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358:. The tales, inspired by oral storytelling, include strong mythical characters like ghosts, immortals, beasts and foxes. They also offer commentary about people, particularly the privileged and court officials, whose human frailties may result in unfair, unjust and other unfavorable treatment to others. He wrote with vivid imagery about the music of heaven, the inability of the light produced by a fire-fly to illuminate the demons of the night, red rings in the sky that shear the heads off of men, and the six conditions of existence: men, sinners, angels, demons, beasts and devils. Nighttime is a symbol for people's inability to understand the world around them. And the supernatural beings are meant to be a mirror to examine the nature of man. From a preface by T'ang Meng Lai to the book, Lai states that the book should prompt the readers to reflect upon the following: "We marvel at devils and foxes: we do not marvel at man. But who is it that causes a man to move and to speak?" One collection of the illustrated stories is at the National Museum of China.
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201:. Symbols used in art may be grouped into four overarching categories: religious imagery, divine and mortal beings, symbols from nature and inanimate objects. Some examples of symbols include bats which means both good wishes and good luck. The moon, aside from religious and mythical connotations, can also mean a month. The particular way an image is depicted has meaning - like a round eyed-cat means it's a night scene.
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670:: poetic ideas), Ma Lin painted the evening scene based upon a poem by Su Shi. In it, a man sits in the door of a pavilion during a full moon. A gentle mood is set by soft, low-lying fog before the mountains and crabapple trees. Leading up to the building is a line of candles specially placed near the blossoming crab apple trees - to "illuminate their beauty".
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about 1844 which depicts the death of Buddha. In recounting the death of Buddha, cats are supposed to be the only animals that not to weep. In
Kuniyoshi's time, it was believed that when a girl visited a temple after dark, she took the risk of being greeted by an old woman who would offer her to stay
1589:
Although there are a number of schools that taught painting during India's history, there is great similarity among them to evoke charming, romantic scenes. The scenes may include moonlight or lanterns to set an amorous mood. Such was the case for 19th century artist, Chokha, who enjoyed making night
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is the name of the poet who wrote: "The night is still and a hundred flowers are fragrant in the western palace. She orders the screen to be rolled up, regretting the passing of spring with the Yunhe across her lap. She gazes at the moon, the colors of the trees are hazy in the indistinct moonlight."
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Early oriental artists created works that focused on design and spiritual interpretation of their subjects rather than realistic, three-dimensional representations. For centuries, eastern night paintings were spiritually and emotionally evocative works with unshaded, two-dimensional imagery. Like the
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that introduced
Japanese and Chinese folklore during a period of increasing western presence. The works captured "a moment in time and held suspended by a poetic dialogue with the moon." The moon symbolized different meanings depending upon whether it was a full moon or not. The moon's "waxing and
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with his guests. Then, he watches dancers, takes a rest, plays string instruments, and finally sees guests off. It is believed that this painting was made in response to a request by emperor Li Yu to Gu, following Han's declination of an offer to be prime minister. One interpretation is that the
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Traditional
Chinese artists sought to capture the interrelated, vast and multifaceted aspects of nature here are on earth and in the heavens. From the article "The Great Art of China's 'Soundless Poems'", Heaven appears "before us only this bright shining mass; but in its immeasurable extent, the
1967:: Beomcheon) heaven scene which was painted during the early Joseon dynasty in Korea. Brahma, a Hindu deity, also became part of the Buddhist religion and protected the Buddhist teaching. The heavenly scene is includes musicians with flutes, violins, lutes and other instruments. Smith, author of
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uses that technique through a progression of time and activities over one night. During the Autumn night a
Buddhist monk and his lover experience a fearful night of a demon in initially disguised as a man, a battle, and threat of suicide - all the more sinister by the gloom of night.
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In that painting Chokha captures the tension of lover climbing several stories into a house with many people and a sleeping guard. Chokha also liked to capture twilight hunting scenes. He astutely conveyed the effects of lighting variation between twilight and the darkest night.
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Many of the
Chinese ghost beliefs have been accepted by neighboring cultures, notably Japan and south-east Asia. Ghost beliefs are closely associated with the traditional Chinese religion based on ancestor worship, many of which were incorporated in
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sun, the moon, stars and constellations are suspended in it, and all things are embraced under it." Night scenes, not otherwise distinguishable from daytime in
Chinese art, include candles, light emanating from a building, the moon, or lake mists.
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is a painting attributed to the Hada Master of the Kota school. In this case the dark is used for dramatic impact. It provides a dark backdrop to the bright figures of the treed hunting party, riled tiger and battered cow that was used as a lure.
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1733:, and have religious significance. Before 1200, art in the temples mostly portrayed scenes from the Hindu pantheon; after 1200, Buddhist scenes began to appear as standard motifs. Its art was heavily influenced by the artistry of India.
