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Nicolas Hodges

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421:– the piece Wolfgang wrote for the Busoni Competition, and which I had the honour of premiering – he provided an exemplary example of at least one kind of performer-composer relationship. At one point the conductor turned to Wolfgang and asked (over my head, literally and figuratively) whether I was “allowed” to play a certain phrase in the way I was choosing to. Without hesitation, Wolfgang said “He’s the interpreter: he can do what he wants.” Apart from immediately resolving the power-struggle that sometimes exists between concerto soloist and conductor (I could have kissed him for that), Wolfgang’s gesture was a hugely important one for me: it was an expression of trust, and curiosity about what I would produce. 199:
Hodges still plays classical repertoire occasionally, bringing praise from critics. Andrew Clements wrote "There was the Op 77 Fantasie and the late A major sonata Op 101, which Hodges played with an intelligence and insight that suggests he ought to be heard more in the 19th-century repertoire." Of
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Jim Igor Kallenberg: "Intergalactic mutant music: The music of Christian Wolff and the politics of 1968. Christian Wolff in conversation with Jim Igor Kallenberg", Wien Modern 31: Sicherheit. 28.10.-30.11.2018. Essays (Festivalkatalog Band 2), pp. 90–95, esp. p. 91 on Trio Accanto and
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My friendship with was born some time ago out of the surprise that a young man could interpret, without being in touch with the composer, works as demanding as mine. I was enthusiastic not only about his technical control, but also for the familiarity and depth of his
325:, we went through the whole piece ... changing the tempi to what we had ended up with. It was a very creative collaboration. If he had worked with a different pianist, they might have presented him with different options and he might have chosen different tempi. 200:
a performance of Beethoven's Bagatelles op. 126, Suzanne Yanko wrote that "his performance was engrossing... What we heard was an authoritative, assured and, at times, stunning rendition of the bagatelles that brought out their many contrasts."
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It was in 1987 - I just went up to him and asked him if he had heard any news about the composer Morton Feldman, with whom I'd studied at Dartington the previous year, and who I knew was very ill. He told me Feldman had died that
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Nicolas Hodges was born into a musical family. His mother sang in the BBC Singers, including under Boulez in works by Nono. His father was a keen amateur musician, and at one time a BBC Studio Manager. He was educated at
338:. The work was commissioned by the BBC and completed in 2003. It was first performed on 23 January 2004 at the Queen Elizabeth Hall in Southbank Centre, London, by Hodges with the London Sinfonietta under the conductor 845:
Mark Delaere: 'Gigue Machine and other Gigs: Birtwistle in Europe and Beyond' in Beard, David; Gloag, Kenneth; Jones, Nicholas (editors): Harrison Birtwistle Studies (Cambridge University Press, 2015.), p.
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Mark Delaere: 'Gigue Machine and other Gigs: Birtwistle in Europe and Beyond' in Beard, David; Gloag, Kenneth; Jones, Nicholas (editors): Harrison Birtwistle Studies (Cambridge University Press, 2015.),
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in: Helmut Lachenmann Music with matches, edited by Dan Albertson, Contemporary Music Review 24 (2005), Vol. 1, pp. 77–88.
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for BIS, a recording Dusapin described as "the work's real premiere". Dusapin is writing Hodges a new cycle of solo pieces,
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Hodges is known mainly as a player of contemporary music. Many composers have written works for Hodges to perform, notably
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He has confessed to being "a terrible record collector". He was a named supporter of the restoration by Arrow Films of
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Hodges first met Birtwistle in 1987, at the Queen Elisabeth Hall foyer, as recounted in an interview with Tom Service:
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Brown, Jeffrey Arlo: "A Pianist Adapts to Life With Parkinson’s Disease", The New York Times. Retrieved 7 August 2023.
