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73:("this one was born in Florence, in the office of the heirs of Filippo Giunti, the year of the Lord 1527"). The historicity of Nina—and tangentially the sex of the author of the poem traditionally assigned to her—has been debated ever since. Liborio Azzolina tried to resuscitate her and also
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Adolfo
Borgognoni first proposed that Nina was a fictional construct of male poets in 1891 and was soon followed by Giulio Bertoni. Specifically Borgognoni thought she was invented by the successors of printer
92:("Alas for me, I loved a sparrowhawk"), probably composed in the late thirteenth or early fourteenth century. Nina was apparently inspired to write by the poems
77:, whom Borgognoni, with less supporters, also ascribed to later male poets' imaginations. More recently the Italian scholar Lino Pertile has called her
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of Nina and
Compiuta. One recent scholar who accepts Nina's existence and derides doubters has noted similarities between Nina and
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244:, William D. Paden, ed. (Philadelphia: University of Pennsylvania Press, 1989), is devoted to Nina, Compiuta, and
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Dante and His Circle: With the
Italian Poets Preceding Him, (1100–1200–1300): A Collection of Lyrics
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by María José Prieto
Manfredi. Her poem in its original language, with brief commentary in Spanish.
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Poesie italiane di dugento autori dall'origine della lingua infino al secolo decimosettino
8:
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nacque in
Firenze, nella officina degli Eredi di Filippo Giunti, l'anno del Signore 1527
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240::1 (1994:Jan./Mar.), 56. P. Cherchi, "The Troubled Existence of Three Women Poets",
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81:(phantomlike) and Paolo Cherchi dismissed her as "mythical", to be followed by
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L. Perile, "Il nodo di
Bonagiunta, le penne di Dante e il Dolce Stil Novo",
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Chandler B. Beall, "Un
Recueil italianisant du XVIIIe siècle français",
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Price, 6. Nina's poem is presented with
English translation on page 5.
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Francesco
Trucchi was the first to assign a poem to Nina: the sonnet
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Journal of the Rocky
Mountain Medieval and Renaissance Association
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292:(Roberts Brothers, 1887), 129. Rossetti, 17, refers to her as
176:"Uncovering Women's Writings: Two Early Italian Women Poets"
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A Borgognoni, "La condanna capitale di una bella signora",
100:, the foremost Italian literary critic of his day, praised
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145:(Indianapolis: Indiana University Press, 2001), 35.
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269:Price, 3, cites Francesco Trucchi,
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331:Nina Di Dante/siciliana (1290 - )
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223:(Palermo: Lo Casto, 1902).
143:Women and Music: A History
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282:These are translated in
260:(2003), 346 and 356 n26.
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35:was the composer of one
242:Voice of the Trobairitz
284:Dante Gabriel Rossetti
174:Paolo Malpezzi Price,
102:la perfetta semplicità
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132::7 (Nov., 1940), 531.
126:Modern Language Notes
106:Alamanda de Castelnau
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98:Francesco de Sanctis
48:Étrennes du Parnasse
347:Italian women poets
210:—was debated.
181:2018-04-21 at the
162:(Milan: 1910), 78.
58:by most scholars.
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75:Compiuta Donzella
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341:Categories
298:Monna Nina
193:(1988), 3.
56:legendary
179:Archived
208:Messina
204:Palermo
37:Italian
40:sonnet
112:Notes
68:essa
50:(or
44:poet
206:or
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