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From
Chinese legends, Chang'e was the wife of a hunter named Yi. She drank a potion intended for her husband that made her immortal. She then flew to the moon, afraid that her husband would be angry with her, where she lives in a moon
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Much historical
Cambodian art, such as the collections of the Founan-Chenla, Angkor, Lungvek, and Oudong periods, was destroyed during the reign of the Khumer Rouge, starting 1975 and the preceding years of American bombings from
1578:, the only way to read that the painting is a night scene is through the presence of torches or candles. Later in the Rajput period, both somewhat influenced by Western art, night scenes were painted dramatically with shadows and
1971:, writes: "His abode, the Brahma heaven, was construed as a place of pleasure, populated with heroes, entertainers and musicians." The work, replete with evidence of grandeur, includes two figures who represent the moon and sun.
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western world, the moon, candles, and stars helped set the nocturnal scene. But there were also items, such as clothing and tree leaves, that might be used in a specific way to express nighttime from an eastern perspective.
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which includes a parlor scene with two young women and a boy. A soft mood is set with the presence of a tea set and portable hearth for boiling water. The
Metropolitan Museum of Art states that this painting is a nod to
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1541:, a compassionate and wise bodhisattva who wears a halo as a sign of his divinity and has waves of water splashing his feet. A legendary hare stands under a cassia tree in the moon creating the elixir of immortality.
621:(the art of beautiful writing) to make ink paintings that expressed ideas based upon the philosophies of Chinese dynasties and Confucius. Their works also express their feelings and the inner spirit of their subject.
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waning", also used as the basis of the
Japanese lunar calendar, could illustrate what time of the month an event occurred and ascribe a manner in which it was to be interpreted, such as the character's loneliness.
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period when dynasties replaced one another at an alarming rate. Fives vignettes are told about a party that Han Xizai, a minister of Li Yu, hosts. In the first scene (viewed from right to left), Han listens to the
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was an early artist who integrated western techniques and perspective into eastern art. When trade opened up between the far east and the west art slowly changed in both sides of the world. For instance, Japanese
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Symbolism plays an enduring role in the telling of a story through painting or other Chinese art. For instance, stars and the moon are important both for religious significance and as an illustration of
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to dramatically capture the spirit of the imperial stallion, a symbol of China's powerfulness using only ink and paper. The stark image, without color or shading, exposes the true essence of the scene.
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period when there was a desire to be open to other religions. This resulted in the use of Buddhist themes in art work and the creation of Buddhist temples. In the 14th century, a work was made of
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Ma Lin was from a famous family of painters, out of which, for at least 150 years, one painter in each generation received official appointment to the Imperial Painting Academy.
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topics use the quality of dim night light to create mysterious atmospheres. They tend to illustrate the illuminating effect of the light reflection on the subjects under either
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Chinese artists focus on the spiritual qualities of the painting and on the ability of the artist to reveal the inner harmony of man and nature, as perceived according to
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In Chinese night paintings, the moon often symbolizes loneliness of the painting's character. It also sets the mood for a romantic setting. Chinese paintings also depict
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the night. Once inside the house, the old woman would become a witch and devour her. Therefore, a cat around temples could be the witch in a cat form.
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For traditional art, there is little difference between the way night and day are illustrated and the colors that are used. For instance in early
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Artists use rice paper, silk or wood panels to paint night scenes. Silk has illuminating effect, while wood panels create a dark background.
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817:: "different time, same illustration") technique is used to is illustrate activities that occur in different periods of time.
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painting was a way of chastising Han for having a carefree nightlife rather than accepting greater political responsibility.
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1669:(not shown) depicts mistress Rupmati and Muslim ruler Baz Bahadur. The scene is illuminated from the moon on the horizon.
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New York: Metropolitan Museum of Art. Retrieved 29 August 2012. Note: there are three web pages, one for each scroll.
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1224:, of the 8 Famous Views of the Xiao and Xiang Rivers, is "a venerable theme in both Chinese and Japanese painting".
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A Drunken Babur Returns to Camp at Night after a boating party in celebration of the end of Ramadan ('id) in 1519
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Landscapes in the Style of An Kyôn: Evening Bell from Mist-Shrouded Temple and Autumn Moon over Lake Dongting,
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Within a night scene, homesickness is expressed by flying birds looking to find a place to rest for the night
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Maya Mountain from the 8 Famous Views of the Xiao and Xiang Rivers, late 18th century - early 19th century
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Yoshitoshi's death poem was: "Holding back the night, With its increasing brilliance, The summer moon.
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In Heilbrunn Timeline of Art History. New York: Metropolitan Museum of Art. Retrieved 29 August 2012.
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of 8 Views of the Xiao and Xiang Rivers, a painting well respected by both the Japanese and Chinese.