1076: 1022: 956:"I want to create a wide range of spaces for listening..." - Rebecca Saunders in dialogue with Jörn-Peter Hiekel, in 700:"I want to create a wide range of spaces for listening..." - Rebecca Saunders in dialogue with Jörn-Peter Hiekel, in 472:
In 2019, it was announced that the tenth Roche Commission would go to Rebecca Saunders. The resulting piano concerto
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Hodges has recorded music by many contemporary and recent composers. His first CD was of the complete piano works of
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Pietro Misuraca has described Hodges as "currently favourite pianist". Sciarrino himself wrote of Hodges:
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He has more piano works of Birtwistle in his repertoire than any other pianist, and has recorded all but
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Hodges premiered Notturno No. 3, Notturno No. 4, Due Notturni Crudeli, and the piano concerto
391: 208: 56: 45: 986:, Undamaris Edizioni, Palermo, 2008, p. 109-110; English translation in CD booklet Metronome 1107: 525: 86: 82: 8: 284: 212: 189: 169: 78: 729: 886: 782: 695:
Explosions in November - The first 33 years of Huddersfield Contemporary Music Festival
521: 335: 162: 110: 85:, as well as on the EMI recording of the work. He also performed with the choir in the 37: 636:
Newsletter 2007, expanded version (2009) booklet to Kairos CD 0012952KAI, pp. 4–5
626:, UE MusikblĂ€tter 2 (December 2011–May 2012), p. 25 (abridged German translation) 224: 485: 430: 395: 177: 126: 60: 1011:, ed. Danke bird and Michael Brooke (book accompanying Arrow Films FCD953), p. 253 359: 239: 220: 138: 878: 433:
and Hodges first met at Darmstadt in 2000. Hodges took part in the premiere of
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Academic staff of the State University of Music and Performing Arts Stuttgart
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Hamilton, Andy: To Boldly Go, International Piano, May/June 2014, pp. 65
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Salvatore Sciarrino, Programme note to Nocturnes, in Pietro Misuraca:
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and recorded it for CD. Subsequently, Rihm composed a new version of
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for piano and string quartet with the Arditti Quartet, and with
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Birtwistle said of Hodges: " is becoming like my Peter Pears."
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Nicolas Hodges and the case for ‘difficult’ contemporary music
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Review by Suzanne Zanko, Classical Melbourne, 1 September 2014
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Nicolas Hodges and the case for ‘difficult’ contemporary music
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A Volcano Viewed from Afar': The Music of Salvatore Sciarrino
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since 2013. Hodges performs in duo with the Finnish cellist
98:, with the composer conducting: the concert was televised. 437:
at Tate Modern in 2003. Saunders wrote the double concerto
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Hodges has spoken of the details of their collaboration on
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Since April 2005 Hodges has been Professor of Piano at the
690:, Undamaris Edizioni, Palermo, 2008, esp. pp. 109–110 630:
Wolfgang Rihm's Sotto Voce 2 - thoughts after the premiere
591:, Tempo Volume 69, Issue 272 April 2015, pp. 100–102 410:. Hodges has many other works by Rihm in his repertoire. 697:, University of Huddersfield Press, 2011, esp. p. 75ff. 803:
Review by Andrew Clements, The Guardian, July 18, 2005
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In his speech accepting a British Composer Award for
585:, International Piano, May/June 2014, pp. 62–65 571:, International Piano, Sept/Oct 2006, pp. 44–47 1077:"A Pianist Adapts to Life With Parkinson's Disease" 1023:"A Pianist Adapts to Life With Parkinson's Disease" 984:
Salvatore Sciarrino - Itinierario di un alchimusico
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Salvatore Sciarrino - Itinierario di un alchimusico
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Salvatore Sciarrino - Itinierario di un alchimusico
649:, Tempo, New Series No. 194 (Oct., 1995), pp. 22-24 141:. He also attended master classes at Dartington by 1009:Camera Obscura - The Walerian Borowczyk Collection 933:UE MusikblĂ€tter 2 (December 2011–May 2012), p. 25 562:Expressivity and Critique in Lachenmanns Serynade 390:for him, which he premiered and performed in the 350:Hodges met Dusapin around 2002. Hodges premiered 1099: 246:with whom he has recorded Boulez's two books of 704:, Roche/Lucerne Festival, 2021, esp. pp. 26-27 517:Nicolas Hodges is married with four children. 461:. She has also composed a major trio entitled 1048:"Q&A with British pianist Nicolas Hodges" 610:, Piano News (Issue 4, 2018), pp. 78–80 449:for two pianos (premiered and recorded with 413:Of their collaboration, Hodges has written: 999:, International Piano, Sept/Oct 2006, p. 47 973:, Undamaris Edizioni, Palermo, 2008, p. 109 766:, International Piano, Sept/Oct 2006, p. 44 642:, booklet to Kairos CD 0013082KAI, pp. 9–10 595:Q&A with British pianist Nicolas Hodges 1074: 1062:"Shaping the future of the piano concerto" 1020: 457:for solo piano, which was part of Hodges' 960:, Roche/Lucerne Festival, 2021, pp. 26-27 958:Roche Commissions 2021 - Rebecca Saunders 775: 702:Roche Commissions 2021 - Rebecca Saunders 667:https://doi.org/10.1017/S0040298223000372 260: 59:Motets (on ASV) as well as performing in 778:"Stretching Technique in All Directions" 601:Shaping the future of the piano concerto 125:; he studied composition at school with 478:Lucerne Festival Contemporary Orchestra 334:Carter wrote Hodges the piano concerto 1100: 877: 859:, The Financial Times, 17 January 2014 776:Tommasini, Anthony (23 January 2013). 578:, The Financial Times, 17 January 2014 491: 265: 1133:People educated at Winchester College 1075:Arlo Brown, Jeffrey (7 August 2023). 1021:Arlo Brown, Jeffrey (7 August 2023). 603:, Gramophone Online, 25 October 2018 528:. In 2019, Hodges was diagnosed with 105:at Winchester, and subsequently with 71:City of Birmingham Symphony Orchestra 871: 398:and elsewhere. Hodges also recorded 234:Nicolas Hodges has been a member of 207:, and he has also recorded music by 1153:21st-century British male musicians 734:Two reviews of Hodges' concerts in 425: 293:Variations from the Golden Mountain 117:and, as a Lieder accompanist, with 13: 672: 624:Wolfgang Rihm - zum 60. Geburtstag 617: 597:, Pianist Magazine, 22 March 2018 550:, The Independent, 19 January 2004 417:In rehearsal for a performance of 23:) is a pianist living in Germany. 14: 1164: 720:General Management Nicolas Hodges 708: 476:was premiered by Hodges with the 345: 329: 287:composed three works for Hodges, 640:Peter Ablinger: Voices and Piano 557:, The Guardian, 29 October 2004. 512: 373: 1148:21st-century classical pianists 1128:English male classical pianists 1068: 1054: 1040: 1014: 1002: 989: 976: 963: 950: 936: 927: 918: 909: 900: 535: 299:for piano and percussion (with 862: 849: 839: 817: 806: 797: 769: 756: 378:Hodges premiered the concerto 101:Hodges studied the piano with 55:and in that capacity recorded 34:Christ Church Cathedral School 26: 1: 749: 540: 441:for Hodges, and subsequently 53:Christ Church Cathedral Choir 827:. Musikhochschule, Stuttgart 469:, with Hodges at the piano. 113:. He also took lessons with 7: 362:. He recorded the concerto 295:for solo piano, as well as 51:Hodges sang as a treble in 10: 1169: 1123:English classical pianists 725:Nicolas Hodges at AllMusic 683:Wolff's Trio IX - Accanto. 608:Ich bevorzuge die Freiheit 507:Il clima dopo Harry Partch 358:for cello and piano, with 291:(dedicated to Hodges) and 255:Musikhochschule, Stuttgart 242:, and with German pianist 40:, and the universities of 730:Nicolas Hodges at Discogs 152: 1138:British piano educators 715:Nicolas Hodges' website 589:Profile: Nicolas Hodges 166:for Piano and Orchestra 131:University of Cambridge 825:"Prof. Nicolas Hodges" 659:Harrison Birtwistle's 503: 423: 327: 277: 261:Notable collaborations 498: 488:on 4 September 2021. 