781:, the track was, according to Flea, a perfect cover for the band: " the lyrics are great. Especially as far as the situation that the band has been in, as far as state of mind, for the past few months. That song is really about raising and uplifting yourself spiritually." Flea said the band covered the song to pay homage to Wonder and the important role he played in popular music. The cover begins with a funk bass-line, followed by multi-layered heavy metal guitar progressions and effects-treated vocals. "Higher Ground"'s chorus features backing vocals from an array of friends and engineers who worked on the record; the individuals' competence in singing was irrelevant to the band because they sought to achieve a sense of unity.
562:. "It was weird when I first joined the band because we recorded the album after I'd been in the band for just a few months and Chad had actually been in for just two weeks," Frusciante recalled. "I was still a little bit confused about my position and we were just like four individuals. Music is all about welding people into a unit and with all the touring we've been doing we're now like an eight-armed cosmic octopus!" Beinhorn pushed the Chili Peppers to produce the best possible takes for each of the record's 13 tracks while the band hoped to obtain a hit record.
547:. According to Flea, the Hully Gully sessions bore fruit: "We played hard and fast more than any other time in our career, I think. A lot of chops were going down we played constantly, got to know each other, and came up with a record." Kiedis and Flea recognized that Frusciante's presence had become a significant influence on the band's new material as the Hully Gully sessions were proving to be extremely productive; Flea recalled that " was an immense new element to the sound of our band and a big opening up for us."
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be more poignant; Carolan recalls, "It was a very special track for the band and it needed to be treated with the utmost care and respect. Anthony and Flea just wanted it to be real soulful with a sense of urgency." The videos took a day each to complete and were filmed with relatively small budgets, but the outcome, as Jeff Apter notes, "ecame key elements of success." "Knock Me Down" is notable for featuring an appearance by actor
898:" which was released on the 1989 Hard 'n Heavy Vol. 2 collection. The video, which has never been released elsewhere by the band or even acknowledged as an official video, featured the band performing the song with cut away scenes of the band being interviewed discussing the album and their sound. Carolan was also hired to film the music videos for album's first two singles, "Higher Ground" and "Knock Me Down" before the release of
789:" was one of the few songs that featured no guitar layering; Apter notes that the song is "a dreamy, sweetly stoned instrumental featured deft picking and strumming from Frusciante, intertwined with blasts of trumpet from Flea." The eclectic track was originally intended to be more than three minutes long, but was cut to just under two minutes before the album's release. The song "Punk Rock Classic" contains an improvisation of "
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476:, replaced Irons. The new lineup made it through three shows before the band felt McKnight did not fit and he was fired. McKnight was so angry he threatened to burn Kiedis's house down. McKnight however was with the band long enough to record "Blues for Meister", the first Chili Peppers song featuring Flea on lead vocals and only song to feature Peligro as well. The song would appear a few years later on
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problems." According to Apter, the song "Knock Me Down" was "clearly the most important track the band had ever laid down; it proved that these
Peppers were more than knuckleheads with socks hanging off their cocks." Musically, the track integrates the Chili Peppers' typical punk influences, but asserts heavier emphasis on melody and harmonics that lead into more
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his ego "got a little swollen," according to Flea. "He was running around being rude to girls and getting them pissed off. But that's to be expected, I mean, shit, you're 18 years old and you want to get laid really bad and all of a sudden you're in a band, the girls want to fuck. You're bound to go crazy." Another incident, following a performance at the
1377:, and Frusciante, looking back on the tour years later, admitted, "I was totally abusing the situation partying and screwing a bunch of girls. At 19, I might have looked like a stud but I was a weakling inside. I wasn't proud of who I was then." Shortly before the end of the North American leg, the band filmed a performance at the
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couldn't shake out of for a half an hour." Smith came from a different background than his three bandmates. Kiedis, Flea and
Frusciante were more into the punk-rock scene while Smith was into classic rock and heavy metal. Smith was officially hired in December 1988 and played a handful of shows with the band to finish out the year.
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I believe that John is a pivotal figure in the Chili
Peppers, being that he is such a distinctive songwriter." Frusciante altered the band's sound by introducing melodies, harmonies and more-complex song structures. In contrast to the group's previous albums, which featured groove and rhythm-based songs,
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The band was now once again without a drummer and were forced to hold open auditions. The last to audition, Chad Smith, was a six-foot three-inch tall drummer who, according to Flea, "lit a fire under our asses." Kiedis later said the audition with Smith left " in a state of frenzied laughter that we
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The tour continued in the United
Kingdom, where the band was receiving less attention; Kiedis complained after several shows there, "We're huge in the States and it's sort of frustrating and confusing that no one knows who we are here." It was not until after their return from the UK that "Taste the
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was something the group had been working towards since the release of their debut album; Apter notes, "After five hard years, several departures, sackings and one tragic death, the
Peppers were now much more than a hometown sensation." The band had played numerous concerts before the album's release
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said "the polite term for albums like 'Milk' is 'eclectic', but it really sounds as if the band is unraveling
Considering the circumstances, it's not especially surprising that the album seems to be looking for someone to give it directions." However, Jenkins did believe Frusciante possessed "solid
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was affixed with an "explicit language" warning sticker that, according to Kiedis, "Doesn't bother me. Our lyrics are very explicit, whether it's about sex or friendship or love for life in general." The cover booklet of the record features a painting by Hillel Slovak. Following the album's release,
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The band's style of music developed with the arrival of
Frusciante; producer Michael Beinhorn observed, "It was apparent early on that John was the perfect guitarist for the band—he brought the elements of songwriting and composition to the band which they'd never truly had prior to his involvement.
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as the Chili
Peppers dance around him; however, Wonder declined to be in the video. Kiedis gave full creative license to Carolan on the condition that he "make us look like the Gods of Funk." While the video for "Higher Ground" was intended to be upbeat and exuberant, "Knock Me Down" was filmed to
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in an
African setting. "Higher Ground" was similar in that all four members — photographs of which were taken from the music video — were printed in front of a large image of Kiedis's face. "Taste the Pain" featured the band together with a red and yellow background with the Chili Peppers' asterisk
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With
Frusciante in place and Peligro still on drums, the band embarked on a small tour and began writing music for the next album. It wasn't long though before the band felt they needed to part ways with Peligro as well, who had his own drug problems. Peligro, who helped co-write "Stone Cold Bush,"
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said the Chili Peppers' performance at the Colorado Indoor Sports Complex was "the kind of place where kids could be kids, and no one cared if soft drinks stuck to the floor and the rafters shook with a stunning barrage of decibels. People in the audience, steeped in sweat and pressing against the
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whereas "Higher Ground" charted at number eleven; the latter of the two ultimately proved to be more successful, however, by influencing foreign charts at number fifty-four in the UK and forty-five in Australia and France. While "Taste the Pain" did not chart in the U.S., the single reached number
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In March 1989, the Chili Peppers embarked on a two-month tour to break-in the new lineup. The "Positive Mental Octopus tour" saw the band play small venues throughout the United States, including several concerts on the East and West Coasts. At this time, Frusciante began asserting more energy and
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called it "a pivotal album for the Red Hot Chili Peppers," and believed that "if anyone doubted the pulsating power that leapt from the blistering opener, 'Good Time Boys', it took only a few bars of the Red Hot Chili Peppers' outrageous, and brilliant, interpretation of the Stevie Wonder classic
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were uncomfortable thanks to Beinhorn's incessant desire to create a hit. He recalled that he and the band were at odds, saying, "Suffice to say that I had a very intense personal relationship and somewhere along the line I fell out with ." Beinhorn constantly clashed with Frusciante over guitar
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Chad Smith made the announcement on January 29, 2014 that EMI was planning to release a 25th anniversary version of the album sometime in 2014. Smith said some "extra stuff" would be included on the release although it is unknown if the extra material will be unreleased songs or the bonus tracks
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in late March 1990—it is now certified platinum—and was the first Chili Peppers album to ship in excess of 500,000 units. In 2003 the album was re-released through EMI; all tracks were completely remastered and an additional six songs were included as well as hand written liner notes from Flea.