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The illustration about Asagao (chapter 20) is traditionally credited to Tosa Mitsuoki (1617–1691)
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University of Washington: A Visual Sourcebook of Chinese Civilization. Retrieved 27 August 2012.
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from the series One Hundred (Ghost) Stories from China and Japan (Wakan hyaku monogatari), 1865.
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figure, generally a vanquisher of ghosts and evil beings, and reputedly able to command 80,000
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The Ascent of Muhammad to Heaven on his steed Buraq, guided by Gabriel and escorted by angels.
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Freer - Sackler, The Smithsonian Institution's Museum of Asian Art. Retrieved 28 August 2012.
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meditates on the arrogance and heartlessness she displayed to her suitors as a young beauty.
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Images Online. India Office Select Materials, British Library. Retrieved 28 August 2012.
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captures the popular summer entertainment called "taking in the cool of the evening."
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While paintings are generally a snapshot of a moment in time, the Japanese iji dôzu (
747:. The late Ming dynasty fan painting shows her outside the Palace of Boundless Cold.
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Vigil on the Sixth Night after Mahavira's Birth: Folio from a Kalpasutra Manuscript
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Fireworks at Ryogoku (Ryogoku Hanabi), No. 98 from One Hundred Famous Views of Edo
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130:. These factors broadened the way in which nighttime was portrayed everywhere.
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was born in 1388, which would have made him twelve at the turn of the century.
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1890:(Pômch’ôn), 16th century, Joseon dynasty, Korea, Metropolitan Museum of Art
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India Office Select Materials, British Library. Retrieved 28 August 2012.
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Buddhism was an important part of Korean art since about the time of the
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Museum of Fine Arts, Boston; Hokusai Katsushika; Kojiro Tomita. (1957).
415:, and in turn influenced and created uniquely Chinese Buddhist beliefs.
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2545:, "Gibbon in China. An essay in Chinese Animal Lore". The Hague, 1967.
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The flowers will fall asleep and depart. So I light the tall candles,
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Night Vigil for Mahavira's Birth: Folio from a Kalpasutra Manuscript.
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2384:. Catalogue. International Cultural Corporation of Australia. p. 120.
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73:
65:
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China Culture, Ministry of Culture, China. Retrieved 27 August 2012.
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Sung-ling, Pu (author) and Herbert A. Giles (translator). (1880).
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Bonnefoy, Yves (compiled) and Wendy Doniger (translator). (1993).
122:, brought artwork to China that introduced western approaches for
2941:
Preserving a Cultural Tradition: Ten Years After the Khmer Rouge.
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Baz Bahadur and Rupmati riding in a moonlit landscape near Mandu.
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The poet Sa'di converses by night with a young friend in a garden
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New York: Metropolitan Museum of Art. Retrieved 29 August 2012.
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New York: Metropolitan Museum of Art. Retrieved 29 August 2012.
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New York: Metropolitan Museum of Art. Retrieved 29 August 2012.
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Escapade at Night: A Nobleman Climbs a Rope to Visit his Lover.
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Escapade at Night: A Nobleman Climbs a Rope to Visit his Lover
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prints influenced Parisian artists. And, Jesuit priests, like
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that begins in dawn and ends tragically in the dead of night.
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Han Xizai at Night Dinner Painting Depicts Extravagant Life.
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Many of the settings were warm relational studies, such as
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2602:
National Palace Museum. (Chinese) Retrieved 5 August 2012.
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miniature), 1427 (Persia), Chester Beatty Library, Dublin.
643:
2285:, poetry inspired painting, is similar in outcome to the
166:. The light source in most religious paintings symbolize
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New York: Metropolitan Museum. Retrieved 29 August 2012.
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New York: Metropolitan Museum. Retrieved 29 August 2012.
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A Buddhist monk receives cassia seeds on a moonlit night
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15th century, Chosôn dynasty, Metropolitan Museum of Art
3020:
Metropolitan Museum of Art. Retrieved 2 September 2012.
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Mekong Spring: Cambodian Photography in the Last Decade
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Metropolitan Museum of Art. Retrieved 3 September 2012.
2533:. National Museum of China. Retrieved 1 September 2012.
221:
A collaboration between Chinese and European painters,
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Volume 14 of Picture book series. Museum of Fine Arts.
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Metropolitan Museum of Art. Retrieved 30 August 2012.
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Metropolitan Museum of Art. Retrieved 30 August 2012.
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London: Thomas De La Rue and Company. pp. xviii-xxvi.
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The Origin of Music: Page from a Tutinama Manuscript.
718:
characters who symbolize moonlight activity, such as
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1353:
Four Seasons – Autumn Moon above the Reception Room,
174:. In fantasy paintings light could symbolize magic.
2843:. Krishna Prakashan Media. pp. 71, 74, 75, 80, 122.
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2463:Chinese Art: A Guide to Motifs and Visual Imagery.
