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who acted as torch-bearers, equipped with helmets, staves, and clubs. He decorated a pageant stage called the "mount" with terracotta and plaster of paris ornaments and other moulding compounds. The mount was used in an interlude of
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had similar court offices. He worked for several years at
Fontainebleau, and came to London in 1532 where he was recorded working at Whitehall. He returned to France and made masquerade costumes for the wedding of the
121:. He was paid for "six heads of hair for women masquers and for the tryming Coloring and lyning of xvj vizars or maskes for moores", for actors and dancers portraying imagined Africans. An
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near the end of the 15th century. He is first recorded at the French court in 1516 as a valet of the wardrobe. Other painters and artists including
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He made the effigy used at the funeral of Henry VIII in 1547. He made leather horse armour used against the Scots at the
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Nonsuch was decorated with carved and slates. In 1542 Niccolo provided a special varnish for the slates, made from "
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Photographs of accounts from
Niccolo da Modena for making moulded leather horse armour, TNA E101/504, via AALT
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224:(London, 1962), p. 283: Surrey History Centre: LM/837, Nicholas Modena at Nonsuch, 1542–4.
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302:(New York, 2005), pp.57-8: Nicolas Bellin's account, National Archives TNA E101/504/8.
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vernyshe and oyle with other necessaryes for the pollishing settyng and vernyshing".
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mentions a set of eight costumes for women disguised as "Mores", made of silver,
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Edward Town, 'A Biographical
Dictionary of London Painters, 1547–1625',
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Edward Town, 'A Biographical
Dictionary of London Painters, 1547–1625',
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Ian Smith, 'White Skin, Black Masks', Jeffrey Masten & Wendy Wall,
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26:(died 1569) was an Italian artist and technician at the English court.
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NON59 Slate and Stucco, Nicholas Bellin of Modena, Museum of London
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John Gough
Nichols, 'Contemporaries and Successors of Holbein',
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Other
Italian craftsmen employed by the Tudor court include
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Stuart W. Pyhrr, Donald J. LaRocca, Dirk H. Breiding,
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Documents relating to the revels of Edward VI and Mary
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Documents relating to the revels of Edward VI and Mary
143:Niccolo worked for many years in the Tomb House at
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237:(London, 1836), pp. 73-80: Albert Feuillerat,
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