2399:
2373:
1306:, BWV Anh. 129, by Carl Philipp Emanuel Bach, piece No. 27 from the 1725 Notebook:
512:
that this Aria was entered into the two blank pages of this book by Anna Magdalena later, in 1740.
173:), while the 1725 notebook is a compilation of music by both Bach and other composers of the era.
3022:
1237:
3402:
3328:
3186:
1122:
640:
634:
295:, BWV 812–814. The next two are complete suites, French Suites Nos. 4 and 5, BWV 815–816. The
3255:
2778:
2730:
2697:
2654:
2527:
951:
945:
541:
Keyboard suite in C minor, BWV 813. This is an incomplete version of the second French Suite.
360:
94:
3092:
1109:
The Air with variations in C minor, BWV 991, is a fragment contained in the first Notebook.
2735:
2551:
1526:
991:
893:"Wie wohl ist mir, o Freund der Seelen", BWV 517, is a sacred song for voice and continuo.
649:
535:
531:, Book 1, with bars 16–20 omitted, most likely in order to make the piece fit in two pages.
292:
170:
26:
3148:
2667:
2277:
932:
The Fantasia in C major for organ, BWV 573, is a fragment contained in the 1722 Notebook.
768:"Gedenke doch, mein Geist, zurĂĽcke", BWV 509 is an aria contained in the second notebook.
550:
Recitative "Ich habe genug" and aria "Schlummert ein, ihr matten Augen" (solo), BWV 82/2,3
406:
8:
3563:
3558:
3553:
3034:
1090:
1083:
950:
The chorale prelude "Wer nur den lieben Gott lässt walten", BWV 691, also appears in the
888:
519:
501:
285:
102:
98:
3158:
major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
1579:
1320:
in E-flat major by C. P. E. Bach (early version of the keyboard sonata Wq 65.7 / H 16).
343:
189:. Note the titles of the three Pfeiffer books written by Bach in the lower right corner.
3286:
2379:
722:
500:
Keyboard aria in G major, BWV 988/1. Another well-known piece, this is the aria of the
2516:
1026:
1019:
2455:
2441:
1639:
1530:
792:
685:
The second Notebook contains a number of songs and arias set for voice and continuo.
114:
465:
Polonaise in G minor, BWV Anh. 125. Usually attributed to Carl Philipp Emanuel Bach.
459:
Polonaise in G minor, BWV Anh. 123. Usually attributed to Carl Philipp Emanuel Bach.
291:. The first three are fragments of the pieces that are now known as the first three
2383:
1395:
53:
2659:
2372:(Joh. Seb. Bach's music pieces in the notebooks of Anna Magdalena Bach). Leipzig:
2445:
2420:
1508:
1288:
885:
The aria "Warum betrĂĽbst du dich", BWV 516, is a setting for voice and continuo.
749:
743:
559:
Aria "Willst du dein Herz mir schenken" (subtitled "Aria di Giovannini"), BWV 518
505:
490:
126:
76:
21:
1009:
935:
812:
771:
462:
March in G major, BWV Anh. 124. Usually attributed to Carl Philipp Emanuel Bach.
456:
March in D major, BWV Anh. 122. Usually attributed to Carl Philipp Emanuel Bach.
2416:
2010:
1952:
1428:
1274:
A musette and two other pieces with a doubtful attribution to J. S. Bach:
820:
565:
Chorale setting "Dir, dir Jehova, will ich singen" (version for choir), BWV 299
2424:
2395:
181:
3522:
1584:
1512:
1238:
Two Marches and two Polonaises by Carl Philipp Emanuel Bach, BWV Anh. 122–125
998:
978:
The keyboard pieces are the largest group of compositions in both Notebooks.
779:
306:
288:
134:
3320:
2428:
1399:
1323:
920:
The first Notebook contains two compositions for organ. The chorale prelude
474:
280:
The notebook contains the following works, most in Johann Sebastian's hand:
3427:
2344:
2333:
2263:
2249:
2235:
2221:
2207:
2193:
2179:
2165:
2151:
2137:
2123:
2109:
2095:
2081:
2067:
2053:
2035:
2021:
1977:
1963:
1927:
1913:
1899:
1885:
1867:
1837:
1823:
1809:
1795:
1781:
1767:
1753:
1735:
1721:
1707:
1685:
1671:
1625:
1611:
1597:
1495:
1474:
1154:
809:"Schaffs mit mir, Gott", BWV 514, is a sacred song for voice and continuo.
314:
1331:
624:
1361:
1147:
1118:
804:
402:
Minuet in G minor, BWV Anh. 115. Usually attributed to Christian Petzold.
310:
157:
142:
130:
2369:
Joh. Seb. Bach's MusikstĂĽcke in den NotenbĂĽchern der Anna Magdalena Bach
1643:
1045:
589:
1206:
869:
734:
447:
Chorale setting "Gib dich zufrieden und sei stille" in E minor, BWV 512
445:
Chorale setting "Gib dich zufrieden und sei stille" in G minor, BWV 511
442:
Chorale setting "Gib dich zufrieden und sei stille" in F major, BWV 510
84:
2693:
Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769
2447:
Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks
1244:
List of compositions by Carl Philipp Emanuel Bach § Solo keyboard
1160:
3252:
1128:
763:
236:
957:
880:
386:
203:
91:
3292:
Strophic aria "Alles mit Gott und nichts ohn' ihn" (BWV 1127)
567:
Chorale setting "Dir, dir Jehova, will ich singen" (solo), BWV 299
231:
Anti-Calvinismus, oder Unterredungen von der Reformierten Religion
176:
1098:
1024:
The second Notebook starts with the third Partita, BWV 827, from
798:
356:
138:
118:
88:
1471:
1. KlavierbĂĽchlein der A. M. Bach, 1722, D-B Mus. ms. Bach P 224
1368:
List of compositions by François Couperin § For harpsichord
1440:
List of songs and arias by Johann Sebastian Bach from the 1725
1221:
Anh. II 117a and 117b – No. 8a and b: two Polonaises in F major
296:
122:
106:
3503:
2392:
The KlavierbĂĽchlein fĂĽr Anna Magdalena Bach from 1722 and 1725
1492:
2. NotenbĂĽchlein der A. M. Bach, 1725, D-B Mus. ms. Bach P 225
970:, BWV 728, is ranged among Bach's chorale preludes for organ.