2442:Chinese Art: A Guide to Motifs and Visual Imagery.
2421:Chinese Art: A Guide to Motifs and Visual Imagery.
978:
594:A Night Banquet at Peach and Plum Garden in Spring
2465:Art and Design Series. Tuttle Publishing. p. 13.
2444:Art and Design Series. Tuttle Publishing. p. 12.
2423:Art and Design Series. Tuttle Publishing. p. 10.
2410:
2407:The Schiller Institute. Retrieved 28 August 2012.
1016:, 100 Aspects of the Moon #25, 3rd month of 1886
401:, judge of Hell, inspired by the Hindu deity Yama
3126:
2486:Themes of Strange Stories from a Chinese Studio.
2387:
2382:Chinese Paintings of the Ming and Qing Dynasties
2591:Ma Lin - Quietly Listening to Wind in the Pines
2153:Vigil on the Sixth Night after Mahavira's Birth
729:
2750:Two Girls on the Veranda Looking at the Moon.
2714:
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1440:, Korea, Metropolitan Museum of Art, New York
1405:Two Girls on the Veranda Looking at the Moon.
1372:Two Girls on the Veranda Looking at the Moon,
1220:According to the Metropolitan Museum of Art,
313:), 1677-1742, National Palace Museum, Taipei.
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2944:Cultural Survival. Retrieved 30 August 2012.
2812:
2573:. New Haven, Yale University Press. p. 133.
2155:depicts four women celebrating the birth of
874:
751:is a contemporary depiction of the goddess.
286:, 15th century (China, Early Ming Dynasty),
2966:Asia Art Archive. Retrieved 30 August 2012.
2488:Cultural China. Retrieved 1 September 2012"
2404:The Great Art of China's 'Soundless Poems'.
1729:Cambodian paintings often took the form of
946:Night Parade With One Hundred Demons scroll
341:were inspiration for night time paintings.
3099:The Cambridge Illustrated History of China
3002:Brooklyn Museum. Retrieved 30 August 2012.
2977:A Concise History of Buddhist Art in Siam.
2900:Brooklyn Museum. Retrieved 29 August 2012.
2886:Brooklyn Museum. Retrieved 29 August 2012.
2753:Brooklyn Museum. Retrieved 29 August 2012.
2739:Brooklyn Museum. Retrieved 29 August 2012.
2709:
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2028:The Night Journey of Muhammad on His Steed
234:
3101:. Cambridge: Cambridge University Press.
3005:
2869:Rao Bhoj Singh Stalking a Tiger at Night.
2125:miniature), Mughal Islamic art collection
2076:), Saxon State Library, Dresden, Germany.
1576:Rajput (also called Rajasthani) paintings
1393:The Sixty-nine Stations of the Kiso Kaidō
16:Overview of nighttime themes in Asian art
2979:Tuttle Publishing. (2nd edition). p. 1.
2766:Metropolitan Museum of Art. pp. 29, 33.
2616:The Goddess Chang'e in the Lunar Palace.
2571:Three thousand years of Chinese painting
1990:
1790:, mural painting, Wat Phra Kaeo, Bangkok
1751:Bodhisattva Siddhartha Gautama with bowl
1599:Rao Bhoj Singh Stalking a Tiger at Night
1553:
1273:, circa between 1860 and 69 (late Edo),
87:
25:
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1694:, 1903-1904, Phnom Penh's Silver Pagoda
1194:Fireworks at Ryōgoku (Ryōgoku Hanabi),
1118:
743:, the Chinese goddess of the moon from
737:The Goddess Chang'e in the Lunar Palace
681:My fear is that in the depth of night,
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2822:. Kessinger Publishing. pp. 128, 131.
2515:Strange Stories from a Chinese Studio.
1672:
1214:Travellers on a mountain path at night
754:
344:Almost 500 legendary tales written by
327:Scene from 'Dream of the Red Chamber',
138:Black and grey shades often symbolize
83:
19:For works from the Western world, see
2530:Strange Stories from a Chinese Studio
1403:made many night paintings, including
993:, Japanese wood block prints, called
879:
841:Illustrated Story of Night Attack on
722:, the "old man of the moonlight" and
351:Strange Stories from a Chinese Studio
339:Strange Stories from a Chinese Studio
3033:Metropolitan Museum of Art. p. 178.
3016:Brahma with Attendants and Musicians
2820:History of Indian and Indonesian Art
2801:Metropolitan Museum of Art. p. 180.
2720:Night Rain at the Double-Shelf Stand
2030:, 1514 (Persia), Bukhara, Uzbekistan
1957:Brahma with Attendants and Musicians
1888:Brahma with Attendants and Musicians
1409:Night Rain at the Double-Shelf Stand
1391:Man on horseback crossing a bridge,
52:that feature the night scene as the
2687:Night Parade of One Hundred Demons.