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and solicitation to commit a lascivious act, but released on $ 2,000 bail. Smith and Flea's arrest worsened Kiedis's impending charge in Virginia from the "Positive Mental Octopus" tour. He was convicted of sexual battery and indecent exposure and sentenced to pay a fine of $ 1,000 per charge.
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guitar tones as well as a lot of slinky, sexy, funky guitar tones." Frusciante was frustrated with Beinhorn's attitude, and he resented his playing on the record, thinking that it was too "macho". Kiedis recalled that, in the end, "I couldn't tolerate his direction any longer. He was trying to
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way way back, they're finally cashing in on their good taste, and though unbelievers dis their sincerity, execution's the problem. They didn't have the chops to bring it off then, and by pushing the guitar up front they sound even cruder now. But they're perfectly nice fellas, really—mention
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lifestyle. Kiedis did not, however, want the track to be associated with "anti-drug" sentiments, claiming, " is about letting your friends know that you need help and then being willing to accept the help of others when you need it, whether it's from drugs, or from a number of other personal
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instantly garnered more attention than the band's previous records and, as such, the venues the band performed in were able to accommodate far larger crowds. For the first time the band also upgraded to a full-fledged tour bus and added backup musicians and singers. Longtime friend,
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that likely will be a bonus disc. However, he thinks that all of the outtakes from the record have already been released although there might be a few things that the band left unfinished that could be released. As of 2022, EMI has yet to re-release the album.
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on New Year's Eve 1989 attracted over 10,000 attendees and was considered by band photographer Tony Woolliscroft to be "the biggest I had seen them play at that point. It gave me a handle on how hard the band had worked in the USA in the years prior to this."
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found the album to be "an energetic and fun restatement of the RHCP whiplash funk attitude", she believed that "with the exception of the dreamy instrumental 'Pretty Little Ditty', it doesn't break any new ground." She continued by saying that, if anything
801:" reflects a more meditative and melodic theme, similar to "Knock Me Down." Frusciante introduces psychedelic guitar progressions in the verse, while the lyrics touch on themes of love and loss. Other tracks such as "Stone Cold Bush" presented topics of
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noted the "Hollywood-based quartet fomented an audience reaction that had to be seen to be believed. The stage-divers started rushing the stage from the moment the band walked on. Once on stage, it was an issue of luck and chutzpah." Todd Caudle of the
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and left the rest of the group in complete shock; Irons, citing an inability to cope with the death, quit. Kiedis and Flea, similarly devastated, were determined to persevere despite the loss of two key members. In September 1988 they chose
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went smoothly. Many of the songs had already been written, and some were even recorded by the time the band started pre-production in January 1989. "Taste the Pain" was recorded before Smith joined, and it featured Philip "Fish" Fisher of
852:. A more strictly censored version was manufactured for some retailers that featured the band members in far larger proportion than the original. The cover of the record was influenced by a promotional poster Kiedis had from the 1960s of
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749:" became one of the most radical shifts in style for the band. The introspective lyrics, which analyze the death of Hillel Slovak and the devastating effect drugs can have on life, were a new approach for Kiedis, who primarily wrote of
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contained melodic compositions that reflected the new guitarist's influence. Per music journalist Jeff Apter, most of the record, due to Beinhorn's presence, is composed of heavy metal guitar riffs and excessive layering. Musically,
1373:, Flea invited a woman to his hotel room for sexual intercourse, but locked himself in the bathroom upon arriving because all he could think of were his wife and daughter. Kiedis ended a two-year long relationship with actress
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held a miniaturized band in his palm. When Kiedis was finding shots of the band to use on the cover, Frusciante initially refused every photograph Kiedis showed him but settled on one of him sitting down laughing.
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genre: "I wasn't really a funk player before I joined the band. I learned everything I needed to know about how to sound good with Flea by studying Hillel 's playing and I just took it sideways from there."
894:, which contained four songs from the album, was released to radio stations to promote the then forthcoming album in the weeks leading up to its release. Director Drew Carolan shot a promotional video for "
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1246:, and number 32 on the U.S. Cash Box album charts. The record failed to chart in the United Kingdom and Europe, but climbed to number 33 in Australia. "Knock Me Down" reached number six on the U.S.
1306:(nicknamed Rob Rule) would open for the band providing a comedy performance in which he would pretend to cut off his own penis. Allen would later become one of the band's backup singers on the
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1133:'Higher Ground' to prove that this new lineup was onto something special. Wrapping up with the aptly titled and truly punked-out 'Punk Rock Classic' and the band's own punched-up tribute to '
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493:. An avid Red Hot Chili Peppers fan, Frusciante was, according to Flea, "a really talented and knowledgeable musician. He knows all the shit I don't know. I basically know nothing about
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and he's studied it to death, inside and out. He's a very disciplined musician—all he cares about are his guitar and his cigarettes." Frusciante was also not very familiar with the
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on the right, and Kiedis standing up on the left. Controversy arose when the model Dawn Alane claimed the band did not notify her that she was the one chosen to be on the cover of
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between Kiedis and Frusciante, but the song was remixed before being released as a single; the new mix inadvertently emphasized Frusciante's voice instead of Kiedis's.
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in Florida. At the event, Flea and Smith attempted to engage the audience by jumping from the stage; the situation got out of hand, and the two were alleged to have
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is a slight step away from the party-funk grooves of the last two albums and a return to the band's punk-rock roots. They even reprise the cover of Jimi Hendrix's '
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received mixed reviews from critics who were unimpressed with the excessive distortion found throughout the album. However, it was praised as well; Amy Hanson of
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and several other large-scale concerts. Once complete, the band rested, and Frusciante and Flea organized a short-lived side project called H.A.T.E. with
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effects. According to Kiedis, " wanted John to have a big, crunching, almost metal-sounding guitar tone whereas before we always had some interesting
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By the end of the leg, the band members were having trouble adjusting to their newfound fame as virtually every concert on the tour was sold out and
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at a club called Tramps; following this, Red Hot Chili Peppers embarked on an introductory European tour which included a free show in Amsterdam's
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album, was fired in late November 1988. Kiedis said it was one of the hardest things he had to do because they considered Peligro a good friend.
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barricade in front of the stage, threw their arms up in unison and barked out approval of one fast, furiously-played song after another."
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The band wasn't without a guitarist for very long. In October 1988, Kiedis and Flea found a replacement for McKnight in teenage guitarist
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693:. The second single from the album, "Higher Ground" saw more international success than "Knock Me Down" despite performing worse on the
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Pain" was released as a single and subsequently charted at number twenty-nine there. In March 1990, the band was asked to perform on
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who had left the band prior to the recording of their debut album. The album, a critical success that peaked at number 148 on the
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features an array of musical styles in its 13 tracks. Among the songs that surfaced from the Hully Gully sessions in early 1989, "
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335:. Frusciante perceived Beinhorn's taste as excessive, and as a result, the two constantly fought over the album's guitar sound.
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between guitarist John Frusciante and vocalist Anthony Kiedis but was mixed in a way that Frusciante's voice is more prominent.
1470:. The song was a minor hit for the band and a music video was made. For unknown reasons the band also recorded a cover of the
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Caudle, Todd (December 18, 1989). "Chili Peppers Boil With Intensity—High Energy Band Heats Up a Chilly Evening in Denver."
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followed a similar artistic theme. The cover of "Knock Me Down" featured the band shirtless, in front of a photograph of an
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twenty-six in the UK—the group's first Top 40 single in the region. The success the Red Hot Chili Peppers achieved with
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introduced the band's videos into their daily rotation, highlighting the band as up-and-coming and "one to watch".