650:
Four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299
525:
Prelude in C major, BWV 846/1. This is the first prelude from
439:
Chorale prelude "Wer nur den lieben Gott läßt walten", BWV 691
1659:
1344:
1310:
1214:
Seven pieces with a doubtful attribution to J. S. Bach:
1073:
996:
The first Notebook contains early versions of the first five
562:
Aria "Schlummert ein, ihr matten Augen", unfinished, BWV 82/3
110:
889:
Sacred song "Wie wohl ist mir, o Freund der Seelen", BWV 517
688:
1436:; Minuet in G is featured extensively throughout the movie.
150:
146:
1646:
Diomedes (Excerpts): "Bist du bei mir geh ich mit Freuden"
1030:, followed by the sixth Partita, BWV 830, from that opus.
470:
Aria "So oft ich meine Tobackspfeife" in G minor, BWV 515a
1511:(2001). "Bach. III. 7. Johann Sebastian Bach. Works". In
1424:, a music manuscript from Antwerp at the same time period
1385:
1324:
Polonaise in G major by Johann Adolph Hasse, BWV Anh. 130
1088:
No. 26 in the second Notebook is the aria with which the
1038:
The Minuet in G major, BWV 841, is also contained in the
896:
518:
Polonaise in G major, BWV Anh. 130. Possibly composed by
468:
Aria "So oft ich meine Tobackspfeife" in D minor, BWV 515
216:(died 1698) in the lower right corner of the title page:
30:
25:
This page of the 1722 notebook contains the gavotte from
405:
Rondeau in B-flat major, BWV Anh. 183. This piece is by
141:) makes up most of both notebooks, and a few pieces for
1332:
Piece in F major by Johann Christian Bach, BWV Anh. 131
752:", BWV 508, is an arrangement of an aria of the opera
534:
Keyboard suite in D minor, BWV 812. This is the first
570:
Song "Wie wohl ist mir, o Freund der Seelen", BWV 517
326:
Minuet in G major, BWV 841 (not to be confused with
276:(Anti-melancholy, or to drive out the melancholy]).
198:
Clavier-BĂĽchlein vor Anna Magdalena Bachin ANNO 1722
1265:
Anh. III 125 – No. 19: Polonaise in G minor (H 1/4)
1259:
Anh. III 123 – No. 17: Polonaise in G minor (H 1/2)
1161:
Four Minuets and three Polonaises, BWV Anh. 116–121
1070:appears in a short version in the second Notebook.
813:
Aria "So oft ich meine Tobackspfeife", BWV 515–515a
772:
Three settings of "Gib dich zufrieden", BWV 510–512
3479:Frederick the Great Playing the Flute at Sanssouci
1418:, a notebook J.S. Bach compiled for his eldest son
1353:
1129:Two Minuets by Christian Petzold, BWV Anh. 114–115
1112:
981:
664:", BWV 299, also appears in a two-part setting in
2607:Eight Short Preludes and Fugues, BWV 553–560
1453:compositions in the appendix of the BWV catalogue
1298:Carl Philipp Emanuel Bach § Keyboard sonatas
1269:
573:Aria "Gedenke doch, mein Geist, zurĂĽcke", BWV 509
553:Chorale setting "Schaff's mit mir, Gott", BWV 514
3520:
3273:Songs and arias, BWV 439–523
3165:Concerto transcriptions, BWV 592–596 and 972–987
2582:Fantasia and Fugue in G minor ("Great"), BWV 542
2572:Toccata and Fugue in D minor ("Dorian"), BWV 538
2002:
2000:
1998:
1996:
1994:
1992:
780:Sacred song "O Ewigkeit, du Donnerwort", BWV 513
239:, or Conversations about the reformed religion).
3065:Capriccio on the departure of a beloved brother
2635:Prelude (Toccata) and Fugue in E major, BWV 566
2602:Prelude and Fugue in E minor ("Wedge"), BWV 548
1944:
1942:
1940:
1938:
1522:The New Grove Dictionary of Music and Musicians
1262:Anh. III 124 – No. 18: March in G major (H 1/3)
1104:
927:
674:
272:Anti-melancholicus, oder Melancholey-Vertreiber
177:The 1722 notebook: French Suites and miscellany
3268:Four-part chorales, BWV 250–438
2640:Fantasia ("Pièce d'Orgue") in G major, BWV 572
3460:Carl Philipp Emanuel Bach: The Complete Works
3425:
3350:
3336:
3310:List of compositions by Johann Sebastian Bach
3238:
3202:List of compositions by Johann Sebastian Bach
2621:Toccata, Adagio and Fugue in C major, BWV 564
2502:
1989:
1033:
3392:
3383:
3374:
3207:List of fugal works by Johann Sebastian Bach
1935:
1411:
1362:"Rondeau" by François Couperin, BWV Anh. 183
1340:, piece No. 32 from the 1725 Notebook:
1284:Anh. II 128 – No. 24: (Polonaise) in D minor
805:Sacred song "Schaffs mit mir, Gott", BWV 514
576:Chorale "O Ewigkeit, du Donnerwort", BWV 513
409:and is best known under the original title:
373:
270:
252:
244:
229:
221:
196:
2412:J.S. Bach: Notebook for Anna Magdalena Bach
1414:KlavierbĂĽchlein fĂĽr Wilhelm Friedemann Bach
1040:KlavierbĂĽchlein fĂĽr Wilhelm Friedemann Bach
801:is the four-part realisation of this song.