2119:Ibrahim ibn Adham visited by Angels
1833:A page of a copy circa 1503 of the
1512:), Korea Electric Power Corporation
1032:, 100 Aspects of the Moon #54, 1887
952:, Japan, Metropolitan Museum of Art
726:, the Chinese goddess of the moon.
654:was painted in the Song Dynasty by
523:Returning Late from a Spring Outing
411:. Later beliefs were influenced by
13:
3114:Day and night in the four seasons.
3076:
2841:A Brief History of Indian Painting
2630:The Private Realm of the Literati.
2461:Welch, Patricia Bjaaland. (2008).
2440:Welch, Patricia Bjaaland. (2008).
2419:Welch, Patricia Bjaaland. (2008).
1951:, date unknown, northern Thailand
1605:
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1436:, first half of the 14th century,
1147:, 1778 (Japan), Miho Museum of Art
927:
506:, circa 1250 (China, Song Dynasty)
361:
14:
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2839:Sharma, Lokesh Chandra. (2008) .
2260:Likely made in the 15th century.
1795:
1753:, date unknown, Laotian monastery
1233:
1092:Illustration of the Tale of Genji
549:Landscape after Night Rain Shower
429:. Another mythological figure is
258:Visiting Dai Kui on a Snowy Night
182:
3097:Ebrey, Patricia Buckley (1999).
2818:Coomaraswamy, Ananda K. (2003).
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1334:New Moon over the brushwood gate
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2833:
2791:
2777:
2756:
2742:
2727:
2704:One Hundred Aspects of the Moon
2679:
2665:A Long Tale for an Autumn Night
2657:
2636:
2622:
2583:
2569:Barnhart, R. M. et al. (1997).
2563:
2548:
2536:
2337:
2328:
2319:
2302:
2292:
2276:
2267:
2254:
1661:, c. 1760, India Office Library
1528:, 19th century, Brooklyn Museum
1196:One Hundred Famous Views of Edo
1109:, 16th century, Brooklyn Museum
1048:, 100 Aspects of the Moon, 1890
996:One Hundred Aspects of the Moon
980:One Hundred Aspects of the Moon
819:A Long Tale for an Autumn Night
797:Five Dynasties and Ten Kingdoms
781:Five Dynasties and Ten Kingdoms
652:Waiting for Guests by Lamplight
646:Waiting for Guests by Lamplight
551:, (China, Qing Dynasty), 1660,
504:Waiting for Guests by Lamplight
436:
2938:Ang, SamSam. (March 2, 2010).
2521:
2506:
2476:
2455:
2434:
2371:
2357:
2312:'s triple-painting set of the
2308:This is similar in concept to
1849:
1374:18th century, Brooklyn Museum.
673:The poem by 11th century poet
525:, 15th century, (China, Early
64:. Some artworks which involve
1:
3086:University of Chicago Press.
2554:Hearn, Maxwell. (June 2008).
2351:
2121:, 18th Century (Middle East,
1930:Bonso tsukiyo ni keishi o uku
1775:Chai mural, Bangkok, Thailand
1478:period, presumed after 1805,
1126:
1123:, which has an illustration.
260:, 15th century (China, Early
239:
2013:Edinburgh University Library
1145:Snowclad houses in the night
1107:Scene from the Tale of Genji
730:Chang'e, goddess of the moon
284:Visiting Pu on a Snowy Night
177:
133:
7:
2785:Water-Moon Avalokiteshvara.
2225:
1854:
1758:
1677:
1472:Chatting at a well at night
825:
687:To illuminate their beauty.
10:
3166:
2975:Le May, Reginald. (1962).
2897:Lovers on a Moonlit Night.
2528:Illustrated collection of
2484:"/en/221H12432H14964.html
2380:and Mae Anna Pang (1981).
2162:
2130:
1985:
1949:Mural on a Buddhist temple
1841:. The lower half is night.
1539:Water-Moon Avalokiteshvara
1434:Water-Moon Avalokiteshvara
1338:National Treasure of Japan
749:Chang'e Flying to the Moon
459:Metropolitan Museum of Art
455:Night-Shining White Horse,
18:
1800:
1640:Lovers on a Moonlit Night
1319:
970:13th century (Japanese),
898:The Ghost of Genji's Love
789:Night Revels of Han Xizai
777:Night Revels of Han Xizai
677:that inspired Ma Lin is:
637:Night-Shining White Horse
630:Night-Shining White Horse
223:The Battle of Oroi-Jalatu
207:
35:The moon over a waterfall
3029:Smith, Judith G. (1998)
2797:Smith, Judith G. (1998)
2762:Smith, Judith G. (1998)
2247:
2145:Kevala Jñāna of Mahavira
2072:, 16th century (Persia,
2070:Mohammed Splits the Moon
1934:100 Aspects of the Moon,
1621:Love Scene Central India
1549:
1524:Artist Unknown(Korean),
1503:First Electric Light at
1419:
1179:Nuit de neige à Kambara
845:'s Residence At Horikawa
808:
613:concepts. Artists, like
477:Banquet by Lantern Light
335:Dream of the Red Chamber
187:
2925:Baz Bahadur and Rupmati
2178:Rainy night in Karasaki
2159:'s (599-527 BC) birth.