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Although there had been stress and conflict during the recording of other Chili Peppers albums, the sessions for
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squeeze something out of me that I wasn't feeling, and we got in a fight and I knew that I was done with him."
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412:. Disappointed with the results of the production, vocalist Anthony Kiedis and bassist Flea replaced guitarist
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902:. The initial premise for "Higher Ground" was to have the song's original writer, Stevie Wonder, sit in the
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that attracted over 10,000 attendees. On September 8, 1989 the band commenced their North American leg in
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in early 1990. Although it was not met with the same positive critical reception that its predecessor
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was the first step for the band in achieving international success and, according to Amy Hanson of
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exposed. Alane had no knowledge of the pressing and sued the band, winning a $ 50,000 settlement.
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was composed of a variety of songs that expanded the Chili Peppers' repertoire. The instrumental "
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was a greater commercial success than the band's first three albums, peaking at number 52 on the
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in the Twilight Zone," while noting that "Knock Me Down" combined "electrifying musicianship".
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released on the previously remastered version of the album. In an August 2014 interview with
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included a performance at the San Francisco Civic Auditorium to their biggest crowd to date.
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Jenkins, Mark (November 17, 1989). "Chili Peppers' 'Mother's Milk' Tastes of Yesterday."
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1951:– lead vocals (all tracks except 6 and 10), co-lead vocals (track 4 & 6), art concept
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was everything the band had hoped for, and a little more besides." Steve Morse of
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Morse, Steve (November 17, 1989). "Peppers Produce High Octane 'Mother's Milk'."
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3010:(2004). "Red Hot Chili Peppers". In Brackett, Nathan; Hoard, Christian (eds.).
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Liveten, Sharon (November 3, 1989). "Milking Their Music For All It's Worth".
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a female audience member. They were arrested several days later on charges of
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mocked the band's ability to promote empathy and found the guitar layering in
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1963:– bass, trumpet (tracks 3, 7, 10), backing vocals, co-lead vocals (track 4)
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while "Punk Rock Classic" was, in retrospect, an emulation of typical
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a limited number of promotional posters were issued with the model's
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Weisbard, Eric; Marks, Craig, eds. (1995). "Red Hot Chili Peppers".
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535:
on drums. The band recorded basic tracks at Hully Gully studios in
532:
489:. Flea had originally directed Frusciante to audition for the band
380:
3542:
3140:
Best of Rock & Metal - Die 500 stärksten Scheiben aller Zeiten
1877:"Good Time Boys" contains excerpts of "Bonin' in the Boneyard" by
640:, exemplifies a stylistic divergence away from the band's typical
3749:
1975:– guitar (track 9), backing vocals (track 9), back cover painting
1429:
1370:
1319:
833:
440:, which was released in 1987, saw the return of original drummer
3169:
Darling, Carly (August 11, 1989). "Mr. Funk Makes a Slam Dunk."
1223:
1147:
called it a "high-octane fusion of metal, funk and rap—sort of
867:
849:
837:
387:
320:
316:
3549:"Australiancharts.com – Red Hot Chili Peppers – Mother's Milk"
2019:
1464:" single, on the soundtrack to the hit romantic comedy film,
383:, "turned the tide and transformed the band from underground
49:
2644:"Loud Love: Soundgarden and the Heyday of Alternative Metal"
1903:"Pretty Little Ditty" is 3:07 on 2003 remaster of the album.
4558:
1969:– drums (all tracks except 7 and 9), percussion, tambourine
1428:
tour with a variety of performances that included the 1990
1222:
to have been done improperly: "punks who loved Hendrix and
841:
832:
photograph of the band sprawled across the arms of a giant
763:
762:
territory. "Knock Me Down" was originally recorded to be a
653:
498:
460:, a friend of Clinton's and former member of the funk band
390:
to mainstream bad boys with seemingly very little effort."
2511:
Alexander, Phil (February 21, 1990). "Some Like It Hot."
2419:
1449:
1397:
912:
402:
in 1983, the group established themselves as a prominent
3561:"Dutchcharts.nl – Red Hot Chili Peppers – Mother's Milk"
1913:"Johnny, Kick a Hole in the Sky" features a fragment of
1310:
tour. The album's official launch, however, was held in
398:
After Red Hot Chili Peppers received a record deal with
3317:"Australia Singles Charts — Red Hot Chili Peppers"
3204:"australian-charts.com — Australian charts portal"
1906:
Tracks 18 and 19 recorded live in November 21, 1989 at
1256:
and aired new songs weekly to generate interest in it.
1201:' 12-inch two years ago." Furthermore, Mark Jenkins of
3230:"Red Hot Chili Peppers Artist Chart History: Singles"
2105:
Eddie DeLena – engineer (Engineered "Taste the Pain")
652:
territory. The track was originally intended to be a
1794:"Song That Made Us What We Are Today" (instrumental)
1177:
The 500 Greatest Rock & Metal Albums of All Time
4374:
An Oral/Visual History by the Red Hot Chili Peppers
3708:
3573:"Charts.nz – Red Hot Chili Peppers – Mother's Milk"
3563:(in Dutch). Hung Medien. Retrieved August 3, 2023.
1272:
1161:commented that the Red Hot Chili Peppers were "the
817:—bands that were influential to the Chili Peppers.
4130:Under the Covers: Essential Red Hot Chili Peppers
3222:
2713:
2247:
506:"Taste the Pain" and "Sexy Mexican Maid" for the
434:(1985), was Slovak's first effort with the band.
4598:
3309:
2775:
2773:
2771:
2769:
2537:
2535:
2138:Henry Marquez, Peter Shea – art direction/design
2810:
2808:
2806:
2430:
2428:
2303:Shipments figures based on certification alone.
1460:", a song that was originally a b-side on the "
1023:
947:
539:; songs like "Knock Me Down" were formed from
4237:Red Hot Chili Peppers: Live from the Basement
3771:
3238:. Nielsen Business Media, Inc. Archived from
3165:
3163:
3044:
2766:
2532:
1478:," however the song would never be released.
4622:Alternative metal albums by American artists
3688:Fornication: The Red Hot Chili Peppers Story
3280:
3278:
2826:2003 re-issue liner notes and cover booklet.
2803:
2563:
2561:
2559:
2425:
2025:Vicki Calhoun – backing vocals (1, 2, 6, 13)
1068:
985:
3475:
3473:
3463:
3461:
3451:
3449:
3183:
3181:
2874:
2872:
2870:
2787:
2785:
2706:
2704:
2549:
2547:
2525:
2523:
2043:Joel Virgel Viergel – backing vocals (1, 2)
1816:"Sexy Mexican Maid" (original long version)
1294:was added to play horns and backup singers
517:
3778:
3764:
3160:
2979:MusicHound Rock: The Essential Album Guide
2495:
2493:
2491:
2489:
2470:
2468:
2348:
2346:
2344:
2325:
2323:
2321:
1773:Bonus tracks on 2003 remastered CD version
543:without any input from returning producer
40:
27:1989 studio album by Red Hot Chili Peppers
3785:
3662:Recording Industry Association of America
3575:. Hung Medien. Retrieved August 3, 2023.
3551:. Hung Medien. Retrieved August 3, 2023.
3422:
3365:Recording Industry Association of America
3275:
3196:
3078:
2817:
2753:
2751:
2556:
2507:
2505:
2410:
2408:
2406:
2404:
2381:
2379:
1266:Recording Industry Association of America
1230:
1208:metal chops and means to show them off."
1197:', which they did as a B-side for their '
307:regrouped with the addition of guitarist
4230:Red Hot Chili Peppers Live: I'm with You
4223:iTunes Originals – Red Hot Chili Peppers
3470:
3458:
3446:
3344:
3335:
3178:
3123:
3108:
2890:
2881:
2867:
2794:
2782:
2739:
2701:
2576:
2544:
2520:
1346:
885:
295:and the subsequent departure of drummer
291:. After the death of founding guitarist
3406:
3404:
3402:
3400:
3398:
3284:
2976:, ed. (1996). "Red Hot Chili Peppers".
