292:
dressed in a very strange way. Increducts make themselves be said by a man where they find themselves and discover that they are fried, an imaginary Tuscan village, in 1492. considering it first a terrible joke, they must resign themselves to the harsh reality making themselves hosting from
Vitellozzo, the brother of the killed man, Remigio, who tells them of a terrible feud with such a Giuliano del Capecchio, who is exterminating his family. Once in the village they know Parisina, a mother of Vitellozzo and the late Remigio and begin to work in their slaughter shop.
375:, in which the protagonists write a letter bewitched for his nephew's girlfriend. During registration in the Umbrian countryside a joke was made to Carlo Monni (Vitellozzo in the film). Benigni and Troisi made him pronounce scurrilous things about Amanda Sandrelli's mother, Stefania, an actress then in vogue. Amanda, who had listened to the two, went to Carlo Monni's camper and gave him a slap.
344:
Recovered, Astriaha forces the two to follow her to their father. Saverio continually courts her, but she does not seem to correspond. One night she reaches Mario in a stable and they make love. Saverio sees them and the next morning, desperate, he decides to take revenge. While Mario rests near a river, Saverio speaks to
Astriaha and confides that Mario is actually a man from Alonso.
288:
of her relationship with an
American boy. The wait continues, and they eventually decide to travel a road in the fields. After a while they are stuck with their car in the middle of the countryside. When evening comes, it begins to rain. The two find accommodation in an inn for the night, in a room that already hosts another person.
44:
324:. Driven by an unstoppable enthusiasm, they try to propose the knowledge of modern inventions such as the train, the thermometer, electricity and traffic lights; as Leonardo seemingly struggles to understand their confused descriptions, the two must reduce themselves to explain him the game of the broom.
291:
The next morning as soon as they wake up they see, having fun, the guest urinating from the window, but their laughter are immediately truncated by the hiss of a spear that kills him. Mario and
Saverio see fonding people in the black cloak on horseback, rush to the ground floor and find other people,
287:
The film opens in the Tuscan countryside. Mario (a janitor) and his friend, Saverio (a teacher) are stopped at a level crossing, waiting for the train to pass. The two friends trust each other. Among other things, Saverio is worried about his sister
Gabriella, who fell into depression for the failure
368:
Benigni and Troisi in an interview said that the scene of the customs pass was shot over and over again because the two were unable to remain serious. The two comedians, halfway through the film, had shot so much superfluous material that they were forced to erase some episodes, such as the one that
295:
In the
Renaissance context of the village, the most disparate episodes happen. Saverio immediately seems comfortable, while Mario does not want to settle down; Soon, however, during a religious function, Mario makes the acquaintance of Pia, a girl of a rich family, with whom he begins to see himself
270:
Three different versions were distributed of the film, one of which diverges for the ending: this version, never distributed for the home video market in any format, was the result of a different assembly for the broadcast on television. The film was broadcast in TV for the first time on 8 December
347:
The woman, disdained, runs away. Mario gets angry, the two fight, beat each other, chase each other until they reach a beach. Together they call the name of
Columbus at the top of the lift, but they discover that the three caravels have already started. Disconsolated, Saverio reveals to Mario the
331:
The two try to return to Italy and with amazement they see the smoke of a locomotive. Convinced that they have returned to the 20th century, they reluctantly discover that the driver is
Leonardo, who treasured their teachings and, seeing their disappointment, reassures them on the proceeds of the
303:
Saverio (who continues to tell Mario to ask Pia if he has an friend to introduce him) does not hide a certain annoyance for the meetings between Mario and the young Pia and complains that he always remains and only him to work in the butcher shop. Driven by his political-intellectual ardor, he
343:
The girl says that because of them she has not slept and has not eaten for three days and order them to return to their boss, Alonso. Mario and
Saverio do not know who Alonso is and try to clear themselves. As the girl passes out, Saverio helps her and he immediately falls in love with her.