1736:
1667:Baz Bahadur and Rupmati
1659:Baz Bahadur and Rupmati
1200:, 1858, Brooklyn museum
875:Folklore and literature
691:
235:Folklore and literature
2005:Rashid-al-Din Hamadani
1869:Amitabha Buddha Triad,
1835:Dīvān-e Šams-e Tabrīzī
1642:, circa 1775 (India),
1571:
864:Sen Taiheiki gigokuden
847:, 16th century (Japan)
689:
531:National Palace Museum
485:National Palace Museum
307:Spring Evening Banquet
266:National Palace Museum
99:
37:
2998:Amitabha Buddha Triad
1991:Muhammad's night ride
1657:(Murshidabad) style,
1557:
1501:Geumchoo Nam-ho Lee,
1351:Nishimura Shigenaga,
1161:Utagawa Toyokuni II,
1044:Tsukioka Yoshitoshi,
1028:Tsukioka Yoshitoshi,
1012:Tsukioka Yoshitoshi,
989:made a series of 100
972:Tokyo National Museum
918:Tsukioka Yoshitoshi,
679:
617:used their skills in
479:, circa 1200 (China,
433:, the judge of Hell.
329:c. 1816, Qing Dynasty
91:
29:
2314:Battle of San Romano
2232:History of Asian art
2082:Other Islamic scenes
2011:, c 1315 (Persian),
1228:Fireworks at Ryōgoku
1120:Tale of Genji's love
1094:, late 17th century
1046:Full Moon in Mushasi
985:In the 19th century
900:based upon the book
2494:on 20 December 2008
2237:History of painting
2176:Hoeido et Eikyudo,
2106:), Lahore, Pakistan
1922:Tsukioka Yoshitoshi
1673:Southeast Asian art
1568:Kupferstichkabinett
1312:Yotsuyu (Night Dew)
1252:Blue Birds at Night
1212:Utagawa Hiroshige,
1192:Utagawa Hiroshige,
1177:Utagawa Hiroshige,
987:Tsukioka Yoshitoshi
894:Tsukioka Yoshitoshi
755:Political statement
93:Utagawa Kunisada II
84:Historical overview
3084:Asian Mythologies.
2962:2013-06-09 at the
2650:2006-12-11 at the
2598:2014-02-22 at the
2219:Walters Art Museum
2102:, 1589 (Pakistan,
2049:, 1539-43 (Persia
1871:ca. 16th century.
1572:
1480:Gansong Art Museum
1297:Walters Art Museum
1275:Walters Art Museum
1057:, the famous poet
920:Ōya Tarō Mitsukuni
880:Ghosts and witches
868:Walters Art Museum
860:Toyohara Kunichika
100:
97:Yoshiwara by night
42:night in paintings
38:
2557:Chinese Painting.
2287:three perfections
2242:Night photography
2192:Utagawa Kuniyoshi
1975:Utagawa Kuniyoshi
1903:Utagawa Kuniyoshi
1875:, Brooklyn Museum
1819:Gulistan of Sa'di
1387:Utagawa Hiroshige
1267:Utagawa Yoshitaki
903:The Tale of Genji
745:Chinese mythology
707:Pine In Moonlight
705:Ong Schan Tchow,
199:Chinese mythology
106:The 16th century
40:The depiction of
3157:
3140:Night in culture
3071:
3063:
3057:
3048:
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2677:
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2603:
2587:
2581:
2567:
2561:
2552:
2546:
2543:Robert van Gulik
2540:
2534:
2525:
2519:
2510:
2504:
2503:
2501:
2499:
2490:. Archived from
2480:
2474:
2459:
2453:
2438:
2432:
2417:
2408:
2400:
2385:
2375:
2369:
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2323:
2317:
2306:
2300:
2296:
2290:
2280:
2274:
2271:
2265:
2258:
2217:, 1899 (Meiji),
2207:
2188:
2173:
2141:
2115:
2092:
2068:Artist unknown,
2065:
2039:
2026:Artist Unknown,
2023:
2001:
1945:
1918:
1899:
1884:
1865:
1830:
1811:
1784:
1769:
1747:
1718:
1703:
1688:
1654:
1638:Artist Unknown,
1635:
1619:Artist Unknown,
1616:
1580:Mughal paintings
1558:Artist unknown,
1526:Rabbits and Moon
1521:
1505:Gyeongbok Palace
1498:
1464:
1449:
1430:
1383:
1364:
1348:
1336:, 1405 (Japan),
1330:
1307:
1295:, 1899 (Meiji),
1285:
1263:
1244:
1209:
1189:
1174:
1158:
1137:
1103:
1084:
1055:Gravemarker Moon
1041:
1025:
1014:Gravemarker Moon
1009:
966:Artist unknown,
963:
938:
915:
890:
856:
839:Artist unknown,
836:
765:
702:
635:Han Gan created
586:
564:
541:
515:
496:
469:
447:
395:
382:, 15th century,
372:
348:are compiled in
322:
299:
276:
250:
218:
78:artificial light
3165:
3164:
3160:
3159:
3158:
3156:
3155:
3154:
3125:
3124:
3123:
3079:
3077:Further reading
3074:
3064:
3060:
3049:
3045:
3028:
3024:
3013:
3006:
2995:
2991:
2974:
2970:
2964:Wayback Machine
2953:Wubin, Zhuang.