2719:
2486:
2477:
2465:
2456:
2436:"Red Hot Chili Peppers Albums Charting"
2352:
2341:
2318:
2034:Aklia Chinn – backing vocals (1, 2, 13)
1805:"Knock Me Down" (original long version)
1227:'compassion' in the very first verse."
775:Originally written and recorded in 1973
279:is the fourth studio album by American
14:
4599:
4006:Rock & Roll Hall of Fame Covers EP
3585:"Red Hot Chili Peppers Chart History (
2939:
2905:
2748:
2674:
2641:
2502:
2401:
2376:
1853:
1838:
1823:
1812:
1801:
1790:
1744:
1730:
1716:
1698:
3759:
3685:
3323:from the original on October 11, 2007
3074:
3072:
2972:
2954:from the original on October 30, 2016
2061:Laure Spinosa – backing vocals (1, 2)
1892:"Fire" is performed by Kiedis, Flea,
1758:
1678:
1664:
1643:
1625:
1611:
1597:
1583:
1563:
1531:
928:
918:
4176:Psychedelic Sexfunk Live from Heaven
3530:from the original on January 6, 2015
3395:
3353:
2656:from the original on January 6, 2017
2086:
1384:Psychedelic Sexfunk Live from Heaven
424:, several weeks before. The group's
80:May 1987, November 1988 – March 1989
4612:Albums produced by Michael Beinhorn
3006:
2677:"The 10 Essential Funk Rock Albums"
2070:Bruno Deron – backing vocals (1, 2)
2067:Merill Ward – backing vocals (1, 2)
2046:Iris Parker – backing vocals (1, 2)
2008:Patrick English – trumpet (track 3)
1481:
1025:
949:
522:Unlike the stop-start sessions for
24:
3500:from the original on March 2, 2014
3069:
2617:"Top 8 Iconic 'Funk Metal' Albums"
2597:from the original on July 29, 2020
2418:: Red Hot Chili Peppers episode".
2031:Randy Ruff – backing vocals (1, 2)
1369:reported that following a show in
708:Problems playing these files? See
605:
25:
4653:
4123:The Best of Red Hot Chili Peppers
3737:
3419:Kiedis, Sloman, 2004. pp. 243–244
3210:from the original on July 7, 2011
3096:from the original on June 7, 2016
2912:The Encyclopedia of Popular Music
2909:(2011). "Red Hot Chili Peppers".
2689:from the original on June 6, 2019
2642:Heller, Jason (August 26, 2016).
2387:"Red Hot Chili Peppers Biography"
2228:
1737:Kiedis, Frusciante, Flea, Peligro
1671:Kiedis, Frusciante, Flea, Peligro
1070:
987:
406:band with their 1984 debut album
287:, released on August 16, 1989 by
4637:Obscenity controversies in music
4581:
4580:
4399:Silverlake Conservatory of Music
3288:British Hit Singles & Albums
2940:Waller, Don (November 5, 1989).
2064:Sir Babs – backing vocals (1, 2)
1748:"Johnny, Kick a Hole in the Sky"
1501:
1239:peaked at number 52 on the U.S.
1089:
1084:
1079:
1074:
1069:
1039:
1034:
1029:
1024:
1006:
1001:
996:
991:
986:
968:
963:
958:
953:
948:
820:
667:
621:
4459:Chad Smith's Bombastic Meatbats
4418:Super Bowl XLVIII halftime show
4038:I'm with You Singles Collection
3679:
3512:
3482:
3437:
3413:
3383:
3132:
3038:
3000:
2966:
2933:
2899:
2856:
2847:
2838:
2829:
2668:
2635:
2609:
2570:
1751:Kiedis, Flea, Frusciante, Smith
1723:Kiedis, Flea, Frusciante, Smith
1709:Kiedis, Flea, Frusciante, Smith
1636:Kiedis, Flea, Frusciante, Smith
1618:Kiedis, Flea, Frusciante, Smith
1604:Kiedis, Flea, Frusciante, Smith
1590:Kiedis, Flea, Frusciante, Smith
1424:The Chili Peppers wound up the
1363:approached 500,000 units sold.
464:, to replace Slovak on guitar;
3084:"Consumer Guide: Turkey Shoot"
2675:McIver, Joel (July 24, 2016).
2580:Encyclopedia of Recorded Sound
1778:
1516:
1389:San Francisco Civic Auditorium
689:and layering found throughout
13:
1:
4617:Albums published posthumously
3637:British Phonographic Industry
3048:Spin Alternative Record Guide
3013:The Rolling Stone Album Guide
2853:"Taste the Pain" liner notes.
2444:. Nielsen Business Media, Inc
2311:
1917:in the beginning of the song.
1326:, journalist John Foyston of
1235:Released on August 16, 1989,
1101:Spin Alternative Record Guide
1063:The Rolling Stone Album Guide
980:Encyclopedia of Popular Music
393:
365:", and it became their first
4642:Red Hot Chili Peppers albums
3597:. Retrieved August 3, 2023.
3285:Roberts, David, ed. (2006).
2844:"Higher Ground" liner notes.
2835:"Knock Me Down" liner notes.
2221:
2207:
2195:
2183:
2141:Nels Israelson – photography
1937:
458:DeWayne "Blackbyrd" McKnight
7:
4444:Rocket Juice & the Moon
4294:Stadium Arcadium World Tour
3974:Return of the Dream Canteen
2583:. Routledge. p. 1792.
2076:– backing vocals (1, 2, 13)
2028:Wag – backing vocals (1, 2)
1351:The band's tour to promote
558:in February 1989 to record
10:
4658:
4269:Blood Sugar Sex Magik Tour
4259:The Uplift Mofo Party Tour
4144:Road Trippin' Through Time
3904:The Uplift Mofo Party Plan
3443:Woolliscroft, 2008, p. 16.
3172:The Orange County Register
2863:File:For The Thrashers.jpg
2779:Kiedis, 2004, pp. 240–241.
2541:Kiedis, 2004, pp. 239–241.
1930:The Videos: Good Time Boys
1654:Kiedis, Frusciante, Flea,
1387:in 1990. A concert at the
1279:
1182:While Carly Darlin of the
882:adjacent to the typeface.
524:The Uplift Mofo Party Plan
437:The Uplift Mofo Party Plan
372:The Uplift Mofo Party Plan
260:Released: October 14, 1989
4576:
4524:The Latino Rockabilly War
4426:
4329:
4322:
4246:
4160:
4079:
4047:
4029:
3983:
3890:The Red Hot Chili Peppers
3881:
3793:
3479:Apter, 2004, pp. 214–215.
3467:Apter, 2004, pp. 209–211.
3410:Apter, 2004, pp. 202–205.
3350:Apter, 2004, pp. 200–202.
3319:. Australian-charts.com.
2878:Apter, 2004, pp. 190–191.
2814:Apter, 2004, pp. 196–197,
2567:Apter, 2004, pp. 184–190.
2553:Apter, 2004, pp. 186–187.
2300:
2285:
2270:
2255:
2244:
2241:
2212:
2200:
2188:
2176:
2169:
2166:
2153:
2126:George Marino – mastering
1785:
1782:
1777:
1526:
1523:
1520:
1515:
1169:was ranked number 359 in
1165:for the 1990s." In 2005,
936:
933:
890:A promotional 12" titled
636:", the first single from
420:, who had quit his band,
409:The Red Hot Chili Peppers
268:
247:Released: August 22, 1989
221:
210:
206:
169:
161:
149:
137:
121:
95:
84:
76:
65:August 16, 1989
61:
48:
39:
34:
4216:Greatest Hits and Videos
3712:; Sloman, Larry (2004).
2722:""Knock Me Down" Review"
2577:Hoffmann, Frank (2004).