415: 392:Berliner Philharmonie 319: 272: 211:, Michael Finnissy, 83:Birmingham Town Hall 77:, in concert in the 887:Boosey & Hawkes 548:Pedalling furiously 530:Parkinson's disease 526:Goto, l'Ăźle d'amour 492:Salvatore Sciarrino 354:, and subsequently 266:Harrison Birtwistle 213:Harrison Birtwistle 190:Harrison Birtwistle 170:Salvatore Sciarrino 79:Royal Festival Hall 1081:The New York Times 1027:The New York Times 944:"Rebecca Saunders" 783:The New York Times 693:Richard Steinitz: 655:, Tempo, Issue 226 653:Finella circa 1990 522:Walerian Borowczyk 227:, Elliott Carter, 111:Sulamita Aronovsky 38:Winchester College 1118:English composers 995:Anderson, Colin: 969:Pietro Misuraca: 915:Winter and Winter 906:Kairos 0012952KAI 762:Anderson, Colin: 686:Pietro Misuraca: 606:Nemecek, Robert: 567:Anderson, Colin: 244:Michael Wendeberg 231:and many others. 225:Brian Ferneyhough 1160: 1092: 1091: 1089: 1087: 1072: 1066: 1065: 1058: 1052: 1051: 1050:. 22 March 2018. 1044: 1038: 1037: 1035: 1033: 1018: 1012: 1006: 1000: 993: 987: 980: 974: 967: 961: 954: 948: 947: 940: 934: 931: 925: 924:WERGO WER 7364 2 922: 916: 913: 907: 904: 898: 897: 895: 893: 875: 869: 866: 860: 853: 847: 843: 837: 836: 834: 832: 821: 815: 810: 804: 801: 795: 794: 792: 790: 773: 767: 760: 581:Hamilton, Andy: 486:Lucerne Festival 445:for solo piano, 431:Rebecca Saunders 426:Rebecca Saunders 396:Lucerne Festival 178:Michael Finnissy 127:Michael Finnissy 119:Geoffrey Parsons 61:Benjamin Britten 1168: 1167: 1163: 1162: 1161: 1159: 1158: 1157: 1098: 1097: 1096: 1095: 1085: 1083: 1073: 1069: 1060: 1059: 1055: 1046: 1045: 1041: 1031: 1029: 1019: 1015: 1007: 1003: 994: 990: 981: 977: 968: 964: 955: 951: 942: 941: 937: 932: 928: 923: 919: 914: 910: 905: 901: 891: 889: 879:Carter, Elliott 876: 872: 867: 863: 855:Clark, Andrew: 854: 850: 844: 840: 830: 828: 823: 822: 818: 811: 807: 802: 798: 788: 786: 774: 770: 761: 757: 752: 711: 675: 673:Texts by others 620: 618:Texts by Hodges 574:Clark, Andrew: 543: 538: 515: 494: 474:to an utterance 459:Studies project 428: 376: 360:Anssi Karttunen 348: 332: 268: 263: 240:Anssi Karttunen 221:Justin Connolly 155: 139:Alexander Goehr 91:St Luke Passion 29: 19:(born 1970, in 12: 11: 5: 1166: 1156: 1155: 1150: 1145: 1140: 1135: 1130: 1125: 1120: 1115: 1110: 1094: 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Moreover 217:Beat Furrer 194:Betsy Jolas 145:(1986) and 66:War Requiem 27:Early years 1102:Categories 892:29 January 750:References 541:Interviews 482:Enno Poppe 408:GegenstĂŒck 285:Birtwistle 248:Structures 209:John Adams 87:Penderecki 73:under Sir 36:, Oxford, 463:That Time 451:Rolf Hind 356:Slackline 336:Dialogues 281:Responses 168:, 2003), 164:Dialogues 129:, and at 96:BBC Proms 69:with the 42:Cambridge 1086:7 August 1032:7 August 881:(2003). 524:'s film 275:morning. 149:(1988). 484:in the 443:Crimson 439:Miniata 297:Intrada 94:in the 46:Bristol 480:under 455:Shadow 447:Choler 435:Chroma 364:A Quia 153:Career 21:London 321:With 133:with 1088:2023 1034:2023 894:2016 846:286. 833:2014 791:2014 743:and 465:for 192:and 137:and 121:and 109:and 81:and 57:Bach 44:and 453:), 382:by 303:). 63:'s 1104:: 1079:. 1025:. 885:. 780:. 740:: 632:, 532:. 509:. 394:, 370:. 342:. 317:. 257:. 250:. 223:, 219:, 215:, 196:. 188:, 184:, 180:, 176:, 172:, 48:. 1090:. 1064:. 1036:. 946:. 896:. 835:. 793:. 645:' 161:(

Index

London
Christ Church Cathedral School
Winchester College
Cambridge
Bristol
Christ Church Cathedral Choir
Bach
Benjamin Britten
War Requiem
City of Birmingham Symphony Orchestra
Simon Rattle
Royal Festival Hall
Birmingham Town Hall
Penderecki
St Luke Passion
BBC Proms
Robert Bottone
Susan Bradshaw
Sulamita Aronovsky
Yonty Solomon
Geoffrey Parsons
Roger Vignoles
Michael Finnissy
University of Cambridge
Robin Holloway
Alexander Goehr
Morton Feldman
Robert Saxton
Elliott Carter
Dialogues for Piano and Orchestra

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