2952:
2948:
2937:
2933:
2922:
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2652:Wayback Machine
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2600:Wayback Machine
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2107:
2093:
2084:
2077:
2074:Safavid dynasty
2066:
2057:
2055:British Library
2051:Safavid dynasty
2040:
2031:
2024:
2015:
2002:
1993:
1988:
1952:
1946:
1937:
1919:
1910:
1900:
1891:
1885:
1876:
1866:
1857:
1852:
1846:
1842:
1839:Rumi ghazal 163
1831:
1822:
1812:
1803:
1798:
1791:
1785:
1776:
1770:
1761:
1754:
1748:
1739:
1725:
1722:Khmer painting,
1719:
1710:
1704:
1695:
1689:
1680:
1675:
1662:
1655:
1646:
1644:Brooklyn Museum
1636:
1627:
1625:Brooklyn Museum
1617:
1608:
1606:Romantic scenes
1590:paintings like
1552:
1547:
1545:South Asian art
1529:
1522:
1513:
1499:
1490:
1465:
1456:
1450:
1441:
1431:
1422:
1401:Suzuki Harunobu
1396:
1384:
1375:
1368:Suzuki Harunobu
1365:
1356:
1349:
1340:
1331:
1322:
1315:
1308:
1299:
1286:
1277:
1264:
1255:
1248:Watanabe Shōtei
1245:
1236:
1216:
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1190:
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939:
930:
928:Demons and hell
923:
916:
907:
891:
882:
877:
870:
857:
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837:
828:
811:
791:was painted by
786:
785:
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783:), 10th century
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3122:
3121:External links
3119:
3118:
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3058:
3043:
3031:Arts of Korea.
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2799:Arts of Korea.
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2764:Arts of Korea.
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2211:Kōgyo Tsukioka
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2043:Nizami Ganjavi
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1796:West Asian art
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1560:Radha at night
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1271:Night Traveler
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1065:Wang Changling
1059:Ono no Komachi
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2310:Paolo Uccello
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2151:The painting
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2017:
2014:
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2006:
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1995:
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1983:
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1976:
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1969:Arts in Korea
1966:
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1950:
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1707:Reamker mural
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1670:
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1623:, 1660-1680,
1622:
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1603:
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1596:
1593:
1587:
1586:for shading.
1585:
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1535:Unified Silla
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1108:
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1088:Tosa Mitsuoki
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1073:Tale of Genji
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148:superstitions
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44:is common in
43:
36:
32:
28:
22:
3113:
3109:(paperback).
3098:
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2523:
2514:
2508:
2496:. Retrieved
2492:the original
2485:
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2069:
2046:
2027:
2008:
1978:
1973:
1968:
1956:
1955:
1948:
1936:before 1892
1933:
1929:
1925:
1906:
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1413:
1408:
1404:
1399:
1390:
1371:
1352:
1333:
1311:
1292:
1270:
1251:
1234:Mood setting
1227:
1226:
1221:
1219:
1213:
1193:
1178:
1162:
1144:
1119:
1114:
1113:
1106:
1091:
1072:
1064:
1063:
1054:
1052:
1045:
1029:
1013:
994:
984:
979:
967:
945:
942:Hyakki Yagyō
919:
901:
897:
863:
840:
818:
812:
793:Gu Hongzhong
788:
787:
776:
773:Gu Hongzhong
748:
736:
735:
716:mythological
713:
706:
686:
683:
680:
672:
663:
651:
650:
645:
636:
634:
629:
623:
604:
598:Qing Dynasty
593:
571:
548:
527:Ming Dynasty
522:
503:
481:Song Dynasty
476:
454:
437:Mood setting
430:
423:mythological
417:
405:
398:
379:
355:
349:
343:
338:
334:
333:
326:
311:Qing Dynasty
306:
283:
262:Ming Dynasty
257:
254:Zhou Wenjing
227:Qing Dynasty
222:
203:
195:
191:
137:
120:Matteo Ricci
105:
101:
96:
41:
39:
34:
3150:Moon in art
2883:Love Scene.