308:
and dissuade him from leaving for the Indies and discovering
America, so that, in the future, his sister cannot meet the American boy who left her. In an unspecified place the two come across a beautiful amazon, Astriaha, which intimidates them by throwing an arrow against their wagon.
278:
In 2006 a DVD edition was released with a new extensive version of the film, longer of 18 minutes to present a greater development of the Astriaha character. In March 2015 the film returned to Italian cinemas thanks to the Lucky Red, which distributed a restored version of the comedy.
395:, in the Lazio Maremma, inside the Etruscan archaeological area of the same name. The path that leads to the lake presents a sign with the photos of these films, testifying the place as a film set. The beach scene was shot in Cala di Forno - in the municipality of
327:
In a tavern the two meet Astriaha, who tells them that the task of her was to prevent the arrival in Spain of any foreigner, to guarantee the departure of Colombus' ships. At these words they rush to the Spanish coast, without seeing the three caravels at all.
383:
Some scenes from the film were shot at the Bracciano hospital and at the Capranica Scalo station, where the level crossing of the film's beginning is located. The custom scene was shot in
369:
should have their common friend Marco Messeri in the role of Savonarola. The scene in which Benigni and Troisi write the letter to Girolamo Savonarola is a tribute to the scene of the film
388:
462:
857:
352:
base in Pisa, whom he consider an imbecile. If he could prevent Columbus from discovering America, he would also prevent his sister's relationship.
847:
467:
842:
832:
767:
837:
554:
17:
453:
The film was the highest-grossing film in Italy for the year with a gross of $ 2.89 million (5.78 billion lire) from 12 key cities.
296:
looking out from the surrounding wall of her house. In the meantime, Vitellozzo is arrested and Saverio and Mario write a letter to
710:
867:
862:
852:
877:
887:
827:
348:
real reason why he wanted to stop the navigator: his sister has fallen in love with an American soldier at the
759:
547:
340:
In the extended version, the meeting with Leonardo is anticipated to make the events that concern Astriaha.
882:
703:
371:
872:
735:
391:. The scene of the meeting with Leonardo da Vinci has filmed on the banks of the Pellicone pond, near
387:, inside the La Selva Nature Reserve. So also the final scene with a Group 400-type locomotive of the
540:
786:
696:
611:
654:
635:
662:
627:
521:
305:
8:
822:
396:
297:
71:
743:
492:
619:
516:
436:
321:
603:
595:
426:
140:
117:
801:
564:
527:
432:
420:
408:
255:
127:
57:
312:
At this point the story differs depending on the version, standard or extended.
720:
677:
414:
259:
61:
816:
160:
43:
532:
248:
150:
688:
579:
441:
251:
122:
510:
272:
384:
392:
349:
304:
convinces his friend to travel to Spain, in order to reach
399:
in Tuscany - in the heart of the Maremma Natural Park.
355:
The two versions join in the scene of the beach race.
814:
704:
548:
562:
718:
768:Pensavo fosse amore, invece era un calesse
711:
697:
555:
541:
42:
463:List of time travel science fiction films
320:In France, Mario and Saverio come across
858:Cultural depictions of Leonardo da Vinci
485:
483:
14:
815:
692:
536:
332:deal to be divided into equal parts.
300:, in vain, to obtain his liberation.
254:written by, directed by and starring
848:Italian science fiction comedy films
480:
335:
315:
24:
843:1980s science fiction comedy films
25:
899:
833:Films directed by Roberto Benigni
504:
838:Films directed by Massimo Troisi
265:
760:Le vie del Signore sono finite
13:
1:
868:Films set in the 16th century
863:Films set in the 15th century
853:Films scored by Pino Donaggio
473:
358:
878:1980s Italian-language films
468:Leonardo da Vinci in fiction
448:
372:Toto, Peppino, and the Hussy
7:
490:"Top 10 Italian Grossers".