1915:The Star Spangled Banner
1871:
1472:Bachman–Turner Overdrive
1381:, which was released as
854:Sly and the Family Stone
598:
518:Recording and production
428:-produced second album,
331:guitar riffs as well as
4299:I'm with You World Tour
4182:Positive Mental Octopus
4070:Cardiff, Wales: 6/23/04
4013:I'm with You World Tour
2058:– backing vocals (1, 2)
2052:– backing vocals (1, 2)
2040:– backing vocals (1, 2)
1927:The Making of the Album
1476:Takin' Care of Business
1454:Positive Mental Octopus
685:" epitomizes the heavy
581:George Mason University
234:Released: April 8, 1989
4354:Awards and nominations
4309:The Getaway World Tour
3806:Michael "Flea" Balzary
2159:Chart performance for
1999:Keith "The Tree" Barry
1921:
1910:, Cleveland, Ohio, US.
1615:"Nobody Weird Like Me"
1356:
1231:Commercial performance
1185:Orange County Register
727:has been described as
610:
4504:Parliament-Funkadelic
4367:Acid for the Children
4151:I'm with You Sessions
3918:Blood Sugar Sex Magik
3787:Red Hot Chili Peppers
3082:(November 28, 1989).
2108:Sean Demey – engineer
1943:Red Hot Chili Peppers
1831:" (instrumental demo)
1350:
886:Promotion and release
609:
550:The band entered the
416:with founding member
375:(1987) had garnered,
285:Red Hot Chili Peppers
194:Blood Sugar Sex Magik
163:Red Hot Chili Peppers
91:and Image (Hollywood)
55:Red Hot Chili Peppers
4284:Californication Tour
4274:Tour de La Sensitive
4209:Live at Slane Castle
3686:Apter, Jeff (2004).
3455:Apter, 2004, p. 208.
3341:Apter, 2004, p. 199.
3146:. 2005. p. 66.
3129:Apter, 2004, p. 197.
2896:Apter, 2004, p. 193,
2887:Apter, 2004, p. 192.
2800:Apter, 2004, p. 195.
2791:Apter, 2004, p. 194.
2745:Apter, 2004, p. 196.
2710:Apter, 2004, p. 191.
2529:Apter, 2004, p. 188.
2499:Apter, 2004, p. 185.
2483:Apter, 2004, p. 184.
2474:Apter, 2004, p. 181.
2462:Apter, 2004, p. 173.
2337:on February 6, 2015.
2201:New Zealand Albums (
1993:Philip "Fish" Fisher
1986:Additional musicians
1885:and "White Girl" by
1844:Castles Made of Sand
1163:Mothers of Invention
924:Professional ratings
856:, in which frontman
18:Nobody Weird Like Me
4314:Global Stadium Tour
4279:One Hot Minute Tour
4102:Live Rare Remix Box
3992:The Abbey Road E.P.
3526:. August 14, 2014.
3242:on October 11, 2007
3190:The Washington Post
2238:
2234:Certifications for
2177:Australian Albums (
2163:
1774:
1734:"Sexy Mexican Maid"
1720:"Punk Rock Classic"
1704:Pretty Little Ditty
1512:
1204:The Washington Post
925:
791:Sweet Child o' Mine
787:Pretty Little Ditty
552:Ocean Way Recording
176:The Abbey Road E.P.
4627:EMI Records albums
4514:Thelonious Monster
4264:Mother's Milk Tour
4254:Freaky Styley Tour
4169:Red Hot Skate Rock
3752:(list of releases)
3018:Simon and Schuster
2623:. October 18, 2020
2233:
2167:Chart (1989–1990)
2158:
1883:Thelonious Monster
1772:
1507:
1418:disorderly conduct
1406:sexually assaulted
1357:
1292:Keith "Tree" Barry
1282:Mother's Milk tour
1276:tour and aftermath
1248:Modern Rock Tracks
1199:Fight Like A Brave
923:
919:Critical reception
777:by R&B singer
751:sexual intercourse
698:Modern Rock Tracks
611:
491:Thelonious Monster
468:, formerly of the
4632:Funk metal albums
4594:
4593:
4572:
4571:
4519:The Bicycle Thief
4063:Official Bootlegs
4056:Live in Hyde Park
3293:HIT Entertainment
3291:(19th ed.).
3089:The Village Voice
3080:Christgau, Robert
2984:Visible Ink Press
2947:Los Angeles Times
2926:978-0-85712-595-8
2590:978-1-135-94950-1
2309:
2308:
2304:
2226:
2225:
2150:
2149:
1995:– drums (track 7)
1981:– drums (track 9)
1868:
1867:
1859:Crosstown Traffic
1768:
1767:
1668:"Stone Cold Bush"
1587:"Subway to Venus"
1458:Show Me Your Soul
1122:
1121:
1113:The Village Voice
1018:Los Angeles Times
892:For the Thrashers
840:covered by a red
733:alternative metal
672:
627:
593:indecent exposure
589:sexual misconduct
272:
271:
202:
201:
109:alternative metal
16:(Redirected from
4649:
4584:
4583:
4479:Jane's Addiction
4327:
4326:
4323:Related articles
4109:The Plasma Shaft
3946:Stadium Arcadium
3873:Josh Klinghoffer
3848:DeWayne McKnight
3780:
3773:
3766:
3757:
3756:
3733:
3705:
3673:
3672:
3670:
3668:
3654:
3648:
3647:
3645:
3643:
3629:
3623:
3622:
3620:
3618:
3604:
3598:
3582:
3576:
3570:
3564:
3558:
3552:
3546:
3540:
3539:
3537:
3535:
3516:
3510:
3509:
3507:
3505:
3486:
3480:
3477:
3468:
3465:
3456:
3453:
3444:
3441:
3435:
3426:
3420:
3417:
3411:
3408:
3393:
3387:
3381:
3380:
3378:
3376:
3371:on April 4, 2013
3367:. Archived from
3361:"Search Results"
3357:
3351:
3348:
3342:
3339:
3333:
3332:
3330:
3328:
3313:
3307:
3306:
3282:
3273:
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3200:
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3185:
3176:
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3157:
3136:
3130:
3127:
3121:
3117:The Boston Globe
3112:
3106:
3105:
3103:
3101:
3076:
3067:
3066:
3042:
3036:
3035:
3004:
2998:
2997:
2970:
2964:
2963:
2961:
2959:
2937:
2931:
2930:
2915:(5th ed.).
2903:
2897:
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2888:
2885:
2879:
2876:
2865:
2860:
2854:
2851:
2845:
2842:
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2815:
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2734:
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2717:
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2542:
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2509:
2500:
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2484:
2481:
2475:
2472:
2463:
2460:
2454:
2453:
2451:
2449:
2432:
2423:
2416:Behind the Music
2412:
2399:
2398:
2396:
2394:
2383:
2374:
2373:
2371:
2369:
2350:
2339:
2338:
2333:. Archived from
2327:
2302:
2271:United Kingdom (
2239:
2232:
2164:
2157:
2121:Garth Richardson
2093:Michael Beinhorn
2087:
1908:Phantasy Theater
1780:
1775:
1771:
1761:
1706:" (instrumental)
1518:
1513:
1506:
1482:25th anniversary
1446:Nickey Alexander
1430:Pinkpop Festival
1379:Long Beach Arena
1335:Colorado Springs
1216:Robert Christgau
1175:magazine's book
1158:The Toronto Star
1144:The Boston Globe
1094:
1093:
1092:
1088:
1087:
1083:
1082:
1078:
1077:
1073:
1072:
1044:
1043:
1042:
1038:
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1033:
1032:
1028:
1027:
1011:
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1009:
1005:
1004:
1000:
999:
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994:
990:
989:
973:
972:
971:
967:
966:
962:
961:
957:
956:
952:
951:
926:
922:
873:The singles for
836:woman, with her
674:
673:
629:
628:
608:
545:Michael Beinhorn
325:Michael Beinhorn
261:
258:
248:
245:
235:
232:
171:
170:
156:Michael Beinhorn
133:
132:
128:
72:
70:
44:
32:
31:
21:
4657:
4656:
4652:
4651:
4650:
4648:
4647:
4646:
4597:
4596:
4595:
4590:
4568:
4439:Atoms for Peace
4422:
4412:You Oughta Know
4318:
4289:By the Way Tour
4242:
4156:
4075:
4043:
4025:
3979:
3932:Californication
3877:
3820:John Frusciante
3789:
3784:
3740:
3730:
3710:Kiedis, Anthony
3702:
3682:
3677:
3676:
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3264:
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3253:
3252:
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3243:
3228:
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3223:
3213:
3211:
3206:. ARIA Charts.