2667:. Scroll 3.
2498:1 September
2096:Farrukh Beg
1850:By religion
1584:chiaroscuro
1488:South Korea
1468:Shin Yunbok
1414:Night Rains
1254:, 1851-1918
1222:Night Rains
1163:Night Rain,
968:Avici hell,
795:during the
619:calligraphy
346:Pu Songling
146:, mystery,
124:perspective
56:are mostly
46:art in Asia
3129:Categories
3039:0870998501
2807:0870998501
2772:0870998501
2352:References
2344:1964-1975.
2289:practice.
2215:Nogaku zue
2009:Night Ride
1959:depicts a
1909:, c. 1844.
1709:, Cambodia
1293:Nogaku zue
1141:Yosa Buson
1127:Landscapes
950:Edo period
779:, (China,
596:, (China,
590:Huang Shen
568:Yuan Jiang
555:, Beijing.
386:, Beijing.
309:, (China,
240:Literature
225:, (China,
62:landscapes
3145:Asian art
2198:, c. 1844
1724:Wat Phnom
1692:Wat Mural
1355:1725–1730
843:Yoshitune
628:Han Gan,
487:, Taipei.
457:ca. 750,
419:Zhong Kui
178:By region
134:Symbolism
80:sources.
74:moonlight
66:religious
58:portraits
50:Paintings
31:Hiroshige
3135:Painting
2960:Archived
2675:Scroll 2
2671:Scroll 1
2648:Archived
2596:Archived
2226:See also
2157:Mahavira
1855:Buddhism
1759:Thailand
1678:Cambodia
1508:, 1887 (
866:, 1890,
739:depicts
720:Yue-Laou
662:. Using
644:Ma Lin,
611:Buddhist
574:, 1708,
413:Buddhism
325:Gai Qi,
303:Leng Mei
172:divinity
2299:palace.
2262:Dai Jin
2196:Nissaka
2163:Gallery
2131:Jainism
1986:Islamic
1932:, from
1837:. See:
1788:Hanuman
1773:Wat Pho
991:ukiyo-e
815:English
741:Chang'e
724:Chang'e
709:(China)
668:English
660:Ma Yuan
545:Kun Can
519:Dai Jin
473:Ma Yuan
451:Han Gan
431:Yan luo
376:Dai Jin
280:Liu Jun
229:), 1756
128:shading
116:ukiyo-e
111:Basawan
70:fantasy
3105:
3090:
3037:
2983:
2826:
2805:
2770:
2577:
2469:
2448:
2427:
2123:Mughal
2104:Mughal
1965:Korean
1961:Brahma
1801:Persia
1731:murals
1570:Berlin
1564:Mughal
1510:Korean
1476:Joseon
906:, 1886
826:Battle
675:Su Shi
656:Ma Lin
615:Su Shi
607:Taoist
500:Ma Lin
427:demons
409:Taoism
399:Yanluo
208:Battle
164:sorrow
160:secret
2283:Shi i
2248:Notes
1979:Okabe
1977:made
1907:Okabe
1582:used
1550:India
1484:Seoul
1420:Korea
809:Japan
664:shi i
421:is a
188:China
156:death
140:gloom
54:theme
3103:ISBN
3088:ISBN
3035:ISBN
2981:ISBN
2824:ISBN
2803:ISBN
2768:ISBN
2673:and
2575:ISBN
2500:2012
2467:ISBN
2446:ISBN
2425:ISBN
1737:Laos
1320:Moon
802:pipa
692:Moon
609:and
337:and
168:hope
152:evil
144:fear
126:and
60:and
2053:),
1928:or
1566:),
1482:in
1198:#98
1053:In
529:),
483:),
354:or
264:),
76:or
68:or
3131::
3007:^
2711:^
2695:^
2607:^
2412:^
2389:^
2213:,
2194:,
2098:,
2045:,
2007:,
1924:,
1905:,
1486:,
1470:,
1389:,
1370:,
1291:,
1269:,
1250:,
1143:,
1090:,
948:,
944:,
896:,
862:,
775:,
592:,
570:,
547:,
521:,
502:,
475:,
453:,
378:,
282:,
256:,
162:,
158:,
154:,
150:,
142:,
95:,
48:.
33:,
3094:.
3054:.
3041:.
3018:.
3000:.
2987:.
2927:.
2856:.
2830:.
2809:.
2774:.
2737:.
2722:.
2593:.
2502:.
2473:.
2452:.
2431:.
1963:(
1817:(
666:(
305:,
290:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