3343:
3329:
3245:
3231:
3212:List of concertos by Johann Sebastian Bach
2509:
2495:
1557:, p. 158. Cambridge University Press.
1292:by Carl Philipp Emanuel Bach, BWV Anh. 129
1227:Anh. II 119 – No. 10: Polonaise in G minor
3539:Compositions by Carl Philipp Emanuel Bach
3435:Sonata in A minor for Solo Flute, Wq. 132
2650:Passacaglia and Fugue in C minor, BWV 582
2543:Fugue in G minor, BWV 131a
2482:International Music Score Library Project
2351:Score editions with critical commentary:
2328:1. KlavierbĂĽchlein der A. M. Bach, 1722:
1432:, a 1998 Hong Kong film titled after the
1252:Anh. III 122 – No. 16: March in D major (
2440:
1633:
1487:
1485:
1483:
1358:Anh. II 132 – No. 36: Minuet in D minor
1278:Anh. II 126 – No. 22: Musette in D major
1135:Minuets in G major and G minor (Petzold)
1002:, BWV 812–816. the first and the second
764:Aria "Gedenke doch, mein Geist", BWV 509
342:
180:
20:
2339:2. NotenbĂĽchlein der A. M. Bach, 1725:
2313:Heinemann (1983), "Comments" p. 55
1281:Anh. II 127 – No. 23: March in E♠major
1233:Anh. II 121 – No. 15: Minuet in C minor
1230:Anh. II 120 – No. 14: Minuet in A minor
1224:Anh. II 118 – No. 9: Minuet in B♠major
829:So oft ich meine Tobackspfeife, BWV 515
227:is a shortened and misspelled title of
3521:
3004:Fantasia and Fugue in C minor, BWV 906
2616:Fantasia and Fugue in C minor, BWV 562
2567:Fantasia and Fugue in C minor, BWV 537
1656:Diomedes (Stölzel, Gottfried Heinrich)
1218:Anh. II 116 – No. 7: Minuet in G major
881:Aria "Warum betrĂĽbst du dich", BWV 516
547:Aria "Warum betrĂĽbst du dich", BWV 516
3534:Compositions by Johann Sebastian Bach
3395:Die Auferstehung und Himmelfahrt Jesu
3324:
3226:
2770:Overture in the French style, BWV 831
2731:English Suites, BWV 806–811
2726:Inventions and Sinfonias, BWV 772–801
2626:Toccata and Fugue in D minor, BWV 565
2597:Prelude and Fugue in C minor, BWV 546
2592:Prelude and Fugue in B minor, BWV 544
2587:Prelude and Fugue in A minor, BWV 543
2577:Toccata and Fugue in F major, BWV 540
2562:Prelude and Fugue in D major, BWV 532
2557:Prelude and Fugue in C major, BWV 531
2490:
1507:
1480:
1464:
1062:Prelude and Fugue in C major, BWV 846
1056:Prelude and Fugue in C major, BWV 846
81:NotenbĂĽchlein fĂĽr Anna Magdalena Bach
2736:French Suites, BWV 812–817
2645:Fugue in G minor ("Little"), BWV 578
1006:also appear in the second Notebook.
938:Wer nur den lieben Gott lässt walten
922:Wer nur den lieben Gott lässt walten
584:
486:(Polonaise) in D minor, BWV Anh. 128
477:. Not included in the BWV catalogue.
433:Minuet in B-flat major, BWV Anh. 118
338:
48:You may hear selections from Bach's
16:Manuscripts by Johann Sebastian Bach
2708:Wo Gott der Herr nicht bei uns hält
2298:
1182:Polonaise in F major, BWV Anh. 117a
483:March in E-flat major, BWV Anh. 127
430:Polonaise in F major, BWV Anh. 117b
420:Polonaise in F major, BWV Anh. 117a
13:
3058:Aria variata alla maniera italiana
2779:Well-Tempered Clavier, BWV 846–893
2434:
2283:Second Livre de pièces de Clavecin
1379:Second Livre de pièces de Clavecin
1167:
924:is No. 11 in the second Notebook.
695:
436:Polonaise in G minor, BWV Anh. 119
14:
3575:
3452:Carl Philipp Emanuel Bach Edition
2469:
2286:. Paris: Foucault (1717), pp. 8–9
1402:being the best known among them.
786:chorale melody with the same name
662:Dir, dir, Jehova, will ich singen
625:Recitative and Aria from Cantata
3502:
3493:
3492:
3415:Notebook for Anna Magdalena Bach
3305:Notebook for Anna Magdalena Bach
2477:Notebook for Anna Magdalena Bach
2409:Ernst-GĂĽnter Heinemann, editor.