3202:
3201:
3197:
3186:
3179:
3168:
3161:
3154:
3138:
3137:
3133:
3128:
3124:
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2692:
2690:
2673:
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2659:
2657:
2640:
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2626:
2624:
2621:Ultimate Guitar
2615:
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2610:
2600:
2598:
2591:
2575:
2571:
2566:
2557:
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2377:
2367:
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2351:
2342:
2329:
2328:
2319:
2314:
2286:United States (
2249:Certified units
2231:
2171:
2156:
2151:
2079:
2056:Gretchen Seager
2018:Dave Coleman –
2003:tenor saxophone
1955:John Frusciante
1940:
1924:
1874:
1869:
1769:
1759:
1601:"Magic Johnson"
1551:John Frusciante
1504:
1495:Cleveland, Ohio
1484:
1410:verbally abused
1400:'s coverage of
1284:
1278:
1233:
1090:
1085:
1080:
1075:
1051:MusicHound Rock
1040:
1035:
1030:
1007:
1002:
997:
992:
969:
964:
959:
954:
921:
888:
830:black and white
823:
715:
714:
706:
704:
703:
702:
701:
675:
668:
665:
663:"Higher Ground"
659:
658:
657:
630:
622:
619:
617:"Knock Me Down"
612:
606:
601:
520:
487:John Frusciante
453:heroin overdose
396:
309:John Frusciante
264:
259:
252:
251:
246:
239:
238:
233:
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225:
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68:
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28:
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15:
12:
11:
5:
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4567:
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4561:
4556:
4551:
4546:
4544:Gnarls Barkley
4541:
4539:The Mars Volta
4536:
4531:
4526:
4521:
4516:
4511:
4506:
4501:
4496:
4491:
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4481:
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4451:
4446:
4441:
4436:
4430:
4428:
4424:
4423:
4421:
4420:
4415:
4408:
4405:Bedrock Anthem
4401:
4396:
4389:
4386:Woodstock 1994
4382:
4377:
4370:
4363:
4356:
4351:
4346:
4341:
4336:
4330:
4324:
4320:
4319:
4317:
4316:
4311:
4306:
4304:2013–2014 Tour
4301:
4296:
4291:
4286:
4281:
4276:
4271:
4266:
4261:
4256:
4250:
4248:
4244:
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4016:
4009:
4002:
3995:
3987:
3985:
3981:
3980:
3978:
3977:
3970:
3967:Unlimited Love
3963:
3956:
3949:
3942:
3935:
3928:
3925:One Hot Minute
3921:
3914:
3907:
3900:
3893:
3885:
3883:
3879:
3878:
3876:
3875:
3870:
3865:
3860:
3855:
3850:
3845:
3843:Cliff Martinez
3840:
3835:
3830:
3824:
3823:
3816:
3809:
3802:
3799:Anthony Kiedis
3794:
3791:
3790:
3783:
3782:
3775:
3768:
3760:
3754:
3753:
3739:
3738:External links
3736:
3735:
3734:
3728:
3706:
3700:
3681:
3678:
3675:
3674:
3649:
3624:
3599:
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2253:
2252:
2246:
2243:
2230:
2229:Certifications
2227:
2224:
2223:
2220:
2210:
2209:
2206:
2198:
2197:
2194:
2189:Dutch Albums (
2186:
2185:
2182:
2174:
2173:
2168:
2155:
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2148:
2147:
2143:
2142:
2139:
2129:
2128:
2127:
2124:
2118:
2109:
2106:
2103:
2085:
2078:
2077:
2074:Kristen Vigard
2071:
2068:
2065:
2062:
2059:
2053:
2047:
2044:
2041:
2035:
2032:
2029:
2026:
2023:
2016:
2009:
2006:
2005:(tracks 3, 12)
1996:
1989:
1983:
1982:
1976:
1970:
1964:
1958:
1952:
1949:Anthony Kiedis
1939:
1936:
1935:
1934:
1931:
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1649:Taste the Pain
1645:
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1560:
1557:
1543:Anthony Kiedis
1540:
1537:Good Time Boys
1533:
1529:
1528:
1525:
1522:
1519:
1505:
1503:
1500:
1483:
1480:
1308:One Hot Minute
1296:Kristen Vigard
1280:Main article:
1277:
1271:
1260:was certified
1232:
1229:
1120:
1119:
1116:
1108:
1107:
1104:
1096:
1095:
1066:
1058:
1057:
1054:
1046:
1045:
1021:
1013:
1012:
983:
975:
974:
945:
939:
938:
935:
931:
930:
920:
917:
904:lotus position
896:Good Time Boys
887:
884:
822:
819:
799:Taste the Pain
705:
676:
666:
661:
660:
631:
620:
615:
614:
613:
604:
603:
602:
600:
597:
519:
516:
426:George Clinton
395:
392:
363:Taste the Pain
301:Anthony Kiedis
270:
269:
266:
265:
263:
262:
255:Taste the Pain
249:
236:
222:
219:
218:
216:Mother's Milk
208:
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199:
190:
181:
167:
166:
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153:
147:
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141:
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93:
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63:
59:
58:
53:
46:
45:
37:
36:
26:
9:
6:
4:
3:
2:
4654:
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4630:
4628:
4625:
4623:
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4608:
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4587:
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4562:
4560:
4557:
4555:
4552:
4550:
4547:
4545:
4542:
4540:
4537:
4535:
4532:
4530:
4529:Aleka's Attic
4527:
4525:
4522:
4520:
4517:
4515:
4512:
4510:
4509:Dead Kennedys
4507:
4505:
4502:
4500:
4497:
4495:
4492:
4490:
4487:
4485:
4482:
4480:
4477:
4475:
4472:
4470:
4467:
4465:
4462:
4460:
4457:
4455:
4452:
4450:
4447:
4445:
4442:
4440:
4437:
4435:
4434:What Is This?