456:
183:December 20, 1984
37:(Non ci resta che piangere)
10:
904:
888:1984 science fiction films
752:Nothing Left to Do But Cry
588:Nothing Left to Do But Cry
523:Nothing Left to Do But Cry
496:. 1 May 1985. p. 301.
363:
244:Nothing Left to Do But Cry
35:Nothing Left to Do But Cry
797:
778:
727:
673:
646:
571:
512:Non ci resta che piangere
378:
238:Non ci resta che piangere
223:
215:
207:
197:
174:
166:
156:
146:
136:
101:
91:
81:
67:
53:
41:
34:
18:Non ci resta che piangere
828:Films about time travel
787:Il Postino: The Postman
736:I'm Starting from Three
402:
389:Ferrovie Calabro Lucane
282:
655:Berlinguer, I Love You
636:The Tiger and the Snow
306:Christopher Columbus
247:) is a 1984 Italian
48:Original film poster
883:1980s Italian films
298:Girolamo Savonarola
72:Giuseppe Bertolucci
744:Scusate il ritardo
873:1984 comedy films
810:
809:
805:
800:co-directed with
686:
685:
681:
676:co-directed with
620:Life Is Beautiful
437:Leonardo da Vinci
322:Leonardo da Vinci
234:
233:
170:Cecchi Gori Group
29:1984 Italian film
16:(Redirected from
895:
799:
713:
706:
699:
690:
689:
675:
604:Johnny Stecchino
596:The Little Devil
557:
550:
543:
534:
533:
498:
497:
487:
427:Amanda Sandrelli
336:Extended version
316:Standard version
230:
190:
188:
141:Giuseppe Rotunno
118:Amanda Sandrelli
46:
32:
31:
21:
903:
902:
898:
897:
896:
894:
893:
892:
813:
812:
811:
806:
802:Roberto Benigni
793:
774:
723:
717:
687:
682:
669:
642:
567:
565:Roberto Benigni
561:
528:Rotten Tomatoes
507:
502:
501:
489:
488:
481:
476:
459:
451:
433:Paolo Bonacelli
409:Roberto Benigni
405:
381:
366:
361:
338:
318:
285:
268:
256:Roberto Benigni
228:
227:$ 2.89 million
200:
193:
186:
184:
177:
132:
128:Paolo Bonacelli
108:Roberto Benigni
96:
86:
85:Roberto Benigni
76:
75:Roberto Benigni
74:
60:
58:Roberto Benigni
49:
36:
30:
23:
22:
15:
12:
11:
5:
901:
891:
890:
885:
880:
875:
870:
865:
860:
855:
850:
845:
840:
835:
830:
825:
808:
807:
798:
795:
794:
792:
791:
782:
780:
776:
775:
773:
772:
764:
756:
748:
740:
731:
729:
725:
724:
721:Massimo Troisi
716:
715:
708:
701:
693:
684:
683:
678:Massimo Troisi
674:
671:
670:
668:
667:
663:Seeking Asylum
659:
650:
648:
644:
643:
641:
640:
632:
624:
616:
608:
600:
592:
584:
575:
573:
569:
568:
560:
559:
552:
545:
537:
531:
530:
519:
506:
505:External links
503:
500:
499:
478:
477:
475:
472:
471:
470:
465:
458:
455:
450:
447:
446:
445:
439:
430:
424:
418:
415:Massimo Troisi
412:
404:
401:
380:
377:
365:
362:
360:
357:
337:
334:
317:
314:
284:
281:
267:
264:
260:Massimo Troisi
232:
231:
225:
221:
220:
217:
213:
212:
209:
205:
204:
201:
198:
195:
194:
192:
191:
180:
178:
175:
172:
171:
168:
167:Distributed by
164:
163:
158:
154:
153:
148:
144:
143:
138:
137:Cinematography
134:
133:
131:
130:
125:
120:
115:
112:
111:Massimo Troisi
109:
105:
103:
99:
98:
97:Ettore Rosboch
93:
89:
88:
87:Massimo Troisi
83:
79:
78:
77:Massimo Troisi
69:
65:
64:
62:Massimo Troisi
55:
51:
50:
47:
39:
38:
28:
9:
6:
4:
3:
2:
900:
889:
886:
884:
881:
879:
876:
874:
871:
869:
866:
864:
861:
859:
856:
854:
851:
849:
846:
844:
841:
839:
836:
834:
831:
829:
826:
824:
821:
820:
818:
803:
796:
789:
788:
784:
783:
781:
777:
770:
769:
765:
762:
761:
757:
754:
753:
749:
746:
745:
741:
738:
737:
733:
732:
730:
726:
722:
714:
709:
707:
702:
700:
695:
694:
691:
679:
672:
665:
664:
660:
657:
656:
652:
651:
649:
645:
638:
637:
633:
630:
629:
625:
622:
621:
617:
614:
613:
609:
606:
605:
601:
598:
597:
593:
590:
589:
585:
582:
581:
577:
576:
574:
570:
566:
558:
553:
551:
546:
544:
539:
538:
535:
529:
525:
524:
520:
518:
514:
513:
509:
508:
495:
494:
486:
484:
479:
469:
466:
464:
461:
460:
454:
443:
440:
438:
434:
431:
428:
425:
422:
419:
416:
413:
410:
407:
406:
400:
398:
394:
390:
386:
376:
374:
373:
356:
353:
351:
345:
341:
333:
329:
325:
323:
313:
310:
307:
301:
299:
293:
289:
280:
276:
274:
263:
261:
257:
253:
250:
246:
245:
240:
239:
226:
222:
218:
214:
210:
206:
202:
196:
182:
181:
179:
173:
169:
165:
162:
161:Pino Donaggio
159:
155:
152:
149:
145:
142:
139:
135:
129:
126:
124:
121:
119:
116:
113:
110:
107:
106:
104:
100:
95:Mauro Berardi
94:
90:
84:
80:
73:
70:
68:Screenplay by
66:
63:
59:
56:
52:
45:
40:
33:
27:
19:
785:
766:
758:
751:
750:
742:
734:
661:
653:
634:
626:
618:
610:
602:
594:
587:
586:
578:
522:
511:
491:
452:
444:: Vitellozzo
421:Iris Peynado
382:
370:
367:
354:
346:
342:
339:
330:
326:
319:
311:
302:
294:
290:
286:
277:
269:
266:Distribution
243:
242:
237:
236:
235:
199:Running time
176:Release date
151:Nino Baragli
114:Iris Peynado
26:
779:Screenplays
647:Screenplays
612:The Monster
580:Tu mi turbi
442:Carlo Monni
423:as Astriaha
252:comedy film
203:113 minutes
123:Carlo Monni
92:Produced by
54:Directed by
823:1984 films
817:Categories
474:References
411:as Saverio
359:Production
271:1986, on
241:(English:
224:Box office
187:1984-12-20
719:Films by
628:Pinocchio
563:Films by
449:Reception
147:Edited by
728:Directed
572:Directed
457:See also
417:as Mario
397:Magliano
273:Canale 5
216:Language
157:Music by
102:Starring
82:Story by
493:Variety
385:Paliano
364:Filming
249:fantasy
229:(Italy)
219:Italian
208:Country
185: (
790:(1994)
771:(1991)
763:(1987)
755:(1984)
747:(1983)
739:(1981)
666:(1979)
658:(1977)
639:(2005)
631:(2002)
623:(1997)
615:(1994)
607:(1991)
599:(1988)
591:(1984)
583:(1983)
429:as Pia
379:Places
393:Vulci
211:Italy
517:IMDb
403:Cast
350:NATO
283:Plot
258:and
526:at
515:at
435:as
819::
482:^
275:.
262:.
804:.
712:e
705:t
698:v
680:.
556:e
549:t
542:v
189:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