1343:
1309:
1205:Problems playing this file? See
1186:
1146:
1097:
868:Problems playing this file? See
844:
819:
791:
733:Problems playing this file? See
711:
588:
480:Musette in D major, BWV Anh. 126
349:Notebook for Anna Magdalena Bach
187:Notebook for Anna Magdalena Bach
72:Notebook for Anna Magdalena Bach
43:
3281:Ich steh an deiner Krippen hier
3277:Komm, sĂĽĂźer Tod, komm selge Ruh
3109:Prelude, Fugue and Allegro in E
3009:Toccatas, BWV 910–916
2741:Partitas, BWV 825–830
2677:Great Eighteen Chorale Preludes
2307:
2289:
2271:
2257:
2243:
2229:
2215:
2201:
2187:
2173:
2159:
2145:
2131:
2117:
2103:
2089:
2075:
2061:
2047:
2029:
2015:
1971:
1957:
1921:
1907:
1893:
1879:
1861:
1831:
1817:
1803:
1789:
1775:
1761:
1747:
1729:
1715:
1701:
1679:
1665:
1649:
1568:The Keyboard Music of J.S. Bach
1354:Minuet in D minor, BWV Anh. 132
1157:of the Bach-Werke-Verzeichnis.
1141:Minuet in G major, BWV Anh. 114
1113:Minuet in F major, BWV Anh. 113
973:
689:Aria "Bist du bei mir", BWV 508
646:, appear in the 1725 Notebook.
580:
556:Minuet in D minor, BWV Anh. 132
473:Menuet fait par Mons. Böhm, by
453:Minuet in C minor, BWV Anh. 121
450:Minuet in A minor, BWV Anh. 120
416:Minuet in G major, BWV Anh. 116
393:Minuet in G major, BWV Anh. 114
305:, unfinished, BWV 573. A short
185:Title page of the first (1722)
2295:Waldersee (1894), p. XI and 35
1619:
1605:
1591:
1573:
1560:
1544:
1501:
1376:, published in Paris in 1717 (
1336:Untitled movement in F major,
1270:Three pieces, BWV Anh. 126–128
1197:attribution to J. S. Bach
97:presented to his second wife,
1:
2402:(1957, 1963, 1978, 2014) and
2007:Bach-Werke-Verzeichnis (1998)
1949:Bach-Werke-Verzeichnis (1998)
1458:
1010:Third and sixth partita from
901:ovannini", BWV 518": -->
860:Ukrainian words by M. Strikha
3544:Compositions for harpsichord
3253:Short vocal compositions by
2998:Chromatic Fantasia and Fugue
1570:, p. 522 and elsewhere.
1386:"Menuet fait par Mons. Böhm"
1105:Air with variations, BWV 991
928:Fantasia in C major, BWV 573
915:
897:"Aria di Govannini", BWV 518
675:Songs and arias, BWV 508–518
254:Evangelische Christen Schule
7:
3549:German-language manuscripts
3386:Die Israeliten in der WĂĽste
3122:Prelude in C minor, BWV 999
2655:Concertos, BWV 592–597
2452:University of Chicago Press
1451:Notebook for Anna Magdalena
1442:Notebook for Anna Magdalena
1405:
347:Cover of the second (1725)
250:item" refers to Pfeiffer's
10:
3580:
3172:KlavierbĂĽchlein W. F. Bach
3129:Fugue in G minor, BWV 1000
3029:Harpsichord solo concertos
2319:
1566:Schulenberg, David. 2006.
1555:J.S. Bach: A Life in Music
1422:De Gruytters carillon book
1365:
1295:
1241:
1132:
1081:
1053:
1034:Minuet in G major, BWV 841
1017:
989:
943:
788:, for voice and continuo:
758:Gottfried Heinrich Stölzel
741:
678:
653:
632:
495:Gottfried Heinrich Stölzel
163:
87:notebooks that the German
83:) refers to either of two
3488:
3470:
3443:
3367:
3358:
3352:Carl Philipp Emanuel Bach
3300:
3263:
3197:
3138:
3102:Suite in C minor, BWV 997
3087:Suite in E minor, BWV 996
3082:Suite in G minor, BWV 995
3074:
2718:
2535:
2360:Bach-Gesellschaft Ausgabe
1392:Bach-Gesellschaft Ausgabe
1067:The Well-Tempered Clavier
1048:The Well-Tempered Clavier
669:Musicalisches Gesang-Buch
528:The Well-Tempered Clavier
42:
37:
3152:: Prelude and Fugue in E
2686:Sei gegrĂĽĂźet, Jesu gĂĽtig
1525:(2nd ed.). London:
395:. Usually attributed to
3017:, BWV 933–938
2388:Keyboard and Lute Works
2341:D-B Mus. ms. Bach P 225
2330:D-B Mus. ms. Bach P 224
1316:Anh. III 129 – No. 27:
968:Jesus, meine Zuversicht
960:Jesus, meine Zuversicht
660:The four-part chorale "
50:Anna Magdalena Notebook
3426:
3403:Gellert Odes and Songs
3393:
3384:
3375:
3275: (includes "
3187:Twelve Little Preludes
2374:Breitkopf & Härtel
1412:
1172:
1123:Bach-Werke-Verzeichnis
700:
635:Ich habe genug, BWV 82
374:
351:
271:
253:
245:
230:
222:
197:
190:
80:
66:
3256:Johann Sebastian Bach
2528:Johann Sebastian Bach
1171:
952:Kirnberger Collection
946:Kirnberger Collection
721:Performed by soprano
699:
346:
184:
95:Johann Sebastian Bach
24:
3361:List of compositions
2701:, BWV 1090–1120
2552:Sonatas, BWV 525–530
1527:Macmillan Publishers
992:French Suites (Bach)
966:The chorale setting
365:Carl Philipp Emanuel
3179:Notebook A. M. Bach
3035:Goldberg Variations
3015:Six Little Preludes
2699:Neumeister chorales
2429:Critical commentary
2404:Critical Commentary
2304:Von Dadelsen (1957)
1551:Williams, Peter F..
1318:Solo per il cembalo
1304:Solo per il cembalo
1290:Solo per il cembalo
1091:Goldberg Variations
1084:Goldberg Variations
1076:Goldberg Variations
520:Johann Adolph Hasse
502:Goldberg Variations
385:Minuet in F major,
309:piece, 12 complete
303:Fantasia pro organo
262:Christian School").