4432:
4431:
4429:
4425:
4419:
4416:
4413:
4409:
4406:
4402:
4400:
4397:
4395:
4394:
4390:
4388:
4387:
4383:
4381:
4378:
4376:
4375:
4371:
4369:
4368:
4364:
4362:
4361:
4357:
4355:
4352:
4350:
4347:
4345:
4342:
4340:
4337:
4335:
4332:
4331:
4328:
4325:
4321:
4315:
4312:
4310:
4307:
4305:
4302:
4300:
4297:
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4292:
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4287:
4285:
4282:
4280:
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4206:
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4203:
4199:
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4185:
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4180:
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4177:
4173:
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4170:
4166:
4165:
4163:
4159:
4153:
4152:
4148:
4146:
4145:
4141:
4139:
4138:
4137:Greatest Hits
4134:
4132:
4131:
4127:
4125:
4124:
4120:
4118:
4117:
4113:
4111:
4110:
4106:
4104:
4103:
4099:
4097:
4096:
4092:
4090:
4089:
4085:
4084:
4082:
4078:
4072:
4071:
4067:
4065:
4064:
4060:
4058:
4057:
4053:
4052:
4050:
4048:Live releases
4046:
4040:
4039:
4035:
4034:
4032:
4030:Single series
4028:
4022:
4021:
4020:Live in Paris
4017:
4015:
4014:
4010:
4008:
4007:
4003:
4001:
4000:
3996:
3994:
3993:
3989:
3988:
3986:
3982:
3976:
3975:
3971:
3969:
3968:
3964:
3962:
3961:
3957:
3955:
3954:
3950:
3948:
3947:
3943:
3941:
3940:
3936:
3934:
3933:
3929:
3927:
3926:
3922:
3920:
3919:
3915:
3913:
3912:
3911:Mother's Milk
3908:
3906:
3905:
3901:
3899:
3898:
3897:Freaky Styley
3894:
3892:
3891:
3887:
3886:
3884:
3882:Studio albums
3880:
3874:
3871:
3869:
3866:
3864:
3861:
3859:
3858:Arik Marshall
3856:
3854:
3853:D. H. Peligro
3851:
3849:
3846:
3844:
3841:
3839:
3836:
3834:
3831:
3829:
3828:Hillel Slovak
3826:
3825:
3822:
3821:
3817:
3815:
3814:
3810:
3808:
3807:
3803:
3801:
3800:
3796:
3795:
3792:
3788:
3781:
3776:
3774:
3769:
3767:
3762:
3761:
3758:
3751:
3747:
3746:
3745:Mother's Milk
3742:
3741:
3731:
3729:1-4013-0101-0
3725:
3721:
3717:
3716:
3711:
3707:
3703:
3701:1-84449-381-4
3697:
3693:
3692:Omnibus Press
3689:
3684:
3683:
3663:
3659:
3653:
3638:
3634:
3628:
3613:
3609:
3603:
3596:
3595:
3590:
3588:
3581:
3574:
3569:
3562:
3557:
3550:
3545:
3529:
3525:
3524:Rolling Stone
3521:
3515:
3499:
3495:
3491:
3485:
3476:
3474:
3464:
3462:
3452:
3450:
3440:
3433:
3432:
3425:
3416:
3407:
3405:
3403:
3401:
3399:
3391:
3390:Mother's Milk
3386:
3370:
3366:
3362:
3356:
3347:
3338:
3322:
3318:
3312:
3304:
3302:1-904994-10-5
3298:
3294:
3290:
3289:
3281:
3279:
3270:
3257:
3256:cite magazine
3241:
3237:
3236:
3231:
3225:
3209:
3205:
3199:
3192:
3191:
3184:
3182:
3174:
3173:
3166:
3164:
3155:
3153:3-89880-517-4
3149:
3145:
3142:(in German).
3141:
3135:
3126:
3119:
3118:
3111:
3095:
3091:
3090:
3085:
3081:
3075:
3073:
3064:
3062:0-679-75574-8
3058:
3054:
3053:Vintage Books
3050:
3049:
3041:
3033:
3031:0-7432-0169-8
3027:
3023:
3019:
3015:
3014:
3009:
3003:
2995:
2993:0-7876-1037-2
2989:
2985:
2981:
2980:
2975:
2969:
2953:
2949:
2948:
2943:
2936:
2928:
2922:
2918:
2917:Omnibus Press
2914:
2913:
2908:
2907:Larkin, Colin
2902:
2893:
2884:
2875:
2873:
2871:
2864:
2859:
2850:
2841:
2832:
2825:
2824:Mother's Milk
2820:
2811:
2809:
2807:
2797:
2788:
2786:
2776:
2774:
2772:
2770:
2762:
2761:
2754:
2752:
2742:
2727:
2723:
2720:Prato, Greg.
2716:
2707:
2705:
2688:
2684:
2683:
2678:
2671:
2655:
2651:
2650:
2645:
2638:
2622:
2618:
2612:
2596:
2592:
2586:
2582:
2581:
2573:
2564:
2562:
2560:
2550:
2548:
2538:
2536:
2526:
2524:
2516:
2515:
2508:
2506:
2496:
2494:
2492:
2490:
2480:
2471:
2469:
2459:
2448:September 12,
2443:
2442:
2437:
2431:
2429:
2421:
2417:
2411:
2409:
2407:
2405:
2388:
2382:
2380:
2364:
2360:
2359:album review"
2358:
2357:Mother's Milk
2353:Hanson, Amy.
2349:
2347:
2345:
2336:
2332:
2331:"NME Express"
2326:
2324:
2322:
2317:
2305:
2299:
2295:
2292:
2289:
2284:
2280:
2277:
2274:
2269:
2265:
2262:
2259:
2254:
2250:
2245:Certification
2240:
2237:
2236:Mother's Milk
2219:
2217:
2211:
2204:
2199:
2192:
2191:Album Top 100
2187:
2180:
2175:
2165:
2162:
2161:Mother's Milk
2146:
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1569:Higher Ground
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1511:track listing
1510:
1509:Mother's Milk
1502:Track listing
1499:
1496:
1492:
1491:
1490:Rolling Stone
1479:
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1473:
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1462:Knock Me Down
1459:
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1361:Mother's Milk
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1336:
1331:
1330:
1329:The Oregonian
1325:
1321:
1317:
1313:
1312:New York City
1309:
1305:
1301:
1300:Vicki Calhoun
1297:
1293:
1288:
1287:Mother's Milk
1283:
1275:
1274:Mother's Milk
1270:
1267:
1263:
1259:
1258:Mother's Milk
1254:
1253:Mother's Milk
1249:
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1238:
1237:Mother's Milk
1228:
1225:
1221:
1220:Mother's Milk
1217:
1213:
1212:
1211:Village Voice
1206:
1205:
1200:
1196:
1192:
1191:Mother's Milk
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1173:
1168:
1167:Mother's Milk
1164:
1160:
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1154:
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1146:
1145:
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1139:Mother's Milk
1136:
1135:Magic Johnson
1131:
1127:
1126:Mother's Milk
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900:Mother's Milk
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875:Mother's Milk
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863:Mother's Milk
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826:Mother's Milk
821:Album artwork
818:
816:
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804:
800:
796:
795:Guns N' Roses
792:
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783:Mother's Milk
780:
779:Stevie Wonder
776:
772:
771:Higher Ground
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761:
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748:
747:Knock Me Down
744:
743:Mother's Milk
740:
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725:Mother's Milk
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720:Mother's Milk
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691:Mother's Milk
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683:Higher Ground
680:
679:Stevie Wonder
677:The cover of
664:
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643:
639:
638:Mother's Milk
635:
634:Knock Me Down
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567:Mother's Milk
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560:Mother's Milk
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528:Mother's Milk
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481:
480:
475:
474:Dead Kennedys
471:
467:
466:D. H. Peligro
463:
459:
454:
450:
448:
443:
439:
438:
433:
432:
431:Freaky Styley
427:
423:
422:What Is This?
419:
418:Hillel Slovak
415:
411:
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377:Mother's Milk
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359:Knock Me Down
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355:Higher Ground
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339:Mother's Milk
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4554:Circle Jerks
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4344:Band members
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4080:Compilations
4068:
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4054:
4036:
4018:
4011:
4004:
3999:2011 Live EP
3997:
3990:
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3953:I'm with You
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3868:Dave Navarro
3863:Jesse Tobias
3838:Jack Sherman
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3687:
3680:Bibliography
3665:. Retrieved
3652:
3640:. Retrieved
3627:
3615:. Retrieved
3612:Music Canada
3602:
3593:
3586:
3580:
3568:
3556:
3544:
3534:September 5,
3532:. Retrieved
3523:
3514:
3502:. Retrieved
3493:
3490:"Chad Smith"
3484:
3439:
3429:
3424:
3415:
3392:liner notes.