59:Here on Archive.org
3287:Quodlibet, BWV 524
2679:, BWV 651–668
2671:, BWV 645–650
2663:, BWV 599–644
2517:Compositions for
2380:Georg von Dadelsen
1588:2002, pp. 172–174.
1173:
723:Elisabeth Schumann
701:
600:. You can help by
352:
313:and the beginning
191:
67:
3529:Music anthologies
3516:
3515:
3318:
3317:
3220:
3219:
3150:Clavier-Ăśbung III
3095:
3051:
3044:
2989:
2987:No. 24 in B minor
2982:
2969:
2956:
2943:
2941:No. 12 in F minor
2936:
2929:
2922:
2909:
2896:
2889:
2877:
2864:
2851:
2849:No. 16 in G minor
2844:
2842:No. 10 in E minor
2837:
2824:
2811:
2798:
2791:
2763:
2756:
2749:
2706:Chorale fantasia
2669:SchĂĽbler Chorales
2631:
2612:
2548:
2523:keyboard and lute
2423:, 1983. Includes
2278:François Couperin
2264:Bach Digital Work
2250:Bach Digital Work
2236:Bach Digital Work
2222:Bach Digital Work
2208:Bach Digital Work
2194:Bach Digital Work
2180:Bach Digital Work
2166:Bach Digital Work
2152:Bach Digital Work
2138:Bach Digital Work
2124:Bach Digital Work
2110:Bach Digital Work
2096:Bach Digital Work
2082:Bach Digital Work
2068:Bach Digital Work
2054:Bach Digital Work
2036:Bach Digital Work
2022:Bach Digital Work
1978:Bach Digital Work
1964:Bach Digital Work
1928:Bach Digital Work
1914:Bach Digital Work
1900:Bach Digital Work
1886:Bach Digital Work
1868:Bach Digital Work
1838:Bach Digital Work
1824:Bach Digital Work
1810:Bach Digital Work
1796:Bach Digital Work
1782:Bach Digital Work
1768:Bach Digital Work
1754:Bach Digital Work
1736:Bach Digital Work
1722:Bach Digital Work
1708:Bach Digital Work
1686:Bach Digital Work
1672:Bach Digital Work
1626:Bach Digital Work
1612:Bach Digital Work
1598:Bach Digital Work
1536:978-1-56159-239-5
1192:
1177:Polonaise, No. 8a
1046:First prelude of
1014:, BWV 827 and 830
855:
716:
707:"Bist du bei mir"
618:
617:
407:François Couperin
397:Christian Petzold
339:The 1725 notebook
332:Minuet in G Major
266:AntiMelancholicus
65:
64:
3571:
3506:
3496:
3495:
3431:
3398:
3389:
3380:
3345:
3338:
3331:
3322:
3321:
3258:
3247:
3240:
3233:
3224:
3223:
3190:
3181:
3174:
3167:
3160:
3157:
3156:
3131:
3124:
3117:
3114:
3113:
3104:
3091:
3047:
3040:
3023:Italian Concerto
2985:
2979:
2978:
2972:
2966:
2965:
2959:
2953:
2952:
2946:
2939:
2934:No. 6 in D minor
2932:
2927:No. 5 in D major
2925:
2919:
2918:
2912:
2906:
2905:
2899:
2894:No. 2 in C minor
2892:
2887:No. 1 in C major
2885:
2874:
2873:
2867:
2861:
2860:
2854:
2847:
2840:
2834:
2833:
2827:
2821:
2820:
2814:
2808:
2807:
2801:
2796:No. 2 in C minor
2794:
2789:No. 1 in C major
2787:
2759:
2752:
2745:
2684:Chorale partita
2629:
2610:
2546:
2530:
2511:
2504:
2497:
2488:
2487:
2480:: Scores at the
2465:
2384:New Bach Edition
2314:
2311:
2305:
2302:
2296:
2293:
2287:
2275:
2269:
2261:
2255:
2247:
2241:
2233:
2227:
2219:
2213:
2205:
2199:
2191:
2185:
2177:
2171:
2163:
2157:
2149:
2143:
2135:
2129:
2121:
2115:
2107:
2101:
2093:
2087:
2079:
2073:
2065:
2059:
2051:
2045:
2033:
2027:
2019:
2013:
2004:
1987:
1975:
1969:
1961:
1955:
1946:
1933:
1925:
1919:
1911:
1905:
1897:
1891:
1883:
1877:
1865:
1859:
1835:
1829:
1821:
1815:
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1801:
1793:
1787:
1779:
1773:
1765:
1759:
1751:
1745:
1733:
1727:
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1713:
1705:
1699:
1683:
1677:
1669:
1663:
1653:
1647:
1637:
1631:
1623:
1617:
1609:
1603:
1595:
1589:
1580:Andreas Glöckner
1577:
1571:
1564:
1558:
1548:
1542:
1540:
1509:Wolff, Christoph
1505:
1499:
1489:
1478:
1468:
1417:
1396:New Bach Edition
1347:
1339:
1313:
1302:Opening bars of
1194:
1193:
1170:
1150:
1119:Anhang (Anh.) II
1101:
958:Chorale setting
936:Chorale prelude
909:
908:
904:
857:
856:
840:
839:
835:
823:
795:
718:
717:
698:
671:(BWV 452).
613:
610:
592:
585:
428:
377:
361:Johann Christian
317:of the 13th bar.
274:
256:
248:
233:
225:
223:Ante Calvinismus
215:
200:
153:) are included.
54:Gustav Leonhardt
52:as performed by
47:
46:
35:
34:
3579:
3578:
3574:
3573:
3572:
3570:
3569:
3568:
3519:
3518:
3517:
3512:
3484:
3466:
3439:
3363:
3354:
3349:
3319:
3314:
3296:
3259:
3254:
3251:
3221:
3216:
3193:
3184:
3177:
3170:
3163:
3154:
3153:
3147:
3140:
3134:
3127:
3120:
3111:
3110:
3107:
3100:
3070:
3049:Gould recording
2976:
2975:
2963:
2962:
2950:
2949:
2916:
2915:
2903:
2902:
2871:
2870:
2858:
2857:
2831:
2830:
2818:
2817:
2805:
2804:
2714:
2531:
2526:
2515:
2472:
2462:
2442:Yearsley, David
2437:
2435:Further reading
2421:G. Henle Verlag
2322:
2317:
2312:
2308:
2303:
2299:
2294:
2290:
2276:
2272:
2262:
2258:
2248:
2244:
2234:
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2220:
2216:
2206:
2202:
2192:
2188:
2178:
2174:
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2136:
2132:
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2118:
2108:
2104:
2094:
2090:
2080:
2076:
2066:
2062:
2052:
2048:
2034:
2030:
2020:
2016:
2005:
1990:
1976:
1972:
1962:
1958:
1947:
1936:
1926:
1922:
1912:
1908:
1898:
1894:
1884:
1880:
1866:
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1776:
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1684:
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1654:
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1620:
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1201:
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1199:
1198:
1195:
1187:
1184:
1178:
1174:
1168:
1163:
1137:
1131:
1115:
1107:
1086:
1080:
1060:The prelude of
1058:
1052:
1036:
1027:Clavier-Ăśbung I
1022:
1020:Clavier-Ăśbung I
1016:
1012:Clavier-Ăśbung I
994:
988:
976:
964:
948:
942:
930:
918:
910:
906:
902:
900:
899:
891:
883:
875:
874:
866:
864:
863:
862:
861:
858:
845:
842:
837:
833:
832:
824:
815:
807:
782:
774:
766:
750:Bist du bei mir
746:
744:Bist du bei mir
740:
739:
731:
729:
728:
727:
726:
719:
712:
709:
702:
696:
691:
683:
677:
658:
652:
637:
631:
614:
608:
605:
598:needs expansion
583:
566:
506:Christoph Wolff
491:Bist du bei mir
469:
446:
429:
422:
341:
246:Christen Schule
209:
207:August Pfeiffer
179:
166:
56:
44:
17:
12:
11:
5:
3577:
3567:
3566:
3561:
3556:
3551:
3546:
3541:
3536:
3531:
3514:
3513:
3511:
3510:
3500:
3489:
3486:
3485:
3483:
3482:
3474:
3472:
3468:
3467:
3465:
3464:
3456:
3447:
3445:
3441:
3440:
3438:
3437:
3432:
3423:
3418:
3411:
3406:
3399:
3390:
3381:
3371:
3369:
3365:
3364:
3359:
3356:
3355:
3348:
3347:
3340:
3333:
3325:
3316:
3315:
3313:
3312:
3307:
3301:
3298:
3297:
3295:
3294:
3289:
3284:
3270:
3264:
3261:
3260:
3250:
3249:
3242:
3235:
3227:
3218:
3217:
3215:
3214:
3209:
3204:
3198:
3195:
3194:
3192:
3191:
3182:
3175:
3168:
3161:
3144:
3142:
3136:
3135:
3133:
3132:
3125:
3118:
3115:major, BWV 998
3105:
3098:
3097:
3096:
3084:
3078:
3076:
3072:
3071:
3069:
3068:
3061:
3054:
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2890:
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2865:
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2799:
2792:
2782:
2774:
2773:
2766:
2765:
2764:
2757:
2750:
2738:
2733:
2728:
2722:
2720:
2716:
2715:
2713:
2712:
2703:
2695:
2690:
2681:
2673:
2665:
2657:
2652:
2647:
2642:
2637:
2632:
2623:
2618:
2613:
2604:
2599:
2594:
2589:
2584:
2579:
2574:
2569:
2564:
2559:
2554:
2549:
2539:
2537:
2533:
2532:
2514:
2513:
2506:
2499:
2491:
2485:
2484:
2471:
2470:External links
2468:
2467:
2466:
2460:
2436:
2433:
2432:
2431:
2417:Urtext edition
2407:
2377:
2356:Paul Waldersee
2349:
2348:
2337:
2321:
2318:
2316:
2315:
2306:
2297:
2288:
2270:
2256:
2242:
2228:
2214:
2200:
2186:
2172:
2158:
2144:
2130:
2116:
2102:
2088:
2074:
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2046:
2028:
2014:
1988:
1970:
1956:
1934:
1920:
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1590:
1572:
1559:
1543:
1535:
1513:Sadie, Stanley
1500:
1479:
1462:
1460:
1457:
1456:
1455:
1446:
1437:
1429:Anna Magdalena
1425:
1419:
1407:
1404:
1394:(BGA) and the
1387:
1384:
1363:
1360:
1355:
1352:
1333:
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1179:
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1175:
1166:
1165:
1164:
1162:
1159:
1133:Main article:
1130:
1127:
1114:
1111:
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1103:
1079:
1072:
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1035:
1032:
1015:
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980:
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956:
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730:
720:
710:
705:
704:
703:
694:
693:
692:
690:
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676:
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651:
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642:Ich habe genug
630:
627:Ich habe genug
623:
616:
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609:September 2016