3389:
3385:
3375:December 31,
3373:. Retrieved
3369:the original
3355:
3346:
3337:
3325:. Retrieved
3311:
3286:
3244:. Retrieved
3240:the original
3233:
3224:
3212:. Retrieved
3198:
3188:
3170:
3139:
3134:
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3110:
3098:. Retrieved
3087:
3051:. New York:
3046:
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2945:
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2849:
2840:
2831:
2823:
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2796:
2759:
2741:
2731:November 27,
2729:. Retrieved
2715:
2691:. Retrieved
2682:Classic Rock
2680:
2670:
2658:. Retrieved
2647:
2637:
2625:. Retrieved
2611:
2599:. Retrieved
2579:
2572:
2513:
2479:
2458:
2446:. Retrieved
2439:
2391:. Retrieved
2368:November 19,
2366:. Retrieved
2356:
2335:the original
2301:
2258:Music Canada
2235:
2215:
2160:
2144:
2132:
2131:
2081:
2080:
2050:Julie Ritter
2038:Jack Sherman
1985:
1984:
1942:
1941:
1690:Jimi Hendrix
1656:D.H. Peligro
1508:
1488:
1485:
1467:Pretty Woman
1465:
1453:
1438:Angelo Moore
1425:
1423:
1402:Spring break
1394:
1382:
1364:
1360:
1358:
1352:
1338:
1327:
1304:Robbie Allen
1286:
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1234:
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1153:Jimi Hendrix
1142:
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1111:
1099:
1061:
1049:
1016:
978:
899:
891:
889:
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803:prostitution
782:
768:
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724:
719:
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694:
690:
637:
577:
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564:
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541:jam sessions
527:
523:
521:
512:
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504:
495:music theory
484:
477:
446:
435:
429:
414:Jack Sherman
407:
397:
385:funk-rocking
376:
370:
344:
338:
337:
311:and drummer
303:and bassist
275:
274:
273:
215:
192:
184:
183:
174:
50:Studio album
29:
4607:1989 albums
4499:The Weirdos
4474:The Process
4454:Chickenfoot
4380:Fandemonium
4360:Scar Tissue
4339:Videography
4334:Discography
4202:Off the Map
4195:What Hits!?
4188:Funky Monks
4116:Out in L.A.
4095:What Hits!?
3960:The Getaway
3715:Scar Tissue
3504:January 30,
3431:The Gazette
3100:October 30,
2974:Graff, Gary
2958:October 30,
2693:January 19,
2601:January 19,
2112:Dave Jerden
1881:, "Try" by
1827:"Salute to
1340:The Gazette
909:Alex Winter
828:features a
760:alternative
650:alternative
537:Silver Lake
479:Out in L.A.
400:EMI Records
367:gold record
333:overdubbing
329:heavy metal
299:, vocalist
289:EMI Records
4601:Categories
4564:The Meters
4469:Dot Hacker
4449:Antemasque
3939:By the Way
3833:Jack Irons
3813:Chad Smith
3327:October 3,
3265:|url=
3246:October 3,
3020:. p.
2660:January 5,
2389:. Allmusic
2312:References
2296:1,000,000
2123:– engineer
2082:Production
1979:Jack Irons
1967:Chad Smith
1898:Jack Irons
1555:Chad Smith
1337:newspaper
1316:Dam Square
811:Black Flag
755:hedonistic
729:funk metal
710:media help
687:distortion
648:into more
554:studio in
462:Parliament
442:Jack Irons
394:Background
313:Chad Smith
297:Jack Irons
165:chronology
104:Funk metal
69:1989-08-16
4494:Pearl Jam
4393:Unearthed
4088:Sock-Cess
3667:August 3,
3642:August 3,
3617:August 3,
3594:Billboard
3587:Billboard
3494:Billboard
3235:Billboard
3144:Rock Hard
3008:Kot, Greg
2441:Billboard
2293:Platinum
2216:Billboard
2172:position
2022:(track 7)
2015:(track 3)
1938:Personnel
1524:Writer(s)
1442:L.A. Guns
1436:vocalist
1375:Ione Skye
1242:Billboard
1172:Rock Hard
858:Sly Stone
815:The Germs
809:songs by
807:punk rock
737:funk rock
695:Billboard
646:funk rock
572:acid-rock
556:Hollywood
470:punk rock
447:Billboard
404:funk rock
345:Billboard
114:funk rock
89:Ocean Way
4586:Category
4549:Fishbone
3720:Hyperion
3528:Archived
3498:Archived
3321:Archived
3208:Archived
3094:Archived
2952:Archived
2726:Allmusic
2687:Archived
2654:Archived
2627:June 18,
2595:Archived
2414:(2002) "
2393:July 22,
2363:Allmusic
2256:Canada (
2101:engineer
2097:producer
2013:trombone
1879:Fishbone
1861:" (live)
1846:" (live)
1444:drummer
1434:Fishbone
1324:Portland
1130:AllMusic
943:AllMusic
879:elephant
533:Fishbone
472:outfit,
381:AllMusic
327:favored
151:Producer
77:Recorded
62:Released
52: by
3750:Discogs
3267:value (
3214:May 31,
2281:60,000
2278:Silver
2266:50,000
2251:/sales
2242:Region
1474:song, "
1452:called
1414:battery
1371:Atlanta
1320:Seattle
1264:by the
1214:critic
868:breasts
838:nipples
834:topless
585:Fairfax
388:rappers
361:" and "
212:Singles
198:(1991)
189:(1989)
180:(1988)
144:EMI USA
67: (
4489:Eleven
4464:Ataxia
4427:Groups
4161:Videos
3726:
3698:
3299:
3263:Check
3150:
3059:
3028:
2990:
2923:
2587:
2154:Charts
2145:
2133:Design
2116:mixing
2011:Lon –
1829:Kareem
1786:Length
1527:Length
1224:P-Funk
1151:meets
1149:Prince
937:Rating
934:Source
850:nudity
753:and a
735:, and
321:rhythm
317:melody
122:Length
85:Studio
4349:Songs
4247:Tours
3589:200)"
2263:Gold
2020:cello
1872:Notes
1797:12:56
1783:Title
1764:44:52
1521:Title
793:" by
599:Music
319:than
283:band
214:from
139:Label
97:Genre
4559:Off!
4484:Fear
3724:ISBN
3696:ISBN
3669:2021
3644:2021
3619:2021
3536:2017
3506:2014
3377:2008
3329:2007
3297:ISBN
3269:help
3248:2007
3216:2008
3148:ISBN
3102:2016
3057:ISBN
3026:ISBN
2988:ISBN
2960:2016
2921:ISBN
2733:2008
2695:2020
2662:2017
2649:Vice
2629:2023
2603:2020
2585:ISBN
2450:2007
2395:2007
2370:2008
2288:RIAA
2203:RMNZ
2179:ARIA
2170:Peak
1961:Flea
1896:and
1864:2:51
1849:3:19
1834:3:24
1819:3:59
1808:4:44
1754:5:10
1740:3:21
1726:1:46
1712:1:36
1694:2:03
1684:Fire
1674:3:05
1660:4:33
1639:3:43
1621:3:48
1607:2:57
1593:4:25
1579:3:22
1559:5:01
1547:Flea
1440:and
1408:and
1366:Spin
1298:and
1262:gold
1195:Fire
1106:5/10
842:rose
813:and
764:duet
681:'s "
654:duet
644:and
642:punk
591:and
499:funk
357:", "
353:'s "
305:Flea
281:rock
3984:EPs
3748:at
3022:681
2760:BAM
2514:Raw
2420:VH1
2273:BPI
2222:52
2218:200
2213:US
2208:47
2196:69
2184:33
1922:DVD
1854:19.
1839:18.
1824:17.
1813:16.
1802:15.
1791:14.
1779:No.
1745:13.
1731:12.
1717:11.
1699:10.
1517:No.
1450:VHS
1398:MTV
1244:200
1137:',
1056:3/5
913:MTV
797:. "
583:in
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347:200
343:US
4603::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