595:
593:
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579:
578:
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178:
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99:Anna Magdalena
63:
62:
40:
39:
38:External audio
15:
9:
6:
4:
3:
2:
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2661:OrgelbĂĽchlein
2658:
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2507:
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2461:9780226617848
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2324:Manuscripts:
2310:
2301:
2292:
2285:
2284:
2279:
2274:
2268:
2265:
2260:
2254:
2251:
2246:
2240:
2237:
2232:
2226:
2223:
2218:
2212:
2209:
2204:
2198:
2195:
2190:
2184:
2181:
2176:
2170:
2167:
2162:
2156:
2153:
2148:
2142:
2139:
2134:
2128:
2125:
2120:
2114:
2111:
2106:
2100:
2097:
2092:
2086:
2083:
2078:
2072:
2069:
2064:
2058:
2055:
2050:
2044:
2040:
2037:
2032:
2026:
2023:
2018:
2012:
2008:
2003:
2001:
1999:
1997:
1995:
1993:
1986:
1982:
1979:
1974:
1968:
1965:
1960:
1954:
1950:
1945:
1943:
1941:
1939:
1932:
1929:
1924:
1918:
1915:
1910:
1904:
1901:
1896:
1890:
1887:
1882:
1876:
1872:
1869:
1864:
1858:
1854:
1850:
1846:
1842:
1839:
1834:
1828:
1825:
1820:
1814:
1811:
1806:
1800:
1797:
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1778:
1772:
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1758:
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1744:
1740:
1737:
1732:
1726:
1723:
1718:
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1630:
1627:
1622:
1616:
1613:
1608:
1602:
1599:
1594:
1587:
1586:
1585:Bach-Jahrbuch
1581:
1576:
1569:
1563:
1556:
1552:
1547:
1538:
1532:
1528:
1524:
1523:
1518:
1517:Tyrrell, John
1514:
1510:
1504:
1497:
1493:
1488:
1486:
1484:
1476:
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1467:
1463:
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1447:
1445:
1444:(BWV 508–518)
1443:
1438:
1435:
1431:
1430:
1426:
1423:
1420:
1416:
1415:
1410:
1409:
1403:
1401:
1397:
1393:
1383:
1381:
1380:
1375:
1374:Sixième ordre
1369:
1359:
1351:
1348:
1346:
1341:
1329:
1321:
1319:
1314:
1312:
1307:
1305:
1299:
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1126:
1124:
1120:
1110:
1102:
1100:
1095:
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1085:
1077:
1071:
1069:
1068:
1063:
1057:
1049:
1043:
1041:
1031:
1029:
1028:
1021:
1013:
1007:
1005:
1001:
1000:
999:French Suites
993:
986:, BWV 812–816
985:
984:French Suites
979:
971:
969:
961:
955:
953:
947:
939:
933:
925:
923:
913:
905:
894:
886:
878:
873:
871:
830:
822:
810:
802:
800:
796:
794:
789:
787:
777:
769:
761:
759:
755:
751:
745:
738:
736:
724:
708:
686:
682:
672:
670:
667:
663:
657:
647:
645:
643:
636:
628:
622:
612:
603:
599:
596:This section
594:
591:
587:
586:
575:
572:
569:
564:
561:
558:
555:
552:
549:
546:
543:
540:
537:
533:
530:
529:
524:
521:
517:
514:
511:
507:
503:
499:
496:
492:
488:
485:
482:
479:
476:
472:
467:
464:
461:
458:
455:
452:
449:
444:
441:
438:
435:
432:
426:
421:
418:
415:
412:
411:Les Bergeries
408:
404:
401:
398:
394:
391:
388:
384:
381:
378:
376:
375:Clavier-Ăśbung
370:
369:
368:
366:
362:
358:
350:
345:
333:
329:
325:
322:
319:
316:
312:
308:
304:
301:
298:
294:
293:French Suites
290:
287:
283:
282:
281:
275:
273:
267:
264:
261:
257:
255:
249:
247:
241:
238:
234:
232:
226:
224:
219:
218:
217:
213:
208:
205:
201:
199:
194:is inscribed
188:
183:
174:
172:
171:French Suites
161:
159:
154:
152:
148:
144:
140:
136:
132:
128:
124:
120:
116:
112:
108:
104:
100:
96:
93:
90:
86:
82:
78:
74:
73:
61:
60:
55:
51:
41:
36:
32:
28:
23:
19:
3477:
3458:
3450:
3428:Solfeggietto
3414:
3413:
3401:
3304:
3185:
3178:
3149:
3063:
3056:
3033:
3021:
3014:
2996:
2777:
2768:
2707:
2698:
2685:
2676:
2668:
2660:
2476:
2446:
2411:
2391:
2386:, Series V:
2367:
2350:
2345:Bach Digital
2334:Bach Digital
2323:
2309:
2300:
2291:
2281:
2273:
2259:
2245:
2231:
2217:
2203:
2189:
2175:
2161:
2147:
2133:
2119:
2105:
2091:
2077:
2063:
2049:
2031:
2017:
1973:
1959:
1923:
1909:
1895:
1881:
1863:
1833:
1819:
1805:
1791:
1777:
1763:
1749:
1731:
1717:
1703:
1681:
1667:
1651:
1635:
1621:
1607:
1593:
1583:
1575:
1567:
1562:
1554:
1546:
1520:
1503:
1496:Bach Digital
1475:Bach Digital
1466:
1450:
1441:
1433:
1427:
1389:
1377:
1373:
1371:
1357:
1349:
1342:
1338:BWV Anh. 131
1335:
1327:
1317:
1315:
1308:
1303:
1301:
1289:
1273:
1247:
1213:
1204:
1152:
1145:
1138:
1116:
1108:
1096:
1089:
1087:
1075:
1074:Aria of the
1065:
1059:
1047:
1037:
1025:
1023:
1011:
1004:French Suite
1003:
997:
995:
983:
977:
974:For keyboard
967:
965:
959:
949:
937:
931:
921:
919:
911:
892:
884:
876:
867:
808:
797:
790:
783:
775:
767:
753:
747:
732:
684:
668:
659:
641:
638:
626:
619:
606:
602:adding to it
597:
581:Compositions
536:French Suite
526:
504:, BWV 988.
410:
372:
353:
348:
331:
302:
279:
269:
265:
251:
243:
228:
220:
195:
192:
186:
167:
155:
71:
70:
68:
58:
49:
27:French Suite
18:
3463:(1998–2018)
3455:(1982–1995)
3377:La Caroline
3141:collections
3042:discography
2974:No. 22 in B
2961:No. 18 in G
2948:No. 13 in F
2869:No. 22 in B
2856:No. 21 in B
2396:Bärenreiter
2011:p. 469
1953:p. 465
1078:, BWV 988/1
1050:, BWV 846/1
423: [
413:(6e Ordre).
357:gilt edging
260:Evangelical
210: [
158:Bach family
3564:Polonaises
3559:1725 works
3554:1722 works
3523:Categories
3409:Magnificat
2914:No. 4 in C
2901:No. 3 in C
2829:No. 7 in E
2816:No. 4 in C
2803:No. 3 in C
2710:, BWV 1128
2630:(doubtful)
2611:(doubtful)
2547:(doubtful)
2390:, Vol. 4:
2382:, editor.
2358:, editor.
1459:References
1400:Georg Böhm
1366:See also:
1296:See also:
1242:See also:
1207:media help
1082:See also:
1054:See also:
1018:See also:
990:See also:
944:See also:
870:media help
742:See also:
735:media help
679:See also:
666:Schemellis
654:See also:
633:See also:
475:Georg Böhm
268:refers to
204:theologian
115:polonaises
85:manuscript
69:The title
2688:, BWV 768
1644:469080810
1449:The 1725
1139:Start of
962:, BWV 728
940:, BWV 691
916:For organ
510:suggested
237:Calvinism
3498:Category
3444:Editions
3421:Passions
3155:♭
3112:♭
2977:♭
2964:♯
2951:♯
2917:♯
2904:♯
2872:♭
2859:♭
2832:♭
2819:♯
2806:♯
2719:Keyboard
2444:(2019).
1519:(eds.).
1434:Notebook
1406:See also
1155:Anh. III
754:Diomedes
644:, BWV 82
629:, BWV 82
387:BWV Anh.
286:keyboard
139:gavottes
131:musettes
127:preludes
119:chorales
111:rondeaux
103:Keyboard
92:composer
3471:Related
3279:" and "
3093:Bourrée
2882:Book 2
2784:Book 1
2425:Preface
2364:Vol. 43
2347:website
2336:website
2320:Sources
1662:website
1498:website
1477:website
1121:of the
1094:start:
1064:, from
799:BWV 397
425:commons
328:Petzold
297:minuets
164:History
135:marches
123:sonatas
107:minuets
105:music (
89:Baroque
29:No. 5 (
2628:
2609:
2545:
2458:
2406:(1957)
2376:(1894)
1642:
1582:in: ''
1553:2007.
1533:
725:, 1934
489:Aria "
289:suites
235:(Anti-
149:, and
77:German
3508:Audio
3368:Works
3139:Mixed
2980:minor
2967:minor
2954:major
2920:minor
2907:major
2875:minor
2862:major
2835:major
2822:minor
2809:major
2761:No. 6
2754:No. 4
2747:No. 2
2536:Organ
2519:organ
2400:Score
2267:01494
2253:01443
2239:01442
2225:01441
2211:01440
2197:01439
2183:01438
2169:01437
2155:01436
2141:01435
2127:01434
2113:01433
2099:01432
2085:01431
2071:01430
2057:01429
2043:01428
2039:01427
2025:01426
1985:01425
1981:01424
1967:01423
1931:01169
1917:01166
1903:00986
1889:00980
1875:00968
1871:00964
1857:00952
1853:00950
1849:00948
1845:00946
1841:00945
1827:00851
1813:00808
1799:00653
1785:00590
1771:00589
1757:00588
1743:00587
1739:00586
1725:00585
1711:00584
1697:00583
1693:00582
1689:00581
1675:00580
1660:IMSLP
1629:00579
1615:00369
1601:00104
982:Five
427:]
315:notes
307:organ
284:Five
214:]
151:arias
147:songs
143:voice
33:816).
3075:Lute
2456:ISBN
2427:and
2041:and
1983:and
1873:and
1855:and
1741:and
1695:and
1640:RISM
1531:ISBN
903:edit
508:has
389:113.
363:and
311:bars
2525:by
2419:).
2398::
2343:at
2332:at
1658:at
1494:at
1473:at
1256:/1)
1254:H 1
756:by
604:.
330:'s
31:BWV
3525::
3283:")
2521:,
2454:.
2450:.
2394:.
2366::
2362:,
2280:.
2009:,
1991:^
1951:,
1937:^
1851:,
1847:,
1843:,
1691:,
1529:.
1515:;
1482:^
1382:)
1143::
1125:.
1042:.
954:.
838:49
760:.
258:("
212:de
160:.
137:,
133:,
129:,
125:,
121:,
117:,
113:,
109:,
101:.
79::
3344:e
3337:t
3330:v
3246:e
3239:t
3232:v
2510:e
2503:t
2496:v
2464:.
2415:(
1541:‎
1539:.
1209:.
907:]
872:.
841:)
836::
834:4
831:(
748:"
737:.
611:)
607:(
538:.
522:.
497:.
399:.
379:.
242:"
145:(
75:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
